Portrait of Otto Sinding

Otto Sinding Paintings: The 14 Most Famous, Through a Gallery's Eye

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 14 works by Otto Sinding in our catalogue

In short

To the gallery's eye, Otto Sinding's most famous painting is Landscape at Mjøsa (1877), whose original hangs in the National Museum of Art, Architecture and Design, Oslo. Briksdal Glacier (1875) and View from Reine in Lofoten (1883) complete the trio every eye recognises. Of the 14 works by Otto Sinding in our catalog, the gallery presents the 14 most famous below, each original with its year, its museum and what makes it unique.

1842 – 1909, Kongsberg Most works: National Museum of Art, Architecture and Design

The gallery's top 10 Otto Sinding paintings

Otto Sinding paintings, ranked 11 to 14

The museums that keep Otto Sinding's originals

The 5 museums that hold the most of the paintings on this page.

Museum City Works by Otto Sinding Paintings from this list
National Museum of Art, Architecture and Design, OsloNational Museum of Art, Architecture and Design Oslo 6 Landscape at Mjøsa, View from Reine in Lofoten, Boats on the Beach
Nordnorsk Kunstmuseum, TromsøNordnorsk Kunstmuseum Tromsø 3 Briksdal Glacier, Plowing With Horse, Bodø Harbour
Trondheim Kunstmuseum, TrondheimTrondheim Kunstmuseum Trondheim 2 Svolvær, Mellom dag og natt. Lofoten
Nationalmuseum, StockholmNationalmuseum Stockholm 2 Mountain Lake, The Outermost Skerries
Statens Museum For Kunst, CopenhagenStatens Museum For Kunst Copenhagen 1 Spring Day in Lofoten

Otto Sinding, one signature painting per decade

Works per decade

Pick a decade to see the original that defines it.

Otto Sinding's paintings: the gallery answers

Which Otto Sinding painting is the most famous of all?Reveal the answer

Landscape at Mjøsa (1877), National Museum of Art, Architecture and Design, Oslo. Briksdal Glacier (1875) and View from Reine in Lofoten (1883) come next.

How old was Otto Sinding on completing Landscape at Mjøsa?Reveal the answer

35 years old: Landscape at Mjøsa dates from 1877, and Otto Sinding was born in 1842.

Which are Otto Sinding's top 10 paintings?Reveal the answer

Landscape at Mjøsa, Briksdal Glacier, View from Reine in Lofoten, Boats on the Beach, Spring Day in Lofoten, Svolvær, Plowing With Horse, From the Arctic Ocean, Ice Floes in the Arctic Ocean and Mellom dag og natt. Lofoten. The ranking above gives each one's year and museum.

How many works did Otto Sinding create?Reveal the answer

Our catalog holds 14 works by Otto Sinding, dated from 1875 to 1899.

Where do Otto Sinding's most famous originals hang?Reveal the answer

Mostly in National Museum of Art, Architecture and Design (Oslo), Nordnorsk Kunstmuseum (Tromsø) and Trondheim Kunstmuseum (Trondheim). The museum table above lists them all.

When did Otto Sinding create the most famous paintings?Reveal the answer

In 1880s: 5 of the 14 works on this page were made then, View from Reine in Lofoten among them.

Which are Otto Sinding's earliest and latest famous works?Reveal the answer

On this page, the earliest is Briksdal Glacier (1875) and the latest Bodø Harbour (1899).

Which Otto Sinding originals does the National Museum of Art, Architecture and Design hold?Reveal the answer

Landscape at Mjøsa, View from Reine in Lofoten and Boats on the Beach: the National Museum of Art, Architecture and Design, Oslo holds 6 of the works on this page.

Otto Sinding: the artist

A Visionary of the Norwegian Soul

Otto Ludvig Sinding was a multifaceted creator whose artistic spirit breathed life into the very essence of Norway. As a painter, illustrator, poet, and dramatist, he possessed a rare ability to capture the profound connection between the human experience and the rugged beauty of the natural world. His work often drew deeply from motives found within Norwegian nature, folk life, and history, weaving a tapestry of cultural identity through his brush and pen. Born in Kongsberg, Norway, Sinding was part of a remarkably gifted family; he was the older brother of the sculptor Stephan Sinding and the composer Christian Sinding, suggesting an environment steeped in the pursuit of aesthetic excellence.

His journey into the visual arts was marked by a transition from the structured world of law to the boundless realms of creativity. After studying law and serving as a civil servant in Christiania, his early forays into landscape painting earned him a scholarship that would alter the course of his life. This opportunity led him to Karlsruhe, Germany, where he studied under the esteemed Hans Gude at the Baden School of and came into contact with influential figures such as Wilhelm Ludwig Friedrich Riefstahl and Karl Theodor von Piloty. These formative years in Germany provided him with the technical foundation necessary to translate the dramatic landscapes of his homeland onto canvas.

Mastery of Landscape and Light

Sinding’s oeuvre is celebrated for its evocative depictions of the Norwegian landscape, particularly his ability to render the atmospheric tension of the north. His travels played a crucial role in shaping his artistic vision; a winter study trip to the Lofoten Islands in 1886 resulted in some of his most renowned works, capturing the stark, breathtaking majesty of the Arctic environment. Whether portraying the tranquil movement of a plow in a field or the bustling energy of Bodø Harbour in winter, Sinding infused his scenes with a sense of lived reality and historical weight.

His technical prowess extended beyond mere topography to include:

  • Marine and Landscape Painting: A profound ability to capture the interplay of light, water, and snowy mountains.
  • Genre Painting: Capturing the rhythms of Norwegian folk life and traditional labor.
  • Illustration: Bringing narrative depth to stories through detailed visual storytelling.

As his career progressed, Sinding’s horizons expanded far beyond Scandinavia. His travels to Italy and his subsequent residence in Munich allowed him to develop a series of animated landscapes and marines that reflected a broader European influence while maintaining his distinct Norwegian perspective. By the time he settled in Munich later in life, he had established himself as a significant figure in the international art community, serving as a professor and leaving behind a legacy that continues to resonate with the spirit of the Norwegian wilderness.