Paper

Student Artwork Guide

Two Standing Men

Name Class Date

Willem de Kooning, Two Standing Men (1938). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Willem de Kooning originaluniqueart.com/en/artists/willem-de-kooning/
Artist’s dates
1904 – 1997
Painted
1938
Medium
Oil On Canvas
Original size
155 x 114 cm
Movement
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Period
Modern
Artistic style
Bold & expressive
Influences
European Surrealism
Notable elements or techniques
Gestural brushwork
Subject or theme
Portraiture

In context

Two Standing Men — Willem de Kooning

How big is it?

The original measures 155 × 114 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980
  10. 1990

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 93 at death.

Painted when the artist was 34. The artist lived to 93. 0 of the 88 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Willem de Kooning (1904–1997) ▲ this work, 1938 every dated painting, decade by decade

First works: up to 1949 Main working years: 1949–1965 Late works: from 1965

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

  • Woman I, 1952 originaluniqueart.com/en/art/willem-de-kooning-woman-i-8XZ6VM-en/
  • Painting, 1948 originaluniqueart.com/en/art/willem-de-kooning-painting-8XZ6W2-en/
  • Still Life, 1945 originaluniqueart.com/en/art/willem-de-kooning-still-life-9H5R4G-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/willem-de-kooning-two-standing-men-D3267T-en/

Colours

Measured from the image

    Main colour

    Espresso #4b3c27

    Catalogued palette

    • #4B3C27
    • #1B120D
    • #AF9460
    • #694F2F

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Monochrome The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Willem de Kooning over the last twelve months — 38 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 24.7%
    2. 2 United States of America 17.4%
    3. 3 Brazil 6.2%
    4. 4 United Kingdom 6.2%
    5. 5 Italy 4.5%
    6. 6 South Korea 4.5%
    7. 7 Belgium 3.4%
    8. 8 Spain 2.2%
    9. 9 France 2.2%
    10. 10 Romania 2.2%
    11. · 28 other countries 26.5%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Willem de Kooning

    1. 1 Woman I, 1952 37.7%
    2. 2 Excavation, 1950 6.4%
    3. 3 Woman V, 1952-53 (oil ^ charcoal on canvas), 1953 3.4%
    4. 4 Marilyn Monroe, 1954 3.0%
    5. 5 Women Singing II, 1966 3.0%
    6. 6 Door to the River, 1960 2.7%
    7. 7 Abstraction, 1950 2.0%
    8. 8 Seated Woman, 1940 2.0%
    9. 9 Saturday Night, 1956 2.0%
    10. 10 The visit tate gallery, 1966 2.0%
    11. 11 Composition 1.7%
    12. 12 Merritt Parkway, 1959 1.7%
    13. 13 A Tree in Naples 1.3%
    14. 14 Woman Red Hair, Large Mouth, Large Foot, 1965 1.3%
    15. 15 Excavation,1950, art institute of chicago 1.3%
    16. 16 Two Women in the Country, 1954 1.0%
    17. 17 Queen of Hearts, 1946 1.0%
    18. 18 Painting, 1948 1.0%
    19. 19 The Wave 1.0%
    20. — Two Standing Men, 1938 this painting 0.0%

    Together these works take 75.5% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 102 works by this artist, of which 64 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Two Standing Men — Willem de Kooning

    A Moment Frozen in Expression: The Soul of Two Standing Men

    In the vast, turbulent landscape of twentieth-century art, few works capture the raw, visceral essence of human connection quite like Willem de Kooning’s 1938 masterpiece, Two Standing Men. This monumental canvas serves as a profound window into the pre-war psyche, offering much more than a mere portrait of two figures. It is an intimate study of companionship and vulnerability, rendered with a gestural intensity that would later define the Abstract Expressionist movement. As one gazes upon the composition, the viewer is immediately struck by the palpable tension between the formal attire of the subjects—the structured ties and poised stances—and the wild, energetic brushwork that threatens to dissolve their forms into pure emotion.

    The painting’s subject matter centers on a quiet, yet powerful, moment of intimacy. Two men stand side-by-side, their proximity suggesting a shared history and an unspoken bond. One man gently encircles the other’s shoulders, a gesture that breathes life into the canvas through its suggestion of camaraderie and mutual support. This physical closeness creates a poignant contrast against the stark, imposing red wall that dominates the background. This crimson backdrop is far from passive; it pulses with a symbolic weight, evoking themes of passion, danger, and the looming shadows of the era's global anxieties. The red serves as a dramatic stage, pushing the figures into the foreground and forcing an encounter between the viewer and the subjects' shared humanity.

    The Mastery of Gesture and Texture

    Technically, Two Standing Men is a triumph of early de Kooning, showcasing the artist’s burgeoning command over impasto and movement. Long before he became a titan of total abstraction, de Kooning utilized thick, layered applications of oil paint to create a surface that feels alive. The brushstrokes are not merely marks on a canvas; they are traces of physical action, capturing a sense of spontaneity and rhythmic flow. This heavy texture lends the work a sculptural quality, where the light catches the ridges of the paint, adding depth and a sense of temporal urgency. The way the colors bleed and overlap mirrors the internal complexities of the human experience, suggesting that identity is never static but always in a state of becoming.

    For the discerning collector or interior designer, this piece offers an unparalleled opportunity to introduce a sense of historical gravity and avant-garde sophistication into a space. The painting’s ability to balance formal structure with expressive chaos makes it a versatile centerpiece for modern, minimalist, or even classical environments. It does not merely decorate a room; it commands it, inviting conversation about the nature of relationships and the resilience of the human spirit. To possess a high-quality reproduction of this work is to hold a fragment of art history—a piece that resonates with the enduring power of connection amidst the beautiful, chaotic struggle of existence.

    Artist and museum

    Artist

    Willem de Kooning

    Born in Rotterdam, Netherlands

    A Life Forged in Abstraction

    Willem de Kooning, a name synonymous with the raw energy and emotional depth of Abstract Expressionism, was born in Rotterdam, Netherlands, in 1904. His early life was marked by a familial split – his parents divorced when he was young – which perhaps instilled within him a sense of restless searching that would permeate his artistic journey. Leaving formal schooling at twelve, de Kooning apprenticed with a commercial art firm, laying the groundwork for his technical skill while simultaneously fueling a desire to break free from conventional constraints. Evening classes at the Academie van Beeldende Kunsten en Technische Wetenschappen in Rotterdam provided further foundational training, but it was a yearning for something more – a bolder, more expressive language – that ultimately propelled him towards America in 1926. His arrival wasn’t straightforward; he famously stowed away on a ship, embodying the spirit of an outsider seeking new horizons. New York City became his adopted home, and its vibrant, often gritty energy profoundly shaped his evolving style. He navigated various jobs – house painter, carpenter – all while relentlessly pursuing his artistic vision, absorbing the city’s pulse into his work.

    From Urban Scenes to Abstract Fury

    De Kooning's early paintings reflected his immediate surroundings: urban landscapes and portraits that captured the dynamism of New York life. However, these were merely stepping stones towards a more profound exploration of form and emotion. A pivotal moment came with his connection to Arshile Gorky, whose influence proved transformative. Gorky encouraged de Kooning’s experimentation with abstraction, fostering a willingness to dismantle traditional representation in pursuit of something deeper. The 1930s saw de Kooning engage with social realism and mural projects through the Works Progress Administration (WPA), a period that honed his skills but also highlighted the limitations of purely representational art. He found himself drawn towards the work of Stuart Davis and John Graham, artists who were pushing boundaries in their own right. This confluence of influences gradually steered him away from literal depiction and toward an increasingly abstract vocabulary. It wasn’t a sudden shift, but rather a slow burn – a deliberate dismantling of established norms fueled by intellectual curiosity and a relentless pursuit of artistic truth.

    The Woman Series: A Landmark Achievement

    Following World War II, de Kooning emerged as a central figure in the burgeoning Abstract Expressionist movement. This period marked a turning point, culminating in his iconic “Woman” series (1950-1953). These paintings – including the monumental *Woman I* – are not merely depictions of female figures; they are visceral explorations of femininity, sexuality, and the complexities of human emotion. Characterized by aggressive brushstrokes, fragmented forms, and a jarring juxtaposition of colors, the “Woman” series challenged conventional notions of beauty and representation. They were controversial, even shocking to some, but their power lay precisely in their refusal to conform. De Kooning wasn’t interested in creating idealized images; he sought to capture the raw, untamed essence of his subjects. Beyond the "Woman" series, works like The Glazier and Excavation further demonstrated his dynamic approach to painting, showcasing a masterful command of texture, color, and composition. He didn't shy away from chaos or ambiguity; instead, he embraced them as integral components of his artistic language.

    Evolving Landscapes and Enduring Legacy

    In the 1960s, de Kooning’s style underwent another significant evolution. While abstraction remained central to his work, landscape elements began to play a more prominent role, often rendered with a brighter palette and a looser, more fluid brushstroke. He continued to experiment relentlessly throughout his life, exploring different techniques and materials, never content to rest on his laurels. His later works demonstrate a remarkable ability to reinvent himself while remaining true to his core artistic principles. Willem de Kooning’s historical significance is undeniable. He helped establish New York City as a global center for art, challenging the dominance of European traditions and paving the way for future generations of artists. His work continues to inspire awe and provoke debate, reminding us of the power of abstraction to convey profound emotional truths. De Kooning passed away in 1997, leaving behind a vast and influential body of work that stands as a testament to his unwavering commitment to artistic innovation and his enduring legacy as one of the most important American artists of the 20th century. His impact resonates still.

    Where to read more

    Find this online

    QR code linking to the download page for Two Standing Men

    originaluniqueart.com/en/art/download/willem-de-kooning-two-standing-men-D3267T-en/

    Cite this artwork

    MLA
    Kooning, Willem de. Two Standing Men. 1938, https://originaluniqueart.com/en/art/willem-de-kooning-two-standing-men-D3267T-en/
    APA
    Kooning, Willem de (1938). Two Standing Men [Painting]. https://originaluniqueart.com/en/art/willem-de-kooning-two-standing-men-D3267T-en/
    Chicago
    Willem de Kooning. Two Standing Men. 1938. https://originaluniqueart.com/en/art/willem-de-kooning-two-standing-men-D3267T-en/
    Harvard
    Kooning, Willem de (1938) Two Standing Men. Available at: https://originaluniqueart.com/en/art/willem-de-kooning-two-standing-men-D3267T-en/

    Look closely

    Two Standing Men — Willem de Kooning

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: portraiture, figure painting, formal composition. Do you agree? What would you add, or take away?
    4. Look back at Woman I (1952), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Two Standing Men — Willem de Kooning

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. In which art movement does Willem de Kooning's 'Two Standing Men' serve as a cornerstone?

      • A Surrealism
      • B Abstract Expressionism
      • C Cubism
    2. 2. What does the red wall in the background of the painting primarily symbolize?

      • A Peace and tranquility
      • B Passion, danger, or confrontation
      • C The artist's childhood home
    3. 3. Which technique is used by de Kooning to create a palpable texture on the canvas?

      • A Thin glazing
      • B Sfumato
      • C Thick impasto
    4. 4. What is the physical relationship between the two figures depicted in the painting?

      • A They are standing far apart facing away from each other
      • B One man has his arm around the other's shoulders
      • C They are engaged in a formal dance
    5. 5. When was 'Two Standing Men' painted?

      • A 1926
      • B 1938
      • C 1945

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2A · 3B · 4A · 5A

    Check any answer against the catalogue record for this painting

    Questions & Answers

    What type of artwork is "Two Standing Men" by Willem de Kooning?

    "Two Standing Men" by Willem de Kooning is classified as wall art. The category describes the kind of artwork the original is.

    How well known is "Two Standing Men" by Willem de Kooning?

    "Two Standing Men" by Willem de Kooning has an iconic popularity level. This classification reflects how widely the work is recognized.

    How do I preview a reproduction of "Two Standing Men" by Willem de Kooning?

    To preview a reproduction of "Two Standing Men" by Willem de Kooning, open the artwork's Preview page.