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Student Artwork Guide

29 Washington Square

Name Class Date

William James Glackens, 29 Washington Square (1911). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
William James Glackens originaluniqueart.com/en/artists/william-james-glackens/
Artist’s dates
1870 – 1938
Painted
1911
Original size
63 x 76 cm
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

In context

29 Washington Square — William James Glackens

How big is it?

The original measures 63 × 76 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 68 at death.

Painted when the artist was 41. The artist lived to 68. 79 of the 157 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of William James Glackens (1870–1938) ▲ this work, 1911 every dated painting, decade by decade

First works: up to 1906 Main working years: 1906–1918 Late works: from 1918

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/william-james-glackens-29-washington-square-8XZ76T-en/

Colours

Measured from the image

    Main colour

    Clay #be6b42

    Catalogued palette

    • #BE6B42
    • #888EBF
    • #583D3F
    • #DCBE8D

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Clay
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by William James Glackens over the last twelve months — 10 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 61.9%
    2. 2 United States of America 12.7%
    3. 3 Singapore 11.9%
    4. 4 Malaysia 5.9%
    5. 5 Hong Kong 2.5%
    6. 6 New Zealand 1.7%
    7. 7 United Kingdom 0.8%
    8. 8 Greece 0.8%
    9. 9 Sweden 0.8%
    10. 10 Türkiye 0.8%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by William James Glackens

    1. 1 The Green Bonnet, 1913 6.1%
    2. 2 Music Hall Turn (study), 1918 3.1%
    3. 3 Julia Reading, 1916 3.1%
    4. 4 The Ermine Muff, 1903 3.1%
    5. 5 Italo-American Celebration, Washington Square, 1912 2.3%
    6. 6 Mahone Bay, 1911 2.3%
    7. 7 Lenna at One Year, 1914 2.3%
    8. 8 Bathers at Play, Study 2, 1914 2.3%
    9. 9 Lake Bathers, 1920 2.3%
    10. 10 Treading Calms, Wickford, 1909 2.3%
    11. 11 Lenna with Rabbit Hound, 1922 2.3%
    12. 12 Girl with Fox Furs, 1909 2.3%
    13. 13 Park on the River, 1902 2.3%
    14. 14 Bathing at Bellport, Long Island, 1912 2.3%
    15. 15 L'Apertif, 1926 2.3%
    16. 16 Château-Thierry, 1906 2.3%
    17. 17 The Conservatory (also known as Lenna and Her Mother in the Conservatory), 1917 1.5%
    18. 18 The Shoppers, 1907 1.5%
    19. 19 Cape Code Pier, 1908 1.5%
    20. 25 29 Washington Square, 1911 this painting 1.5%

    Together these works take 49.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 182 works by this artist, of which 77 were looked at at least once. This painting ranks 25 of them, with 1.5% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    William James Glackens

    Born in Philadelphia, United States of America

    a pioneer of the ashcan school

    william james glackens, a prominent figure in american art, left an indelible mark on the canvas of history with his captivating realist paintings. born in philadelphia, pennsylvania, in 1870, glackens' artistic journey was a testament to his unwavering passion for capturing the essence of everyday life.

    early life and influences

    glackens' early years were marked by an innate inclination towards art, which led him to enroll at the pennsylvania academy of the fine arts. under the tutelage of thomas anshutz, a renowned realist, glackens honed his skills, eventually becoming one of the founders of the ashcan school. this movement rejected the conventional boundaries of artistic beauty, instead focusing on the gritty realities of metropolitan life.

    artistic career

    glackens' work is characterized by its dark-hued, vibrantly painted street scenes and depictions of daily life in pre-wwi new york and paris. his later pieces, influenced by renoir, showcased a brighter tone, reflecting his growth as an artist. notably, glackens also worked as an illustrator for newspapers and magazines in philadelphia and new york city.

    view of haarlem with bleaching grounds, a painting by jacob isaakszoon van ruisdael (ruysdael), exemplifies the level of detail and craftsmanship that defines glackens' work. this piece is now part of the collection at the chrysler museum of art.

    glackens' own masterpiece, the shoppers, is a testament to his skill in capturing the essence of urban life. this painting can be found in the new realism collection at AllPaintingsStore.com.

    legacy and impact

    glackens' contributions to american art are multifaceted, extending beyond his own work. he played a pivotal role in helping albert c. barnes acquire european paintings for the barnes foundation in philadelphia. this collection has become a cornerstone of american art history. key works and collections: the shoppers (new realism, oil on canvas, chrysler museum of art) view of haarlem with bleaching grounds (ruysdael, sforza castle, milan, italy) recommended reading: * [https://AllPaintingsStore.com/@/william-james-glackens](https://AllPaintingsStore.com/@/william-james-glackens) - explore the extensive collection of glackens' work on AllPaintingsStore.com. * [https://en.wikipedia.org/wiki/william_glackens](https://en.wikipedia.org/wiki/william_glackens) - delve into the detailed biography of william james glackens on wikipedia.

    Where to read more

    Find this online

    QR code linking to the download page for 29 Washington Square

    originaluniqueart.com/en/art/download/william-james-glackens-29-washington-square-8XZ76T-en/

    Cite this artwork

    MLA
    Glackens, William James. 29 Washington Square. 1911, https://originaluniqueart.com/en/art/william-james-glackens-29-washington-square-8XZ76T-en/
    APA
    Glackens, William James (1911). 29 Washington Square [Painting]. https://originaluniqueart.com/en/art/william-james-glackens-29-washington-square-8XZ76T-en/
    Chicago
    William James Glackens. 29 Washington Square. 1911. https://originaluniqueart.com/en/art/william-james-glackens-29-washington-square-8XZ76T-en/
    Harvard
    Glackens, William James (1911) 29 Washington Square. Available at: https://originaluniqueart.com/en/art/william-james-glackens-29-washington-square-8XZ76T-en/

    Look closely

    29 Washington Square — William James Glackens

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 4 — do you agree?)
    4. Our catalogue files this work under: winter scene, urban landscape, city life art. Do you agree? What would you add, or take away?
    5. Look back at Family group (1911), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How old was William James Glackens when creating "29 Washington Square" in 1911?

    William James Glackens was 41 years old when creating "29 Washington Square" in 1911. The age is computed from the artist's birth year, 1870.

    Can I see "29 Washington Square" by William James Glackens on my own wall before buying?

    "29 Washington Square" by William James Glackens can be previewed on your own wall with the artwork's AR Preview page, using augmented reality on a compatible device.

    What does "29 Washington Square" by William James Glackens depict?

    The subjects of "29 Washington Square" are winter scene, urban landscape, city life art, park painting, impressionist figures, warm color palette, american realism.