Paper

Student Artwork Guide

Haystacking

Name Class Date

Isaak Ilyich Levitan, Haystacking (1900), Tretyakov Gallery. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Isaak Ilyich Levitan originaluniqueart.com/en/artists/isaak-ilyich-levitan/
Artist’s dates
1860 – 1900
Painted
1900
Medium
Oil On Panel
Original size
58 x 89 cm
Period
19th Century
Held at
Tretyakov Gallery originaluniqueart.com/en/museums/tretyakov-gallery-moscow/
Artistic style
Russian Landscape painters
Influences
Alexei Savrasov
Notable elements or techniques
Mood Landscape
Subject or theme
Rural Life

In context

Haystacking — Isaak Ilyich Levitan

How big is it?

The original measures 58 × 89 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 40 at death.

Painted when the artist was 40. The artist lived to 40. 443 of the 455 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Isaak Ilyich Levitan (1860–1900) ▲ this work, 1900 every dated painting, decade by decade

First works: up to 1885 Main working years: 1885–1896 Late works: from 1896

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/isaak-ilyich-levitan-haystacking-8XXFH7-en/

Colours

Measured from the image

    Main colour

    Espresso #444642

    Catalogued palette

    • #444642
    • #B1993B
    • #908570
    • #B8B5A4

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Espresso
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Isaak Ilyich Levitan over the last twelve months — 14 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 69.7%
    2. 2 United States of America 12.2%
    3. 3 Singapore 6.5%
    4. 4 Hong Kong 4.1%
    5. 5 Romania 2.4%
    6. 6 Germany 1.4%
    7. 7 Israel 0.7%
    8. 8 Japan 0.7%
    9. 9 Russia 0.7%
    10. 10 Canada 0.3%
    11. · 4 other countries 1.3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Isaak Ilyich Levitan

    1. 1 Lake. Rus., 1900 2.5%
    2. 2 Lake. Spring., 1898 2.2%
    3. 3 A river, 1888 2.2%
    4. 4 Stormy day, 1897 1.9%
    5. 5 Silent cloister, 1890 1.6%
    6. 6 Cloudy Day, 1895 1.6%
    7. 7 The Last Rays of the Sun, 1899 1.2%
    8. 8 Range of mountains, Mont Blanc, 1897 1.2%
    9. 9 Corniche, Southern France. Sketch 1.2%
    10. 10 Spring Flood, 1897 0.9%
    11. 11 Footbridge. Savvinskaya village., 1884 0.9%
    12. 12 Entrance to the village, 1898 0.9%
    13. 13 In the Vicinity of Bordiguera, in the North of Italy, 1890 0.9%
    14. 14 The First Green. May. Study, 1883 0.9%
    15. 15 Autumn forest, 1899 0.9%
    16. 16 Lilacs, 1893 0.9%
    17. 17 Twilight. Moon., 1899 0.9%
    18. 18 Landscape with buildings, 1895 0.9%
    19. 19 Stormy day, 1897 0.9%
    20. 80 Haystacking, 1900 this painting 0.3%

    Together these works take 24.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 556 works by this artist, of which 199 were looked at at least once. This painting ranks 80 of them, with 0.3% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Haystacking — Isaak Ilyich Levitan

    A Symphony of Rural Tranquility

    In the vast tapestry of Russian landscape painting, few works capture the ephemeral intersection of human toil and natural majesty as poignantly as Isaak Ilyich Levitan’s “Haystacking.” Painted in 1900, this oil on panel masterpiece serves as a profound meditation on the rhythms of rural existence. The scene unfolds across a sun-drenched field, where golden haystacks punctuate the landscape like silent monuments to the harvest. Yet, beneath this surface of pastoral peace, there is an unmistakable tension; a brooding, heavy sky hangs pregnant with the promise of impending rain, casting a soft, diffused light that blankets the earth. This interplay between the warmth of the sunlit grain and the cool, atmospheric weight of the clouds creates a visual dialogue that is both breathtaking and deeply moving.

    As one gazes upon the canvas, the eye is drawn to the figures scattered throughout the meadow—men and women united in the collective endeavor of stacking the harvest. Their presence is not merely decorative but essential, embodying the resilience and communal spirit of the countryside. Levitan does not present them as isolated subjects, but as integral components of the landscape itself, their labor mirroring the seasonal cycles of the earth. For the collector or interior designer, this piece offers more than just a beautiful image; it provides a window into a vanished way of life, where the boundaries between human activity and the natural world were seamlessly intertwined.

    Impressionistic Mastery and Emotional Resonance

    Technically, “Haystacking” is a triumph of Impressionistic resonance. Levitan, a master of what is often termed the "mood landscape," eschews rigid, photographic precision in favor of capturing the fleeting essence of a moment. His brushwork is loose and expressive, allowing light to dance across the blades of grass and through the heavy atmosphere. By skillfully blending a palette dominated by vibrant yellows and somber blues, he evokes a sensory experience that transcends sight; one can almost feel the humidity in the air and the dry texture of the hay. This masterful manipulation of color is central to the painting's emotional depth, oscillating between the tranquil warmth of the sun and an underlying sense of melancholy.

    This duality—the coexistence of peace and unrest—is what makes Levitan’s work so enduringly captivating. The painting does not merely depict a field; it translates a feeling. It speaks to the transient nature of beauty and the quiet strength found in persistence. For those seeking to adorn a space with art that inspires contemplation, “Haystacking” offers a sophisticated emotional anchor. Its ability to evoke both serenity and a reflective, soulful nostalgia makes it an exquisite choice for high-end interiors, providing a focal point that invites viewers to pause, breathe, and reconnect with the profound beauty of the natural world.

    Artist and museum

    Artist

    Isaak Ilyich Levitan

    Born in Kyiv, Russia

    A Symphony of the Russian Soul: The Life and Art of Isaak Ilyich Levitan

    Isaak Ilyich Levitan, a name synonymous with the evocative power of Russian landscape painting, was more than just a chronicler of nature; he was a poet of the land, a translator of its moods into visual form. Born in 1860 in Kibarty (present-day Lithuania) to a Jewish family who later settled in Moscow, Levitan’s life was marked by both profound hardship and an unwavering dedication to his art. The early loss of his mother and father cast a long shadow, instilling within him a sensitivity that would permeate his canvases with a melancholic beauty. This sense of longing, coupled with the restrictions imposed upon Jewish communities in Tsarist Russia, fueled a desire to find solace and expression in the natural world. He entered the Moscow School of Painting, Sculpture and Architecture in 1873, where he came under the tutelage of Alexei Savrasov, whose influence would prove pivotal in shaping Levitan’s artistic vision. It was Savrasov who nurtured his student's innate ability to capture not merely the appearance of nature, but its very essence—its atmosphere, its emotional resonance.

    The Birth of a ‘Mood Landscape’

    Levitan quickly distinguished himself as an artist capable of conveying profound emotion through landscape. He wasn’t interested in topographical accuracy for its own sake; rather, he sought to imbue his paintings with a sense of mood, a feeling that resonated deep within the viewer's soul. This approach earned him the title of pioneer of the “mood landscape,” a genre that moved beyond simple representation to explore the spiritual connection between humanity and nature. His palette was often subdued, favoring naturalistic colors and poetic elements over vibrant displays. He masterfully employed light and shadow, creating atmospheric effects that evoked feelings of tranquility, solitude, or even quiet despair. Works like Autumn Day. Sokolniki (1879), painted when he was just nineteen years old, already demonstrated this remarkable ability to capture the subtle nuances of the Russian countryside. The painting’s muted tones and delicate rendering of light create a sense of wistful nostalgia, hinting at the transience of beauty and the inevitability of change. Later masterpieces such as The Vladimirka Road (1892) and Eternal Rest (1894), prominently displayed in the Tretyakov Gallery, further solidified his reputation as a master of emotional landscape painting.

    Influences and Artistic Kinships

    While deeply indebted to Savrasov’s influence, Levitan was also receptive to other artistic currents. He collaborated with fellow artists like Konstantin Korovin, Mikhail Nesterov, and Nikolai Chekhov—the brother of the renowned playwright Anton Chekhov, who became a lifelong friend. This circle fostered an environment of creative exchange and mutual support. Though he briefly experimented with Impressionistic techniques, Levitan never fully embraced the movement, maintaining a uniquely Russian sensibility in his work. He found inspiration not only in the visual world but also in music and literature, seeking to translate their emotional power into his paintings. His designs for scenery for Savva Mamontov’s private Russian Opera demonstrate his versatility and willingness to explore different artistic mediums. The influence of these collaborations and experiences can be seen in works like Spring Flood, Stormy Day, Vesper Chimes and Silent Cloister, each a testament to his evolving style and deepening understanding of the emotional landscape.

    Legacy and Enduring Resonance

    In 1897, Levitan was elected to the Imperial Academy of Arts, a recognition of his growing stature within the Russian art world. He subsequently became head of the landscape studio at his alma mater in 1898, dedicating himself to nurturing the next generation of Russian landscape painters. His influence extended far beyond his students, however. Levitan’s work played a crucial role in shaping the development of Russian landscape painting, elevating it from mere depiction to a powerful vehicle for emotional and spiritual expression. He instilled within his canvases a sense of national identity and an appreciation for the beauty of the Russian countryside that continues to resonate with audiences today. His untimely death in 1900 at the age of forty left a void in the art world, but his legacy endures as a master of atmospheric landscape painting and a profound interpreter of the Russian soul. In 1941, a poignant tribute was paid to his memory when his remains were moved to the Novodevichy Cemetery in Moscow, where he rests beside Anton Chekhov—a symbolic union of two artistic kindred spirits who captured the essence of their time and place with unparalleled sensitivity and grace. Isaak Ilyich Levitan’s paintings remain a testament to the enduring power of art to evoke emotion, inspire contemplation, and connect us to the beauty and mystery of the natural world.

    Museum

    Tretyakov Gallery

    On show in Moscow, Russian Federation

    A Pilgrimage into the Soul of Russia: The State Tretyakov Gallery

    The State Tretyakov Gallery in Moscow isn’t merely a museum; it's an immersive journey into the very heart and soul of Russia itself. Founded in 1856 by Pavel Mikhailovich Tretyakov, a visionary merchant driven by a profound patriotic desire to cultivate a national identity through artistic expression, the gallery began as a deeply personal collection—a testament to his unwavering belief in art’s power to reflect the Russian spirit. This intimate foundation imbues the entire institution with an atmosphere of cherished intimacy, inviting visitors into a space where centuries whisper stories across its hallowed halls. More than just a repository of art; it feels like stepping into a beloved family home brimming with artistic treasures and historical narratives.

    The architectural narrative of the Tretyakov is as compelling as the artworks within. The main building on Lavrushinsky Lane began life as a private residence for the Mamontov family, retaining an intimate scale that belies its transformation into a public institution. Viktor Vasnetsov’s striking façade—a masterpiece of Russian Revival style—evokes a sense of ancient grandeur and national pride, drawing inspiration from folklore and religious traditions woven deeply into Russia's cultural fabric. The building itself seems to rise organically from the earth of Moscow, adorned with intricate details that hint at the nation’s rich heritage. Later expansions, notably the New Tretyakov Gallery on Krymsky Val, offer a striking counterpoint—a modern space designed to house the revolutionary movements and bold experimentation of the 20th and 21st centuries, reflecting a deliberate juxtaposition between tradition and modernity. The contrast is not one of conflict, but rather a powerful statement about Russia’s ongoing evolution.

    Echoes of Faith and Empire: A Journey Through Time

    Wandering through the Tretyakov’s halls is akin to embarking on a chronological odyssey through Russian artistic evolution. The gallery's collection of ancient icons—particularly Theotokos of Vladimir, with its vibrant colors, gilded surfaces, and serene expressions—offers an unparalleled glimpse into the spiritual life of medieval Russia—windows into a world steeped in Byzantine tradition, where symbolism and meticulous craftsmanship converged to create objects of breathtaking beauty and devotional power. These aren’t simply religious images; they are profound cultural artifacts, revealing the beliefs, customs, and artistic sensibilities of a bygone era. The sheer luminosity of these icons, achieved through painstaking layering of gold leaf and pigment, speaks volumes about the devotion invested in their creation – each brushstroke imbued with prayer and reverence.

    Moving forward through the 19th century, one encounters a panorama of Russian life rendered with remarkable realism and emotional depth. Masters such as Ilya Repin capture the social and political currents of Imperial Russia—the struggles of the peasantry, the opulence of courtly life, and the intellectual ferment that characterized the period. Landscapes by Ivan Shishkin evoke the vastness and majesty of the Russian countryside, capturing the soul of the birch forests and the resilience of the people who inhabit them. The atmospheric paintings of Isaac Levitan convey a poignant sense of melancholy beauty, often imbued with a deep connection to nature and human suffering – scenes of solitary figures contemplating the endless expanse of the Russian winter or the quiet dignity of a rural village.

    The Avant-Garde Revolution: Breaking Boundaries

    The early 20th century witnessed a seismic shift in Russian art as artists boldly embraced radical new forms of expression. The Tretyakov Gallery houses a remarkable collection of avant-garde masterpieces that challenged conventional notions of representation and paved the way for modern art worldwide. Kazimir Malevich’s iconic Black Square—a seemingly simple geometric form—became a potent symbol of pure abstraction, rejecting representational imagery in favor of a spiritual exploration of color and shape. Wassily Kandinsky's vibrant compositions, brimming with abstract forms and dynamic energy, explored the profound relationship between art and music, while Marc Chagall’s dreamlike canvases blended elements of folklore, memory, and personal experience into evocative and deeply emotional works. This period wasn’t simply about artistic innovation; it was a direct reflection of the tumultuous social and political upheaval that gripped Russia – a desire to forge a new visual language for a new era.

    The gallery's collection during this time is particularly significant, showcasing not just the finished works but also preparatory sketches and studies, offering insight into the artists’ creative processes. It’s a testament to the daring experimentation that defined this period – an embrace of color, form, and emotion that fundamentally altered the course of art history.

    A Living Legacy: Current Exhibitions and Enduring Appeal

    Today, the State Tretyakov Gallery continues to evolve, hosting dynamic exhibitions that showcase both historical treasures and contemporary creations. Recent displays like “To See the Unknown,” which recontextualizes familiar masterpieces alongside lesser-known works, demonstrate a commitment to fresh perspectives and scholarly inquiry—a dedication to revealing new layers of meaning within established artworks. The gallery’s ongoing efforts to preserve its collection while simultaneously engaging with current artistic trends ensure its continued relevance for generations to come. For art lovers, collectors, and interior designers alike, the State Tretyakov Gallery is more than just a museum; it's an immersive experience, a profound connection to the soul of Russia.

    Useful Links:

    Tretyakov Gallery:

    https://en.wikipedia.org/wiki/Tretyakov_Gallery

    Notable Exhibitions (Recent & Ongoing):

    The gallery regularly hosts temporary exhibitions exploring diverse themes within Russian art history and contemporary practice. Check their website for current events.

    Where to read more

    Find this online

    QR code linking to the download page for Haystacking

    originaluniqueart.com/en/art/download/isaak-ilyich-levitan-haystacking-8XXFH7-en/

    Cite this artwork

    MLA
    Levitan, Isaak Ilyich. Haystacking. 1900, Tretyakov Gallery. https://originaluniqueart.com/en/art/isaak-ilyich-levitan-haystacking-8XXFH7-en/
    APA
    Levitan, Isaak Ilyich (1900). Haystacking [Painting]. Tretyakov Gallery. https://originaluniqueart.com/en/art/isaak-ilyich-levitan-haystacking-8XXFH7-en/
    Chicago
    Isaak Ilyich Levitan. Haystacking. 1900. Tretyakov Gallery. https://originaluniqueart.com/en/art/isaak-ilyich-levitan-haystacking-8XXFH7-en/
    Harvard
    Levitan, Isaak Ilyich (1900) Haystacking. Tretyakov Gallery. Available at: https://originaluniqueart.com/en/art/isaak-ilyich-levitan-haystacking-8XXFH7-en/

    Look closely

    Haystacking — Isaak Ilyich Levitan

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: landscape, rural life, haystacking. Do you agree? What would you add, or take away?
    4. Look back at Evening on the Volga (1887), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Isaak Ilyich Levitan was about 40 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Haystacking — Isaak Ilyich Levitan

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary subject matter depicted in Isaak Levitan’s painting ‘Haystacking’?

      • A A Detailed portrait of a farmer.
      • B A depiction of a bustling city street.
      • C A serene landscape featuring haystacks and a cloudy sky.
    2. 2. In what year was ‘Haystacking’ created?

      • A A. 1870
      • B B. 1900
      • C C. 1885
    3. 3. Where is ‘Haystacking’ currently housed?

      • A A. The Louvre Museum in Paris.
      • B B. The Hermitage Museum in St. Petersburg.
      • C C. The Tretyakov Gallery in Moscow.
    4. 4. What artistic style is characteristic of Levitan’s work, as exemplified by ‘Haystacking’?

      • A A. Baroque grandeur.
      • B B. Impressionistic light and color.
      • C C. Cubist fragmentation.
    5. 5. What is the dominant mood conveyed by the painting’s composition?

      • A A. Energetic celebration.
      • B B. Melancholy contemplation.
      • C C. Dramatic action.

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2B · 3C · 4B · 5B

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Who is the author of "Haystacking", and in which movement?

    Behind "Haystacking" stand Isaak Ilyich Levitan and the Russian Landscape painters movement.

    Who is "Haystacking" by Isaak Ilyich Levitan recommended for as a gift?

    "Haystacking" by Isaak Ilyich Levitan is recommended as a gift for anniversary. A reproduction of the artwork can be given as a present.

    What saturation and intensity does "Haystacking" by Isaak Ilyich Levitan show?

    "Haystacking" by Isaak Ilyich Levitan is recorded with a balanced soft saturation and a vivid intensity.