Paper

Student Artwork Guide

Curvas Concêntricas

Name Class Date

German De Mello, Curvas Concêntricas (1955), Itaú Cultural Institute. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
German De Mello originaluniqueart.com/en/artists/german-de-mello/
Artist’s dates
1922 – 2021
Painted
1955
Original size
38 x 38 cm
Movement
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Period
Modern
Held at
Itaú Cultural Institute originaluniqueart.com/en/museums/itau-cultural-institute-sao-paulo/
Artistic style
Abstract geometric
Influences
Thomaz Farkas, Chico Albuquerque
Notable elements or techniques
Layered curved lines; Precise control; Textural nuances
Subject or theme
Urban landscape

In context

Curvas Concêntricas — German De Mello

How big is it?

The original measures 38 × 38 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000
  10. 2010
  11. 2020

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 99 at death.

Painted when the artist was 33. The artist lived to 99. 2 of the 7 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of German De Mello (1922–2021) ▲ this work, 1955 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/german-de-mello-curvas-concentricas-D7HEJP-en/

Colours

Measured from the image

    Main colour

    Putty #c3c3c3

    Catalogued palette

    • #C3C3C3
    • #121210
    • #383838
    • #7A7A7A

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Putty
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by German De Mello over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 3 most looked-at works by German De Mello

    1. 1 Le diable au corps, 1949 50.0%
    2. 2 Still Life 50.0%
    3. — Curvas Concêntricas, 1955 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 11 works by this artist, of which 2 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Curvas Concêntricas — German De Mello

    A Symphony of Line and Light

    In the realm of mid-century modernism, few works capture the hypnotic intersection of architecture and abstraction as profoundly as German de Mello’s “Curvas Concêntricas.” Created in 1955, this masterpiece serves as a cornerstone of the São Paulo School of photography, a movement that sought to redefine the urban landscape through a modernist lens. At first glance, the viewer is met with an intricate, rhythmic dance of overlapping curves that seem to pulse with their own internal energy. While the photograph may appear purely abstract, it is deeply rooted in the physical reality of São Paulo’s architectural evolution, likely drawing inspiration from the iconic geometric facades of structures like the Museu de Arte de São Paulo (MASP). De Mello does not merely document a building; he deconstructs it, stripping away the weight of stone and concrete to reveal the poetic essence of form and light.

    The technical execution of this work is nothing short of masterful, showcasing a meticulous control over tonal gradation and contrast. Utilizing traditional photographic printing methods, De Mello employs a strictly monochromatic palette that relies on the dramatic interplay between deep blacks and luminous whites. This high-contrast approach allows the concentric curves to emerge from the darkness, creating a sense of layered depth that defies the two-dimensional nature of the medium. The lines themselves vary in character—some are bold and commanding, while others are as delicate as a whisper—yet they all work in unison to create a complex visual texture. This deliberate precision reflects a broader modernist reaction against the fleeting, soft-focus impressions of Impressionism, favoring instead a clarity and structural order that speaks to the permanence of geometric design.

    The Geometry of Emotion

    Beyond its formal brilliance, “Curvas Concêntricas” offers a profound emotional resonance that makes it an extraordinary choice for sophisticated interiors. The composition is remarkably symmetrical, with curves radiating outward from a central point in a way that evokes feelings of harmony, balance, and even infinity. There is a meditative quality to the repetition; the eye is invited to wander through the labyrinthine network of lines, finding stillness within the perceived movement. For the collector or interior designer, this piece acts as a focal point of quiet strength. It possesses the unique ability to anchor a room, providing a sense of structural order while simultaneously injecting a dynamic, rhythmic energy into the space.

    Whether displayed in a minimalist contemporary gallery or as a striking accent in a classic study, this reproduction brings with it the historical weight of the 1950s Brazilian avant-garde. It is an exploration of how light can transform the mundane into the monumental. By capturing the essence of architectural rhythm through the medium of photography, De Mello has created a timeless visual poem—a work that continues to inspire awe through its seamless blend of mathematical precision and pure, unadulterated artistry.

    Artist and museum

    Artist

    German De Mello

    Born in São Paulo, Brazil

    Early Life and Influences

    Born: São Paulo, Brazil (1922)

    Died: 2021

    Initially studied accounting at Liceu Acadêmico de São Paulo.

    Started his own accounting business in 1952 before dedicating himself to photography.

    Joined Foto Cinema Clube Bandeirante in 1959, a pivotal group for Brazilian photographers like Thomaz Farkas and Chico Albuquerque.

    Served as the official photographer for the celebration of the 400th anniversary of São Paulo in 1954.

    Artistic Development and Key Works

    Known primarily for his striking black and white photographs.

    His work showcases a unique approach to visual composition and attention to detail.

    Notable works include:

    Le Diable au Corps (1949): A significant early photograph demonstrating his artistic vision.

    Curvas Concêntricas (1955): Highlights his compositional skills.

    Apartments or: Captures the essence of urban living.

    Still Life: Demonstrates meticulous attention to detail.

    His photography often explored themes of urban life and still life subjects.

    Style and Techniques

    Distinctive Style: German de Mello’s style is characterized by its stark simplicity, masterful use of light and shadow, and a keen eye for geometric forms.

    Technical Proficiency: He was highly skilled in traditional photographic techniques, particularly black-and-white printing.

    Compositional Approach: His compositions often feature carefully arranged elements that create a sense of balance and harmony.

    Influences: The Foto Cine Clube Bandeirante played a crucial role in shaping his artistic development, exposing him to modernist photographic trends.

    Recognition and Legacy

    His photographs are housed in prestigious museums including the Museu de Arte de São Paulo Assis Chateaubriand (MASP).

    Recognized as a key figure of the "Escola Paulista de Fotografia" (São Paulo School of Photography).

    Continued to be celebrated for his contributions to Brazilian photography well into his later years.

    His work has been exhibited internationally, solidifying his place in art history.

    Died in 2021 leaving behind a legacy of captivating photographs that continue to inspire artists and photographers.

    Historical Significance

    Pioneer of Brazilian Photography: De Mello was instrumental in the development of modern photography in Brazil, contributing significantly to its artistic recognition.

    Documenting Urban Life: His photographs offer a valuable visual record of São Paulo and its evolving urban landscape during the mid-20th century.

    Influence on Subsequent Generations: His unique style and approach have influenced countless photographers in Brazil and beyond.

    Preservation of Cultural Heritage: Through his work, he helped preserve a vital part of Brazilian cultural heritage for future generations.

    Museum

    Itaú Cultural Institute

    On show in Sao Paulo, Brazil

    A Sanctuary of Brazilian Soul: The Itaú Cultural Institute

    Nestled within the vibrant heart of São Paulo, Brazil, the Itaú Cultural Institute isn’t merely a repository of art; it's a living embodiment of the nation’s rich cultural tapestry, a testament to Olavo Egydio Setúbal’s visionary commitment to fostering artistic talent and preserving Brazilian heritage. Founded in 1987 as Centro de Informática e Cultura – a groundbreaking move for Latin America at the time – the Institute quickly established itself as a pioneer of digital access to its collections, a spirit of innovation that continues to define it today. More than just walls adorned with masterpieces, Itaú Cultural is a dynamic hub where tradition dances with modernity, inviting visitors on a profound journey into the soul of Brazil.

    A Historical Foundation:

    The Institute’s origins are deeply intertwined with the legacy of Itaú Unibanco, established by Setúbal himself. Initially conceived as a center for computer science and culture, it swiftly evolved to encompass a broader mission – one dedicated to mapping artistic expressions across all disciplines, from visual arts and literature to theater, music, and beyond. The formalization of this commitment under Law nº 7505 in 1986 solidified Itaú Cultural’s role as a national institution.

    Architectural Harmony:

    Situated prominently on Avenida Paulista – São Paulo's bustling artery – the Institute’s architecture is a deliberate reflection of its mission. Designed to seamlessly blend modern aesthetics with cultural significance, the building itself serves as an integral part of the experience. Its spacious galleries provide an inviting atmosphere for contemplation, while state-of-the-art facilities support research initiatives, performances, and educational programs, creating a truly multifaceted cultural center.

    A Chronicle of Brazilian Identity: The Collection’s Narrative

    The heart of Itaú Cultural lies within its remarkable collection, a carefully curated panorama of Brazilian art history and contemporary expression. Two permanent exhibitions stand as focal points: Brasiliana, a breathtaking showcase of paintings, drawings, engravings, maps, and historical documents that chronicle Brazil's evolution from colonial times to the present day. This exhibition isn’t simply a display of artifacts; it’s a visual narrative, offering profound insights into the nation’s complex past. Complementing this is Numismática, an equally captivating collection of coins and currency – each piece acting as a storyteller, revealing crucial details about Brazil's economic and social development over centuries.

    Masters of Brazilian Art:

    The Institute proudly champions both established masters and emerging talents. Highlights include Maria Auxiliadora da Silva’s evocative Chuva Sobre Sã Paulo (Rain over São Paulo), capturing the energy of urban life with poignant beauty; José Maria Nunez's serene Penedos de Sã Pedro e Sã Paulo, offering a glimpse into Brazil’s breathtaking natural landscapes; and Tarsila do Amaral’s iconic Sã Paulo, an embodiment of Brazilian modernism that continues to resonate with its bold forms and vibrant colors.

    Contemporary Voices:

    Beyond historical works, Itaú Cultural actively champions contemporary voices. The collection includes pieces by artists like Sergio Britto, Waldemar Cordeiro, Dona Ivone Lara, and Grupo Corpo, reflecting the dynamism and diversity of Brazil’s artistic landscape today.

    Beyond the Walls: Innovation and Community Engagement

    What truly distinguishes Itaú Cultural is its holistic approach to culture – a commitment that extends far beyond the confines of its galleries. The Rumos program exemplifies this dedication, supporting cultural research across diverse disciplines and fostering artistic production throughout Brazil. Furthermore, the Institute’s forward-thinking spirit is evident in initiatives like the Emoção Art.ficial biennial of art and technology, which explores the exciting intersection of creativity and digital media. This commitment to innovation ensures that Itaú Cultural remains at the forefront of cultural discourse, constantly evolving and adapting to meet the needs of a changing world.

    The Enciclopédia Itaú Cultural:

    A cornerstone of the Institute’s outreach is its comprehensive online encyclopedia, Enciclopédia Itaú Cultural, which serves as an invaluable resource for scholars, art enthusiasts, and anyone seeking to deepen their understanding of Brazilian culture.

    Community Partnerships:

    The Institute actively engages with local communities through educational programs, workshops, and public events, fostering a sense of shared cultural heritage.

    A Beacon of Culture in São Paulo

    Itaú Cultural is more than just a museum; it’s a vital artery of Brazilian culture, a place where art, history, and innovation converge. Its strategic location on Avenida Paulista – the city's main thoroughfare – further solidifies its role as a cultural beacon for both locals and visitors alike. From its meticulously curated collections to its commitment to community engagement and groundbreaking initiatives, Itaú Cultural continues to shape the cultural landscape of Brazil and beyond, ensuring that the nation’s artistic legacy thrives for generations to come.

    Where to read more

    Find this online

    QR code linking to the download page for Curvas Concêntricas

    originaluniqueart.com/en/art/download/german-de-mello-curvas-concentricas-D7HEJP-en/

    Cite this artwork

    MLA
    Mello, German De. Curvas Concêntricas. 1955, Itaú Cultural Institute. https://originaluniqueart.com/en/art/german-de-mello-curvas-concentricas-D7HEJP-en/
    APA
    Mello, German De (1955). Curvas Concêntricas [Painting]. Itaú Cultural Institute. https://originaluniqueart.com/en/art/german-de-mello-curvas-concentricas-D7HEJP-en/
    Chicago
    German De Mello. Curvas Concêntricas. 1955. Itaú Cultural Institute. https://originaluniqueart.com/en/art/german-de-mello-curvas-concentricas-D7HEJP-en/
    Harvard
    Mello, German De (1955) Curvas Concêntricas. Itaú Cultural Institute. Available at: https://originaluniqueart.com/en/art/german-de-mello-curvas-concentricas-D7HEJP-en/

    Look closely

    Curvas Concêntricas — German De Mello

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: são paulo school, architecture, geometric patterns. Do you agree? What would you add, or take away?
    4. Look back at 8 Windows or (1956), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Curvas Concêntricas — German De Mello

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the title of this artwork?

      • A Le Diable au Corps
      • B Curvas Concêntricas
      • C Apartments or
    2. 2. In what year was "Curvas Concêntricas" created?

      • A 1949
      • B 1955
      • C 2007
    3. 3. Which artistic movement is associated with German de Mello's style?

      • A Impressionism
      • B Cubism
      • C Photography
    4. 4. What material was used to create "Curvas Concêntricas"

      • A Oil Paint
      • B Watercolor
      • C Paper
    5. 5. Where is this artwork currently housed?

      • A São Paulo Museum of Art (MASP)
      • B Rio de Janeiro National Museum
      • C Brasília Cultural Center

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2B · 3C · 4C · 5A

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Can I see "Curvas Concêntricas" by German De Mello on my own wall before buying?

    The AR Preview page of "Curvas Concêntricas" by German De Mello uses augmented reality to show the artwork in your own space, on a compatible device.

    In what year was "Curvas Concêntricas" by German De Mello created?

    "Curvas Concêntricas" by German De Mello was created in 1955.

    Who is "Curvas Concêntricas" suggested for as a present, and for what use?

    "Curvas Concêntricas" by German De Mello is recommended as a gift for corporate gift, especially for accent. A reproduction of the artwork can be given as a present.