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Student Artwork Guide

Marilyn Monroe

Name Class Date

Willem de Kooning, Marilyn Monroe (1954). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Willem de Kooning originaluniqueart.com/en/artists/willem-de-kooning/
Artist’s dates
1904 – 1997
Painted
1954
Medium
Oil On Canvas
Movement
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Period
Modern
Notable elements
Intense color palette (reds, yellows, whites), gestural brushstrokes, impasto texture
Style
Expressionistic/Abstract Expressionist
Subject
Solitary female figure

In context

Marilyn Monroe — Willem de Kooning

When was this painted?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980
  10. 1990

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 93 at death.

Painted when the artist was 50. The artist lived to 93. 34 of the 88 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Willem de Kooning (1904–1997) ▲ this work, 1954 every dated painting, decade by decade

First works: up to 1949 Main working years: 1949–1965 Late works: from 1965

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/willem-de-kooning-marilyn-monroe-8XZ6WL-en/

Colours

Measured from the image

    Main colour

    Driftwood #c2a547

    Catalogued palette

    • #C2A547
    • #E7E8AA
    • #1E1C0C
    • #7E5528

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Willem de Kooning over the last twelve months — 41 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 22.8%4,400 visits
    2. 2 United States of America 16.6%3,200 visits
    3. 3 Brazil 7.3%1,400 visits
    4. 4 United Kingdom 5.7%1,100 visits
    5. 5 South Korea 4.7%900 visits
    6. 6 Italy 4.1%800 visits
    7. 7 Belgium 3.1%600 visits
    8. 8 Spain 3.1%600 visits
    9. 9 France 2.6%500 visits
    10. 10 Netherlands 2.6%500 visits
    11. · 31 other countries 27.4%5,300 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Willem de Kooning

    1. 1 Woman I, 1952 35.9%13,800 visits
    2. 2 Excavation, 1950 5.7%2,200 visits
    3. 3 Door to the River, 1960 5.2%2,000 visits
    4. 4 Woman V, 1952-53 (oil ^ charcoal on canvas), 1953 2.9%1,100 visits
    5. 5 Marilyn Monroe, 1954 this painting 2.9%1,100 visits
    6. 6 Women Singing II, 1966 2.3%900 visits
    7. 7 A Tree in Naples 2.1%800 visits
    8. 8 Abstraction, 1950 2.1%800 visits
    9. 9 Saturday Night, 1956 2.1%800 visits
    10. 10 The visit tate gallery, 1966 2.1%800 visits
    11. 11 Queen of Hearts, 1946 1.6%600 visits
    12. 12 Seated Woman, 1940 1.6%600 visits
    13. 13 Gotham News, 1955 1.6%600 visits
    14. 14 Composition 1.3%500 visits
    15. 15 Merritt Parkway, 1959 1.3%500 visits
    16. 16 Parc rosenberg,1957, private 1.3%500 visits
    17. 17 Excavation,1950, art institute of chicago 1.3%500 visits
    18. 18 Woman Red Hair, Large Mouth, Large Foot, 1965 1.0%400 visits
    19. 19 Sphinx, 1964 1.0%400 visits
    20. 20 Untitled (21) 1.0%400 visits

    Together these works take 76.3% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 102 works by this artist, of which 71 were looked at at least once. This painting ranks 5 of them, with 2.9% of that attention (1,100 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Marilyn Monroe — Willem de Kooning

    A Tempestuous Portrait: De Kooning’s ‘Marilyn Monroe’

    Created in 1954, Willem de Kooning's *Marilyn Monroe* is not a conventional portrait of the iconic actress. Instead, it’s a visceral and emotionally charged interpretation that reflects the artist’s engagement with popular culture and his signature Abstract Expressionist style. This painting offers a fascinating glimpse into De Kooning’s approach to figuration and his ability to convey complex emotions through abstract means.

    Deconstructing an Icon: Subject & Style

    Subject Matter: While ostensibly depicting Marilyn Monroe, the painting transcends mere representation. De Kooning doesn’t aim for likeness; rather, he captures a sense of her public persona – the vulnerability and underlying turmoil often masked by glamour.

    Stylistic Influences: The work sits firmly within the realm of Abstract Expressionism, sharing characteristics with artists like Jackson Pollock and Franz Kline. However, De Kooning uniquely blends abstraction with recognizable figuration, creating a dynamic tension that defines his style. Elements of Expressionism are also present in the raw emotionality conveyed.

    A Pivotal Moment: 1954 was a significant year for both De Kooning and American culture. The painting emerged during a period of burgeoning celebrity worship, post-war anxiety, and artistic experimentation.

    Technique & Materials: A Gestural Force

    Oil on Canvas: De Kooning’s masterful use of oil paint is central to the painting's impact. The thick, impasto application creates a tactile surface and emphasizes the physicality of the artistic process.

    Gestural Brushwork: Loose, energetic brushstrokes define the form, conveying movement and instability. Drips and splatters add to the sense of spontaneity and raw emotion.

    Color Palette & Composition: Dominated by reds, yellows, and whites, the color scheme is both vibrant and unsettling. The vertical composition focuses attention on the central figure while swirling patterns in the background create a sense of unease and psychological depth.

    Symbolism & Emotional Resonance

    Color Symbolism: The intense reds can be interpreted as representing passion, anger, or even violence. Yellows suggest hope, anxiety, or the artificiality of fame.

    Deconstructed Form: The fragmented and distorted depiction of Monroe’s face reflects a sense of inner turmoil and challenges conventional notions of beauty and celebrity.

    Emotional Impact: *Marilyn Monroe* evokes feelings of vulnerability, anxiety, and the pressures of public life. It's a powerful statement about the complexities of identity and the human condition.

    Historical Context & Legacy

    Pop Culture Intersection: De Kooning’s engagement with Marilyn Monroe reflects a broader trend in post-war art – the incorporation of popular imagery and themes into high art.

    A Lasting Influence: This painting remains a significant work within De Kooning's oeuvre and a compelling example of Abstract Expressionism. It continues to inspire artists and captivate audiences with its emotional intensity and innovative approach to portraiture.

    The artwork serves as a powerful reminder that even the most iconic figures are subject to inner struggles and complexities, making it a timeless piece for collectors and art enthusiasts alike.

    Artist and museum

    Artist

    Willem de Kooning

    Born in Rotterdam, Netherlands

    A Life Forged in Abstraction

    Willem de Kooning, a name synonymous with the raw energy and emotional depth of Abstract Expressionism, was born in Rotterdam, Netherlands, in 1904. His early life was marked by a familial split – his parents divorced when he was young – which perhaps instilled within him a sense of restless searching that would permeate his artistic journey. Leaving formal schooling at twelve, de Kooning apprenticed with a commercial art firm, laying the groundwork for his technical skill while simultaneously fueling a desire to break free from conventional constraints. Evening classes at the Academie van Beeldende Kunsten en Technische Wetenschappen in Rotterdam provided further foundational training, but it was a yearning for something more – a bolder, more expressive language – that ultimately propelled him towards America in 1926. His arrival wasn’t straightforward; he famously stowed away on a ship, embodying the spirit of an outsider seeking new horizons. New York City became his adopted home, and its vibrant, often gritty energy profoundly shaped his evolving style. He navigated various jobs – house painter, carpenter – all while relentlessly pursuing his artistic vision, absorbing the city’s pulse into his work.

    From Urban Scenes to Abstract Fury

    De Kooning's early paintings reflected his immediate surroundings: urban landscapes and portraits that captured the dynamism of New York life. However, these were merely stepping stones towards a more profound exploration of form and emotion. A pivotal moment came with his connection to Arshile Gorky, whose influence proved transformative. Gorky encouraged de Kooning’s experimentation with abstraction, fostering a willingness to dismantle traditional representation in pursuit of something deeper. The 1930s saw de Kooning engage with social realism and mural projects through the Works Progress Administration (WPA), a period that honed his skills but also highlighted the limitations of purely representational art. He found himself drawn towards the work of Stuart Davis and John Graham, artists who were pushing boundaries in their own right. This confluence of influences gradually steered him away from literal depiction and toward an increasingly abstract vocabulary. It wasn’t a sudden shift, but rather a slow burn – a deliberate dismantling of established norms fueled by intellectual curiosity and a relentless pursuit of artistic truth.

    The Woman Series: A Landmark Achievement

    Following World War II, de Kooning emerged as a central figure in the burgeoning Abstract Expressionist movement. This period marked a turning point, culminating in his iconic “Woman” series (1950-1953). These paintings – including the monumental *Woman I* – are not merely depictions of female figures; they are visceral explorations of femininity, sexuality, and the complexities of human emotion. Characterized by aggressive brushstrokes, fragmented forms, and a jarring juxtaposition of colors, the “Woman” series challenged conventional notions of beauty and representation. They were controversial, even shocking to some, but their power lay precisely in their refusal to conform. De Kooning wasn’t interested in creating idealized images; he sought to capture the raw, untamed essence of his subjects. Beyond the "Woman" series, works like The Glazier and Excavation further demonstrated his dynamic approach to painting, showcasing a masterful command of texture, color, and composition. He didn't shy away from chaos or ambiguity; instead, he embraced them as integral components of his artistic language.

    Evolving Landscapes and Enduring Legacy

    In the 1960s, de Kooning’s style underwent another significant evolution. While abstraction remained central to his work, landscape elements began to play a more prominent role, often rendered with a brighter palette and a looser, more fluid brushstroke. He continued to experiment relentlessly throughout his life, exploring different techniques and materials, never content to rest on his laurels. His later works demonstrate a remarkable ability to reinvent himself while remaining true to his core artistic principles. Willem de Kooning’s historical significance is undeniable. He helped establish New York City as a global center for art, challenging the dominance of European traditions and paving the way for future generations of artists. His work continues to inspire awe and provoke debate, reminding us of the power of abstraction to convey profound emotional truths. De Kooning passed away in 1997, leaving behind a vast and influential body of work that stands as a testament to his unwavering commitment to artistic innovation and his enduring legacy as one of the most important American artists of the 20th century. His impact resonates still.

    Where to read more

    Find this online

    QR code linking to the download page for Marilyn Monroe

    originaluniqueart.com/en/art/download/willem-de-kooning-marilyn-monroe-8XZ6WL-en/

    Cite this artwork

    MLA
    Kooning, Willem de. Marilyn Monroe. 1954, https://originaluniqueart.com/en/art/willem-de-kooning-marilyn-monroe-8XZ6WL-en/
    APA
    Kooning, Willem de (1954). Marilyn Monroe [Painting]. https://originaluniqueart.com/en/art/willem-de-kooning-marilyn-monroe-8XZ6WL-en/
    Chicago
    Willem de Kooning. Marilyn Monroe. 1954. https://originaluniqueart.com/en/art/willem-de-kooning-marilyn-monroe-8XZ6WL-en/
    Harvard
    Kooning, Willem de (1954) Marilyn Monroe. Available at: https://originaluniqueart.com/en/art/willem-de-kooning-marilyn-monroe-8XZ6WL-en/

    Look closely

    Marilyn Monroe — Willem de Kooning

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: marilyn monroe, female figure, emotional portrait. Do you agree? What would you add, or take away?
    5. Look back at Woman I (1952), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Marilyn Monroe — Willem de Kooning

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. In what year was Willem de Kooning's 'Marilyn Monroe' painted?

      • A 1945
      • B 1954
      • C 1962
    2. 2. Which artistic movement is most closely associated with de Kooning’s 'Marilyn Monroe'?

      • A Impressionism
      • B Abstract Expressionism
      • C Pop Art
    3. 3. The painting is characterized by a prominent use of which technique?

      • A Sfumato
      • B Pointillism
      • C Impasto
    4. 4. What is the primary subject matter depicted in this artwork?

      • A A landscape scene
      • B A portrait of Marilyn Monroe
      • C A still life arrangement
    5. 5. The color palette of 'Marilyn Monroe' is dominated by which colors?

      • A Blues and greens
      • B Pinks and purples
      • C Reds, yellows, and whites

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2B · 3C · 4B · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    What feeling does "Marilyn Monroe" by Willem de Kooning convey?

    In "Marilyn Monroe", a dramatic mood accompanies a dramatic emotion.

    How can I view "Marilyn Monroe" by Willem de Kooning as a slideshow?

    A slideshow is available: the Diaporama page of "Marilyn Monroe" by Willem de Kooning.

    What is the creation date of "Marilyn Monroe" by Willem de Kooning?

    The creation of "Marilyn Monroe" by Willem de Kooning is dated 1954.