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Student Artwork Guide

Saint Mark

Name Class Date

Valentin de Boulogne, Saint Mark (1624). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Valentin de Boulogne originaluniqueart.com/en/artists/valentin-de-boulogne/
Artist’s dates
1591 – 1632
Painted
1624
Original size
120 x 146 cm
Movement
Baroque Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action.

In context

Saint Mark — Valentin de Boulogne

How big is it?

The original measures 120 × 146 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1590
  2. 1600
  3. 1610
  4. 1620
  5. 1630

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 41 at death.

Painted when the artist was 33. The artist lived to 41. 23 of the 46 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Valentin de Boulogne (1591–1632) ▲ this work, 1624 every dated painting, decade by decade

First works: up to 1620 Main working years: 1620–1626 Late works: from 1626

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/valentin-de-boulogne-saint-mark-D2U6DC-en/

Colours

Measured from the image

    Main colour

    Walnut #975d19

    Catalogued palette

    • #975D19
    • #403523
    • #14110A
    • #AA9369

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Walnut
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Valentin de Boulogne over the last twelve months — 7 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 52.0%
    2. 2 United States of America 16.0%
    3. 3 France 12.0%
    4. 4 Singapore 8.0%
    5. 5 Chile 4.0%
    6. 6 Spain 4.0%
    7. 7 United Kingdom 4.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Valentin de Boulogne

    1. 1 Dream of Saint Joseph, 1624 10.3%
    2. 2 Christ Crowned with Thorns, 1616 6.9%
    3. 3 Soldiers Playing Cards and Dice (The Cheats), 1618 6.9%
    4. 4 The Judgment of Solomon, 1620 6.9%
    5. 5 Christ and the Adulteress, 1618 6.9%
    6. 6 Saint John the Baptist, 1613 6.9%
    7. 7 David with the Head of Goliath and Two Soldiers, 1620 3.4%
    8. 8 Expulsion of the Money-Changers from the Temple, 1620 3.4%
    9. 9 The Last Supper, 1625 3.4%
    10. 10 St John the Baptist, 1628 3.4%
    11. 11 Company with Fortune-Teller, 1631 3.4%
    12. 12 Card-sharpers, 1620 3.4%
    13. 13 The Fortune Teller, 1620 3.4%
    14. 14 Musician and Drinkers, 1625 3.4%
    15. 15 Dornenkrönung und Verspottung Christi, 1627 3.4%
    16. 16 The Concert, 1622 3.4%
    17. 17 Judith, 1626 3.4%
    18. 18 Untitled (D2X88H), 1628 3.4%
    19. 19 Portrait of a Prelate, probably Angelo Giori, 1620 3.4%
    20. — Saint Mark, 1624 this painting 0.0%

    Together these works take 89.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 48 works by this artist, of which 22 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Saint Mark — Valentin de Boulogne

    Saint Mark is shown with his emblem, a lion, as though interrupted in his dim study by the viewer, to whom he makes a beseeching gesture. This model, too, reappears in other paintings by the artist (including Last Supper, in this gallery). Together with Saint Matthew, on view here, and two companion pictures of the other evangelists, this painting—cleaned for the exhibition—was chosen by Louis XIV to decorate his chamber at Versailles, which it still does; it has been lent exceptionally.

    Artist and museum

    Artist

    Valentin de Boulogne

    Born in Coulommiers, France

    The Shadow Painter of Rome: The Life and Legacy of Valentin de Boulogne

    In the flickering candlelight of the early seventeenth century, a new kind of drama was being etched into the canvas of European art. At the heart of this movement stood Valentin de Boulogne, an artist whose brush possessed the rare ability to summon profound emotion from the deepest shadows. Born in Coulommiers, France, around 1590 or 1591, Valentin was destined for a life steeped in pigment and oil. He emerged from a lineage of creators, with both his father and uncle serving as painters, providing him with an early, intimate education in the mechanics of light and form. While his roots were firmly planted in French soil, his spirit was destined to wander the vibrant, tumultuous streets of Rome, where he would eventually become one of the most captivating figures of the Baroque era.

    The trajectory of Valentin’s career was shaped by a restless pursuit of mastery that led him from the disciplined studios of Paris to the rebellious heart of Italy. His early training under the renowned Simon Vouet instilled in him a rigorous command of anatomical accuracy and classical perspective. Yet, the academic precision he learned in France could not contain the burgeoning naturalism that was beginning to sweep through Europe. When he arrived in Rome around 1620, he did not merely observe the existing art scene; he immersed himself in it, joining the Bentvueghels, a boisterous and often unruly collective of expatriate artists. Within this community, he earned the affectionate nickname “innamorato,” a testament to his passionate engagement with both the artistic struggles of his peers and the sensory delights of Roman life.

    The Mastery of Tenebrism and Caravaggesque Drama

    To understand the work of Valentin de Boulogne is to understand the language of Tenebrism. He was a profound heir to the legacy of Caravaggio, adopting and refining the technique of using extreme contrasts between light and dark to create a sense of theatrical urgency. In his hands, a single, piercing light source does more than illuminate a subject; it carves figures out of an impenetrable void, heightening the psychological tension of every scene. This mastery of chiaroscuro allowed him to transform ordinary moments into monumental dramas. Whether depicting the quiet intensity of a musician or the violent sanctity of a martyr, Valentin used shadow not as an absence of light, but as a physical presence that weighs upon the soul.

    His repertoire was remarkably diverse, spanning from intimate genre scenes to grand religious commissions. He found particular success in capturing the gritty, lived-in reality of contemporary life, often portraying:

    Soldiers and Musicians: Works such as Lute Player and Soldiers playing Cards and Dice showcase his ability to render texture, from the sheen of polished armor to the soft resonance of a stringed instrument.

    Religious Martyrdom: His profound religious works, including the Martyrdom of St Processus and St Martinian, demonstrate how he applied his tenebrist style to convey the spiritual agony and unwavering faith of the saints.

    Biblical Narratives: In pieces like Moses, he utilized classical grandeur to breathe life into ancient prophets, blending historical weight with dramatic realism.

    A Lasting Impression on the Baroque Era

    The significance of Valentin de Boulogne extends far beyond his technical prowess; he was a bridge between the French academic tradition and the Italian revolutionary spirit. His ability to secure prestigious commissions from powerful patrons, such as the Barberini family and Cardinal Francesco Barberini, speaks to his standing within the highest echelons of Roman society. Even as he drew inspiration from the works of Bartolomeo Manfredi, Valentin maintained a distinct voice—one that was uniquely sensitive to the human condition and the fleeting nature of time.

    Though his life was tragically short, ending in 1632 at the age of approximately forty-one, the impact of his "shadow painting" remains indelible. He left behind a body of work that continues to haunt and inspire, reminding viewers of the power of darkness to define the light. Through his canvases, we are invited to witness the triumphs and tribulations of humanity, captured in the eternal, dramatic dance of light and shadow. His legacy survives in every brushstroke that dares to find beauty in the gloom, ensuring that the name Le Valentin will forever be whispered in the halls of art history.

    Where to read more

    Find this online

    QR code linking to the download page for Saint Mark

    originaluniqueart.com/en/art/download/valentin-de-boulogne-saint-mark-D2U6DC-en/

    Cite this artwork

    MLA
    Boulogne, Valentin de. Saint Mark. 1624, https://originaluniqueart.com/en/art/valentin-de-boulogne-saint-mark-D2U6DC-en/
    APA
    Boulogne, Valentin de (1624). Saint Mark [Painting]. https://originaluniqueart.com/en/art/valentin-de-boulogne-saint-mark-D2U6DC-en/
    Chicago
    Valentin de Boulogne. Saint Mark. 1624. https://originaluniqueart.com/en/art/valentin-de-boulogne-saint-mark-D2U6DC-en/
    Harvard
    Boulogne, Valentin de (1624) Saint Mark. Available at: https://originaluniqueart.com/en/art/valentin-de-boulogne-saint-mark-D2U6DC-en/

    Look closely

    Saint Mark — Valentin de Boulogne

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: saint mark, apostle, lion symbol. Do you agree? What would you add, or take away?
    5. Look back at Lute Player (1625), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Which color stands out most in "Saint Mark"?

    The dominant color of "Saint Mark" by Valentin de Boulogne is walnut (#975d19).

    Where can I download "Saint Mark" by Valentin de Boulogne?

    The image of "Saint Mark" by Valentin de Boulogne can be downloaded from the artwork's Download page: a high-resolution digital image download.

    Is "Saint Mark" available as a fine art print?

    To get a print of "Saint Mark" by Valentin de Boulogne, simply order it on its Fine Art Print page: a fine art print on cotton canvas or archival canvas paper.