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Student Artwork Guide

Charles Allix

Name Class Date

William Salter, Charles Allix (1840). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
William Salter originaluniqueart.com/en/artists/william-salter/
Artist’s dates
1804 – 1875
Painted
1840
Original size
54 x 43 cm
Movement
Neoclassicism A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art.

In context

Charles Allix — William Salter

How big is it?

The original measures 54 × 43 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1800
  2. 1810
  3. 1820
  4. 1830
  5. 1840
  6. 1850
  7. 1860
  8. 1870

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 71 at death.

Painted when the artist was 36. The artist lived to 71. 28 of the 85 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of William Salter (1804–1875) ▲ this work, 1840 every dated painting, decade by decade

First works: up to 1838 Main working years: 1838–1840 Late works: from 1840

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/william-salter-charles-allix-AQS95B-en/

Colours

Measured from the image

    Main colour

    Black #211408

    Catalogued palette

    • #211408
    • #080302
    • #7B250D
    • #3E250D

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Black
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by William Salter over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 90.0%
    2. 2 Australia 5.0%
    3. 3 France 5.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by William Salter

    1. 1 Henry Bathurst, 3rd Earl Bathurst, 1834 9.1%
    2. 2 William George Harris, 2nd Baron Harris, 1836 4.5%
    3. 3 Sir John Ormsby Vandeleur, 1838 4.5%
    4. 4 Henry D'Oyly, 1840 4.5%
    5. 5 Sir Alexander Dickson, 1838 4.5%
    6. 6 Arthur Moyses William Sandys, 2nd Baron Sandys, 1837 4.5%
    7. 7 Lord Robert William Manners, 1835 4.5%
    8. 8 Sir Edward Kerrison, 1st Bt, 1840 4.5%
    9. 9 George Lionel Dawson Damer, 1840 4.5%
    10. 10 Sir Henry Murray, 1840 4.5%
    11. 11 Arthur Wellesley, 1st Duke of Wellington, 1839 4.5%
    12. 12 William Elphinstone, 1839 4.5%
    13. 13 Thomas Hunter Blair, 1840 4.5%
    14. 14 Sir Charles Webb Dance, 1836 4.5%
    15. 15 Don Miguel Ricardo de Alava, 1840 4.5%
    16. 16 Clement Delves Hill, 1837 4.5%
    17. 17 William II of Holland, 1840 4.5%
    18. 18 The Waterloo Banquet, 1836 4.5%
    19. 19 Sir George Scovell, 1840 4.5%
    20. — Charles Allix, 1840 this painting 0.0%

    Together these works take 90.1% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 87 works by this artist, of which 21 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    William Salter

    The Visionary Portraitist of a Changing Era

    In the heart of the nineteenth century, as Britain navigated the profound shifts of the Industrial Revolution and the expansion of its global influence, William Salter emerged as a painter capable of capturing the very soul of Victorian grandeur. Born in 1804 in the quiet town of Honiton, Devon, Salter’s early life was rooted in the traditional English landscape, yet his artistic spirit was destined for much larger stages. His journey from a student at Honiton Grammar School to a respected figure in the London art scene was paved with an unyielding dedication to classical mastery and an insatiable intellectual curiosity. Unlike many of his contemporaries who sought fame through mere trend-following, Salter’s approach was one of deep, scholarly immersion, blending the precision of a documentarian with the emotional depth of a true storyteller.

    The foundation of Salter's technical brilliance was laid far from the English coast. In 1822, he sought the rigorous training offered by the studios of James Northcote, a connection that would prove transformative for his developing style. This period of apprenticeship allowed him to absorb the nuances of light and shadow, preparing him for his subsequent Grand Tour of Italy. While traveling through the artistic heartlands of Florence and Padua, Salter did not merely observe; he engaged with the classical ideals of the Renaissance. It was during these Italian sojourn that works such as Socrates before his Judges were conceived, earning him significant acclaim among European intellectuals and establishing his reputation as an artist capable of handling complex, historical narratives with grace and psychological insight.

    A Monumental Legacy: The Waterloo Banquet

    The zenith of Salter’s career arrived in 1836 with the unveiling of his most ambitious and celebrated undertaking: The Waterloo Banquet. Commissioned by the Duke of Wellington himself, this colossal work was far more than a simple commemorative painting; it was a tableau vivant of historical magnitude. The canvas serves as a breathtaking window into a singular moment of British triumph, meticulously depicting approximately eighty distinguished individuals gathered to celebrate the victory at Waterloo. To execute such a feat, Salter had to possess an extraordinary capacity for observation, capturing not only the regalia and the magnificent silver chandelier by Domingos Antonio de Sequeira but also the subtle interpersonal dynamics of the assembled elite.

    Within this masterpiece, one finds the hallmark of Salter’s technique—a seamless blend of realism and atmosphere. He managed to convey the sheer scale of the event without sacrificing the individual dignity of his subjects. The painting, which remains a crown jewel of Apsley House, stands as a testament to his ability to synthesize historical documentation with artistic grandeur. Through his brush, the celebratory energy of the banquet is preserved for eternity, allowing modern viewers to feel the weight of the era's political and social significance.

    Portraiture, Precision, and Historical Significance

    Beyond the monumental scale of his historical compositions, Salter’s repertoire included a range of intimate portraits that showcased his mastery of character. His ability to render textures—the heavy crimson of a military uniform or the delicate lace of a lady's gown—made him a sought-after painter for the British aristocracy and military officers alike. Works such as Sir John Elley and Sir Colin Campbell demonstrate his skill in using chiaroscuro to create dramatic, lifelike presences that command the viewer's attention.

    Salter’s contribution to art history extends beyond the canvas; he was an educator and a traveler whose life reflected the intellectual vigor of his age. His legacy is defined by several key pillars:

    Technical Mastery: A profound command of classical academic traditions, refined through study in Italy and under masters like Northcote.

    Historical Documentation: The ability to transform historical events into enduring visual narratives that capture the zeitgeist of the 19th century.

    Psychological Depth: A talent for portraiture that moved beyond mere likeness to reveal the character and status of his subjects.

    Cultural Impact: His role in elevating British portraiture to a level of international prestige during the Victorian era.

    When William Salter passed away on 22 December 1875, he left behind a body of work that remains an essential archive of British identity. His paintings continue to serve as vital touchstones for understanding the elegance, the complexity, and the monumental ambitions of a nation at the height of its power.

    Where to read more

    Find this online

    QR code linking to the download page for Charles Allix

    originaluniqueart.com/en/art/download/william-salter-charles-allix-AQS95B-en/

    Cite this artwork

    MLA
    Salter, William. Charles Allix. 1840, https://originaluniqueart.com/en/art/william-salter-charles-allix-AQS95B-en/
    APA
    Salter, William (1840). Charles Allix [Painting]. https://originaluniqueart.com/en/art/william-salter-charles-allix-AQS95B-en/
    Chicago
    William Salter. Charles Allix. 1840. https://originaluniqueart.com/en/art/william-salter-charles-allix-AQS95B-en/
    Harvard
    Salter, William (1840) Charles Allix. Available at: https://originaluniqueart.com/en/art/william-salter-charles-allix-AQS95B-en/

    Look closely

    Charles Allix — William Salter

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: portrait, military, uniform. Do you agree? What would you add, or take away?
    5. Look back at Sir Henry Wyndham (1840), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Which artist and which style stand behind "Charles Allix"?

    Behind "Charles Allix" stand William Salter and the Neoclassicism movement.

    Is "Charles Allix" by William Salter in the public domain?

    Regarding copyright, "Charles Allix" is in the public domain - its copyright has expired.

    What does "Charles Allix" by William Salter depict?

    The subjects of "Charles Allix" are portrait, military, uniform, victorian, salter, officer, formal, authority.