Portrait of Edmond Brock

The 15 Most Famous Edmond Brock Paintings, a Gallery Selection

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 17 works by Edmond Brock in our catalogue

In short

Of all the originals Edmond Brock left, the most famous is 'Circe and the Sirens' A Group Portrait of the Honourable Edith Chaplin (1878–1959), Marchioness of Londonderry, and Her Three Youngest Daughters, Lady Margaret Frances Anne Vane Tempest Stewart (1910–1966), Lady Helen Maglona Vane Tempest Stewart (1.... (1925), in the collection of the National Trust, Newtownards. Close behind it come Helen Milne Home (1922) and Sunset over Loch Choire, Sutherland, Scotland (1926). Our catalog holds 17 works by Edmond Brock; the gallery has kept the 15 the world admires most, each shown with its date, its museum and its story.

1882 – 1952 Most works: National Trust

Edmond Brock's top 10 paintings: the gallery's choice

1
'Circe and the Sirens' A Group Portrait of the Honourable Edith Chaplin (1878–1959), Marchioness of Londonderry, and Her Three Youngest Daughters, Lady Margaret Frances Anne Vane Tempest Stewart (1910–1966), Lady Helen Maglona Vane Tempest Stewart (1.... (1925) by Edmond Brock

'Circe and the Sirens' A Group Portrait of the Honourable Edith Chaplin (1878–1959), Marchioness of Londonderry, and Her Three Youngest Daughters, Lady Margaret Frances Anne Vane Tempest Stewart (1910–1966), Lady Helen Maglona Vane Tempest Stewart (1....

1925 · Oil On Canvas · National Trust, Newtownards

In this 1925 oil on canvas, we find ourselves drawn into an intimate, allegorical moment that blurs the line between family portraiture and classical legend. The composition centers on the Honourable Edith Chaplin, Marchioness of Londonderry, who is depicted as the sorceress Circe. She is surrounded by her three youngest daughters—Lady Margaret Frances Anne, Lady Helen Maglona, and Lady Mairi Elizabeth—who are cast in the roles of Sirens. The setting…

The Edmond Brock selection continues, 11 to 15

The museums that keep Edmond Brock's originals

The 2 museums that hold the most of the paintings on this page.

Museum City Works by Edmond Brock Paintings from this list
National Trust, NewtownardsNational Trust Newtownards 10 'Circe and the Sirens' A Group Portrait of the Honourable Edith Chaplin (1878–1959), Marchioness of Londonderry, and Her Three Youngest Daughters, Lady Margaret Frances Anne Vane Tempest Stewart (1910–1966), Lady Helen Maglona Vane Tempest Stewart (1...., Sunset over Loch Choire, Sutherland, Scotland, Three Studies of the Head of Lady Mairi Stewart (1921–2009), Later Lady Mairi Bury, as a Little Girl
Government Art Collection, LondonGovernment Art Collection London 1 Lord Castlereagh (1769–1822), 2nd Marquess of Londonderry, Statesman (copy of Thomas Lawrence)

Edmond Brock decade by decade: the original that defines each

Works per decade

Pick a decade to see the original that defines it.

Collectors' questions about Edmond Brock's paintings

Which work is Edmond Brock most famous for?Reveal the answer

'Circe and the Sirens' A Group Portrait of the Honourable Edith Chaplin (1878–1959), Marchioness of Londonderry, and Her Three Youngest Daughters, Lady Margaret Frances Anne Vane Tempest Stewart (1910–1966), Lady Helen Maglona Vane Tempest Stewart (1.... (1925), National Trust, Newtownards. Helen Milne Home (1922) and Sunset over Loch Choire, Sutherland, Scotland (1926) come next.

What age was Edmond Brock when 'Circe and the Sirens' A Group Portrait of the Honourable Edith Chaplin (1878–1959), Marchioness of Londonderry, and Her Three Youngest Daughters, Lady Margaret Frances Anne Vane Tempest Stewart (1910–1966), Lady Helen Maglona Vane Tempest Stewart (1.... was made?Reveal the answer

43 years old: 'Circe and the Sirens' A Group Portrait of the Honourable Edith Chaplin (1878–1959), Marchioness of Londonderry, and Her Three Youngest Daughters, Lady Margaret Frances Anne Vane Tempest Stewart (1910–1966), Lady Helen Maglona Vane Tempest Stewart (1.... dates from 1925, and Edmond Brock was born in 1882.

What are the ten most famous Edmond Brock paintings?Reveal the answer

'Circe and the Sirens' A Group Portrait of the Honourable Edith Chaplin (1878–1959), Marchioness of Londonderry, and Her Three Youngest Daughters, Lady Margaret Frances Anne Vane Tempest Stewart (1910–1966), Lady Helen Maglona Vane Tempest Stewart (1...., Helen Milne Home, Sunset over Loch Choire, Sutherland, Scotland, Three Studies of the Head of Lady Mairi Stewart (1921–2009), Later Lady Mairi Bury, as a Little Girl, Lady Mairi Stewart (1921–2009), Later Lady Mairi Bury, as a Little Girl, with a Boat, Study of a Horse's Head, Lady Mairi Stewart (1921–2009), Later Lady Mairi Bury, as a Little Girl, with a Greyhound, Lady Mairi Stewart (1921–2009), Later Lady Mairi Bury, Aged Four, Kneeling by a Tree, Study of a Black Labrador and The Yacht 'Uladh' Sailing with the Wind, 28th July 1934. The ranking above gives each one's year and museum.

How many paintings did Edmond Brock leave?Reveal the answer

Our catalog holds 17 works by Edmond Brock, dated from 1922 to 1941.

In which museums do Edmond Brock's masterpieces hang?Reveal the answer

Mostly in National Trust (Newtownards) and Government Art Collection (London). The museum table above lists them all.

In which years did Edmond Brock paint the most famous works?Reveal the answer

In 1920s: 8 of the 15 works on this page were made then, 'Circe and the Sirens' A Group Portrait of the Honourable Edith Chaplin (1878–1959), Marchioness of Londonderry, and Her Three Youngest Daughters, Lady Margaret Frances Anne Vane Tempest Stewart (1910–1966), Lady Helen Maglona Vane Tempest Stewart (1.... among them.

What are the first and the last famous originals of Edmond Brock?Reveal the answer

On this page, the earliest is Helen Milne Home (1922) and the latest William Frank Barton (1941).

Which Edmond Brock works hang at the National Trust?Reveal the answer

'Circe and the Sirens' A Group Portrait of the Honourable Edith Chaplin (1878–1959), Marchioness of Londonderry, and Her Three Youngest Daughters, Lady Margaret Frances Anne Vane Tempest Stewart (1910–1966), Lady Helen Maglona Vane Tempest Stewart (1...., Sunset over Loch Choire, Sutherland, Scotland and Three Studies of the Head of Lady Mairi Stewart (1921–2009), Later Lady Mairi Bury, as a Little Girl: the National Trust, Newtownards holds 10 of the works on this page.

Edmond Brock: life and work

Edmond Brock: Victorian Painter and Portraitist

Edmond Brock (1882–1952) stands as a quietly influential figure in British art history, primarily recognized for his meticulous depictions of golf courses and portraits capturing the dignity of aristocratic subjects. Born into a distinguished artistic lineage – son of sculptor Sir Thomas Brock—Brock’s formative years were steeped in creative tradition, shaping his artistic sensibilities and establishing him firmly within the Victorian landscape. His career spanned several decades, marked by consistent dedication to realism and an unwavering commitment to capturing nuanced expressions of character.
  • Early Life & Education: Born in London in 1882, Brock’s upbringing under the watchful eye of his father, Sir Thomas Brock (renowned for designing Trafalgar Square), instilled a profound appreciation for sculptural artistry and formal training. He attended Bedford School, honing his observational skills and developing an early understanding of artistic principles.
  • Early Artistic Influences: Like many artists of his era, Brock absorbed the stylistic currents prevalent in Victorian Britain. The Beaux Arts movement, championed by figures like Auguste Rodin, undoubtedly exerted a considerable impact on his formative vision, emphasizing anatomical accuracy and emotive portrayal.
  • Career Highlights & Notable Commissions: Brock’s professional life unfolded across several decades, punctuated by significant commissions that solidified his reputation as a portraitist of distinction. He gained acclaim for capturing the likenesses of prominent individuals—members of the Royal Family, statesmen, and wealthy industrialists—demonstrating exceptional technical prowess and artistic sensitivity.

Golf Paintings: A Distinctive Artistic Style

Brock’s fascination with golf extended beyond mere pastime; it became a central element of his artistic practice. He embarked on numerous projects documenting the sport's evolving landscape, meticulously rendering greens, bunkers, and golfers in breathtaking detail. These paintings aren’t merely representations of physical spaces but convey an atmosphere of leisure and sophistication—reflecting the values of the Victorian upper class. His technique involved careful layering of pigments to achieve a luminous quality that captured the subtle nuances of light and shadow on the golf course. The resulting images are celebrated for their precision and evocative beauty, establishing Brock as one of the foremost golfing artists of his time.
  • Technique & Materials: Brock favored oil paints—a medium known for its ability to produce rich colors and textural depth—allowing him to meticulously recreate the visual environment of golf courses.
  • Compositional Considerations: His canvases often featured expansive vistas, incorporating elements of perspective and atmospheric haze to heighten realism and convey a sense of grandeur.
  • Symbolic Significance: Beyond mere depiction, Brock’s golf paintings subtly communicated ideas about status, leisure, and the pursuit of excellence—themes deeply embedded in Victorian culture.

Portraiture: Capturing Dignity and Character

Brock's artistic legacy rests principally on his portraiture work, where he achieved remarkable success in conveying psychological depth alongside visual accuracy. He possessed an innate ability to discern the essence of his subjects—capturing not just their physical appearance but also their inner temperament and social standing. His portraits are distinguished by a serene composure and subtle expressions that reveal glimpses into the personalities beneath the surface.
  • Notable Subjects: Brock’s clientele included members of the Royal Family, prominent statesmen like Lord Castlereagh (whose portrait remains a masterpiece), and influential industrialists—individuals who commanded respect and admiration within Victorian society.
  • Psychological Insight: He skillfully employed lighting and pose to heighten emotional impact, conveying feelings of dignity, contemplation, and quiet confidence.
  • Legacy & Influence: Brock’s portraits continue to resonate with viewers today, serving as enduring symbols of Victorian grandeur and artistic excellence—a testament to his unwavering dedication to capturing the human spirit in its most refined form.

Critical Reception & Historical Significance

Despite not achieving widespread fame during his lifetime, Edmond Brock’s work garnered considerable acclaim from fellow artists and critics of his era. His meticulous realism—particularly evident in his golf paintings and portraits—was lauded for its technical virtuosity and emotional resonance. He was recognized as a champion of the Beaux Arts aesthetic, upholding standards of artistic excellence that mirrored those championed by leading sculptors and painters of the Victorian period. Brock’s contribution to British art history is underscored by his enduring influence on subsequent generations of artists—a quiet yet profound legacy secured through unwavering dedication to craft and an uncompromising pursuit of beauty.