Actualizado octubre 2026 · clasificado según nuestro índice de popularidad (búsquedas, visitas y pedidos de cada obra) · 43 obras de Nicolas Bertin en nuestro catálogo
En resumen
De todos los originales que dejó Nicolas Bertin, la más famosa es The Good Samaritan (1701), que forma parte de la colección del Colecciones de Pintura del Estado Bávaro, Múnich. Le siguen muy de cerca Christ and the Canaanite Woman (1701) y Christ and the Samaritan Woman (1701). Nuestro catálogo cuenta con 43 obras de Nicolas Bertin; la galería ha conservado las 42 que el mundo más admira, cada una presentada con su fecha, su museo y su historia.
This monochromatic painting, dated 1701, depicts a scene from the biblical parable of the Good Samaritan. The composition centers on a man assisting an injured individual onto a horse. To the left, a stone archway provides a structured architectural element, while the background is filled with the dense, detailed textures of foliage and trees. The entire work is rendered in a grayscale palette, utilizing a wide range of tonal values…
The oil painting titled Christ and the Canaanite Woman was executed by the French painter Nicolas Bertin. This work dates to 1701. The artist, who was born in Paris in 1667, lived until 1736. His hand is evident in the specific handling of the figures and the narrative structure presented in this composition.
In this 1701 oil painting, two figures are positioned within a wooded landscape near a stone well. Christ is depicted with an outstretched arm, a gesture directed toward the Samaritan woman. She reacts to his presence with a specific hand gesture, creating a diagonal tension between their bodies. The composition follows a triangular arrangement, guiding the eye from the seated or leaning figure of Christ toward the woman and then…
A heavy, muscular tension pulls at the center of the canvas. Hercules moves with a sudden, diagonal force, his body a study in strained anatomy and heroic intent. He reaches toward Prometheus, whose torso is pale against the encroaching shadows of the rocky landscape. The scene is a collision of flesh and stone, a moment of violent rescue frozen in oil. Red drapery cuts through the earthy browns of the…
In this intimate oil painting, we encounter Saint Gregory the Great, a figure of profound spiritual weight. The portrait, executed by the French painter Nicolas Bertin, captures the subject in a moment of quiet, upward contemplation. It is a work that invites a closer look at the individual's character and the divine connection suggested by his expression.
The scene unfolds within a rugged, outdoor workshop or grotto, where heavy textures define the rocky background and the foliage of large trees. In the center-left, Venus is depicted as a luminous, seated figure, her body angled as she gestures toward Vulcan. Vulcan is positioned with his back to the viewer, his muscular frame leaning over an anvil as he engages in his craft. The arrangement of the figures follows…
The canvas captures a violent collision between the hero Hercules and the river god Achelous. Two muscular male figures dominate the foreground, locked in a physical struggle that defines the composition. Their limbs form energetic, diagonal lines, guiding the eye through the chaos of the combat. Above the fray, a winged female figure floats amidst the clouds, holding a laurel wreath as a symbol of divine oversight or impending triumph.…
Nicolas Bertin’s Bacchanalia. presents a scene of exuberant revelry set within a dark, cavernous environment. The composition is dynamic, centering on a group of figures engaged in celebration. On the left, a male figure is captured in mid-motion, his back partially turned to the viewer as he raises a golden goblet toward the others. To the right, three figures—two women and a man—recline together upon a draped surface. The arrangement…
A heavy, muscular tension pulls the eye upward. Hercules moves in a powerful diagonal, his body a study of strained anatomy and light. He reaches toward the suffering figure of Prometheus, whose flesh is pale against the dark, craggy shadows of the rock. The air feels thick with the scent of dust and the heat of a struggle. Every muscle is a knot of effort, carved by light that strikes…
The Infant Zeus among Nymphs by Nicolas Bertin depicts a mythological scene set within a lush, pastoral landscape. The composition is organized in a dynamic, pyramidal structure that directs the viewer's eye toward the center of the grouping. At this focal point, an infant Zeus is surrounded by a group of nymphs. These figures are positioned in various poses of movement and service, creating a sense of activity within the…
Bacchus with Four Putti1716 · Colecciones de Pintura del Estado Bávaro
12
Saturn Clipping the Wings of Eros1716 · Colecciones de Pintura del Estado Bávaro
13
Amor Leaves Psyche1716 · Colecciones de Pintura del Estado Bávaro
14
Prophets and Kings of the Old Testament Adoring the Name of Jehovah1718 · Museum of Fine Arts
15
The Resurrection of Christ1730 · Museo Carnavalet
16
Christ Washing the Feet of His Disciples1725 · Art Institute of Chicago
17
Daniel in the Lions' Den1736 · Museo de las Bellas Artes
18
Susana y los ancianos1699 · Rijksmuseum
19
Phaeton Sobre el Carro de Apolonio1720 · Museo del Louvre
20
PROMETEO LIBERADO POR HERCULESMuseo del Louvre
21
San Felipe bautizando al eunuco de la reina CandaceMuseo del Louvre
22
Vertumnus and Pomona1706 · Casa de Ópera
23
Joseph and Potiphar"s Wife, Nicolas Bertin, 1690 - 17101710 · Rijksmuseum
24
Jupiter and DanaëMusee Nacional del Castillo de Compiègne
25
The Finding of the Money in Benjamin's SackNational Gallery of Ireland
26
Bacchus and AriadneNationalmuseum
27
Nicolas Bertin - Apollon et les Muses
28
La Lapidation de saint Etienne
29
Hercule délivrant Prométhée
30
Jupiter et LédaMusee Nacional del Castillo de Compiègne
31
Acis et GalathéeMusee Nacional del Castillo de Compiègne
32
Moïse et les filles de Jethro
33
Persée délivrant AndromèdeMusee Nacional del Castillo de Compiègne
34
LE TRIOMPHE DE DAVID
35
Jupiter et Danaë
36
Vénus et l'Amour
37
Anacréon et l'Amour
38
FÉTON CONDUCIENDO EL CARRO DEL SOLMuseo del Louvre
39
La résurrection de Lazare
40
Moïse et les filles de Jéthro
41
Psyché abandonnée par l'AmourMusee Nacional del Castillo de Compiègne
42
Hercule assommant les soldats de Busiris Hercule et les Nymphes (Titre ancien) Hercule et les filles de Stymphalos (Titre ancien)
Los cuatro temas que se repiten con más frecuencia en estas obras originales, cada uno con su mejor ejemplo.
Los 8 museos que albergan la mayoría de las pinturas de esta página.
| Museos | Ciudad | Obras de Nicolas Bertin | Pinturas de esta lista |
|---|---|---|---|
 Colecciones de Pintura del Estado Bávaro |
Múnich | 6 | The Good Samaritan, Christ and the Canaanite Woman, Christ and the Samaritan Woman |
 Musee Nacional del Castillo de Compiègne |
Compiègne | 5 | Jupiter and Danaë, Jupiter et Léda, Acis et Galathée |
 Museo del Louvre |
París | 4 | Phaeton Sobre el Carro de Apolonio, PROMETEO LIBERADO POR HERCULES, San Felipe bautizando al eunuco de la reina Candace |
 Casa de Ópera |
Versailles | 2 | Venus Orders Vulcan to Make Arms for Aeneas, Vertumnus and Pomona |
 Museo Nacional de Varsovia |
Varsovia | 2 | Hercules fighting Achelous., Bacchanalia. |
 Rijksmuseum |
Ámsterdam | 2 | Susana y los ancianos, Joseph and Potiphar"s Wife, Nicolas Bertin, 1690 - 1710 |
 Birmingham Museum of Art |
Birmingham | 1 | Hercules Delivering Prometheus |
 National Museum of Art, Architecture and Design |
Oslo | 1 | The Infant Zeus among Nymphs |
Elige una década para ver la obra original que la define.
Esta obra, titulada Susana y los ancianos, fue pintada por Nicolas Bertin en 1699. Representa un ejemplo significativo de la capacidad del artista para abordar temas narrativos complejos a través de una lente barroca. La pintura captura una escena bíblica específica, centrándose en la tensión entre la figura femenina central y los hombres que han invadido su privacidad.
This monochromatic painting, dated 1701, depicts a scene from the biblical parable of the Good Samaritan. The composition centers on a man assisting an injured individual onto a horse. To the left, a stone archway provides a structured architectural element, while the background is filled with the dense, detailed textures of foliage and trees. The entire work is rendered in a grayscale palette, utilizing a wide range of tonal values…
The canvas captures a violent collision between the hero Hercules and the river god Achelous. Two muscular male figures dominate the foreground, locked in a physical struggle that defines the composition. Their limbs form energetic, diagonal lines, guiding the eye through the chaos of the combat. Above the fray, a winged female figure floats amidst the clouds, holding a laurel wreath as a symbol of divine oversight or impending triumph.…
In this Baroque oil painting, Christ Washing the Feet of His Disciples, Nicolas Bertin captures a moment of profound spiritual intimacy. Painted about 1725, the work focuses on the biblical scene of Christ performing the humble task of washing the feet of His followers. The artist, Nicolas Bertin, moves beyond simple illustration to explore the weight of the act itself. Through the physical postures of the gathered men, the painting…
The air vibrates with a sudden, celestial energy as the figure of Jesus Christ ascends toward the heavens. He dominates the upper half of the frame, his body rendered with soft, muscular definition and draped in flowing white cloth that catches a light from an unseen source. In his left hand, he holds a slender staff topped with a cross, while his right arm reaches upward, grasping at the divine…
The Good Samaritan (1701), Colecciones de Pintura del Estado Bávaro, Múnich. A Christ and the Canaanite Woman (1701) y Christ and the Samaritan Woman (1701) le siguen.
34 años: The Good Samaritan data de 1701, y Nicolas Bertin nació en 1667.
The Good Samaritan, Christ and the Canaanite Woman, Christ and the Samaritan Woman, Hercules Delivering Prometheus, Saint Gregory the Great, Venus Orders Vulcan to Make Arms for Aeneas, Hercules fighting Achelous., Bacchanalia., Hercules Delivering Prometheus y The Infant Zeus among Nymphs. La clasificación anterior indica el año y el museo de cada una.
Nuestro catálogo cuenta con 43 obras de Nicolas Bertin, datadas desde 1699 hasta 1736.
Principalmente en Colecciones de Pintura del Estado Bávaro (Múnich), Musee Nacional del Castillo de Compiègne (Compiègne) y Museo del Louvre (París). La tabla de museos arriba los enumera todos.
En 1700s: 8 de las 42 obras de esta página se realizaron entonces, The Good Samaritan de ellas.
En esta página, la más antigua es Susana y los ancianos (1699) y la más reciente Daniel in the Lions' Den (1736).
Man (12), Drapery (7) y Woman (5), en las 42 obras de esta página.
Oil, para 10 de las 42 obras de esta página.
Baroque, a juzgar por los originales de esta página.
The Good Samaritan, Christ and the Canaanite Woman y Christ and the Samaritan Woman: el Colecciones de Pintura del Estado Bávaro, Múnich posee 6 de las obras de esta página.
