Inge
Ellegaard
The Wild and the Systematic Fåborg, 1953. The arrival of Inge Ellegaard marks the beginning of a life that would eventually fracture the boundaries of Danish painting. By the 1980s, she emerges as a central figure in the De Unge Vilde movement, a period defined …
A portrait built from Inge Ellegaard's own colours
Every 7 approved work contributes its dominant tone to a single flowing field. Sorted along the hue wheel, the strip reads as a smooth spectrum. Click any band to reveal its full four-colour palette.
Bands follow the hue wheel; visually identical tones are merged.
Every painting, placed on the hue wheel
Each dot is a work — its angle set by hue, its distance from the centre by saturation. Hover a dot to see the painting.
The signature, in numbers
Where the colour came from
Up to 24 paintings representing the most frequent palette tones — each shown with its dominant colours.