Portrait of Xu Beihong

The 39 Most Famous Xu Beihong Paintings, a Gallery Selection

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 39 works by Xu Beihong in our catalogue

In short

Of all the originals Xu Beihong left, the most famous is The Foolish Old Man Moves a Mountain (1940), in the collection of the CAFA Art Museum, Beijing. Close behind it come Portrait of Sun Duoci (1936) and Tian Heng and His Five Hundred Followers (1930). Our catalog holds 39 works by Xu Beihong; the gallery has kept the 39 the world admires most, each shown with its date, its museum and its story.

1895 – 1953, Yixing Contemporary realism Most works: CAFA Art Museum

Xu Beihong's top 10 paintings: the gallery's choice

1
The Foolish Old Man Moves a Mountain (1940) by Xu Beihong

The Foolish Old Man Moves a Mountain

1940 · Oil On Canvas · CAFA Art Museum, Beijing

The Foolish Old Man Moves a Mountain by Xu Beihong is a monumental oil painting created about 1940. The work draws its narrative from a fable found in the Book of Lieh-tzu, a text dating back to the fourth century BC. This story was later retold in the first century BC and gained further prominence when it was championed in 1945. The painting captures a moment of intense physical labor…

2
Portrait of Sun Duoci (1936) by Xu Beihong

Portrait of Sun Duoci

1936 · Oil On Canvas · CAFA Art Museum, Beijing

In the quiet intimacy of a 1936 studio, Xu Beihong captured more than just a likeness; he immortalized a profound connection. The Portrait of Sun Duoci stands as a breathtaking testament to a moment when love and artistic revolution converged. As the viewer encounters this monumental canvas, they are immediately drawn into the serene gaze of Sun Duoci, a woman whose presence radiates a delicate balance of vulnerability and quiet…

3
Tian Heng and His Five Hundred Followers (1930) by Xu Beihong

Tian Heng and His Five Hundred Followers

1930 · Oil On Canvas · CAFA Art Museum, Beijing

In this monumental oil on canvas, titled Tian Heng and His Five Hundred Followers, the artist Xu Beihong presents a scene of profound historical weight. Completed in 1930, the work occupies an expansive physical presence, measuring 197 x 349 cm. Its scale demands a certain level of quiet contemplation from anyone standing before it.

4
Standing Horse (1947) by Xu Beihong

Standing Horse

1947 · CAFA Art Museum, Beijing

A single horse occupies the center of this ink and wash painting on paper. The animal is depicted standing on all four legs, its head lifted toward the upper edge of the frame. Its mane and tail appear to move in a steady wind, creating a sense of physical motion within a static pose. The horse is rendered in black and white, utilizing varying tones of ink to define its…

5
Sketch of a Man from the Front and the Side (1924) by Xu Beihong

Sketch of a Man from the Front and the Side

1924 · Oil · CAFA Art Museum, Beijing

Xu Beihong’s Sketch of a Man from the Front and the Side, created about 1924, functions as a rigorous study of human anatomy and form. The composition centers on two nude male figures positioned against a dark, atmospheric background. One figure faces the viewer directly in a frontal view, while the second figure is presented in profile, facing right. This dual orientation allows for a comprehensive examination of the physical…

6
HORSE UNDER A WILLOW TREE by Xu Beihong

HORSE UNDER A WILLOW TREE

Ink

HORSE UNDER A WILLOW TREE is a painting by Xu Beihong. The work features a horse positioned beneath a tree, a central motif in the artist's oeuvre. Xu Beihong was born in 1895 in Yixing, People's Republic of China, and continued to influence the direction of Chinese art until his death in 1953.

7
Portrait of Xu (1943) by Xu Beihong

Portrait of Xu

1943 · Oil On Canvas · CAFA Art Museum, Beijing

Xu Beihong's “Portrait of Xu,” painted in 1943, isn’t merely a likeness; it’s a carefully constructed tableau brimming with quiet contemplation and the subtle power of suggestion. This oil painting, rendered on a canvas measuring 62 x 48 cm, offers a glimpse into the mind of a young woman – likely Xu Beihong's wife, Jingwen – captured in a moment of serene introspection. The work immediately draws the eye with…

9
Stroking the Cat (1924) by Xu Beihong

Stroking the Cat

1924 · Oil On Canvas · CAFA Art Museum, Beijing

In this intimate scene, Stroking the Cat brings together the artist Xu Beihong and his partner, Jiang Biwei, within a quiet moment of domestic life. The painting captures the pair alongside their cat, a creature they both hold dear. There is a palpable sense of closeness between the two figures as they interact with the animal, creating a scene of shared affection. The composition focuses on this private connection, pulling…

10
Portrait of a Young Woman (1940) by Xu Beihong

Portrait of a Young Woman

1940 · Oil · CAFA Art Museum, Beijing

A young woman sits in a room, her gaze drifting toward a distance we cannot see. She wears a floral shirt, the petals of which rest against her skin like small, silent memories. The light catches the dark weight of her hair, framing a face caught in a moment of deep thought. Behind her, the presence of another person lingers in the shadows, a soft silhouette that adds to the…

The Xu Beihong selection continues, 11 to 39

Xu Beihong's famous paintings, period by period

The subjects that held Xu Beihong's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Xu Beihong's originals

The 3 museums that hold the most of the paintings on this page.

Museum City Works by Xu Beihong Paintings from this list
CAFA Art Museum, BeijingCAFA Art Museum Beijing 24 The Foolish Old Man Moves a Mountain, Portrait of Sun Duoci, Tian Heng and His Five Hundred Followers
China Modern and Contemporary Art Document Research Center, BeijingChina Modern and Contemporary Art Document Research Center Beijing 2 Jiu Fang Gao, Galloping horse
Long Museum West Bund, ShanghaiLong Museum West Bund Shanghai 1 Two Horses

Xu Beihong decade by decade: the original that defines each

Works per decade

Pick a decade to see the original that defines it.

Collectors' questions about Xu Beihong's paintings

Which work is Xu Beihong most famous for?Reveal the answer

The Foolish Old Man Moves a Mountain (1940), CAFA Art Museum, Beijing. Portrait of Sun Duoci (1936) and Tian Heng and His Five Hundred Followers (1930) come next.

What age was Xu Beihong when The Foolish Old Man Moves a Mountain was made?Reveal the answer

45 years old: The Foolish Old Man Moves a Mountain dates from 1940, and Xu Beihong was born in 1895.

What are the ten most famous Xu Beihong paintings?Reveal the answer

The Foolish Old Man Moves a Mountain, Portrait of Sun Duoci, Tian Heng and His Five Hundred Followers, Standing Horse, Sketch of a Man from the Front and the Side, HORSE UNDER A WILLOW TREE, Portrait of Xu, Mother and Daughter, Stroking the Cat and Portrait of a Young Woman. The ranking above gives each one's year and museum.

How many paintings did Xu Beihong leave?Reveal the answer

Our catalog holds 39 works by Xu Beihong, dated from 1924 to 1950.

In which museums do Xu Beihong's masterpieces hang?Reveal the answer

Mostly in CAFA Art Museum (Beijing), China Modern and Contemporary Art Document Research Center (Beijing) and Long Museum West Bund (Shanghai). The museum table above lists them all.

In which years did Xu Beihong paint the most famous works?Reveal the answer

In 1930s: 9 of the 39 works on this page were made then, Portrait of Sun Duoci among them.

What are the first and the last famous originals of Xu Beihong?Reveal the answer

On this page, the earliest is Sketch of a Man from the Front and the Side (1924) and the latest Cavalry Hero Tai Xide (1950).

Which subjects did Xu Beihong choose most often?Reveal the answer

Landscape (8), Chinese art (8) and Animals (5), across the 39 works on this page.

Which technique did Xu Beihong use most?Reveal the answer

Oil On Canvas, for 10 of the 39 works on this page.

To which art movement does Xu Beihong belong?Reveal the answer

Contemporary realism, judging by the originals on this page.

Which Xu Beihong works hang at the CAFA Art Museum?Reveal the answer

The Foolish Old Man Moves a Mountain, Portrait of Sun Duoci and Tian Heng and His Five Hundred Followers: the CAFA Art Museum, Beijing holds 24 of the works on this page.

Xu Beihong: life and work

A Pioneer Bridging Worlds: The Life and Art of Xu Beihong

Xu Beihong, born Xu Shoukang in 1895 in the tranquil town of Yixing, Jiangsu province, stands as a monumental figure in 20th-century Chinese art. His life was a compelling narrative of artistic evolution, dedicated to forging a new path for Chinese painting—one that harmoniously blended the rich traditions of his homeland with the innovations of Western art. From humble beginnings steeped in classical learning and traditional brushwork under the tutelage of his father, Xu Dazhang, a struggling artist himself, young Beihong’s early life was marked by both artistic promise and economic hardship. This formative period instilled within him not only technical skill but also a deep appreciation for Chinese culture and a resilient spirit that would define his career. The family's itinerant existence, painting portraits and landscapes to make ends meet, exposed him to the realities of rural China and fueled an early ambition to elevate the status of art and artists. A pivotal moment arrived when he adopted the name “Beihong,” meaning "sad wild goose," a reflection perhaps of his youthful anxieties and aspirations.

The European Awakening: Forging a New Artistic Vision

Driven by a thirst for knowledge and a desire to modernize Chinese art, Xu Beihong embarked on a transformative journey to Europe in 1917. Initially studying in Tokyo, he soon secured a coveted scholarship to the prestigious École Nationale Supérieure des Beaux-Arts in Paris. This period proved crucial in shaping his artistic philosophy and technique. Immersed in the heart of European art, he meticulously studied oil painting and drawing, mastering Western principles of perspective, composition, and realism. While embracing these new techniques, Xu Beihong remained critical of certain modernist trends prevalent at the time, favoring instead the classical traditions he encountered. He adopted the French name "Ju Péon" during his stay, a testament to his immersion in European culture. However, it was not merely technical skill that he sought; he aimed to understand the underlying principles of Western art and adapt them to revitalize Chinese painting—a vision articulated in his later writings and teachings. This period laid the foundation for his unique artistic style, characterized by a powerful synthesis of Eastern aesthetics and Western techniques.

Iconic Motifs and Artistic Style: A Synthesis of East and West

Upon returning to China in 1927, Xu Beihong embarked on a prolific career marked by groundbreaking works that captured the spirit of a nation undergoing profound change. He quickly became renowned for his dynamic depictions of horses and birds—motifs that transcended mere representation to become powerful symbols of strength, freedom, and national pride. His horses, in particular, are celebrated for their muscularity, energy, and expressive power, often depicted galloping across vast landscapes with a sense of untamed spirit. Galloping Horse, perhaps his most iconic work, embodies this perfectly—a testament to the vitality and resilience of the Chinese people. Beyond these signature subjects, Xu Beihong also excelled in portraiture and historical painting, demonstrating his mastery of both oil painting and traditional ink wash techniques. His style was characterized by a unique blend of bold brushstrokes, precise delineation, and a masterful command of light and shadow. He seamlessly integrated Western perspective and composition into the fluidity of Chinese brushwork, creating a visual language that was both innovative and deeply rooted in tradition. Foolish Old Man Who Removed the Mountains, inspired by a traditional Chinese fable, exemplifies his ability to imbue classical themes with modern energy and social commentary.

Legacy and Influence: Shaping Modern Chinese Art Education

Xu Beihong’s impact extended far beyond his own artistic creations; he was also a pioneering art educator who profoundly shaped the development of modern Chinese art education. After returning to China, he held teaching positions at several prestigious universities, including National Central University and Peking University, where he tirelessly advocated for curriculum reform. He championed the incorporation of Western sketching and oil painting techniques into traditional Chinese art programs, believing that this integration was essential for revitalizing Chinese artistic expression. Following the founding of the People's Republic of China in 1949, he became president of the Central Academy of Fine Arts and chairman of the China Artists Association, further solidifying his influence on the nation’s artistic landscape. He trained generations of artists who went on to become leading figures in Chinese art, carrying forward his vision of a modern yet culturally grounded aesthetic. Xu Beihong's emphasis on artistic conception, the importance of life experiences, and the integration of Eastern and Western traditions left an indelible mark on Chinese art history, cementing his legacy as one of its most influential figures. His work continues to inspire artists and captivate audiences worldwide, serving as a powerful reminder of the enduring power of art to bridge cultures and transcend boundaries.