Student Artwork Guide
Copyright This work is in the public domain. Hans Makart died in 1884; copyright lasts 70 years after the artist’s death, so it ended in 1954.
In context
Karoline Gomperz — Hans Makart
Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 44 at death.
Shaded: the lifetime of Hans Makart (1840–1884) every dated painting, decade by decade
This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?
Pick one work above: name two things it shares with this one, and one thing that's different.
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Measured from the image
Main colour
Black #12180a
Catalogued palette
These colours inside the artist’s whole palette Find other paintings by colour
The ten leading countries
Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.
Together these works take 79.2% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 99 works by this artist, of which 31 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month
Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.
Artist and museum
Born in Salzburg, Austria
Born: May 28, 1840, Salzburg, Austria
Died: October 3, 1884, Vienna, Austria
Nationality: Austrian
Movement: Academic Art, Makartstil
Hans Makart's artistic journey began in Salzburg, where he was born into a family with connections to the Habsburg court. Initially showing promise, he enrolled at the Vienna Academy between 1850 and 1851. However, his struggles with draughtsmanship led to his departure from the academy.
Recognizing his passion for color, Makart studied under Karl Theodor von Piloty in Munich from 1861 to 1865. This period was crucial in shaping his artistic style and developing his distinctive use of vibrant hues.
Further travels to London, Paris, and Rome broadened his exposure to European art movements and techniques, enriching his artistic perspective.
Makartstil: Makart's signature style, known as "Makartstil," was characterized by opulent decoration, vibrant colors, and a theatrical flair. It significantly influenced the visual arts in Austria-Hungary and beyond.
Early Recognition: His early works like Lavoisier in Prison demonstrated his emerging sense of color, while The Knight and the Water Nymphs showcased his decorative talents.
Rise to Fame: Paintings such as Modern Amoretti and The Plague in Florence solidified his reputation as a leading artist. The purchase of Romeo and Juliet by the Austrian Emperor for the Vienna Museum further cemented his status.
Notable Works:
The Entrance of Emperor Charles V into Antwerp in 1520
Modern Amoretti
The Plague in Florence
Romeo and Juliet
Influences: Makart drew inspiration from Karl Theodor von Piloty, European art movements (including Symbolism and Art Nouveau), and masters like Peter Paul Rubens.
Social Figure: His luxurious studio in Vienna became a prominent social hub, attracting royalty, politicians, artists, and writers.
The Makart Parade: A defining moment in his career was the design of the pageant for the silver wedding anniversary of Emperor Franz Joseph I and Empress Elisabeth of Bavaria (Sisi) in 1879. This elaborate spectacle, known as the "Makart Parade," showcased his talent for costume and set design and captivated the public.
Professor at the Vienna Academy: In 1879, Makart was appointed a professor at the Vienna Academy, solidifying his position within the artistic establishment.
Influence on Klimt: He profoundly influenced Gustav Klimt, who would later become a leading figure in the Vienna Secession movement and Art Nouveau.
Makart's untimely death in 1884 at the age of 44 marked the end of an era. His extensive collection of antiques and art was auctioned off, dispersing his legacy across various collections.
Despite criticisms from some academic circles regarding historical accuracy, Makart’s impact on Viennese culture and artistic trends remains undeniable. He embodied a period of opulent grandeur and aesthetic innovation.
His work continues to be appreciated for its vibrant colors, decorative richness, and the unique atmosphere he created, solidifying his place as a significant figure in 19th-century Austrian art.
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Look closely
Karoline Gomperz — Hans Makart
Answer in your own words. There are no wrong answers here — only answers you can explain.
Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.
In "Karoline Gomperz", a balanced contrast is paired with a balanced harmony harmony.
"Karoline Gomperz" by Hans Makart has a dark luminance. Luminance describes how much light the colors appear to reflect.
"Karoline Gomperz" belongs to Hans Makart's Romantic Portraiture work, whose recorded themes include makart's signature style, opulent habsburg portraits, key example of makartstil, classical portraiture, romantic ideals, academic painting style, status & nobility, austrian identity.