Bartolomeo
Pedon
The Venetian Nocturne Venice, 1665. The air is thick with salt and the heavy humidity of the lagoon. This is the world into which Bartolomeo Pedon enters. He does not paint the bright, sun-drenched vistas of the Mediterranean; instead, he seeks the shadows. His brush …
A portrait built from Bartolomeo Pedon's own colours
Every 1 approved work contributes its dominant tone to a single flowing field. Sorted along the hue wheel, the strip reads as a smooth spectrum. Click any band to reveal its full four-colour palette.
Bands follow the hue wheel; visually identical tones are merged.
Every painting, placed on the hue wheel
Each dot is a work — its angle set by hue, its distance from the centre by saturation. Hover a dot to see the painting.
The signature, in numbers
Where the colour came from
Up to 24 paintings representing the most frequent palette tones — each shown with its dominant colours.