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Student Artwork Guide

A Tree in Naples

Name Class Date

Willem de Kooning, A Tree in Naples. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Willem de Kooning originaluniqueart.com/en/artists/willem-de-kooning/
Artist’s dates
1904 – 1997
Medium
Oil On Canvas
Movement
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Period
Modern
Artistic style
Abstract Expressionist
Influences
Nature, Color
Notable elements or techniques
Bold brushstrokes, Vibrant colors
Subject or theme
Landscape, nature

In context

A Tree in Naples — Willem de Kooning

When might this have been painted?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980
  10. 1990

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 93 at death.

Shaded: the lifetime of Willem de Kooning (1904–1997) every dated painting, decade by decade

First works: up to 1949 Main working years: 1949–1965 Late works: from 1965

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/willem-de-kooning-a-tree-in-naples-9H8AP3-en/

Colours

Measured from the image

    Main colour

    Steel Blue #345eb8

    Catalogued palette

    • #345EB8
    • #0C3294
    • #54283F
    • #C2B2B4

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Steel Blue
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Willem de Kooning over the last twelve months — 38 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 24.7%
    2. 2 United States of America 17.4%
    3. 3 Brazil 6.2%
    4. 4 United Kingdom 6.2%
    5. 5 Italy 4.5%
    6. 6 South Korea 4.5%
    7. 7 Belgium 3.4%
    8. 8 Spain 2.2%
    9. 9 France 2.2%
    10. 10 Romania 2.2%
    11. · 28 other countries 26.5%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Willem de Kooning

    1. 1 Woman I, 1952 37.2%
    2. 2 Excavation, 1950 5.8%
    3. 3 Woman V, 1952-53 (oil ^ charcoal on canvas), 1953 3.2%
    4. 4 Door to the River, 1960 2.9%
    5. 5 Marilyn Monroe, 1954 2.9%
    6. 6 Women Singing II, 1966 2.6%
    7. 7 A Tree in Naples this painting 2.3%
    8. 8 Abstraction, 1950 2.0%
    9. 9 Seated Woman, 1940 1.7%
    10. 10 Saturday Night, 1956 1.7%
    11. 11 The visit tate gallery, 1966 1.7%
    12. 12 Composition 1.4%
    13. 13 Merritt Parkway, 1959 1.4%
    14. 14 Parc rosenberg,1957, private 1.4%
    15. 15 Excavation,1950, art institute of chicago 1.4%
    16. 16 Woman Red Hair, Large Mouth, Large Foot, 1965 1.2%
    17. 17 Sphinx, 1964 1.2%
    18. 18 Untitled (21) 1.2%
    19. 19 Two Women in the Country, 1954 0.9%
    20. 20 Untitled I, 1981 0.9%

    Together these works take 75.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 102 works by this artist, of which 70 were looked at at least once. This painting ranks 7 of them, with 2.3% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    A Tree in Naples — Willem de Kooning

    A Tree in Naples: An Exploration of Nature's Essence Through Abstract Expressionism

    Artwork Title: A Tree in Naples

    Artist: Willem de Kooning

    Year Created: 1960

    Style: Abstract Expressionism

    Medium: Oil on Canvas

    The Genesis of a Landscape Abstraction

    “A Tree in Naples,” created by Willem de Kooning in 1960, is a captivating example of Abstract Expressionism. This piece belongs to a series inspired by landscapes, marking a shift in De Kooning’s artistic focus towards capturing the essence of nature rather than literal representation. De Kooning described his inspiration: "Just coming around roads, some place, and having the sensation of a piece of it, a piece of nature, like a fence, something on the road. And I really get very elated by again looking, by again seeing that the sky is blue, that the grass is green.” This sentiment reveals a deep connection with the natural world and a desire to translate its feeling into visual form.

    De Kooning's Technique: A Dance of Color and Gesture

    The painting doesn’t depict a tree in a traditional sense. Instead, De Kooning employs broad, heavy brushstrokes and vibrant colors—blues, reds, whites, blacks, and hints of yellow—to evoke the sensation of landscape. The technique is characteristic of Abstract Expressionism, prioritizing the artist's emotional response and process over precise depiction. Visible strokes and splatters contribute to its expressive nature. De Kooning utilized a palette knife in some areas, creating texture and depth. This approach aligns with the core principles of Abstract Expressionism, where the artist’s emotions and experiences are translated into visual expressions.

    Historical Context: The New York School and Post-War Abstraction

    “A Tree in Naples” emerged during a pivotal period in art history – the post-World War II era. Abstract Expressionism was gaining prominence as the first major American modern art movement, centered around artists like Jackson Pollock, Elaine de Kooning, Lee Krasner, and Franz Kline—collectively known as the New York School. This movement rejected traditional representational forms, emphasizing spontaneous gesture, subjective emotion, and large-scale canvases. De Kooning’s work reflects this shift away from realism towards a more personal and expressive form of art.

    Emotional Impact and Symbolism

    While devoid of recognizable imagery, “A Tree in Naples” evokes a powerful emotional response. The dynamic interplay of color and line creates a sense of movement and vitality, suggesting the energy of nature. The painting isn't about depicting a specific tree; it’s about conveying the feeling of being immersed in a landscape—the light, the air, the overall sensory experience. It invites viewers to interpret the work subjectively, finding their own meaning within its abstract forms. The simplification of visual vocabulary and expansive brushstrokes create an immersive experience for the viewer.

    Artist and museum

    Artist

    Willem de Kooning

    Born in Rotterdam, Netherlands

    A Life Forged in Abstraction

    Willem de Kooning, a name synonymous with the raw energy and emotional depth of Abstract Expressionism, was born in Rotterdam, Netherlands, in 1904. His early life was marked by a familial split – his parents divorced when he was young – which perhaps instilled within him a sense of restless searching that would permeate his artistic journey. Leaving formal schooling at twelve, de Kooning apprenticed with a commercial art firm, laying the groundwork for his technical skill while simultaneously fueling a desire to break free from conventional constraints. Evening classes at the Academie van Beeldende Kunsten en Technische Wetenschappen in Rotterdam provided further foundational training, but it was a yearning for something more – a bolder, more expressive language – that ultimately propelled him towards America in 1926. His arrival wasn’t straightforward; he famously stowed away on a ship, embodying the spirit of an outsider seeking new horizons. New York City became his adopted home, and its vibrant, often gritty energy profoundly shaped his evolving style. He navigated various jobs – house painter, carpenter – all while relentlessly pursuing his artistic vision, absorbing the city’s pulse into his work.

    From Urban Scenes to Abstract Fury

    De Kooning's early paintings reflected his immediate surroundings: urban landscapes and portraits that captured the dynamism of New York life. However, these were merely stepping stones towards a more profound exploration of form and emotion. A pivotal moment came with his connection to Arshile Gorky, whose influence proved transformative. Gorky encouraged de Kooning’s experimentation with abstraction, fostering a willingness to dismantle traditional representation in pursuit of something deeper. The 1930s saw de Kooning engage with social realism and mural projects through the Works Progress Administration (WPA), a period that honed his skills but also highlighted the limitations of purely representational art. He found himself drawn towards the work of Stuart Davis and John Graham, artists who were pushing boundaries in their own right. This confluence of influences gradually steered him away from literal depiction and toward an increasingly abstract vocabulary. It wasn’t a sudden shift, but rather a slow burn – a deliberate dismantling of established norms fueled by intellectual curiosity and a relentless pursuit of artistic truth.

    The Woman Series: A Landmark Achievement

    Following World War II, de Kooning emerged as a central figure in the burgeoning Abstract Expressionist movement. This period marked a turning point, culminating in his iconic “Woman” series (1950-1953). These paintings – including the monumental *Woman I* – are not merely depictions of female figures; they are visceral explorations of femininity, sexuality, and the complexities of human emotion. Characterized by aggressive brushstrokes, fragmented forms, and a jarring juxtaposition of colors, the “Woman” series challenged conventional notions of beauty and representation. They were controversial, even shocking to some, but their power lay precisely in their refusal to conform. De Kooning wasn’t interested in creating idealized images; he sought to capture the raw, untamed essence of his subjects. Beyond the "Woman" series, works like The Glazier and Excavation further demonstrated his dynamic approach to painting, showcasing a masterful command of texture, color, and composition. He didn't shy away from chaos or ambiguity; instead, he embraced them as integral components of his artistic language.

    Evolving Landscapes and Enduring Legacy

    In the 1960s, de Kooning’s style underwent another significant evolution. While abstraction remained central to his work, landscape elements began to play a more prominent role, often rendered with a brighter palette and a looser, more fluid brushstroke. He continued to experiment relentlessly throughout his life, exploring different techniques and materials, never content to rest on his laurels. His later works demonstrate a remarkable ability to reinvent himself while remaining true to his core artistic principles. Willem de Kooning’s historical significance is undeniable. He helped establish New York City as a global center for art, challenging the dominance of European traditions and paving the way for future generations of artists. His work continues to inspire awe and provoke debate, reminding us of the power of abstraction to convey profound emotional truths. De Kooning passed away in 1997, leaving behind a vast and influential body of work that stands as a testament to his unwavering commitment to artistic innovation and his enduring legacy as one of the most important American artists of the 20th century. His impact resonates still.

    Where to read more

    Find this online

    QR code linking to the download page for A Tree in Naples

    originaluniqueart.com/en/art/download/willem-de-kooning-a-tree-in-naples-9H8AP3-en/

    Cite this artwork

    MLA
    Kooning, Willem de. A Tree in Naples. n.d., https://originaluniqueart.com/en/art/willem-de-kooning-a-tree-in-naples-9H8AP3-en/
    APA
    Kooning, Willem de (n.d.). A Tree in Naples [Painting]. https://originaluniqueart.com/en/art/willem-de-kooning-a-tree-in-naples-9H8AP3-en/
    Chicago
    Willem de Kooning. A Tree in Naples. n.d. https://originaluniqueart.com/en/art/willem-de-kooning-a-tree-in-naples-9H8AP3-en/
    Harvard
    Kooning, Willem de (n.d.) A Tree in Naples. Available at: https://originaluniqueart.com/en/art/willem-de-kooning-a-tree-in-naples-9H8AP3-en/

    Look closely

    A Tree in Naples — Willem de Kooning

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: abstract, landscape, color. Do you agree? What would you add, or take away?
    4. Look back at Woman I (1952), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    A Tree in Naples — Willem de Kooning

    How well do you know this artwork?

    Tick one answer for each of the 4 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is "A Tree in Naples" most closely associated with?

      • A Impressionism
      • B Abstract Expressionism
      • C Cubism
    2. 2. According to the description, what inspired de Kooning's series of abstractions including "A Tree in Naples"?

      • A Urban landscapes of Manhattan
      • B Landscapes and a connection with nature
      • C Portraits of friends and family
    3. 3. What is the primary technique de Kooning employed to create the feeling of landscape in this painting?

      • A Detailed realism
      • B Bold, expansive brushstrokes
      • C Pointillism
    4. 4. The image description mentions a tool used by de Kooning to apply paint. What was it?

      • A A fine-tipped brush
      • B A palette knife
      • C An airbrush

    My score: ____ out of 4

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2B · 3B · 4B

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Do the colors of "A Tree in Naples" appear strong or soft?

    The colors in "A Tree in Naples" by Willem de Kooning have a vivid intensity.

    What underlying hue runs through "A Tree in Naples" by Willem de Kooning?

    A green to violet spectrum hue runs through "A Tree in Naples" by Willem de Kooning.

    Is "A Tree in Naples" by Willem de Kooning a well-known artwork?

    "A Tree in Naples" by Willem de Kooning has a recognized popularity level. This classification reflects how widely the work is recognized.