Francesco Bartolozzi muotokuva

2 tunnetuinta Francesco Bartolozzi -maalausta, gallerian valikoima

Päivitetty marraskuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 2 teosta taiteilijalta Francesco Bartolozzi luettelossamme

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Kaikista Francesco Bartolozzi jättämistä alkuperäisteoksista kuuluisin on Thomas Cheesman (1777), joka kuuluu National Portrait Gallery -kokoelmaan, Lontoo. Katalogissamme on 2 teosta taiteilijalta Francesco Bartolozzi; galleria on säilyttänyt 2 maailman ihailluimmista teoksista, ja jokaisesta on esitetty sen päivämäärä, museo sekä tarina.

1728 – 1815, Florence Eniten teoksia: National Portrait Gallery

Francesco Bartolozzi -taiteilijan 10 parasta maalausta: gallerian valinnat

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Thomas Cheesman (1777) tekijä Francesco Bartolozzi

Thomas Cheesman

1777 · Oil On Canvas · National Portrait Gallery, Lontoo

This oil on canvas portrait depicts Thomas Cheesman, an English engraver and draughtsman. Attributed to the artist Francesco Bartolozzi, the work was created circa 1777. The subject, who lived from 1760 to circa 1834, is presented in a formal manner that identifies his professional standing. The painting is held within the National Portrait Gallery in London.

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Bacchante (1786) tekijä Francesco Bartolozzi

Bacchante

1786 · Engraving · Hermitage-museo, Pietari

In this 1786 composition, we find ourselves drawn into a quiet, wooded setting where three women are gathered. There is a sense of ease in their posture, a feeling of shared companionship that feels almost private, as if we have stumbled upon a fleeting moment of rest. The figures are positioned with a natural grace; one woman rests on the left, while the other two are situated closer to the…

Museot, joissa Francesco Bartolozzi'n alkuperäisteokset sijaitsevat

Tämän sivun teoksista eniten sisältävät 2 museota.

Museo Kaupunki Francesco Bartolozzi teokset Tämän listan maalaukset
National Portrait Gallery, LontooNational Portrait Gallery Lontoo 1 Thomas Cheesman
Hermitage-museo, PietariHermitage-museo Pietari 1 Bacchante

Francesco Bartolozzi vuosi vuodelta: jokaisen vuoden määrittävät alkuperäisteokset

Vain vuosikymmenen aikana, 1777–1786, on luotu maailmaan jokainen tämän valikoiman Francesco Bartolozzi alkuperäisteos: tässä ne ovat, vuosi vuodelta.

Teokset vuosittain

Valitse vuosi nähdäksesi alkuperäisteokset.

Keräilijöiden kysymyksiä Francesco Bartolozzi -taiteilijan maalauksista

Mistä teoksesta Francesco Bartolozzi on tunnetuin?Paljasta vastaus

Thomas Cheesman (1777)

Kuinka vanha Francesco Bartolozzi oli, kun Thomas Cheesman tehtiin?Paljasta vastaus

49 vuotta vanha: Thomas Cheesman on peräisin vuodelta 1777, ja Francesco Bartolozzi on syntynyt vuonna 1728.

Kuinka monta maalausta Francesco Bartolozzi jätti jälkeensä?Paljasta vastaus

Katalogissamme on 2 teosta taiteilijalta Francesco Bartolozzi, aikaväliltä 1777–1786.

Missä museoissa Francesco Bartolozzi's mestariteokset sijaitsevat?Paljasta vastaus

Pääasiassa National Portrait Gallery (Lontoo) ja Hermitage-museo (Pietari). Yllä oleva museotaulukko listaa ne kaikki.

Mitkä ovat Francesco Bartolozzi ensimmäinen ja viimeinen tunnettua alkuperäisteosta?Paljasta vastaus

Tällä sivulla vanhin on Thomas Cheesman (1777) ja uusin Bacchante (1786).

Francesco Bartolozzi: elämä ja tuotanto

Francesco Bartolozzi: Life and Legacy

Early Life and Training

  • Born: Florence, Italy in 1725.
  • Initially destined to follow his father’s profession as a goldsmith and silversmith.
  • Demonstrated exceptional artistic talent early on, leading him to study painting under Florentine artists Ignazio Hugford and Giovanni Domenico Ferretti.
  • Spent three years dedicated to painting before turning his attention to engraving in Venice.
  • Influenced by the work of Joseph Wagner, a prominent engraver, during his time in Venice.

Artistic Development and Style

  • Bartolozzi’s early engravings were initially in the style of artists like Marco Ricci and Zuccarelli.
  • He later developed a distinctive style, becoming renowned for popularizing the “crayon” method of engraving.
  • The ‘crayon’ manner imitated the subtle effects of chalk drawings, creating soft, delicate textures and tones.
  • His work often featured portraits and allegorical scenes, reflecting Neoclassical influences.

Career in London

  • Moved to London in 1764 and remained there for nearly forty years.
  • Quickly established himself as a leading engraver, appointed ‘Engraver to the King’ with an annual salary of £300.
  • Elected a founding member of the Royal Academy in 1768, solidifying his position within the British art establishment.
  • Contributed significantly to Boydell's Shakespeare Gallery, creating engravings based on works by prominent artists.
  • Frequently collaborated with artists such as Cipriani and Angelica Kauffman.

Major Achievements and Works

  • Notable works include engravings of “Clytie” after Annibale Carracci and the “Virgin and Child” after Carlo Dolci.
  • His skill in reproducing paintings with a chalk-like quality made his engravings highly sought after.
  • In 1802, he became the founding president of the short-lived Society of Engravers.
  • Bartolozzi’s influence extended to numerous pupils, including Michele Benedetti and Luigi Schiavonetti.

Later Life and Historical Significance

  • In 1802, Bartolozzi accepted the position of director of the National Academy of Lisbon.
  • He died in Lisbon in 1815.
  • Bartolozzi’s contribution to engraving lies in his mastery and popularization of the crayon manner, which significantly impacted the aesthetic qualities of engravings during his time.
  • His work remains a testament to the skill and artistry of 18th-century engravers and continues to be appreciated for its delicate beauty and technical brilliance.