Jan
Beerblock
The Chronicler of Bruges The streets of Bruges in the eighteenth century find their visual identity through the brush of Jan Beerblock. He does not merely paint; he captures the pulse of a city in transition. His focus remains fixed on the architecture of the …
A portrait built from Jan Beerblock's own colours
Every 3 approved work contributes its dominant tone to a single flowing field. Sorted along the hue wheel, the strip reads as a smooth spectrum. Click any band to reveal its full four-colour palette.
Bands follow the hue wheel; visually identical tones are merged.
Every painting, placed on the hue wheel
Each dot is a work — its angle set by hue, its distance from the centre by saturation. Hover a dot to see the painting.
The signature, in numbers
Where the colour came from
Up to 24 paintings representing the most frequent palette tones — each shown with its dominant colours.