Paper

Student Artwork Guide

The Mandolin Player

Name Class Date

Mary Stevenson Cassatt, The Mandolin Player (1872). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Mary Stevenson Cassatt originaluniqueart.com/en/artists/mary-stevenson-cassatt/
Artist’s dates
1843 – 1926
Painted
1872
Medium
Oil On Canvas
Original size
91 x 73 cm
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Period
19th Century
Artistic style
Impressionist
Influences
Edgar Degas, Claude Monet
Notable elements or techniques
Soft brushstrokes, vivid colors
Subject or theme
Woman playing mandolin

In context

The Mandolin Player — Mary Stevenson Cassatt

How big is it?

The original measures 91 × 73 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910
  9. 1920

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 83 at death.

Painted when the artist was 29. The artist lived to 83. 2 of the 311 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Mary Stevenson Cassatt (1843–1926) ▲ this work, 1872 every dated painting, decade by decade

First works: up to 1881 Main working years: 1881–1901 Late works: from 1901

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/mary-stevenson-cassatt-the-mandolin-player-8YDF5L-en/

Colours

Measured from the image

    Main colour

    Black #201011

    Catalogued palette

    • #201011
    • #4A1E14
    • #E7CEB5
    • #AE6031

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Black
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Mary Stevenson Cassatt over the last twelve months — 35 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 54.1%30,000 visits
    2. 2 United States of America 10.1%5,600 visits
    3. 3 Singapore 7.0%3,900 visits
    4. 4 Hong Kong 6.5%3,600 visits
    5. 5 France 2.7%1,500 visits
    6. 6 Italy 2.5%1,400 visits
    7. 7 Japan 2.3%1,300 visits
    8. 8 Spain 2.2%1,200 visits
    9. 9 Mexico 2.0%1,100 visits
    10. 10 Germany 1.1%600 visits
    11. · 25 other countries 9.5%5,300 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Mary Stevenson Cassatt

    1. 1 The Child's Bath, 1893 17.7%13,000 visits
    2. 2 Little Girl in a Blue Armchair, 1878 3.5%2,600 visits
    3. 3 In the Loge 2.9%2,100 visits
    4. 4 Lady at the Tea Table, 1883 2.0%1,500 visits
    5. 5 The Child's Bath 2 1.9%1,400 visits
    6. 6 The Boating Party, 1894 1.9%1,400 visits
    7. 7 Sara Holding a Cat 1.6%1,200 visits
    8. 8 The Loge, 1880 1.4%1,000 visits
    9. 9 Mother and Child (also known as The Oval Mirror), 1898 1.2%900 visits
    10. 10 Woman on a Striped with a Dog (also known as Young Woman on a Striped Sofa with Her Dog), 1875 1.2%900 visits
    11. 11 Lilacs in a Window, 1880 1.0%700 visits
    12. 12 Spring: Margot Standing in a Garden, 1900 1.0%700 visits
    13. 13 Summertime, 1894 1.0%700 visits
    14. 14 The Mandolin Player, 1872 this painting 0.8%600 visits
    15. 15 Woman with a Sunflower, 1905 0.7%500 visits
    16. 16 Ellen Mary Cassatt in a White Coat, 1896 0.7%500 visits
    17. 17 Young Mother Sewing, 1902 0.7%500 visits
    18. 18 Sarah in a Green Bonnet, 1901 0.7%500 visits
    19. 19 Lydia Seated at an Embroidery Frame, 1880 0.7%500 visits
    20. 20 Young Woman Sewing in a Garden, 1886 0.7%500 visits

    Together these works take 43.3% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 614 works by this artist, of which 281 were looked at at least once. This painting ranks 14 of them, with 0.8% of that attention (600 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    The Mandolin Player — Mary Stevenson Cassatt

    The Mandolin Player: A Glimpse into Impressionist Domesticity

    Mary Stevenson Cassatt's "The Mandolin Player," painted in 1872, is a captivating portrait that exemplifies the artist’s mastery of capturing intimate moments and her significant contribution to the Impressionist movement. This oil on canvas piece (91 x 73 cm) offers a serene portrayal of a young woman immersed in music, inviting viewers into a world of quiet contemplation and subtle beauty.

    Composition and Artistic Style

    The painting centers around a seated woman delicately playing a mandolin. Her posture is relaxed yet focused, her gaze directed slightly off-canvas, creating an air of gentle introspection. The background remains softly blurred, drawing all attention to the figure and her instrument. Cassatt’s Impressionist style shines through in her use of soft brushstrokes and a harmonious color palette. Rather than sharp lines and rigid forms, she employs subtle gradations of light and shadow to create a sense of depth and atmosphere. The loose application of paint conveys movement and spontaneity, characteristic of the Impressionist aesthetic.

    Historical Context and Symbolism

    Created during a period when female artists were often marginalized, Cassatt’s work challenged societal norms by depicting women in everyday settings with dignity and intelligence. "The Mandolin Player" reflects her close association with Edgar Degas and other prominent Impressionists, who embraced themes of modern life and sought to capture fleeting moments rather than grand historical narratives. The mandolin itself can be interpreted as a symbol of leisure, artistry, and perhaps even the burgeoning cultural scene in Paris during the late 19th century. Some scholars suggest that the woman's attire—a white blouse and red sash—may subtly allude to American patriotism, reflecting Cassatt’s own background.

    Emotional Impact and Technique

    The painting evokes a sense of tranquility and quiet joy. The soft lighting and muted colors create a warm and inviting atmosphere, while the woman's focused expression suggests a deep connection with her music. Cassatt’s meticulous attention to detail—evident in the rendering of the mandolin strings and the folds of the woman’s clothing—demonstrates her technical skill as an artist. The visible brushstrokes add texture and depth to the canvas, further enhancing the painting's emotional resonance. Through "The Mandolin Player," Cassatt offers a poignant glimpse into the beauty of ordinary moments and the power of artistic expression.

    Legacy and Availability

    Artist: Mary Stevenson Cassatt

    Painting Title: The Mandolin Player

    Year: 1872

    Medium: Oil on Canvas

    Style: Impressionism

    Size: 91 x 73 cm

    For art enthusiasts and collectors seeking to bring a touch of Impressionist elegance into their homes, high-quality reproductions of "The Mandolin Player" are available. These handmade oil painting reproductions faithfully capture the original artwork's colors, textures, and emotional impact, allowing viewers to appreciate Cassatt’s masterpiece for years to come.

    Artist and museum

    Artist

    Mary Stevenson Cassatt

    Born in Allegheny City, United States of America

    A Life Dedicated to Impressionism and Domesticity

    Mary Stevenson Cassatt, a name forever linked with intimate portrayals of women and children within the radiant world of late 19th-century Impressionism, forged an exceptional path as an American artist who discovered her artistic sanctuary in France. Born on May 22, 1844, in Allegheny City, Pennsylvania – now part of Pittsburgh – Cassatt’s upbringing was steeped in privilege and a cultivated awareness of culture. Her family, with roots tracing back to French Huguenots, placed high value on education and travel, instilling within young Mary a cosmopolitan perspective that would profoundly shape her artistic vision. While societal norms often confined women to domestic spheres, Cassatt's mother, Katherine Kelso Johnston, actively encouraged her daughter’s burgeoning interest in art, recognizing and nurturing a talent that defied convention. This early support proved invaluable as Cassatt navigated the challenges of pursuing a professional career within a male-dominated field.

    From Philadelphia to Parisian Immersion

    Cassatt's formal artistic training commenced at the Pennsylvania Academy of the Fine Arts in Philadelphia at the age of fifteen, a bold step for a young woman during the Civil War era. Despite encountering skepticism and subtle discouragement from some instructors and fellow students, she persevered through years of diligent study. However, feeling constrained by the academy’s deliberate pace and traditional methods, Cassatt sought broader horizons. A pivotal moment arrived in 1866 when she relocated to Paris, accompanied by her mother and family friends as chaperones. This move marked a turning point in her artistic development. She studied privately with established artists affiliated with the École des Beaux-Arts, including Jean-Léon Gérôme, absorbing technical skills while simultaneously immersing herself in the burgeoning Parisian art scene. It was during this period that Cassatt began to gravitate towards the innovative ideas of the Impressionists, a group challenging academic conventions and striving to capture the fleeting moments of modern life. A particularly significant relationship blossomed with Edgar Degas, who recognized her exceptional talent and invited her to exhibit alongside the Impressionist circle. Their connection extended beyond exhibition; Degas became a mentor, encouraging Cassatt’s exploration of printmaking techniques, especially color aquatint, which would become an integral part of her artistic repertoire. He profoundly influenced her compositional choices, particularly in his emphasis on asymmetrical arrangements and cropped figures – elements that would come to define her unique style.

    Capturing Modern Womanhood: Style and Themes

    Cassatt’s artistic style evolved to embrace the hallmarks of Impressionism – visible brushstrokes, a focus on light and color, and a commitment to depicting contemporary life. Yet, she infused her work with a distinct clarity and precision that set it apart from some of her contemporaries. Unlike many male Impressionists who favored landscapes or Parisian nightlife, Cassatt centered her art around the social and private worlds of women, particularly mothers and children. She portrayed scenes of domesticity – bathing rituals, tea parties, quiet moments of connection – with remarkable intimacy and psychological depth. Her paintings are not merely depictions of everyday life; they are sensitive explorations of maternal bonds, female relationships, and the complexities of modern womanhood. Key works like The Boating Party (1894), The Child’s Bath (in various versions), and Little Girl in a Blue Armchair exemplify her ability to capture fleeting moments with both technical skill and emotional resonance. Furthermore, Cassatt was deeply influenced by Japanese ukiyo-e woodblock prints, evident in her compositions' flattened perspective, bold color choices, and elegant simplicity. This Japonisme influence added another layer of sophistication to her already distinctive style, influencing her use of pattern and the arrangement of forms within a space. She admired the way these prints captured everyday life with such directness and grace, qualities she sought to emulate in her own work.

    Legacy and Historical Significance

    Mary Cassatt’s contributions to the art world extend far beyond her captivating paintings and masterful prints. Often recognized as one of the “three great ladies” of Impressionism, alongside Berthe Morisot and Marie Bracquemond, she shattered barriers for women artists and paved the way for future generations. She played a vital role in bridging American and European art, introducing Impressionist ideas to an American audience and significantly contributing to the development of American Impressionism. Her work offered a nuanced and sympathetic portrayal of women’s lives during a period when they were often marginalized or stereotyped in art. Her depictions of motherhood are particularly celebrated for their honesty and emotional depth, challenging conventional representations and celebrating the strength and tenderness of maternal love. Today, her works are held in prestigious museums worldwide, including the Art Institute of Chicago (The Child’s Bath), the National Portrait Gallery in London (a portrait by Degas), and countless other institutions, ensuring that her legacy continues to inspire and resonate with audiences around the globe. She remains a powerful symbol of artistic independence and a testament to the enduring power of art to illuminate the human experience.

    Further Exploration

    Online Resources: Explore Mary Cassatt’s life and work further through resources like Wikipedia (https://en.wikipedia.org/wiki/Mary_Cassatt) and AllPaintingsStore.

    Museum Collections: Discover her masterpieces in renowned museums worldwide, including the Art Institute of Chicago and the National Portrait Gallery in London.

    Related Artists: Delve into the works of Edgar Degas, Berthe Morisot, and Marie Bracquemond to understand the broader context of Impressionism and the contributions of women artists during this period.

    Where to read more

    Find this online

    QR code linking to the download page for The Mandolin Player

    originaluniqueart.com/en/art/download/mary-stevenson-cassatt-the-mandolin-player-8YDF5L-en/

    Cite this artwork

    MLA
    Cassatt, Mary Stevenson. The Mandolin Player. 1872, https://originaluniqueart.com/en/art/mary-stevenson-cassatt-the-mandolin-player-8YDF5L-en/
    APA
    Cassatt, Mary Stevenson (1872). The Mandolin Player [Painting]. https://originaluniqueart.com/en/art/mary-stevenson-cassatt-the-mandolin-player-8YDF5L-en/
    Chicago
    Mary Stevenson Cassatt. The Mandolin Player. 1872. https://originaluniqueart.com/en/art/mary-stevenson-cassatt-the-mandolin-player-8YDF5L-en/
    Harvard
    Cassatt, Mary Stevenson (1872) The Mandolin Player. Available at: https://originaluniqueart.com/en/art/mary-stevenson-cassatt-the-mandolin-player-8YDF5L-en/

    Look closely

    The Mandolin Player — Mary Stevenson Cassatt

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: portrait, mandolin, music. Do you agree? What would you add, or take away?
    5. Look back at The Child's Bath (1893), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    The Mandolin Player — Mary Stevenson Cassatt

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is Mary Stevenson Cassatt’s ‘The Mandolin Player’ most closely associated with?

      • A Cubism
      • B Impressionism
      • C Surrealism
    2. 2. Approximately when was 'The Mandolin Player' created?

      • A 1860s
      • B 1872
      • C 1890s
    3. 3. What is the primary subject depicted in the artwork?

      • A A landscape scene
      • B A woman playing a mandolin
      • C A still life with fruit
    4. 4. According to the description, what is one of Cassatt's recurring themes in her work?

      • A Mythological scenes
      • B Domesticity and everyday life
      • C Historical battles
    5. 5. What is a notable characteristic of the lighting in 'The Mandolin Player'?

      • A Soft, diffused light
      • B Dramatic, originating from above
      • C Flat, even illumination

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2B · 3B · 4B · 5B

    Check any answer against the catalogue record for this painting

    Questions & Answers

    How can I view "The Mandolin Player" by Mary Stevenson Cassatt as a slideshow?

    "The Mandolin Player" by Mary Stevenson Cassatt can be viewed as a slideshow on the artwork's Diaporama page.

    What mood would "The Mandolin Player" bring to a space?

    With its romantic mood, "The Mandolin Player" is suggested for a living room.

    Which color stands out most in "The Mandolin Player"?

    black (#201011) is the leading color of "The Mandolin Player" by Mary Stevenson Cassatt.