Paper

Student Artwork Guide

Foreigner

Name Class Date

Vasily Ivanovich Surikov, Foreigner (1879), Tretyakov Gallery. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Vasily Ivanovich Surikov originaluniqueart.com/en/artists/vasily-ivanovich-surikov/
Artist’s dates
1848 – 1916
Painted
1879
Medium
Oil On Canvas
Original size
43 x 24 cm
Movement
Realism Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander.
Held at
Tretyakov Gallery originaluniqueart.com/en/museums/tretyakov-gallery-moscow/
Artistic style
Detailed realism; Psychological depth
Influences
Pavel Zamyatin
Notable elements or techniques
Loose brushstrokes; Impressionistic style
Subject or theme
Historical portraiture; Symbolism

In context

Foreigner — Vasily Ivanovich Surikov

How big is it?

The original measures 43 × 24 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 68 at death.

Painted when the artist was 31. The artist lived to 68. 29 of the 253 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Vasily Ivanovich Surikov (1848–1916) ▲ this work, 1879 every dated painting, decade by decade

First works: up to 1884 Main working years: 1884–1903 Late works: from 1903

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/vasily-ivanovich-surikov-foreigner-8XXCVF-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #cfaa8d

    Catalogued palette

    • #CFAA8D
    • #1D1C2B
    • #98756C
    • #E7CCB0

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Vasily Ivanovich Surikov over the last twelve months — 5 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 75.7%
    2. 2 Singapore 10.8%
    3. 3 Hong Kong 6.3%
    4. 4 United States of America 6.3%
    5. 5 Sweden 0.9%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Vasily Ivanovich Surikov

    1. 1 A Tartar Horseman, 1894 3.2%
    2. 2 Portrait of I. S. Ostroukhov, 1884 3.2%
    3. 3 Strelets in a Cap (study), 1879 2.4%
    4. 4 On Nevsky Prospekt on day, 1874 2.4%
    5. 5 Isba, 1873 2.4%
    6. 6 Roman Carnival, 1884 2.4%
    7. 7 Soldier's head in a cocked hat, 1898 2.4%
    8. 8 Suvorov Crossing the Alps, 1899 1.6%
    9. 9 Annunciation, 1914 1.6%
    10. 10 Pompeii. Frescoed Walls of a House, 1884 1.6%
    11. 11 The old woman with a patterned headscarf, 1886 1.6%
    12. 12 Portrait of Olga Surikova, the artist's daughter, 1888 1.6%
    13. 13 Cossacks in a Boat, 1893 1.6%
    14. 14 House of Surikov family in Krasnoyarsk, 1890 1.6%
    15. 15 Scene from the Roman carnival, 1884 1.6%
    16. 16 Portrait of E. K. Deryagina, 1879 1.6%
    17. 17 Samara, 1880 1.6%
    18. 18 Portrait of E. V. Surikova, 1908 1.6%
    19. 19 Monk, 1907 1.6%
    20. 29 Foreigner, 1879 this painting 0.8%

    Together these works take 38.4% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 283 works by this artist, of which 90 were looked at at least once. This painting ranks 29 of them, with 0.8% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Foreigner — Vasily Ivanovich Surikov

    Vasili Ivanovich Surikov: A Titan of Russian Realism

    Vasili Ivanovich Surikov (1848–1916) stands as one of the most celebrated figures in Russian art history, a painter whose canvases capture not merely visual representations but profound explorations of Russia’s soul. Born in Krasnoyarsk, Siberia, Surikov's early life was marked by hardship and familial struggles—a formative experience that instilled within him an unwavering dedication to portraying the realities of rural Russian society with unflinching honesty. This commitment would become the cornerstone of his artistic vision, propelling him to create monumental works that continue to resonate powerfully today.

    Early Influences: Surikov’s artistic sensibilities were nurtured by a fascination with folklore and peasant life—themes prevalent in Siberian culture. His father, a teacher, instilled in him a love for literature and history, shaping his intellectual curiosity and providing the foundation for his meticulous research He was particularly drawn to tales of Cossack heroism and resilience, which would inform many of his later paintings.

    The Artistic Style: Surikov’s distinctive style is characterized by an unparalleled attention to detail and an ability to capture the intricacies of his subjects—a hallmark of Russian Realism. Unlike Impressionists who sought to depict fleeting moments of light and color, Surikov aimed for a more contemplative and psychologically resonant portrayal of human experience. He meticulously researched historical events and incorporated them into his canvases with painstaking accuracy, striving to convey not just what happened but how it felt. His compositions are often dramatic and theatrical, utilizing pyramidal structures and carefully positioned figures to guide the viewer’s gaze and create a sense of grandeur.

    Technique: Surikov's mastery of oil on canvas is evident in every brushstroke—a medium that allows for rich textures and expressive brushstrokes. He employed a technique known as “Alla Prima,” meaning “at first sight,” applying paint directly onto the canvas without extensive underpainting or blending. This method resulted in textured surfaces that captured the immediacy of observation, conveying both visual splendor and emotional depth. The artist’s meticulous layering of colors—often muted browns, creams, and reds—created a sense of atmospheric perspective and enhanced the realism of his scenes.

    Notable Works: Surikov's most iconic paintings include “The Morning of the Streltsy Execution” (1881), depicting the brutal aftermath of the Decembrist Revolt; “Boyarynya Morozova” (1887), portraying a portrait session between Tsar Alexander II and his wife, Elizaveta Alexandrovna; and “T. Domozhilova” (1893), capturing a poignant moment in the life of a peasant family. These works exemplify Surikov’s ability to convey complex emotions and psychological nuances—a testament to his artistic genius.

    Legacy: Vasily Ivanovich Surikov's legacy extends far beyond the canvases he created. He established the Surikov Art School in Krasnoyarsk, nurturing generations of aspiring artists and fostering a tradition of Russian Realism that continues to inspire painters today. His paintings remain treasured symbols of Russia’s cultural heritage—powerful reminders of its history, values, and enduring spirit.

    Further Exploration: For those interested in delving deeper into Surikov's oeuvre, AllPaintingsStore.com offers exceptional handmade oil painting reproductions, including “Strelets in a Cap (study)” and “T. Domozhilova”. These meticulously crafted pieces allow collectors to experience the beauty and artistry of Surikov’s original vision—a celebration of Russian culture and artistic excellence. To discover more about Surikov's life and work, visit /art/list/?Filter=vasili+ivanovich+surikov. And for a comprehensive understanding of the Tretyakov Gallery’s collection and its role in preserving Russian art history, explore /art/list/?Filter=A@D3BCCR-The-Museum-State-Tretyakov-Gallery-(Russia).

    Artist and museum

    Artist

    Vasily Ivanovich Surikov

    Born in Krasnoyarsk, Russia

    The Soul of a Nation Captured in Paint

    Vasily Ivanovich Surikov stands as one of the most celebrated figures in Russian art history, a painter whose canvases capture not merely visual representations but profound explorations of Russia’s soul. Born in 1848 in Krasnoyarsk, Siberia, Surikov's early life was marked by hardship and familial struggles—a formative experience that instilled within him an unwavering dedication to portraying the realities of rural Russian society with unflutched honesty. This commitment would become the cornerstone of his artistic vision, propelling him to create monumental works that continue to resonate powerfully today.

    His artistic sensibilities were nurtured by a fascination with folklore and peasant life, themes deeply prevalent in Siberian culture. His father, a teacher, instilled in him a love for literature and history, shaping his intellectual curiosity and providing the foundation for his meticulous research into historical subjects. Recognizing Surikov’s talent, his father secured him admission to the St Petersburg Academy of Arts, where he honed his skills under the guidance of masters like Konstantin Dmitrievich Makovsky and Ivan Alekseyevich Kramskoy. These influential figures championed Realism as a dominant artistic style, encouraging Surikov to depict everyday life with psychological depth and emotional resonance.

    A Master of Historical Epic and Psychological Depth

    Surikov’s oeuvre is characterized by an extraordinary ability to convey atmosphere and emotion through masterful technique. He employed a distinctive approach to painting, meticulously studying the nuances of light and color to achieve unparalleled realism. His brushstrokes were deliberate and expressive, capturing not just what was seen but also what was felt—a hallmark of the Realist movement’s ambition to depict human experience truthfully. His canvases are renowned for their dramatic compositions and evocative lighting, transporting viewers directly into the heart of Russia's most turbulent eras.

    The artist gained wide recognition for his large-scale paintings devoted to pivotal episodes from Russian history. These works were distinguished by their immense scale, rigorous attention to historical detail, and a profound psychological expressiveness that breathed life into historical figures. Some of his most enduring contributions to the art world include:

    The Morning of the Streltsy Execution: A hauntingly powerful depiction of political upheaval and human tragedy.

    Boyarynya Morozova: A monumental exploration of religious conviction and social conflict.

    Suvorov Crossing the Alps: A breathtaking scene of military leadership and epic endurance.

    Yermak’s Conquest of Siberia: A tribute to the expansion and rugged spirit of the Russian frontier.

    Legacy and Historical Significance

    As a prominent member of the Peredvizhniki (The Wanderers) movement and the Union of Russian Artists, Surikov played a vital role in shifting the focus of Russian art toward national identity and social truth. His work bridged the gap between academic tradition and a new, visceral realism that sought to document the struggles and triumphs of the common people alongside the grand narratives of the Tsars. Through his lens, history was not merely a collection of dates, but a living, breathing drama of human will.

    Today, the masterpieces of Vasily Surikov are preserved in the world's most prestigious collections, including the State Tretyakov Gallery in Moscow and the State Russian Museum in Saint Petersburg. His influence persists as a testament to his ability to transform historical research into emotional truth, ensuring that his vision of the Russian spirit remains an indelible part of the global artistic heritage.

    Museum

    Tretyakov Gallery

    On show in Moscow, Russian Federation

    A Pilgrimage into the Soul of Russia: The State Tretyakov Gallery

    The State Tretyakov Gallery in Moscow isn’t merely a museum; it's an immersive journey into the very heart and soul of Russia itself. Founded in 1856 by Pavel Mikhailovich Tretyakov, a visionary merchant driven by a profound patriotic desire to cultivate a national identity through artistic expression, the gallery began as a deeply personal collection—a testament to his unwavering belief in art’s power to reflect the Russian spirit. This intimate foundation imbues the entire institution with an atmosphere of cherished intimacy, inviting visitors into a space where centuries whisper stories across its hallowed halls. More than just a repository of art; it feels like stepping into a beloved family home brimming with artistic treasures and historical narratives.

    The architectural narrative of the Tretyakov is as compelling as the artworks within. The main building on Lavrushinsky Lane began life as a private residence for the Mamontov family, retaining an intimate scale that belies its transformation into a public institution. Viktor Vasnetsov’s striking façade—a masterpiece of Russian Revival style—evokes a sense of ancient grandeur and national pride, drawing inspiration from folklore and religious traditions woven deeply into Russia's cultural fabric. The building itself seems to rise organically from the earth of Moscow, adorned with intricate details that hint at the nation’s rich heritage. Later expansions, notably the New Tretyakov Gallery on Krymsky Val, offer a striking counterpoint—a modern space designed to house the revolutionary movements and bold experimentation of the 20th and 21st centuries, reflecting a deliberate juxtaposition between tradition and modernity. The contrast is not one of conflict, but rather a powerful statement about Russia’s ongoing evolution.

    Echoes of Faith and Empire: A Journey Through Time

    Wandering through the Tretyakov’s halls is akin to embarking on a chronological odyssey through Russian artistic evolution. The gallery's collection of ancient icons—particularly Theotokos of Vladimir, with its vibrant colors, gilded surfaces, and serene expressions—offers an unparalleled glimpse into the spiritual life of medieval Russia—windows into a world steeped in Byzantine tradition, where symbolism and meticulous craftsmanship converged to create objects of breathtaking beauty and devotional power. These aren’t simply religious images; they are profound cultural artifacts, revealing the beliefs, customs, and artistic sensibilities of a bygone era. The sheer luminosity of these icons, achieved through painstaking layering of gold leaf and pigment, speaks volumes about the devotion invested in their creation – each brushstroke imbued with prayer and reverence.

    Moving forward through the 19th century, one encounters a panorama of Russian life rendered with remarkable realism and emotional depth. Masters such as Ilya Repin capture the social and political currents of Imperial Russia—the struggles of the peasantry, the opulence of courtly life, and the intellectual ferment that characterized the period. Landscapes by Ivan Shishkin evoke the vastness and majesty of the Russian countryside, capturing the soul of the birch forests and the resilience of the people who inhabit them. The atmospheric paintings of Isaac Levitan convey a poignant sense of melancholy beauty, often imbued with a deep connection to nature and human suffering – scenes of solitary figures contemplating the endless expanse of the Russian winter or the quiet dignity of a rural village.

    The Avant-Garde Revolution: Breaking Boundaries

    The early 20th century witnessed a seismic shift in Russian art as artists boldly embraced radical new forms of expression. The Tretyakov Gallery houses a remarkable collection of avant-garde masterpieces that challenged conventional notions of representation and paved the way for modern art worldwide. Kazimir Malevich’s iconic Black Square—a seemingly simple geometric form—became a potent symbol of pure abstraction, rejecting representational imagery in favor of a spiritual exploration of color and shape. Wassily Kandinsky's vibrant compositions, brimming with abstract forms and dynamic energy, explored the profound relationship between art and music, while Marc Chagall’s dreamlike canvases blended elements of folklore, memory, and personal experience into evocative and deeply emotional works. This period wasn’t simply about artistic innovation; it was a direct reflection of the tumultuous social and political upheaval that gripped Russia – a desire to forge a new visual language for a new era.

    The gallery's collection during this time is particularly significant, showcasing not just the finished works but also preparatory sketches and studies, offering insight into the artists’ creative processes. It’s a testament to the daring experimentation that defined this period – an embrace of color, form, and emotion that fundamentally altered the course of art history.

    A Living Legacy: Current Exhibitions and Enduring Appeal

    Today, the State Tretyakov Gallery continues to evolve, hosting dynamic exhibitions that showcase both historical treasures and contemporary creations. Recent displays like “To See the Unknown,” which recontextualizes familiar masterpieces alongside lesser-known works, demonstrate a commitment to fresh perspectives and scholarly inquiry—a dedication to revealing new layers of meaning within established artworks. The gallery’s ongoing efforts to preserve its collection while simultaneously engaging with current artistic trends ensure its continued relevance for generations to come. For art lovers, collectors, and interior designers alike, the State Tretyakov Gallery is more than just a museum; it's an immersive experience, a profound connection to the soul of Russia.

    Useful Links:

    Tretyakov Gallery:

    https://en.wikipedia.org/wiki/Tretyakov_Gallery

    Notable Exhibitions (Recent & Ongoing):

    The gallery regularly hosts temporary exhibitions exploring diverse themes within Russian art history and contemporary practice. Check their website for current events.

    Where to read more

    Find this online

    QR code linking to the download page for Foreigner

    originaluniqueart.com/en/art/download/vasily-ivanovich-surikov-foreigner-8XXCVF-en/

    Cite this artwork

    MLA
    Surikov, Vasily Ivanovich. Foreigner. 1879, Tretyakov Gallery. https://originaluniqueart.com/en/art/vasily-ivanovich-surikov-foreigner-8XXCVF-en/
    APA
    Surikov, Vasily Ivanovich (1879). Foreigner [Painting]. Tretyakov Gallery. https://originaluniqueart.com/en/art/vasily-ivanovich-surikov-foreigner-8XXCVF-en/
    Chicago
    Vasily Ivanovich Surikov. Foreigner. 1879. Tretyakov Gallery. https://originaluniqueart.com/en/art/vasily-ivanovich-surikov-foreigner-8XXCVF-en/
    Harvard
    Surikov, Vasily Ivanovich (1879) Foreigner. Tretyakov Gallery. Available at: https://originaluniqueart.com/en/art/vasily-ivanovich-surikov-foreigner-8XXCVF-en/

    Look closely

    Foreigner — Vasily Ivanovich Surikov

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: russian history, period costume, secrecy theme. Do you agree? What would you add, or take away?
    5. Look back at Townswoman (also known as A. Yemelyanova, née Schreider) (1902), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Foreigner — Vasily Ivanovich Surikov

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the title of this painting?

      • A The Night Watch
      • B Boyarynya Morozova
      • C Foreigner
    2. 2. Who created this masterpiece?

      • A Ivan Leonidov
      • B Vasili Ivanovich Surikov
      • C Kazimir Malevich
    3. 3. In what year was "Foreigner" painted?

      • A 1863
      • B 1879
      • C 1890
    4. 4. Where is "Foreigner" currently housed?

      • A Hermitage Museum
      • B Tretyakov Gallery
      • C Pushkin Museum
    5. 5. What artistic style characterizes Surikov's approach to painting "Foreigner"

      • A Cubism
      • B Impressionism
      • C Realism

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2B · 3B · 4B · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Where does "Foreigner" fall in Vasily Ivanovich Surikov's career?

    "Foreigner" represents the Mature Period of Vasily Ivanovich Surikov.

    Are the colors of "Foreigner" by Vasily Ivanovich Surikov saturated or muted?

    The palette of "Foreigner" is subtle color in saturation.

    What stage of Vasily Ivanovich Surikov's career does "Foreigner" (1879) belong to?

    The 1879 date places "Foreigner" in the Mature Period of Vasily Ivanovich Surikov's development.