Wu Jian’An Audience & Top Works

1980

What is this page?

This page shows how many people visit the pages of Wu Jian’An on this website. A visit means one person opened a page. Each chart below has its own short explanation.

Statistics were reset on 1 July 2026 — no data is available before that date.

Wu Jian’An: key figures

The work watched most is Snake Escapes from the Mouth of Garuda Who is Biting to Kill Herring: 200 visits in twelve months, 22% of the views of Wu Jian’An. Then Herring Transforms into a Human Face with Glowing Eyes and Installation view of The Heaven of Nine Levels from the 57th Venice Biennale China Pavillion. Altogether 1,100 visits: 500 on the artist page, 600 on the works. Peak month: Jul 2026 with 1,000 visits. One taste stands out: Luminous (Luminance) gets 56% of the visits for only 24% of the catalog.

Wu Jian’An: the 7 works watched most

This ranking counts visits, not catalog scores: the 7 works of Wu Jian’An watched most on OriginalUniqueArt.com in twelve months.

  1. Snake Escapes from the Mouth of Garuda Who is Biting to Kill Herring 1 Snake Escapes from the Mouth of Garuda Who is Biting to Kill Herring, 2015 200 visits · 22.2%
  2. Herring Transforms into a Human Face with Glowing Eyes 2 Herring Transforms into a Human Face with Glowing Eyes, 2015 200 visits · 22.2%
  3. Installation view of The Heaven of Nine Levels from the 57th Venice Biennale China Pavillion 3 Installation view of The Heaven of Nine Levels from the 57th Venice Biennale China Pavillion, 2008 100 visits · 11.1%
  4. Installation view of Daydream Forests from Beijing Minsheng Art Museum 4 Installation view of Daydream Forests from Beijing Minsheng Art Museum, 2016 100 visits · 11.1%
  5. Herring Acquires Human Form and Becomes Nearly Immortal (details) 5 Herring Acquires Human Form and Becomes Nearly Immortal (details), 2015 100 visits · 11.1%
  6. Installation view of The Heaven of Nine Levels from Fukuoka Asian Art Museum, Japan 6 Installation view of The Heaven of Nine Levels from Fukuoka Asian Art Museum, Japan, 2008 100 visits · 11.1%
  7. The Heaven of Nine Levels 7 The Heaven of Nine Levels, 2008 100 visits · 11.1%

How does the audience of Wu Jian’An change from month to month?

Each bar is one month. It shows how many times people opened the page of this artist during that month, over the last twelve months.

Show the figures
MonthArtist pageArtwork pages
Nov 202500
Dec 202500
Jan 202600
Feb 202600
Mar 202600
Apr 202600
May 202600
Jun 202600
Jul 2026400600
Aug 202600
Sep 202600
Oct 20261000

How are the works of Wu Jian’An watched over the year?

Each bar is one month. It counts the visits to all the artwork pages of this artist added together, month by month, for one year.

The monthly figures of both charts are in the first table, above.

How do the most watched works of Wu Jian’An compare over the year?

Each row is one popular artwork. Each bar shows how many visits that artwork received in one month. Taller bars mean more visits that month.

Show the figures
ArtworkNov 2025Dec 2025Jan 2026Feb 2026Mar 2026Apr 2026May 2026Jun 2026Jul 2026Aug 2026Sep 2026Oct 2026
The Thousand-year-old Shape…000000000000
Snake Escapes from the Mout…000000000000
The Thousand-year-old Shape…000000000000
Herring Grows Two Arms and…000000000000
Installation view of Daydre…00000000100000
Herring Transforms into a H…000000000000
Seven Layered Shell000000000000
Installation view of The He…00000000100000
Herring Acquires Human Form…00000000100000
Herring Grows Two Arms and…000000000000

Which languages does the audience of Wu Jian’An use?

Each slice is one language. The bigger the slice, the more visitors used the website in that language during the last thirty days. Only the top ten are shown.

Show the figures
LanguageVisitsShare
Japanese10050.0%
Norwegian10050.0%

What do the daily visits to Wu Jian’An look like, and the forecast?

Each bar is one day. The first bars count the visits of the past three weeks. The bars in the second color are our guess for the next three weeks.

Show the figures
DayVisits
Mon 19 Oct0
Tue 20 Oct0
Wed 21 Oct0
Thu 22 Oct200
Fri 23 Oct0
Sat 24 Oct0
Sun 25 Oct0
Mon 26 Oct0
Tue 27 Oct0
Wed 28 Oct0
Thu 29 Oct0
Fri 30 Oct0
Sat 31 Oct0
Sun 1 Nov0
Mon 2 Nov0
Tue 3 Nov0
Wed 4 Nov0
Thu 5 Nov0
Fri 6 Nov0
Sat 7 Nov100
Sun 8 Nov0
Mon 9 Nov (forecast)0
Tue 10 Nov (forecast)0
Wed 11 Nov (forecast)0
Thu 12 Nov (forecast)0
Fri 13 Nov (forecast)0
Sat 14 Nov (forecast)0
Sun 15 Nov (forecast)0
Mon 16 Nov (forecast)0
Tue 17 Nov (forecast)0
Wed 18 Nov (forecast)0
Thu 19 Nov (forecast)0
Fri 20 Nov (forecast)0
Sat 21 Nov (forecast)0
Sun 22 Nov (forecast)0
Mon 23 Nov (forecast)0
Tue 24 Nov (forecast)0
Wed 25 Nov (forecast)0
Thu 26 Nov (forecast)0
Fri 27 Nov (forecast)0
Sat 28 Nov (forecast)0
Sun 29 Nov (forecast)0

Wu Jian’An: short answers

What is the most watched work of Wu Jian’An?

Snake Escapes from the Mouth of Garuda Who is Biting to Kill Herring: 200 visits, 22% of the views of Wu Jian’An. The list goes down to rank 7.

How many visits does Wu Jian’An receive?

1,100 in twelve months (500 on the artist page, 600 on the works).

Does the audience favour a kind of work by Wu Jian’An?

Yes, Luminous (Luminance): 56% of the visits for 24% of the catalog.