Paper

Student Artwork Guide

Magnetic Fields

Name Class Date

Kelly O’Connor, Magnetic Fields (2009), McNay Art Museum. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Kelly O’Connor originaluniqueart.com/en/artists/kelly-oconnor/
Artist’s dates
1959 –
Painted
2009
Medium
Collage Made by gluing existing materials — paper, cloth, photographs — onto a surface.
Original size
167 x 213 cm
Movement
Pop Art Art made from advertising, comics and packaging, treating supermarket images as worth a gallery wall.
Period
Contemporary
Held at
McNay Art Museum originaluniqueart.com/en/museums/mcnay-art-museum-san-antonio/
Artistic style
Surrealism, Pop Culture Collage
Notable elements
Magazine cutouts, non-linear narrative
Subject or theme
Female icons and pop culture mythos

In context

Magnetic Fields — Kelly O’Connor

How big is it?

The original measures 167 × 213 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 50. 0 of the 1 dated works by this artist in our catalogue came earlier.

▲ this work, 2009 every dated painting, decade by decade

Colours

Measured from the image

    Main colour

    Putty #dadcd8

    Catalogued palette

    • #DADCD8
    • #1F3224
    • #AF9A87
    • #736955

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Magnetic Fields — Kelly O’Connor

    A Surreal Tapestry of Pop Culture and Myth

    In her monumental 2009 masterpiece, Magnetic Fields, Kelly O’Connor invites the viewer into a lush, non-linear dreamscape where the boundaries between cinematic history and personal mythology dissolve. This large-scale work serves as a breathtaking collage of the collective subconscious, weaving together figures from the golden age of Hollywood with the whimsical characters of childhood storybooks. At the heart of this swirling composition, O’Connor places iconic heroines—most notably Julie Andrews in her most beloved role from The Sound of Music—leading a procession of von Trapp children through a landscape that feels simultaneously nostalgic and profoundly surreal. The painting captures a sense of kinetic energy, as if the very air is charged with the magnetic pull of these legendary personas, drawing them into a shared, fantastical odyssey.

    The technique employed in Magnetic Fields is nothing short of transformative. While the piece draws inspiration from the tradition of collage, O’Connor elevates the medium through a painterly approach that breathes life and texture into her subjects. By utilizing imagery sourced from magazines, album covers, and coloring books, she creates a layered depth that mimics the complexity of memory itself. The composition is a masterful dance of movement; figures appear to float and fly through an ethereal atmosphere, accompanied by a whimsical array of objects such as drifting umbrellas and scattered luggage. This sense of flight and transition is punctuated by the presence of a solitary dog near the bottom corner, adding a touch of grounded, domestic warmth to an otherwise otherworldly scene. For the collector, this piece offers a captivating visual complexity that rewards prolonged observation.

    Beyond its vibrant surface, Magnetic Fields carries a profound emotional weight and a sophisticated layer of symbolism. O’Connor uses these recognizable pop culture icons to explore the tension between public facades and private realities. The presence of figures like Judy Garland—a symbol of cinematic brilliance shadowed by personal tragedy—serves as a poignant reminder of the "bright facade masking a dark side." This theme of hidden truths is woven into the very fabric of the work, mirroring the historical context of the von Trapp family’s own struggle to maintain appearances amidst the encroaching shadows of Nazi Germany. The artist masterfully balances the lightness of Disney heroines like Cinderella and Snow White against this underlying sense of vulnerability and fear.

    For interior designers and art enthusiasts alike, Magnetic Fields is a commanding statement piece that brings both narrative depth and a vibrant palette to any space. Its immense scale (167 x 213 cm) allows it to function as a focal point in grand galleries or sophisticated living environments, sparking conversation and emotional resonance. Whether one is drawn to its surrealist beauty, its historical echoes, or its celebration of female strength, this work stands as a testament to O’Connor’s ability to transform the familiar into the extraordinary. Owning a high-quality reproduction of this piece means bringing a fragment of this enchanting, multi-layered universe into one's own home, offering a window into a world where myth and media eternally intertwine.

    Artist and museum

    Artist

    Kelly O’Connor

    Born in Golden Valley, Pennsylvania, United States of America

    Early Life & Artistic Beginnings

    Kelly O’Connor, born January 31, 1959, in Golden Valley, Pennsylvania, embodies a blend of artistic passion and personal resilience. Her upbringing fostered an appreciation for beauty and expression—her mother was a modern dancer, instilling in her daughter a deep understanding of movement and artistry—while Robert Lynch, her father, instilled values of hard work and dedication. From a young age, Kelly demonstrated a talent for visual arts, exploring various mediums and honing her skills through observation and experimentation. This formative period laid the groundwork for her future career as an artist specializing in evocative Magnetic Fields and surrealist paintings.

    Family Background: Barbara Lynch (dancer) & Robert Lynch (restaurateur)

    Birthplace: Golden Valley, Pennsylvania

    Early Artistic Interests: Exploration of diverse artistic mediums

    A Journey Through Film and Television

    Kelly’s foray into the performing arts began with modeling for Elite Modeling Agency, providing her with invaluable experience in visual presentation and performance. She transitioned to flight attendant duties, broadening her horizons and cultivating interpersonal skills—skills that would prove crucial in navigating the complexities of Hollywood. Her breakthrough arrived in 1988 with “Cocktail,” where she captivated audiences as a charismatic performer alongside Patrick Swayze, marking the start of a prolific film career. Subsequent roles included “Road House” (1989), “Drugstore Cowboy” (1989), and “Curly Sue” (1991), showcasing her versatility and ability to portray characters with depth and nuance. Notably, she earned an Independent Spirit Award nomination for Best Female Lead in “Road House,” solidifying her reputation as a respected actress.

    Modeling Career: Elite Modeling Agency

    Film Debut: Cocktail (1988)

    Notable Films: Road House, Drugstore Cowboy, Curly Sue

    Television Roles & Artistic Recognition

    Kelly’s presence on television extended beyond her film appearances. She garnered acclaim for her portrayal of Ivan Aycock in “The L Word” (2004-2009), capturing the essence of a complex character within a groundbreaking LGBTQ+ drama series. Her performance as Meg Banncock in “Magic City” (2012–2013) demonstrated her ability to excel in contemporary storytelling, and she reprised her role as Deborah Hartsfield in “Mr. Mercedes” (2017), delving into darker narratives with compelling artistry. Furthermore, Kelly’s involvement in the revival of “Beverly Hills, 90210” (2010–2011) brought her back to a beloved franchise, showcasing her enduring appeal within popular culture. Her work has been recognized by institutions like The Museum of the Annunciation, which houses impressive pieces of art from Fauvism and Post-Impressionism.

    Television Appearances: The L Word, Magic City, Beverly Hills, 90210

    Museum Recognition: Featured in The Museum of the Annunciation

    Exploring Themes & Symbolism in Magnetic Fields

    Kelly O’Connor's artistic vision centers around “Magnetic Fields,” a series of paintings characterized by their ethereal beauty and profound symbolism. These works delve into themes of introspection, memory, and transformation—often employing surrealist techniques to convey emotions and ideas beyond the literal realm. Her approach reflects a sensitivity to visual language and an ability to communicate complex concepts through evocative imagery. The artist’s meticulous attention to detail and masterful use of color contribute to the immersive experience offered by her paintings, inviting viewers to contemplate deeper meanings and personal narratives.

    Museum

    McNay Art Museum

    On show in San Antonio, United States of America

    A Sanctuary of Vision: Exploring the McNay Art Museum

    Nestled within a breathtaking Spanish Colonial Revival mansion overlooking the vibrant cityscape of San Antonio, Texas, the McNay Art Museum is more than just a repository of artistic treasures; it’s an immersive experience, a journey through centuries of creative expression. Founded by Marion Koogler McNay in 1954 as her personal legacy and born from a remarkable bequest, the museum stands as a testament to one woman's profound belief in art’s transformative power – a conviction that continues to shape its evolution today. From its humble beginnings as a collection housed within a stunning private residence, the McNay has blossomed into a nationally recognized institution, celebrated for its diverse holdings and commitment to fostering a deep appreciation for the visual arts.

    The heart of the museum’s allure lies in its remarkably curated collection, spanning from the 19th through 21st centuries. A cornerstone is undoubtedly the impressive array of European masterpieces – Paul Cézanne's vibrant brushstrokes and evocative landscapes, Pablo Picasso’s revolutionary cubism, and the emotionally charged works of Georgia O’Keeffe, whose intimate depictions of Southwestern flora capture a sense of profound solitude and beauty. Beyond these iconic figures, the McNay boasts an exceptional selection of American art, including the powerful social commentary of Diego Rivera, the delicate observations of Mary Cassatt, and the atmospheric narratives of Edward Hopper. However, the museum’s scope extends far beyond Western traditions; it proudly showcases a rich tapestry of artistic voices from around the globe, reflecting a commitment to inclusivity and global perspectives. Notably, the Tobin Collection of Theatre Arts – a nationally renowned assemblage of theatrical artifacts including costumes, set designs, and historical documents – offers a unique window into the collaborative spirit of performance art, adding an unexpected layer of depth and intrigue to the museum’s narrative.

    The Architecture: A Living Canvas

    The McNay's architectural significance is inextricably linked to its artistic mission. The mansion itself, designed by Atlee Ayres and his son Robert M. Ayres in 1927, isn’t merely a beautiful backdrop; it’s an integral part of the museum experience. Its Spanish Colonial Revival style – characterized by warm terracotta hues, intricate tilework, and expansive verandas – creates an atmosphere of timeless elegance and invites contemplation. The mansion's twenty-five acres are meticulously landscaped with fountains, broad lawns, and a serene Japanese-inspired garden, providing visitors with tranquil spaces for reflection amidst the artistic treasures within. The addition of the Jane and Arthur Stieren Center for Exhibitions in 2008, designed by architect Jean-Paul Viguier, represents a masterful dialogue between old and new. This modern structure, seamlessly integrated into the original mansion’s fabric, provides expansive light-filled galleries dedicated to special exhibitions, creating a dynamic contrast that underscores the museum's commitment to both preserving its legacy and embracing innovation.

    A Legacy of Engagement: Education & Community

    The McNay Art Museum is deeply rooted in its community, extending its reach far beyond the walls of the mansion. A comprehensive research library houses over 30,000 volumes, serving as an invaluable resource for scholars and art enthusiasts alike. Beyond this scholarly haven, the museum offers a vibrant array of educational programs – from engaging art classes and insightful lectures to hands-on workshops and captivating guided tours – designed to inspire creativity and deepen appreciation for the arts across all ages. These initiatives are particularly noteworthy in their dedication to nurturing young minds, with dedicated youth programs and family-friendly events fostering a lifelong love of art within the next generation. The meticulously maintained grounds also provide an inviting space for outdoor learning and contemplation, encouraging visitors to connect with art in new and meaningful ways.

    Expanding Horizons: Exhibitions & Future Visions

    The McNay’s commitment to showcasing diverse artistic voices is continually evolving through carefully curated special exhibitions. These events bring international artists and groundbreaking works to San Antonio, fostering dialogue and challenging conventional perspectives. Recent exhibitions have explored themes ranging from the surrealism of Salvador Dalí to the vibrant color palettes of Paul Wonner, demonstrating the museum's willingness to embrace both established masters and emerging talents. Looking ahead, the McNay continues to invest in its future, with ongoing efforts to expand its collection, enhance visitor experiences, and solidify its position as a leading cultural destination – a place where art breathes, inspires, and connects us all.

    Where to read more

    Find this online

    QR code linking to the download page for Magnetic Fields

    originaluniqueart.com/en/art/download/kelly-oconnor-magnetic-fields-D739KM-en/

    Cite this artwork

    MLA
    O’Connor, Kelly. Magnetic Fields. 2009, McNay Art Museum. https://originaluniqueart.com/en/art/kelly-oconnor-magnetic-fields-D739KM-en/
    APA
    O’Connor, Kelly (2009). Magnetic Fields [Painting]. McNay Art Museum. https://originaluniqueart.com/en/art/kelly-oconnor-magnetic-fields-D739KM-en/
    Chicago
    Kelly O’Connor. Magnetic Fields. 2009. McNay Art Museum. https://originaluniqueart.com/en/art/kelly-oconnor-magnetic-fields-D739KM-en/
    Harvard
    O’Connor, Kelly (2009) Magnetic Fields. McNay Art Museum. Available at: https://originaluniqueart.com/en/art/kelly-oconnor-magnetic-fields-D739KM-en/

    Look closely

    Magnetic Fields — Kelly O’Connor

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: pop culture, female heroines, surrealism. Do you agree? What would you add, or take away?
    4. Pop Art: Art made from advertising, comics and packaging, treating supermarket images as worth a gallery wall. Where can you see that in this work?
    5. Kelly O’Connor was about 50 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Are the colors of "Magnetic Fields" by Kelly O’Connor saturated or muted?

    The palette of "Magnetic Fields" is subtle color in saturation.

    How intense are the colors in "Magnetic Fields" by Kelly O’Connor?

    "Magnetic Fields" by Kelly O’Connor shows a balanced color intensity.

    Where does "Magnetic Fields" by Kelly O’Connor sit in art history?

    Historically, "Magnetic Fields" is a Pop Art work of the broader Contemporary era.