Paper

Student Artwork Guide

Number 10

Name Class Date

Paul Jackson Pollock, Number 10 (1949). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Paul Jackson Pollock originaluniqueart.com/en/artists/paul-jackson-pollock/
Artist’s dates
1912 – 1956
Painted
1949
Medium
Oil On Canvas
Original size
46 x 272 cm
Movement
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Period
Modern
Influences
Mexican muralists (José Clemente Orozco), Thomas Hart Benton
Notable elements
splatters, drips, streaks of paint, impasto, layering
Style
Drip painting

In context

Number 10 — Paul Jackson Pollock

How big is it?

The original measures 46 × 272 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 44 at death.

Painted when the artist was 37. The artist lived to 44. 39 of the 50 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Paul Jackson Pollock (1912–1956) ▲ this work, 1949 every dated painting, decade by decade

First works: up to 1941 Main working years: 1941–1948 Late works: from 1948

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/paul-jackson-pollock-number-10-D3JR27-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #b6af9c

    Catalogued palette

    • #B6AF9C
    • #242522
    • #5D5C52
    • #898477

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Rosy Brown
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Paul Jackson Pollock over the last twelve months — 69 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 19.1%
    2. 2 France 8.2%
    3. 3 United States of America 7.4%
    4. 4 Germany 7.1%
    5. 5 Japan 5.8%
    6. 6 Spain 5.6%
    7. 7 Italy 5.3%
    8. 8 Brazil 3.2%
    9. 9 Singapore 2.7%
    10. 10 Mexico 2.6%
    11. · 59 other countries 33.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Paul Jackson Pollock

    1. 1 Number 1, 1949, 1950 37.6%
    2. 2 One. Number 31, 1950 6.3%
    3. 3 Autumn Rhythm. Number 30, 1950 5.7%
    4. 4 Convergence 5.5%
    5. 5 Number 10, 1949 this painting 2.4%
    6. 6 Number 5, 1948 2.1%
    7. 7 White Light, 1954 1.9%
    8. 8 Number 1A 1.7%
    9. 9 Number 5, 1948 1.6%
    10. 10 Number 1, 1948 1.3%
    11. 11 Number 6, 1949 1.1%
    12. 12 Number 2, 1951 1.1%
    13. 13 Out of the Web. Number 7 1.0%
    14. 14 Cathedral 1.0%
    15. 15 Number 3, 1948 0.9%
    16. 16 Marrón y plata 0.8%
    17. 17 Head 0.8%
    18. 18 Circuncisión 0.8%
    19. 19 The Deep 0.8%
    20. 20 Blue poles (Number 11), 1952 0.7%

    Together these works take 75.1% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 176 works by this artist, of which 116 were looked at at least once. This painting ranks 5 of them, with 2.4% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Number 10 — Paul Jackson Pollock

    A Tempestuous Vision: Exploring Jackson Pollock’s ‘Number 10’

    Number 10, created in 1949, stands as a monumental example of Jackson Pollock's revolutionary drip painting technique and the apex of Abstract Expressionism. Measuring an expansive 46 x 272 cm, this artwork isn’t merely a painting; it’s an immersive experience – a visual record of energy, motion, and raw emotion captured on canvas.

    Deconstructing the Composition

    Unlike traditional paintings with defined subjects, Number 10 eschews representational imagery entirely. Instead, Pollock constructs a complex network of interwoven lines, splatters, and drips primarily in shades of grey and black. The composition is overwhelmingly horizontal, drawing the viewer’s eye across its vast surface. There's a deliberate lack of focal point; the entire canvas vibrates with equal intensity. Amorphous shapes emerge from the layering of paint, hinting at forms without ever fully resolving into recognizable objects. This “all-over” painting style, as it came to be known, rejects hierarchical composition in favor of an egalitarian distribution of visual information.

    The Technique: Action Painting Defined

    Pollock’s groundbreaking technique involved placing the canvas on the floor and applying paint – often industrial house paints rather than traditional artist materials – through dripping, pouring, and flinging. He famously worked around the canvas, using his entire body in a dynamic “dance” with the artwork. This method allowed him to bypass conscious control, tapping into subconscious impulses and creating a direct translation of physical action onto the surface. The resulting impasto—thickly applied paint—creates a rich texture that invites tactile exploration (visually, of course!), while thinner layers reveal the depth and complexity built up over time.

    Historical Context & Artistic Innovation

    Emerging in the post-World War II era, Abstract Expressionism sought to express profound emotional states in response to a world grappling with trauma and uncertainty. Pollock’s work broke radically from established artistic conventions. He rejected easel painting and traditional brushwork, embracing chance and spontaneity as integral parts of the creative process. Number 10, created during his most celebrated “drip period” (1947-1950), solidified his position as a leading figure in this movement and profoundly influenced subsequent generations of artists. His work represented an American shift in artistic leadership, moving away from European dominance.

    Symbolism & Emotional Resonance

    While Pollock resisted explicit interpretations of his work, Number 10 evokes a powerful sense of internal turmoil and existential questioning. The dense layering and chaotic energy can be interpreted as reflections of the anxieties and uncertainties of the modern age. The monochromatic palette—dominated by greys and blacks—contributes to this somber mood, suggesting themes of loss, isolation, or even the void. However, within the chaos lies a sense of controlled energy, hinting at an underlying order and resilience.

    Impact & Legacy

    Number 10 is more than just a visually striking artwork; it’s a testament to the power of abstract expression and the artist's ability to convey profound emotion through purely formal means. Its influence extends beyond painting, impacting fields like performance art and conceptualism. For collectors and interior designers, a reproduction of Number 10 offers a bold statement piece—a dynamic focal point that adds depth, sophistication, and intellectual weight to any space. It’s a work that continues to challenge, inspire, and captivate viewers decades after its creation.

    Artist and museum

    Artist

    Paul Jackson Pollock

    Born in Cody, United States of America

    Early Life and the Seeds of Innovation

    Paul Jackson Pollock, born in Cody, Wyoming, in 1912, was a restless spirit from the outset. His early life was marked by frequent relocation as his father pursued work as a land surveyor across the vast landscapes of the American West. This itinerant existence instilled in young Pollock a deep connection to the natural world and an exposure to diverse cultures, particularly through encounters with Native American art during those surveying trips – impressions that would subtly permeate his artistic vision later in life. Though he never explicitly imitated Indigenous styles, the raw energy and spiritual resonance of these early experiences undoubtedly left their mark.

    Pollock’s formal artistic training began at the Manual Arts High School in Los Angeles, followed by studies at the Art Students League of New York under the tutelage of Thomas Hart Benton. Benton, a prominent figure in the Regionalist movement, emphasized rhythmic composition and narrative themes rooted in American life. While Pollock initially absorbed these lessons, his inherent inclination leaned toward more abstract explorations. He was also profoundly impacted by Mexican muralists like José Clemente Orozco, whose powerful depictions of social struggle resonated deeply with him. These early influences laid a foundation, but it was the burgeoning world of Surrealism that truly unlocked Pollock’s artistic potential.

    The Birth of Action Painting and a Revolutionary Technique

    The 1930s saw Pollock experimenting with various techniques, seeking alternatives to traditional brushwork. He began pouring paint, exploring its fluidity and unpredictable nature. However, it was around 1947 that his artistic trajectory underwent a radical transformation. Abandoning the easel altogether, Pollock laid canvases directly on the floor, initiating what would become known as his “drip technique.” He then proceeded to drip, splash, and fling paint onto the canvas from above, orchestrating a dynamic dance between artist, medium, and surface.

    This wasn’t merely about applying paint; it was about embodying the act of creation itself. Pollock's canvases became arenas for physical expression, capturing the immediacy of his gestures and emotions. The resulting paintings are characterized by their “all-over” composition – a lack of central focus that invites the viewer to explore the entire surface as a unified field of energy. Intricate networks of lines and colors intertwine, creating a visual complexity that is both captivating and challenging. He employed unconventional tools—sticks, knives, even syringes—to manipulate the paint in unpredictable ways, further emphasizing the spontaneous nature of his process.

    This innovative approach positioned Pollock as a central figure in the burgeoning Abstract Expressionist movement, which emerged in post-World War II New York City. Abstract Expressionism prioritized spontaneous gesture, large scale, and non-representational imagery, reflecting a broader cultural shift away from traditional artistic conventions. His marriage to fellow artist Lee Krasner was also pivotal; she provided unwavering emotional support and actively encouraged his artistic development, recognizing the groundbreaking nature of his work.

    Iconic Works and Lasting Legacy

    Pollock’s most celebrated works—such as Number 1, 1950 (Lavender Mist), One: Number 31, 1950, Blue Poles: Number 11, 1952, and Convergence—are testaments to his revolutionary technique. These paintings are not simply images; they are records of a performance, imbued with the artist’s physical presence and emotional intensity. The dynamic energy that emanates from these canvases is palpable, drawing viewers into a world of pure abstraction.

    His style transcends mere aesthetics; it's an exploration of process over product. Pollock sought to capture the immediacy of his actions and emotions on canvas, rejecting traditional notions of composition and representation. He delved into Jungian psychology, exploring archetypes and the subconscious in his art, seeking to tap into universal symbols and primal energies.

    Pollock’s impact on the history of art is immeasurable. He fundamentally altered the way artists approached painting, breaking free from easel-based methods and embracing a more performative approach. His work helped solidify New York City's position as a global center for modern art, shifting the focus away from European dominance. His influence can be seen in the work of countless artists who followed, including those associated with Color Field painting and later forms of abstract expressionism.

    Though initially met with mixed reviews—some critics dismissed his work as chaotic or lacking skill—Pollock’s reputation grew steadily after his untimely death in 1956 at the age of 44. Today, he is universally recognized as one of the most important and influential artists of the 20th century, a visionary who dared to challenge conventions and redefine the boundaries of artistic expression. His innovative techniques and expressive style continue to inspire and provoke, ensuring his enduring legacy for generations to come.

    Where to read more

    Find this online

    QR code linking to the download page for Number 10

    originaluniqueart.com/en/art/download/paul-jackson-pollock-number-10-D3JR27-en/

    Cite this artwork

    MLA
    Pollock, Paul Jackson. Number 10. 1949, https://originaluniqueart.com/en/art/paul-jackson-pollock-number-10-D3JR27-en/
    APA
    Pollock, Paul Jackson (1949). Number 10 [Painting]. https://originaluniqueart.com/en/art/paul-jackson-pollock-number-10-D3JR27-en/
    Chicago
    Paul Jackson Pollock. Number 10. 1949. https://originaluniqueart.com/en/art/paul-jackson-pollock-number-10-D3JR27-en/
    Harvard
    Pollock, Paul Jackson (1949) Number 10. Available at: https://originaluniqueart.com/en/art/paul-jackson-pollock-number-10-D3JR27-en/

    Look closely

    Number 10 — Paul Jackson Pollock

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: abstract, chaos, energy. Do you agree? What would you add, or take away?
    4. Look back at Number 1, 1949 (1950), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Number 10 — Paul Jackson Pollock

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. To which art movement does Jackson Pollock's 'Number 10' primarily belong?

      • A Cubism
      • B Abstract Expressionism
      • C Surrealism
    2. 2. What is the defining characteristic of Pollock’s technique used in ‘Number 10’?

      • A Precise brushstrokes and realistic depiction
      • B Dripping and splattering paint onto canvas
      • C Geometric shapes and bold colors
    3. 3. Approximately what year was 'Number 10' created?

      • A 1939
      • B 1949
      • C 1959
    4. 4. The description notes the texture of ‘Number 10’ as prominent. What contributes to this tactile quality?

      • A Smooth, blended layers of paint
      • B Thick impasto and varied paint thickness
      • C A polished varnish finish
    5. 5. What is a key element that distinguishes Pollock’s approach from traditional painting methods?

      • A Working with a limited color palette
      • B Painting on an easel in a studio setting
      • C Placing the canvas on the floor and working from all sides

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2B · 3B · 4B · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    What is "Number 10" made with, and in which style?

    "Number 10" by Paul Jackson Pollock combines the oil on canvas technique with the Abstract Expressionism style. Technique and movement describe the making and the style of the work.

    Which color stands out most in "Number 10"?

    The color that stands out most in "Number 10" is rosy brown (#b6af9c). The dominant color is useful when matching an artwork to an interior.

    How does "Number 10" fit into Paul Jackson Pollock's themes and style?

    "Number 10" belongs to Paul Jackson Pollock's Abstract Expressionism work, whose recorded themes include mexican muralism, european abstraction, siqueiros' techniques, existential angst, spilled consciousness, inner turmoil", "key po, drip technique peak.

    Are the colors of "Number 10" by Paul Jackson Pollock saturated or muted?

    The colors of "Number 10" by Paul Jackson Pollock have a muted saturation. Saturation describes how vivid or muted the colors are.

    Can the image of "Number 10" by Paul Jackson Pollock be freely reproduced?

    Regarding copyright, "Number 10" is in the public domain - its copyright has expired.

    Where can I buy a hand-painted reproduction of "Number 10" by Paul Jackson Pollock?

    Hand-painted copies of "Number 10" by Paul Jackson Pollock are sold on this website: a hand-painted oil reproduction on linen canvas, ordered from this page.

    How can I get a print of "Number 10" by Paul Jackson Pollock?

    "Number 10" is available as a fine art print on cotton canvas or archival canvas paper. Orders are placed on this page, in the size of your choice.

    What size and orientation are recommended for a print of "Number 10" by Paul Jackson Pollock?

    For "Number 10", the recommended print setup is a large size and a panoramic orientation.