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Student Artwork Guide

Geschmack

Name Class Date

Hans Makart, Geschmack (1879), Austrian Gallery Belvedere. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Hans Makart originaluniqueart.com/en/artists/hans-makart/
Artist’s dates
1840 – 1884
Painted
1879
Medium
Oil On Canvas
Original size
314 x 70 cm
Movement
Makartstil
Period
19th Century
Held at
Austrian Gallery Belvedere originaluniqueart.com/en/museums/austrian-gallery-belvedere-vienna/
Artistic style
Opulent
Influences
Academic Art
Notable elements or techniques
Vibrant colors, Lush foliage
Subject or theme
Sense of Taste

In context

Geschmack — Hans Makart

How big is it?

The original measures 314 × 70 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 44 at death.

Painted when the artist was 39. The artist lived to 44. 14 of the 20 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Hans Makart (1840–1884) ▲ this work, 1879 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/hans-makart-geschmack-8XXDVH-en/

Colours

Measured from the image

    Main colour

    Walnut #663916

    Catalogued palette

    • #663916
    • #CAAB7B
    • #995C23
    • #2D2313

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Walnut
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Hans Makart over the last twelve months — 14 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 42.9%
    2. 2 Singapore 9.5%
    3. 3 Hong Kong 7.1%
    4. 4 Austria 4.8%
    5. 5 Spain 4.8%
    6. 6 United Kingdom 4.8%
    7. 7 Malaysia 4.8%
    8. 8 Sweden 4.8%
    9. 9 United States of America 4.8%
    10. 10 Germany 2.4%
    11. · 4 other countries 9.3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Hans Makart

    1. 1 The Entrance of Emperor Charles V into Antwerp in 1520, 1878 23.3%
    2. 2 der sommernachtstraum 6.7%
    3. 3 Opferszene, 1880 5.0%
    4. 4 Der Triumph der Ariadne, 1874 3.3%
    5. 5 Der Triumph der Ariadne (Detail), 1874 3.3%
    6. 6 Charlotte Wolter als Messalina, 1875 3.3%
    7. 7 Die fünf Sinne, 1879 3.3%
    8. 8 Der Sieg des Lichts Über die Finsternis 3.3%
    9. 9 Zerline Gabillon 3.3%
    10. 10 Der Sommernachstraum, Entwurf zur Dekoration eines Raumes in der Hermesvilla 3.3%
    11. 11 Sarah Bernhardt 3.3%
    12. 12 ABUNDANTIA LES DONS DE LA TERRE 3.3%
    13. 13 Der Jubiläumszug. Festwagen der Jagd 3.3%
    14. 14 Der Tod der Kleopatra, 1875 1.7%
    15. 15 Die Niljagd der Kleopatra, 1876 1.7%
    16. 16 Ein Putto reinigt die Waffen des Mars, 1870 1.7%
    17. 17 Faun und Nymph, 1872 1.7%
    18. 18 Sinnbild des fröhlichen Lebensgenusses 1.7%
    19. 19 Venice pays tribute to Caterina Cornaro, 1873 1.7%
    20. — Geschmack, 1879 this painting 0.0%

    Together these works take 78.2% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 99 works by this artist, of which 32 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Geschmack — Hans Makart

    The Allure of Sensation: Exploring Hans Makart's "Geschmack"

    To stand before Hans Makart’s Geschmack is to step directly into a dream spun from opulent color and exquisite sensuality. Painted in 1879, this oil on canvas masterpiece transcends mere depiction; it is an immersion into the very essence of refined experience. The work, currently gracing the halls of the Österreichische Galerie Belvedere in Vienna, remains a potent testament to the height of Academic Art blended with a distinctly romantic flair. Makart, whose career spanned the vibrant cultural currents of the late 19th century, captured not just a moment, but an entire state of being—a delightful intoxication of the senses.

    A Tapestry of Life and Nature

    The visual narrative unfolds around a central figure: a woman portrayed with breathtaking grace, seemingly entwined with the vibrant life force emanating from nature itself. She is depicted near a tree adorned with richly colored red leaves, holding onto its branches as if in a playful ascent or a gentle embrace. The composition is alive; it pulses with the energy of lush foliage and the interplay between human form and botanical splendor. Beyond the central interaction, other figures populate the scene, suggesting a larger, convivial gathering—a tableau vivant brimming with untold stories. It is this masterful orchestration of elements that gives the painting its undeniable sense of playfulness and whimsical narrative quality.

    Symbolism Woven into the Brushstrokes

    At the heart of this sensory feast lies potent symbolism. The inclusion of a visible apple near the center acts as an immediate focal point, drawing the viewer's eye and inviting layers of interpretation—a nod perhaps to temptation, nourishment, or the sweet culmination of experience itself. As part of a series exploring the five senses, Geschmack (Taste) directs our attention toward gustatory pleasure, yet Makart expands this concept outward. The vibrant palette and the lushness surrounding the figure suggest that taste, for him, is inseparable from beauty, vitality, and the sheer joy of existence.

    The Technique and Enduring Allure

    Makart’s signature style, the Makartstil, shines through in the painting's technical brilliance. His command of color was legendary; here, it manifests as a rich, saturated glow that seems to emanate from the canvas itself. The oil paint is applied with a richness that allows the foliage to appear almost tangible, while the skin tones retain an ethereal luminosity. For those who appreciate historical artistry or seek decorative pieces imbued with deep cultural resonance, owning a reproduction of Geschmack offers a unique opportunity. It allows one to bring home not just a painting, but a piece of Viennese artistic history—a celebration of elegance and refined living.

    Artist and museum

    Artist

    Hans Makart

    Born in Salzburg, Austria

    Hans Makart: A Life in Opulence and Influence

    Born: May 28, 1840, Salzburg, Austria

    Died: October 3, 1884, Vienna, Austria

    Nationality: Austrian

    Movement: Academic Art, Makartstil

    Early Life and Training

    Hans Makart's artistic journey began in Salzburg, where he was born into a family with connections to the Habsburg court. Initially showing promise, he enrolled at the Vienna Academy between 1850 and 1851. However, his struggles with draughtsmanship led to his departure from the academy.

    Recognizing his passion for color, Makart studied under Karl Theodor von Piloty in Munich from 1861 to 1865. This period was crucial in shaping his artistic style and developing his distinctive use of vibrant hues.

    Further travels to London, Paris, and Rome broadened his exposure to European art movements and techniques, enriching his artistic perspective.

    Artistic Style and Major Works

    Makartstil: Makart's signature style, known as "Makartstil," was characterized by opulent decoration, vibrant colors, and a theatrical flair. It significantly influenced the visual arts in Austria-Hungary and beyond.

    Early Recognition: His early works like Lavoisier in Prison demonstrated his emerging sense of color, while The Knight and the Water Nymphs showcased his decorative talents.

    Rise to Fame: Paintings such as Modern Amoretti and The Plague in Florence solidified his reputation as a leading artist. The purchase of Romeo and Juliet by the Austrian Emperor for the Vienna Museum further cemented his status.

    Notable Works:

    The Entrance of Emperor Charles V into Antwerp in 1520

    Modern Amoretti

    The Plague in Florence

    Romeo and Juliet

    Influence, Legacy, and the Makart Parade

    Influences: Makart drew inspiration from Karl Theodor von Piloty, European art movements (including Symbolism and Art Nouveau), and masters like Peter Paul Rubens.

    Social Figure: His luxurious studio in Vienna became a prominent social hub, attracting royalty, politicians, artists, and writers.

    The Makart Parade: A defining moment in his career was the design of the pageant for the silver wedding anniversary of Emperor Franz Joseph I and Empress Elisabeth of Bavaria (Sisi) in 1879. This elaborate spectacle, known as the "Makart Parade," showcased his talent for costume and set design and captivated the public.

    Professor at the Vienna Academy: In 1879, Makart was appointed a professor at the Vienna Academy, solidifying his position within the artistic establishment.

    Influence on Klimt: He profoundly influenced Gustav Klimt, who would later become a leading figure in the Vienna Secession movement and Art Nouveau.

    Later Life and Historical Significance

    Makart's untimely death in 1884 at the age of 44 marked the end of an era. His extensive collection of antiques and art was auctioned off, dispersing his legacy across various collections.

    Despite criticisms from some academic circles regarding historical accuracy, Makart’s impact on Viennese culture and artistic trends remains undeniable. He embodied a period of opulent grandeur and aesthetic innovation.

    His work continues to be appreciated for its vibrant colors, decorative richness, and the unique atmosphere he created, solidifying his place as a significant figure in 19th-century Austrian art.

    Museum

    Austrian Gallery Belvedere

    On show in Vienna, Austria

    A Symphony of Habsburg Grandeur and Klimt’s Golden Embrace: The Belvedere Palace

    Rising from meticulously sculpted gardens in the heart of Vienna, the Belvedere Palace isn't merely a repository of Austrian art; it is an embodiment of its spirit – a testament to Prince Eugene of Savoy’s ambition, refined taste, and profound understanding of how art could shape a nation’s identity. More than just a palace, the Belvedere is a layered experience, a journey through five centuries of artistic evolution, beginning with medieval treasures and culminating in the dazzling modernism of Gustav Klimt and his contemporaries. The complex itself, comprising the Upper and Lower Belvedere connected by sweeping vistas, is a masterpiece of Baroque design, a harmonious blend of grandeur and elegance that continues to inspire awe and delight. It’s a place where history breathes through opulent staterooms, whispers from ancient panel paintings, and explodes in the shimmering gold of Klimt's most celebrated works.

    The story begins, unsurprisingly, with Prince Eugene, a brilliant military strategist who, through shrewd political maneuvering and decisive victories, amassed both wealth and land. Recognizing the power of visual representation, he commissioned Johann Lucas von Hildebrandt to create not merely a residence, but a statement – a palace that would rival European monarchs and reflect his cultivated sensibilities. The result is a structure of breathtaking scale and meticulous detail, where every fresco, stucco ornament, and sculpted element speaks to the Prince’s desire for both power and refinement. The Upper Belvedere's Staterooms, adorned with opulent frescoes depicting scenes from classical mythology and Habsburg history, transport visitors back to the height of imperial life, offering a glimpse into the lavish entertainments and diplomatic intrigues that unfolded within these very walls. The sheer scale of the rooms, the intricate detail of the ceilings, and the vibrant colors of the paintings create an immersive experience, allowing one to almost feel the presence of past emperors and empresses.

    However, to reduce the Belvedere’s legacy solely to its Habsburg grandeur would be a profound disservice. The Lower Belvedere, originally designed as a hunting lodge, retains a more intimate atmosphere, showcasing a collection of early Austrian art – including remarkable examples of medieval panel paintings and Renaissance sculptures – providing a crucial foundation for understanding the artistic lineage that would flourish at the palace. Here, one encounters works by masters like Hans von der Fust, whose intricate depictions of biblical scenes reveal the burgeoning artistic talent within Austria during the 15th century. The collection here is not merely decorative; it’s a tangible link to the country's early cultural development, demonstrating the evolution of artistic techniques and styles over time.

    The Klimt Revelation: A Masterclass in Gold

    While the entire Belvedere collection is undeniably impressive, it’s arguably the museum’s devotion to Gustav Klimt that draws the largest crowds and secures its place as a global icon. The Upper Belvedere houses an unparalleled collection of Klimt’s paintings, centered around “The Kiss,” perhaps the most recognizable image in modern art. This shimmering masterpiece, with its intricate gold leaf patterns and evocative depiction of lovers entwined, dominates Gallery VII, captivating viewers with its mesmerizing beauty and masterful technique. But to reduce Klimt's legacy solely to "The Kiss" is a profound disservice. The museum thoughtfully presents his artistic evolution, showcasing his early academic works alongside portraits like “Judith I,” demonstrating a remarkable progression toward expressive abstraction – a journey culminating in the bold, symbolic language of his later masterpieces. Beyond Klimt’s individual brilliance, the collection reveals a broader Viennese Modernist movement, featuring significant works by Egon Schiele and Oskar Kokoschka—artists who pushed the boundaries of artistic expression with their raw emotional intensity and innovative approaches to form and color.

    The juxtaposition of Klimt's shimmering surfaces with the more grounded realism of earlier Austrian artists creates a fascinating dialogue. One can trace the influence of Byzantine mosaics on Klimt’s early work, while observing how he gradually moved away from strict academic conventions toward a more subjective and emotionally charged style. The museum doesn’t simply display these paintings; it illuminates the context in which they were created, revealing the social and intellectual currents that shaped Viennese art at the turn of the 20th century.

    Architectural Splendor & Historical Context

    The Belvedere’s architectural splendor is inextricably linked to its historical narrative. Hildebrandt's design seamlessly blends Baroque grandeur with a distinctly Austrian sensibility, incorporating elements from Italian Renaissance palaces while retaining a sense of local identity. The vast scale of the palace reflects Prince Eugene’s ambition and his desire to project an image of power and sophistication. Crucially, the Belvedere wasn’t simply built as a private retreat; it was conceived as Vienna's first public museum in 1781 – a pivotal moment in the democratization of art and a testament to Empress Maria Theresa’s vision for making artistic treasures accessible to all citizens. This early commitment to public engagement shaped the museum’s ethos, fostering an environment where creativity flourished and cultural understanding deepened.

    The surrounding gardens, meticulously landscaped according to Baroque principles, further enhance the palace's allure, providing tranquil spaces for reflection and contemplation – a vital counterpoint to the opulent interiors. The interplay of light and shadow, the carefully placed sculptures, and the formal hedges create a harmonious landscape that complements the grandeur of the palace itself. The gardens were designed not just as an aesthetic delight but also as a space for social gatherings and diplomatic negotiations, reflecting the Prince’s desire to establish Vienna as a center of European culture.

    A Living Legacy: Belvedere 21 & Future Horizons

    The Belvedere’s story doesn’t end in the 18th century. In 2001, the museum expanded dramatically with the addition of Belvedere 21, a state-of-the-art contemporary art space housed within a former tobacco factory. This innovative extension provides a vital platform for showcasing cutting-edge artistic practices and engaging with new audiences. Today, the Belvedere continues to evolve as a vibrant cultural institution, forging connections between Vienna and the global community through exhibitions, educational programs, and ongoing research initiatives. It remains a beacon of Austrian cultural heritage, inviting visitors to immerse themselves in beauty, contemplate the enduring legacy of art, and experience the spirit of a city that has long been at the forefront of artistic innovation.

    Useful Links:

    Vienna

    Austrian Gallery Belvedere

    Österreichische Galerie Belvedere

    Museum mittelalterlicher österreichischer Kunst

    Belvedere, Vienna

    Where to read more

    Find this online

    QR code linking to the download page for Geschmack

    originaluniqueart.com/en/art/download/hans-makart-geschmack-8XXDVH-en/

    Cite this artwork

    MLA
    Makart, Hans. Geschmack. 1879, Austrian Gallery Belvedere. https://originaluniqueart.com/en/art/hans-makart-geschmack-8XXDVH-en/
    APA
    Makart, Hans (1879). Geschmack [Painting]. Austrian Gallery Belvedere. https://originaluniqueart.com/en/art/hans-makart-geschmack-8XXDVH-en/
    Chicago
    Hans Makart. Geschmack. 1879. Austrian Gallery Belvedere. https://originaluniqueart.com/en/art/hans-makart-geschmack-8XXDVH-en/
    Harvard
    Makart, Hans (1879) Geschmack. Austrian Gallery Belvedere. Available at: https://originaluniqueart.com/en/art/hans-makart-geschmack-8XXDVH-en/

    Look closely

    Geschmack — Hans Makart

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: vienna secession, hans makart, color palette. Do you agree? What would you add, or take away?
    4. Look back at Die fünf Sinne (1879), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Hans Makart was about 39 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Geschmack — Hans Makart

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the title of Hans Makart’s painting?

      • A Die fünf Sinne
      • B Geschmack
      • C Der Garten
    2. 2. In which year was Geschmack created?

      • A 1869
      • B 1872
      • C 1879
    3. 3. Where is Geschmack currently housed?

      • A Louvre Museum
      • B Musée d'Orsay
      • C Österreichische Galerie Belvedere
    4. 4. What artistic movement is Hans Makart associated with?

      • A Cubism
      • B Impressionism
      • C Makartstil
    5. 5. What sensory experience does Geschmack aim to depict?

      • A Sight
      • B Sound
      • C Taste

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2C · 3C · 4C · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Where does "Geschmack" fall in Hans Makart's career?

    Within Hans Makart's career, "Geschmack" falls in the Mature Period. The phase helps compare it with the artist's other works.

    What orientation does "Geschmack" by Hans Makart have?

    "Geschmack" by Hans Makart is a tall composition. The proportions are worth checking before choosing a print size.

    Which room is "Geschmack" by Hans Makart recommended for, given its colors?

    With its dark palette, "Geschmack" by Hans Makart is recommended for a living room. The colors are part of the reason for this suggestion.