Paper

Student Artwork Guide

Two Men

Name Class Date

Edgar Degas, Two Men (1865), Metropolitan Museum of Art. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Edgar Degas originaluniqueart.com/en/artists/edgar-degas/
Artist’s dates
1834 – 1917
Painted
1865
Medium
Oil On Canvas
Original size
27 x 21 cm
Held at
Metropolitan Museum of Art originaluniqueart.com/en/museums/metropolitan-museum-of-art-new-york/
Artistic style
Impressionistic
Influences
Classical art
Notable elements
Loose brushstrokes
Subject or theme
Figures in studio

In context

Two Men — Edgar Degas

How big is it?

The original measures 27 × 21 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890
  8. 1900
  9. 1910
  10. 1920

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 83 at death.

Painted when the artist was 31. The artist lived to 83. 66 of the 684 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Edgar Degas (1834–1917) ▲ this work, 1865 every dated painting, decade by decade

First works: up to 1872 Main working years: 1872–1890 Late works: from 1890

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/hilaire-germain-edgar-degas-two-men-D2UHSD-en/

Colours

Measured from the image

    Main colour

    Black #000000

    Catalogued palette

    • #000000
    • #71604C
    • #44392C
    • #231F1B

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Black
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Edgar Degas over the last twelve months — 47 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 60.5%116,700 visits
    2. 2 United States of America 9.3%18,000 visits
    3. 3 Singapore 8.7%16,800 visits
    4. 4 Hong Kong 8.3%16,100 visits
    5. 5 Romania 1.7%3,200 visits
    6. 6 France 1.5%2,900 visits
    7. 7 Italy 1.2%2,400 visits
    8. 8 Brazil 0.8%1,600 visits
    9. 9 Spain 0.7%1,300 visits
    10. 10 United Kingdom 0.7%1,300 visits
    11. · 37 other countries 6.6%12,600 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Edgar Degas

    1. 1 Dancers in Pink, 1885 1.3%2,900 visits
    2. 2 The Tub 1, 1886 1.3%2,900 visits
    3. 3 Dancer with a bouquet of flowers (The Star of the ballet), 1878 1.3%2,800 visits
    4. 4 The Dance Class, 1874 1.2%2,700 visits
    5. 5 Race Horses at Longchamp, 1874 1.0%2,200 visits
    6. 6 Woman washing in the bath, 1892 0.9%2,000 visits
    7. 7 Interior (also known as The Rape), 1868 0.9%1,900 visits
    8. 8 Dancers at the Barre 1, 1888 0.8%1,700 visits
    9. 9 The Absinthe Drinker, 1876 0.7%1,500 visits
    10. 10 The Cafe Concert (The Song of the Dog), 1877 0.7%1,500 visits
    11. 11 Self-Portrait, approx. oil on canvas, Museu Calo, 1863 0.7%1,500 visits
    12. 12 Mme. Theodore Gobillard, nee Yves Morisot, 1869 0.6%1,400 visits
    13. 13 Nurse, 1873 0.6%1,300 visits
    14. 14 After the Bath, Woman Drying Her Hair, 1895 0.6%1,300 visits
    15. 15 Les repasseuses, Musee d'Orsay, Paris, 1884 0.6%1,300 visits
    16. 16 Two Dancers on Stage, 1877 0.6%1,300 visits
    17. 17 The Ballet Rehearsal on Stage, 1874 0.5%1,200 visits
    18. 18 Three Dancers, Blue Skirts, Red Blouses, 1903 0.5%1,200 visits
    19. 19 Procession on a road near Florence (Cortège sur une route aux environs de Florence), 1860 0.4%1,000 visits
    20. 69 Two Men, 1865 this painting 0.3%600 visits

    Together these works take 15.5% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 959 works by this artist, of which 707 were looked at at least once. This painting ranks 69 of them, with 0.3% of that attention (600 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Two Men — Edgar Degas

    A Moment Frozen in Time: Edgar Degas’s “Two Men”

    Edgar Degas's "Two Men," painted in 1865, isn’t merely a depiction of two figures; it’s a carefully constructed tableau brimming with unspoken narratives and the quiet observation that defined the artist’s unique approach to painting. Often considered a pivotal work in his oeuvre, this piece reveals Degas’s fascination with capturing candid moments – individuals caught in their everyday routines, revealing glimpses into their personalities and the atmosphere of their surroundings. The scene, likely situated within an artist's studio, immediately draws the viewer in with its muted palette and the palpable sense of a shared, yet private, conversation.

    The painting’s composition is deliberately asymmetrical. The man on the right, seated and partially turned away, exudes a certain reserve, perhaps even weariness. His posture suggests contemplation or perhaps simply the burden of artistic endeavor. Conversely, the figure standing before us—the identity of whom remains tantalizingly unknown – possesses an openness, his gaze directed squarely at the viewer. This directness creates an immediate connection, inviting speculation about their relationship and the subject of their discussion. Degas masterfully uses this contrast to generate a dynamic tension within the frame, suggesting a complex interplay between observation and engagement.

    Decoding the Brushstroke: Technique and Style

    Degas’s distinctive style is immediately apparent in “Two Men.” He eschews the smooth, polished surfaces favored by many of his contemporaries, opting instead for loose, expressive brushstrokes that imbue the painting with a remarkable sense of movement. The paint isn't blended; rather, it’s applied in visible dabs and dashes, creating an almost tactile quality to the surface. This technique perfectly captures the fleeting nature of the moment – the suggestion of conversation, the rustle of clothing, the play of light on skin. The artist’s use of color is equally deliberate, relying on a restrained palette of earthy tones—ochres, browns, and grays—that contribute to the painting's somber mood and reinforce its sense of realism.

    Notably, Degas employed oil paint on wood panel, a medium that allowed for both textural richness and a subtle sheen. The way light reflects off the surface reveals the artist’s meticulous attention to detail, highlighting the textures of fabric and the contours of the figures' faces. The visible brushwork isn’t simply an aesthetic choice; it’s integral to conveying the immediacy and spontaneity of the scene.

    A Glimpse into a Parisian World

    “Two Men” offers a valuable window into the artistic milieu of 19th-century Paris. The setting, likely Degas's studio, was a hub for creative exchange—a space where artists gathered to discuss ideas, critique each other’s work, and simply observe the world around them. The presence of Émile Lévy, a student at the French Academy in Rome when Degas met him, adds another layer of historical context. This encounter likely fueled Degas's interest in portraying figures engaged in intellectual pursuits – a recurring theme throughout his career.

    Beyond its biographical details, the painting speaks to a broader cultural shift. Degas’s focus on everyday life and ordinary people represented a departure from the grand historical narratives favored by earlier generations of artists. He sought to capture the essence of modern existence—the complexities of human interaction, the rhythms of daily routine, and the subtle nuances of personality.

    Emotional Resonance and Timeless Appeal

    Despite its apparent simplicity, “Two Men” possesses a profound emotional resonance. The painting’s quiet intimacy invites viewers to contemplate the unspoken connections between individuals—the shared experiences that shape our lives and the mysteries that lie beneath the surface of everyday interactions. The ambiguity surrounding the figures' identities further enhances this effect, prompting us to project our own interpretations onto the scene.

    A hand-painted reproduction of “Two Men” by WahooArt.com offers a remarkable opportunity to bring this captivating artwork into your home or office. The meticulous detail and vibrant colors faithfully recreate Degas’s original vision, allowing you to appreciate the artist's genius and immerse yourself in the atmosphere of his Parisian studio. It is more than just a painting; it’s a portal to another time, a testament to the enduring power of observation, and a celebration of the beauty found in the ordinary.

    Artist and museum

    Artist

    Edgar Degas

    Born in Paris, France

    A Life Immersed in Movement

    Born Hilaire-Germain-Edgar De Gas in Paris, 1834, Edgar Degas was an artist of fascinating contradictions. While often grouped with the Impressionists—Monet, Renoir, and others who revolutionized painting in the late 19th century—he actively resisted that label, identifying instead as a realist. This commitment stemmed from his meticulous observation of the world around him and a dedication to portraying it with unflinching honesty. Degas’s early life was comfortably bourgeois; his father was a banker, and his mother hailed from a Creole family in New Orleans. This background afforded him access to education and artistic training, though he often chafed against academic constraints. He initially enrolled at the Lycée Louis-le-Grand, but his true education began when he started copying works in the Louvre, honing his skills and igniting a lifelong passion for classical art. However, Degas’s path wasn't one of strict adherence to tradition; it was marked by constant questioning and reevaluation of artistic norms. He possessed an independent spirit that would define his entire career.

    Beyond Impressionism: A Unique Artistic Vision

    While contemporaries like Monet chased the fleeting effects of light outdoors, Degas largely worked within the confines of his studio, meticulously constructing scenes from observation and memory. His subject matter was decidedly modern—a departure from the historical or mythological themes favored by many academic painters. He found inspiration in the everyday lives of Parisians: laundresses, cabaret singers, milliners, and, most famously, dancers. It is this fascination with ballet that defines much of his oeuvre. Degas didn’t simply paint beautiful ballerinas; he captured the grueling reality of their profession—the endless rehearsals, the physical strain, the fleeting moments of grace amidst a world of hard work. His compositions are often unconventional, cropping figures in unexpected ways and utilizing asymmetrical arrangements that create a sense of dynamism and immediacy. He was a master of capturing movement, not through blurred lines or hazy effects, but through precise observation and careful rendering of form. Dancer, A Group of Dancers, and Women Combing Their Hair are prime examples of this dedication to portraying the human figure in motion and revealing the complexities of modern life. He wasn’t interested in superficial beauty; he sought to reveal the truth beneath the surface.

    Influences and Artistic Development

    Degas’s artistic journey was shaped by a diverse range of influences. His early training emphasized classical principles, particularly the work of Jean-Auguste-Dominique Ingres, whose emphasis on draftsmanship and precise form left a lasting impression. However, Degas also admired the Realists, such as Gustave Courbet, who challenged academic conventions and championed the depiction of contemporary life. A pivotal moment in his development came through his association with Camille Pissarro, a leading Impressionist who introduced him to other artists and encouraged him to experiment with new techniques. He was captivated by Japanese prints—Ukiyo-e—which influenced his use of asymmetrical compositions, flattened perspectives, and bold patterns. He also embraced photography, recognizing its potential as a tool for studying movement and capturing fleeting moments in time. This willingness to incorporate diverse influences into his work is what sets Degas apart and contributes to the unique character of his art. He wasn’t afraid to borrow from different sources, synthesizing them into something entirely new.

    Legacy and Lasting Impact

    Edgar Degas died in Paris in 1917, leaving behind a body of work that continues to captivate and inspire audiences today. His innovative approach to composition, his masterful draftsmanship, and his unflinching portrayal of modern life have had a profound impact on the course of art history. He paved the way for future generations of artists who sought to break free from traditional conventions and explore new ways of representing the world around them. His influence can be seen in the work of Pablo Picasso and Henri Matisse, among others. Museums worldwide—including the Musée d'Orsay and the Musée de l’Orangerie in Paris—house significant collections of his paintings, pastels, sculptures, and prints, ensuring that his legacy will endure for generations to come. Degas wasn’t merely a painter of dancers or racehorses; he was a keen observer of human nature, a master of form and movement, and a true innovator who redefined the possibilities of art.

    A Master of Line: Degas's exceptional draftsmanship set him apart.

    Modern Life as Subject: He focused on contemporary Parisian scenes, breaking from tradition.

    Influence on Future Artists: His work profoundly impacted Picasso and Matisse.

    Museum

    Metropolitan Museum of Art

    On show in new york, United States of America

    A Legacy in Stone and Light

    The Fifth Avenue facade of the Metropolitan Museum of Art beckons visitors into a realm where ancient civilizations resonate alongside modern innovations. The primary building, a magnificent embodiment of Beaux-Arts style completed between 1902 and 1914, exudes an air of classical grandeur. Colossal columns frame the entrance, inviting people into soaring galleries bathed in natural light. This monumental structure was deliberately designed as a homage to European palaces, creating a space that feels both imposing and welcoming. Beyond the main site, The Cloisters offers an intimate serenity in Fort Tryon Park, transporting visitors to medieval Europe through reconstructed chapende and gardens.

    The architecture tells a story of expansion and change. While the current Fifth Avenue location is synonymous with the institution, the museum briefly resided in the Douglas Mansion estate on West 14th Street. The original structure, designed by Calvert Vaux and Jacob Wrey Mould, featured a red-brick facade that remains partially visible today within the Robert Lehman Wing. This glimpse of the past provides a connection to an era when the surrounding area was far from the gilded mansions of the Upper East Side.

    Treasures Across Five Millennia

    Within these halls, one feels the weight of centuries. The collection spans 5,000 years of human creativity, housing over two million art objects. Visitors encounter the imposing Assyrian reliefs, depicting scenes of royal power and divine ritual carved into stone. Greek sculptures embody idealized form and proportion, including the Parthenon Marbles. The museum also holds significant works from diverse cultures:

    Chinese ceramics and intricate Japanese screens.

    African, Oceanic, and American art collections.

    The Cesnola Collection, comprising approximately 35,000 Cypriot art objects.

    A blue-glazed lotus-decorated hippopotamus statuette from Egypt, ca. 1961–1878 B.C.

    The transition from realism to modernism is visible in works like Édouard Manet’s

    Boating

    , which captures leisure on the Seine through its use of light and color. The psychological depth of Rembrandt's 1660 self-portrait offers a study in chiaroscuro, using dramatic shadow to reveal introspection. In the modern galleries, the scale of Jackson Pollock’s

    Autumn Rhythm (Number 30)

    commands attention, with its eight-foot-tall canvas and seventeen-foot length displaying a web of drips.

    Modernity and the Living City

    The museum continues to engage with the present through contemporary artists and large-scale events. Pablo Picasso’s portrait of

    Gertrude Stein

    prefigures his evolution into Cubism, capturing the essence of the American expat community in Paris. Vincent Van Gogh’s

    Self-Portrait with a Straw Hat

    remains a focal point, where intense eyes are encircled by controlled brushstrokes. The institution also recognizes contemporary figures such as Wangechi Mutu, whose humanoid sculptures occupy niches on the museum's facade.

    Beyond the permanent galleries, the museum serves as a center for social and cultural gatherings. The annual Met Gala, held on the first Monday in May, brings fashion designers and celebrities to Manhattan for an evening of glamour. On other nights, programs like

    Date Night at the Met

    occur every Friday and Saturday, ensuring the halls remain a vital part of New York life. Through conservation laboratories and digital initiatives, the museum safeguards its vast holdings for future generations.

    Where to read more

    Find this online

    QR code linking to the download page for Two Men

    originaluniqueart.com/en/art/download/hilaire-germain-edgar-degas-two-men-D2UHSD-en/

    Cite this artwork

    MLA
    Degas, Edgar. Two Men. 1865, Metropolitan Museum of Art. https://originaluniqueart.com/en/art/hilaire-germain-edgar-degas-two-men-D2UHSD-en/
    APA
    Degas, Edgar (1865). Two Men [Painting]. Metropolitan Museum of Art. https://originaluniqueart.com/en/art/hilaire-germain-edgar-degas-two-men-D2UHSD-en/
    Chicago
    Edgar Degas. Two Men. 1865. Metropolitan Museum of Art. https://originaluniqueart.com/en/art/hilaire-germain-edgar-degas-two-men-D2UHSD-en/
    Harvard
    Degas, Edgar (1865) Two Men. Metropolitan Museum of Art. Available at: https://originaluniqueart.com/en/art/hilaire-germain-edgar-degas-two-men-D2UHSD-en/

    Look closely

    Two Men — Edgar Degas

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: degas, men, studio. Do you agree? What would you add, or take away?
    4. Look back at Dancers in Pink (1885), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Edgar Degas was about 31 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Two Men — Edgar Degas

    How well do you know this artwork?

    Tick one answer for each of the 4 questions below. Each has exactly one correct answer.

    1. 1. According to the description, what is a key characteristic of Degas’s approach in this painting?

      • A He meticulously recreated classical scenes with perfect accuracy.
      • B He focused on capturing fleeting moments and individual personalities.
      • C He exclusively painted portraits in formal studio settings.
    2. 2. The painting ‘Two Men’ likely depicts a scene within which environment?

      • A A grand salon of a wealthy Parisian household.
      • B An artist's studio, possibly where Degas worked.
      • C A public square in Rome during the 1850s.
    3. 3. What is suggested by the muted color palette and loose brushstrokes in ‘Two Men’?

      • A A vibrant, celebratory atmosphere.
      • B A somber mood and emphasis on movement.
      • C An attempt to mimic the bright colors of Impressionist landscapes.
    4. 4. The figure on the right in ‘Two Men’ is potentially identified as:

      • A Édouard Manet.
      • B Émile Lévy.
      • C Claude Monet.

    My score: ____ out of 4

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2B · 3B · 4B

    Check any answer against the catalogue record for this painting

    Questions & Answers

    What does the 1865 date of "Two Men" correspond to in Edgar Degas's career?

    Given its 1865 date, "Two Men" falls in Edgar Degas's Early Observation.

    Is "Two Men" by Edgar Degas a light or a dark artwork?

    The recorded values for "Two Men" by Edgar Degas are: deep_shadow brightness, dark luminance.

    Is "Two Men" held in the country of its creator?

    No - the artwork is kept abroad. "Two Men" is held in United States of America, while Edgar Degas was born in France.