Paper

Student Artwork Guide

Number 5

Name Class Date

Paul Jackson Pollock, Number 5 (1948). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Paul Jackson Pollock originaluniqueart.com/en/artists/paul-jackson-pollock/
Artist’s dates
1912 – 1956
Painted
1948
Medium
Oil On Canvas
Original size
243 x 121 cm
Movement
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Period
Modern
Influences
José Clemente Orozco, Thomas Hart Benton
Style
Action Painting
Subject
Abstract

In context

Number 5 — Paul Jackson Pollock

How big is it?

The original measures 243 × 121 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 44 at death.

Painted when the artist was 36. The artist lived to 44. 33 of the 50 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Paul Jackson Pollock (1912–1956) ▲ this work, 1948 every dated painting, decade by decade

First works: up to 1941 Main working years: 1941–1948 Late works: from 1948

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/paul-jackson-pollock-number-5-8XYAGW-en/

Colours

Measured from the image

    Main colour

    Espresso #352623

    Catalogued palette

    • #352623
    • #E9E6E5
    • #624F3D
    • #8C7B5C

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Paul Jackson Pollock over the last twelve months — 69 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 19.1%
    2. 2 France 8.2%
    3. 3 United States of America 7.4%
    4. 4 Germany 7.1%
    5. 5 Japan 5.8%
    6. 6 Spain 5.6%
    7. 7 Italy 5.3%
    8. 8 Brazil 3.2%
    9. 9 Singapore 2.7%
    10. 10 Mexico 2.6%
    11. · 59 other countries 33.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Paul Jackson Pollock

    1. 1 Number 1, 1949, 1950 35.6%
    2. 2 Autumn Rhythm. Number 30, 1950 7.1%
    3. 3 One. Number 31, 1950 5.7%
    4. 4 Convergence 5.4%
    5. 5 Number 5, 1948 3.2%
    6. 6 White Light, 1954 2.3%
    7. 7 Number 5, 1948 this painting 2.1%
    8. 8 Number 1A 1.9%
    9. 9 Number 10, 1949 1.9%
    10. 10 Number 3, 1948 1.5%
    11. 11 Number 1, 1948 1.3%
    12. 12 Number 6, 1949 1.3%
    13. 13 Number 3, 1949 1.3%
    14. 14 Number 8 1.1%
    15. 15 Number 2, 1951 0.9%
    16. 16 Saint 0.9%
    17. 17 Out of the Web. Number 7 0.8%
    18. 18 Cathedral 0.8%
    19. 19 Blue poles (Number 11), 1952 0.7%
    20. 20 Full Fathom Five 0.7%

    Together these works take 76.5% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 176 works by this artist, of which 122 were looked at at least once. This painting ranks 7 of them, with 2.1% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Number 5 — Paul Jackson Pollock

    A Universe Unfurled: Decoding Jackson Pollock’s No. 5, 1948

    Jackson Pollock’s No. 5, 1948 isn't simply a painting; it is an event frozen in time – a visual record of energy, gesture, and the very act of creation. This monumental work stands as perhaps the most iconic example of Abstract Expressionism, captivating viewers for decades with its complex layering and seemingly chaotic beauty. It’s a piece that demands attention, sparking dialogue about art's purpose and the boundaries of representation.

    The Birth of Action Painting: Technique & Style

    Pollock revolutionized painting by abandoning traditional methods. No. 5, 1948 was created using his signature “drip” technique – pouring and flinging synthetic resin paints (often referred to as enamel) onto a fiberboard canvas laid horizontally on the floor. This allowed him complete physical freedom, moving around and within the painting itself. The result is an all-over composition devoid of focal points, where lines intertwine and overlap in a mesmerizing dance. The dominant hues of yellow, black, and white aren’t blended but rather exist as distinct strands, creating both depth and a sense of restless movement. This isn't about depicting something from the world; it’s about expressing an internal state onto the canvas.

    A Post-War Psyche: Historical Context

    Created in the aftermath of World War II, No. 5, 1948 reflects a broader cultural shift. The horrors of war had shattered traditional values and beliefs, leading artists to seek new forms of expression that could grapple with existential anxieties and the fragmented nature of modern life. Abstract Expressionism emerged as a response – an attempt to convey raw emotion and subjective experience through non-representational means. Pollock’s work, in particular, resonated with a generation grappling with uncertainty and seeking authenticity. He wasn't alone; artists like Mark Rothko and Willem de Kooning were also exploring similar themes, but Pollock’s radical technique set him apart.

    Beyond the Surface: Symbolism & Interpretation

    While devoid of recognizable imagery, No. 5, 1948 is rich in symbolic potential. The intricate web of lines can be interpreted as a representation of the subconscious mind – a tangled network of thoughts, feelings, and memories. Some see echoes of Native American sand paintings, reflecting Pollock’s early exposure to Indigenous art forms. Others find parallels with jazz music, particularly its improvisational nature and emphasis on rhythm and energy. Ultimately, the painting's meaning is open-ended, inviting viewers to project their own interpretations onto its surface. It’s a testament to the power of abstraction to evoke emotion without dictating narrative.

    Emotional Resonance & Lasting Legacy

    No. 5, 1948 evokes a range of emotions – from exhilaration and awe to anxiety and unease. Its scale is immersive, drawing the viewer into its swirling depths. The painting’s energy is palpable, conveying a sense of both control and abandon. Its influence on subsequent generations of artists is undeniable. Figures like Yayoi Kusama, with her obsessive patterns, and Clyfford Still, known for his jagged fields of color, owe a debt to Pollock’s pioneering spirit. Today, it remains one of the most valuable paintings in the world – a symbol of artistic innovation and the enduring power of abstract expressionism.

    Bringing the Masterpiece Home: Reproductions & Appreciation

    Experiencing art shouldn't be limited by location or price tag. High-quality reproductions of No. 5, 1948 allow you to bring Pollock’s vision into your own space. These meticulously crafted replicas capture the essence of the original – its texture, color palette, and dynamic energy – offering a compelling way to appreciate this landmark work of art. Whether adorning a modern living room or inspiring a creative workspace, No. 5, 1948 continues to ignite imaginations and challenge perceptions.

    Style: Abstract Expressionism, Action Painting

    Materials: Synthetic resin paints (enamel) on fiberboard

    Dimensions: 243 x 121 cm (8 ft x 4 ft)

    Current Location: Private Collection

    Artist and museum

    Artist

    Paul Jackson Pollock

    Born in Cody, United States of America

    Early Life and the Seeds of Innovation

    Paul Jackson Pollock, born in Cody, Wyoming, in 1912, was a restless spirit from the outset. His early life was marked by frequent relocation as his father pursued work as a land surveyor across the vast landscapes of the American West. This itinerant existence instilled in young Pollock a deep connection to the natural world and an exposure to diverse cultures, particularly through encounters with Native American art during those surveying trips – impressions that would subtly permeate his artistic vision later in life. Though he never explicitly imitated Indigenous styles, the raw energy and spiritual resonance of these early experiences undoubtedly left their mark.

    Pollock’s formal artistic training began at the Manual Arts High School in Los Angeles, followed by studies at the Art Students League of New York under the tutelage of Thomas Hart Benton. Benton, a prominent figure in the Regionalist movement, emphasized rhythmic composition and narrative themes rooted in American life. While Pollock initially absorbed these lessons, his inherent inclination leaned toward more abstract explorations. He was also profoundly impacted by Mexican muralists like José Clemente Orozco, whose powerful depictions of social struggle resonated deeply with him. These early influences laid a foundation, but it was the burgeoning world of Surrealism that truly unlocked Pollock’s artistic potential.

    The Birth of Action Painting and a Revolutionary Technique

    The 1930s saw Pollock experimenting with various techniques, seeking alternatives to traditional brushwork. He began pouring paint, exploring its fluidity and unpredictable nature. However, it was around 1947 that his artistic trajectory underwent a radical transformation. Abandoning the easel altogether, Pollock laid canvases directly on the floor, initiating what would become known as his “drip technique.” He then proceeded to drip, splash, and fling paint onto the canvas from above, orchestrating a dynamic dance between artist, medium, and surface.

    This wasn’t merely about applying paint; it was about embodying the act of creation itself. Pollock's canvases became arenas for physical expression, capturing the immediacy of his gestures and emotions. The resulting paintings are characterized by their “all-over” composition – a lack of central focus that invites the viewer to explore the entire surface as a unified field of energy. Intricate networks of lines and colors intertwine, creating a visual complexity that is both captivating and challenging. He employed unconventional tools—sticks, knives, even syringes—to manipulate the paint in unpredictable ways, further emphasizing the spontaneous nature of his process.

    This innovative approach positioned Pollock as a central figure in the burgeoning Abstract Expressionist movement, which emerged in post-World War II New York City. Abstract Expressionism prioritized spontaneous gesture, large scale, and non-representational imagery, reflecting a broader cultural shift away from traditional artistic conventions. His marriage to fellow artist Lee Krasner was also pivotal; she provided unwavering emotional support and actively encouraged his artistic development, recognizing the groundbreaking nature of his work.

    Iconic Works and Lasting Legacy

    Pollock’s most celebrated works—such as Number 1, 1950 (Lavender Mist), One: Number 31, 1950, Blue Poles: Number 11, 1952, and Convergence—are testaments to his revolutionary technique. These paintings are not simply images; they are records of a performance, imbued with the artist’s physical presence and emotional intensity. The dynamic energy that emanates from these canvases is palpable, drawing viewers into a world of pure abstraction.

    His style transcends mere aesthetics; it's an exploration of process over product. Pollock sought to capture the immediacy of his actions and emotions on canvas, rejecting traditional notions of composition and representation. He delved into Jungian psychology, exploring archetypes and the subconscious in his art, seeking to tap into universal symbols and primal energies.

    Pollock’s impact on the history of art is immeasurable. He fundamentally altered the way artists approached painting, breaking free from easel-based methods and embracing a more performative approach. His work helped solidify New York City's position as a global center for modern art, shifting the focus away from European dominance. His influence can be seen in the work of countless artists who followed, including those associated with Color Field painting and later forms of abstract expressionism.

    Though initially met with mixed reviews—some critics dismissed his work as chaotic or lacking skill—Pollock’s reputation grew steadily after his untimely death in 1956 at the age of 44. Today, he is universally recognized as one of the most important and influential artists of the 20th century, a visionary who dared to challenge conventions and redefine the boundaries of artistic expression. His innovative techniques and expressive style continue to inspire and provoke, ensuring his enduring legacy for generations to come.

    Where to read more

    Find this online

    QR code linking to the download page for Number 5

    originaluniqueart.com/en/art/download/paul-jackson-pollock-number-5-8XYAGW-en/

    Cite this artwork

    MLA
    Pollock, Paul Jackson. Number 5. 1948, https://originaluniqueart.com/en/art/paul-jackson-pollock-number-5-8XYAGW-en/
    APA
    Pollock, Paul Jackson (1948). Number 5 [Painting]. https://originaluniqueart.com/en/art/paul-jackson-pollock-number-5-8XYAGW-en/
    Chicago
    Paul Jackson Pollock. Number 5. 1948. https://originaluniqueart.com/en/art/paul-jackson-pollock-number-5-8XYAGW-en/
    Harvard
    Pollock, Paul Jackson (1948) Number 5. Available at: https://originaluniqueart.com/en/art/paul-jackson-pollock-number-5-8XYAGW-en/

    Look closely

    Number 5 — Paul Jackson Pollock

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: abstract, action painting, chaos. Do you agree? What would you add, or take away?
    4. Look back at Number 1, 1949 (1950), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Number 5 — Paul Jackson Pollock

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is Jackson Pollock's 'No. 5, 1948' most closely associated with?

      • A Impressionism
      • B Abstract Expressionism
      • C Cubism
    2. 2. Pollock’s unique painting technique for 'No. 5, 1948' is commonly referred to as:

      • A Sfumato
      • B Pointillism
      • C Action Painting
    3. 3. What was the primary support (surface) used by Pollock for 'No. 5, 1948'?

      • A Canvas
      • B Wood Panel
      • C Fiberboard panel
    4. 4. The dominant color present in 'No. 5, 1948', alongside black and white, is:

      • A Blue
      • B Red
      • C Yellow
    5. 5. Which of the following artists is mentioned as being influenced by Pollock's work?

      • A Leonardo da Vinci
      • B Yayoi Kusama
      • C Vincent van Gogh

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2C · 3C · 4C · 5B

    Check any answer against the catalogue record for this painting

    Questions & Answers

    What atmosphere does "Number 5" have?

    "Number 5" has a dramatic atmosphere.

    Where can I find artworks similar to "Number 5" by Paul Jackson Pollock?

    The Similars page of "Number 5" by Paul Jackson Pollock presents related artworks.

    What saturation and intensity does "Number 5" by Paul Jackson Pollock show?

    The color of "Number 5" is subtle color in saturation and monochromatic in intensity.