Portrait of Keith Vaughan

The 13 Most Famous Keith Vaughan Paintings, Each One of a Kind

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 14 works by Keith Vaughan in our catalogue

In short

Green Jug (1950) is the Keith Vaughan painting that draws the most eyes; the original belongs to the Jerwood Gallery, Hastings. After it, the eye goes to The Barn (1935) and Lane in Shere (1935). Among the 14 works of Keith Vaughan in our catalog, these 13 are the most famous, each a unique original presented with its year, its museum and the reason it endures.

1912 – 1977, Selsey Most works: Jerwood Gallery

Top 10 paintings by Keith Vaughan, through the gallery's eye

10
Water, Trees and Figures II (1959) by Keith Vaughan

Water, Trees and Figures II

1959 · Oil On Canvas · British Council Collection, London

In this oil on canvas, titled Water, Trees and Figures II, the artist Keith Vaughan explores a complex intersection of the natural and the human. Created between 1948 and 1959, the work captures a specific moment in the artist's development, moving through a period of significant formal experimentation. The piece measures 63.5 x 83.7 cm, offering a scale that feels both intimate and substantial when viewed in person.

Keith Vaughan's famous paintings, numbers 11 to 13

The museums that keep Keith Vaughan's originals

The 7 museums that hold the most of the paintings on this page.

Museum City Works by Keith Vaughan Paintings from this list
Jerwood Gallery, HastingsJerwood Gallery Hastings 2 Green Jug, Two Figures
Government Art Collection, LondonGovernment Art Collection London 1 Lane in Shere
Leeds Art Gallery, LeedsLeeds Art Gallery Leeds 1 Figure Undressing
Queens' College, CambridgeQueens' College Cambridge 1 Quarrymen by an Entrenchment
Middlesbrough Institute of Modern Art, MiddlesbroughMiddlesbrough Institute of Modern Art Middlesbrough 1 Climbing Figures
The Ingram Collection of Modern British And Contemporary Art, LondonThe Ingram Collection of Modern British And Contemporary Art London 1 Theseus (final study for the 'Dome of Discovery' at The Festival of Britain)
British Council Collection, LondonBritish Council Collection London 1 Water, Trees and Figures II

Keith Vaughan across the decades: one unique original for each

Works per decade

Pick a decade to see the original that defines it.

Keith Vaughan's paintings: questions for the gallery

What is the single most famous work of Keith Vaughan?Reveal the answer

Green Jug (1950), Jerwood Gallery, Hastings. The Barn (1935) and Lane in Shere (1935) come next.

At what age did Keith Vaughan create Green Jug?Reveal the answer

38 years old: Green Jug dates from 1950, and Keith Vaughan was born in 1912.

Which ten paintings by Keith Vaughan are the most famous?Reveal the answer

Green Jug, The Barn, Lane in Shere, Figure Undressing, Two Figures, Quarrymen by an Entrenchment, Climbing Figures, Theseus (final study for the 'Dome of Discovery' at The Festival of Britain), The Trial and Water, Trees and Figures II. The ranking above gives each one's year and museum.

How many works by Keith Vaughan are known?Reveal the answer

Our catalog holds 14 works by Keith Vaughan, dated from 1935 to 1959.

Where can the most famous Keith Vaughan originals be seen?Reveal the answer

Mostly in Jerwood Gallery (Hastings), Government Art Collection (London) and Leeds Art Gallery (Leeds). The museum table above lists them all.

During which period did Keith Vaughan create the best-known paintings?Reveal the answer

In 1940s: 4 of the 13 works on this page were made then, Figure Undressing among them.

Which famous Keith Vaughan painting is the earliest, and which the latest?Reveal the answer

On this page, the earliest is The Barn (1935) and the latest The Trial (1959).

What Keith Vaughan originals can I see at the Jerwood Gallery?Reveal the answer

Green Jug and Two Figures: the Jerwood Gallery, Hastings holds 2 of the works on this page.

Keith Vaughan: a portrait of the artist

A Visionary of the British Landscape: The Life and Legacy of John Keith Vaughan

The story of John Keith Vaughan is one of profound resilience and an unyielding pursuit of visual truth. Born in 1912 in the coastal serenity of Selsey Bill, Sussex, Vaughan’s early years were marked by a certain turbulence that would later inform the emotional depth of his work. His time as a boarder at Christ’s Hospital School was shadowed by the hardships of bullying, yet it was within these challenging corridors that an art master first recognized his latent talent. This early spark ignited a lifelong devotion to the canvas, a journey that began far from formal academies and instead blossomed through a self-taught, independent spirit. Before he became a pillar of British modernism, Vaughan navigated the structured world of the Lintas advertising agency, where he honed a keen eye for composition and the power of visual storytelling—skills that would eventually breathe life into his evocative landscapes and symbolic figures.

As his career matured, Vaughan’s artistic language became a sophisticated tapestry woven from the threads of European modernism. He did not merely observe nature; he reinterpreted it through the lens of masters like Cézanne, Picasso, Matisse, and Nicolas de Staël. This confluence of influences allowed him to move beyond mere representation, seeking instead the spiritual and emotional resonance hidden within the terrain. His work became a bridge between the tangible world and a more abstract, symbolic realm. Whether capturing the rugged textures of Essex landscapes or the delicate tension of his Assembly of Figures series, Vaughan utilized color and form to explore themes of human existence, mortality, and the sublime. His mastery extended across mediums, as he was celebrated not only for his commanding oil paintings but also as one of Britain’s most exquisite exponents of gouache.

The Poetics of Form and Symbolism

To encounter a Vaughan painting is to enter a space where the boundaries between the physical and the metaphysical blur. His oeuvre is characterized by a remarkable ability to imbue even the simplest subject with profound meaning. In his still lifes, such as the whimsical Green Jug, one finds a sense of joyful, almost naive vitality expressed through vibrant colors and impasto textures. Conversely, his larger-scale works often grapple with much heavier themes. In pieces like Water, Trees and Figures II, the artist employs bold blues and yellows to create a sense of dramatic tension, using suspended figures and symbolic elements like clocks to meditate on the relentless passage of time.

This duality—the ability to oscillate between lightheartedness and deep, existential inquiry—is what defines his historical significance. His contributions to the Neo-Romantic movement of the 1940s placed him alongside luminaries such as John Minton and Graham Sutherland. Together, they sought to capture the psychological landscape of a nation navigating the complexities of war and reconstruction. Vaughan’s work was not merely decorative; it was an intellectual and emotional endeavor that challenged viewers to decipher the layers of symbolism embedded within his compositions.

A Lasting Impression on British Art

The breadth of Vaughan's impact is reflected in the diverse range of his roles: he was a painter, graphic artist, illustrator, photographer, teacher, and even a journal writer. His dedication to the craft led him to prestigious teaching positions at the Camberwell School of Art, Central School of Art and Design, and the Slade, where he mentored a new generation of artists in the nuances of visual expression. His monumental 22-meter-long mural for the Festival of Britain in 1951 remains a testament to his ability to engage with the grand scale of public art, even if much of that specific work was lost to time.

Today, the legacy of John Keith Vaughan is preserved in prestigious collections across the United Kingdom, the United States, and Australia. His work continues to resonate because it speaks to a universal human experience—the search for meaning within the natural world and the struggle to find beauty amidst hardship. Through his meticulous use of color, his mastery of texture, and his unwavering commitment to symbolic depth, Vaughan remains a singular and vital voice in the history of 20th-century British art.