Paper

Student Artwork Guide

Brass inlay

Name Class Date

mohammed matloob, Brass inlay (2018), Dastkari Haat Samiti. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
mohammed matloob originaluniqueart.com/en/artists/mohammed-matloob/
Painted
2018
Movement
Mughal Revival
Held at
Dastkari Haat Samiti originaluniqueart.com/en/museums/dastkari-haat-samiti-new-delhi/

In context

Brass inlay — mohammed matloob

When was this painted?

  1. 2010

▲ this work, 2018

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/mohammed-matloob-brass-inlay-D4GFG7-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #bfb2ae

    Catalogued palette

    • #BFB2AE
    • #FEFEFD
    • #50312D
    • #7E564F
    Palette
    Pastels The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    mohammed matloob

    Born in Nahriyan, India

    A Legacy Carved in Wood: The Life and Art of Mohammed Matloob

    Mohammed Matloob is more than a craftsman; he is a custodian of a centuries-old tradition, a living link to the Mughal era’s exquisite woodcarving heritage. Born in Nagina, Bijnor district, Uttar Pradesh, India, his journey began not in a formal studio but as an apprentice at the tender age of ten, under the watchful eye of his uncle, Abdul Rehman Khan – a master craftsman himself. This early immersion wasn't merely about learning a skill; it was about inheriting a lineage, absorbing the ethos of dedication and precision that had been passed down through generations. Matloob speaks with reverence of his uncle, referring to him as his guru, the guiding force who instilled in him not just technique but also an unwavering aspiration: to achieve national recognition like Khan himself. This ambition wasn’t born of personal glory, but a deep-seated desire to honor and perpetuate a craft facing the challenges of modernity. He shifted to Seelampur in East Delhi, where he began his long apprenticeship, learning the intricacies of transforming raw wood into breathtaking works of art.

    The Mughal Influence and the Art of Jaali

    Matloob’s work is profoundly influenced by the opulence and refinement of Mughal artistry. The delicate floral motifs, geometric patterns, and intricate scenes that adorn his pieces are a direct echo of the royal courts' aesthetic sensibilities. However, he doesn’t simply replicate; he infuses these traditional designs with his own unique sensibility, creating works that feel both timeless and contemporary. A defining element of his style is the mastery of jaali work – the art of creating intricate latticework screens. This technique, demanding immense skill and patience, allows light to filter through in mesmerizing patterns, transforming a simple wooden panel into a dynamic play of shadow and form. He skillfully combines this with brass inlay, adding another layer of richness and complexity to his creations. The dolphins and elephants featured in some of his coasters are not merely decorative elements but symbols deeply rooted in Indian mythology and cultural narratives. His work is a testament to the enduring power of Mughal design principles – a harmonious blend of nature, geometry, and craftsmanship.

    From Apprentice to Shilp Guru: A Journey of Recognition

    Matloob’s dedication didn't go unnoticed. Over decades, his exceptional talent garnered numerous accolades, culminating in the prestigious National Award in 2005, conferred upon him by President Pratibha Patil. But this was not the end of his journey; it marked a new beginning. In 2016, he received the Shilp Guru award – a title bestowed upon master craftsmen who are then appointed as government teachers, tasked with preserving and promoting their art form to future generations. This recognition solidified his role as a cultural ambassador, responsible for safeguarding a vital piece of India’s artistic heritage. Today, Matloob leads a team of five apprentices, including his own son, ensuring the continuity of this ancient craft. Remarkably, he has also encouraged his daughters and wife to participate in the process, demonstrating a commitment to inclusivity and family involvement. He firmly believes that continuous practice is the only path to mastery, a philosophy he diligently imparts to his students.

    Preserving Tradition Through Education and Innovation

    Mohammed Matloob’s contribution extends beyond creating beautiful objects; it lies in his unwavering dedication to education. He understands that the survival of any art form depends on its transmission to future generations. As a Shilp Guru, he actively teaches wood carving techniques, not just focusing on technical skills but also emphasizing the historical and cultural context of the craft. His efforts are particularly significant given the challenges faced by traditional artisans in a rapidly changing world. He advocates for the inclusion of arts like woodcarving in school curricula, believing it’s crucial to instill an appreciation for these ancient art forms in young minds. While deeply rooted in tradition, Matloob isn't averse to innovation. He has adapted his techniques and materials – moving from ivory and ebony (due to government bans) to sandalwood, rosewood, and teakwood – ensuring the craft remains relevant and sustainable.

    A Global Ambassador of Indian Art

    Matloob’s artistry transcends geographical boundaries. His work has been showcased globally, earning him international recognition, including the World Craft Council award in Kuwait in 2018. He has participated in numerous exhibitions and fairs, captivating audiences with his intricate designs and masterful craftsmanship. Beyond the awards and accolades, it is the impact of his art that truly defines his legacy. His pieces evoke a sense of history, reminding viewers of India’s rich cultural heritage. He doesn't just create objects; he creates stories – narratives carved in wood, inlaid with brass, and imbued with the spirit of generations past. Mohammed Matloob stands as a shining example of how dedication, skill, and a deep respect for tradition can ensure the survival of an art form and inspire future generations to carry its flame forward.

    Born: Nagina, Bijnor district, Uttar Pradesh, India

    Influences: Mughal Artistry, Jaali Work, Brass Inlay

    Major Awards: National Award (2005), Shilp Guru Award (2016)

    Current Role: Master Craftsman & Government-Appointed Teacher of Wood Carving

    Museum

    Dastkari Haat Samiti

    On show in New Delhi, India

    A Living Tapestry of Indian Heritage

    In the vibrant, beating heart of New Delhi, nestled within the bustling energy of Janpath, lies an institution that transcends the traditional definition of a museum. The

    Dastkari Haat Samiti

    is not merely a repository of static relics; it is a breathing, pulsating celebration of India’s enduring soul. Founded in 1986, this sanctuary was conceived with a profound and noble mission: to safeguard the vanishing whispers of ancient craftsmanship and to bridge the gap between the ancestral hands of rural artisans and the contemporary gaze of the global connoisseur. To enter its halls is to embark on a sensory odyssey, where the air seems thick with the stories of generations, and every corner reveals a new layer of India’s intricate cultural fabric.

    The collection within the Samiti is a breathtaking kaleidoscope of regional mastery, representing a vast geography of skill and symbolism. One cannot help but be captivated by the luminous dance of handwoven textiles that dominate the galleries. Here, the opulent, heavy shimmer of

    Banarasi saris

    , intricately embellished with precious gold and silver threads, stands in poetic contrast to the rhythmic, sun-drenched geometric patterns of Rajasthani prints. The artistry extends beyond the loom into the very earth itself; exquisite pottery from the regions of Khurja and Moradabad transforms humble clay into sophisticated vessels of grace, while meticulously carved brass and copper metalwork speaks to a precision that has survived centuries of change. For the lover of folk narratives, the Samiti offers an intimate encounter with the raw energy of

    Gond

    paintings and the mythological depth of

    Kalighat

    art, alongside the striking, ancestral rhythms of Bihar’s

    Godna

    traditions.

    Where Commerce Meets Conservation

    What truly distinguishes Dastkari Haat Samiti from a conventional gallery is its remarkable duality as both a museum and an active, thriving marketplace. It rejects the cold distance of glass display cases in favor of a direct, human connection. This institution operates on the vital principle that true preservation requires economic empowerment. Visitors are invited to engage directly with the creators themselves, fostering a dialogue that turns a simple transaction into an act of cultural patronage. For the discerning collector or interior designer, this provides a rare opportunity to acquire pieces that possess not only aesthetic brilliance but also a profound ethical lineage. Through initiatives like the ‘Sooti’ label, which highlights the delicate weaves of Bengal, the Samiti champions a sustainable future where traditional techniques are revitalating rather than retreating.

    The architecture of the space further enhances this sense of communal discovery. Designed with an intuitive focus on natural light and fluid movement, the building serves as a catalyst for exploration. Its open layout avoids the intimidating atmosphere of grand, silent monuments, instead creating an inviting environment that encourages wandering and wonder. This architectural harmony ensures that the focus remains entirely on the craftsmanship, allowing the textures, colors, and forms to breathe within a space that feels both modern and timeless. Through its ongoing commitment to exhibitions that spotlight both legendary masters and emerging talents, Dastkari Haat Samiti continues to serve as a vital beacon of creativity, ensuring that the magnificent legacy of Indian craft remains a vibrant, living force in our contemporary world.

    Where to read more

    Find this online

    QR code linking to the download page for Brass inlay

    originaluniqueart.com/en/art/download/mohammed-matloob-brass-inlay-D4GFG7-en/

    Cite this artwork

    MLA
    matloob, mohammed. Brass inlay. 2018, Dastkari Haat Samiti. https://originaluniqueart.com/en/art/mohammed-matloob-brass-inlay-D4GFG7-en/
    APA
    matloob, mohammed (2018). Brass inlay [Painting]. Dastkari Haat Samiti. https://originaluniqueart.com/en/art/mohammed-matloob-brass-inlay-D4GFG7-en/
    Chicago
    mohammed matloob. Brass inlay. 2018. Dastkari Haat Samiti. https://originaluniqueart.com/en/art/mohammed-matloob-brass-inlay-D4GFG7-en/
    Harvard
    matloob, mohammed (2018) Brass inlay. Dastkari Haat Samiti. Available at: https://originaluniqueart.com/en/art/mohammed-matloob-brass-inlay-D4GFG7-en/

    Look closely

    Brass inlay — mohammed matloob

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: wood inlay, animal motif, mughal art. Do you agree? What would you add, or take away?
    4. Look back at Wood Carving: After carving and inlay work. the next step is filing the surfaces (2018), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Themes that come back through the work of mohammed matloob: mughal aesthetics, intricate detail, indian heritage. Which of them do you see here?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.