Paper

Student Artwork Guide

Breakfast

Name Class Date

Gabriel Metsu, Breakfast (1660), Hermitage Museum. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Gabriel Metsu originaluniqueart.com/en/artists/gabriel-metsu/
Artist’s dates
1629 – 1667
Painted
1660
Medium
Acrylic
Original size
56 x 42 cm
Movement
Baroque Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action.
Held at
Hermitage Museum originaluniqueart.com/en/museums/hermitage-museum-saint-petersburg/
Artistic style
Genre Painting
Influences
Rembrandt, Vermeer
Notable elements or techniques
Dramatic lighting; Realistic depiction
Subject or theme
Domestic Scene

In context

Breakfast — Gabriel Metsu

How big is it?

The original measures 56 × 42 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1620
  2. 1630
  3. 1640
  4. 1650
  5. 1660

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 38 at death.

Painted when the artist was 31. The artist lived to 38. 22 of the 73 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Gabriel Metsu (1629–1667) ▲ this work, 1660 every dated painting, decade by decade

First works: up to 1658 Main working years: 1658–1662 Late works: from 1662

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/gabriel-metsu-breakfast-8XZRE7-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #251716

    Catalogued palette

    • #251716
    • #866230
    • #C5B079
    • #5F301B

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Gabriel Metsu over the last twelve months — 13 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 67.1%
    2. 2 United States of America 8.5%
    3. 3 Hong Kong 7.3%
    4. 4 Singapore 6.1%
    5. 5 Switzerland 1.2%
    6. 6 Germany 1.2%
    7. 7 France 1.2%
    8. 8 Honduras 1.2%
    9. 9 Israel 1.2%
    10. 10 Italy 1.2%
    11. · 3 other countries 3.8%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Gabriel Metsu

    1. 1 The poultry merchant 4.7%
    2. 2 A Woman Seated at a Window, 1660 3.5%
    3. 3 Woman Peeling an Apple, 1655 3.5%
    4. 4 Old Woman Meditating, 1662 3.5%
    5. 5 The Tête à Tête A Lady Playing a Lute, and a Cavalier, 1665 3.5%
    6. 6 The Letter Writer Surprised, 1660 3.5%
    7. 7 The Intruder, 1661 3.5%
    8. 8 UN MILITAIRE RECEVANT UNE JEUNE DAME 3.5%
    9. 9 Portrait of Jan Jacobsz. Hinlopen and His Family, 1675 2.4%
    10. 10 The Hunter's Present, 1660 2.4%
    11. 11 Lady Seated in a Window, 1661 2.4%
    12. 12 Tavern Scene, 1655 2.4%
    13. 13 The Poultry Woman, 1662 2.4%
    14. 14 A Young Woman seated drawing, 1655 2.4%
    15. 15 LE MARCHE AUX HERBES D'AMSTERDAM 2.4%
    16. 16 The weary sportsman 2.4%
    17. 17 A Woman Cleaning Fish 2.4%
    18. 18 Seated Cavalier with Glass 2.4%
    19. 19 A Musical Party, 1659 1.2%
    20. — Breakfast, 1660 this painting 0.0%

    Together these works take 54.4% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 145 works by this artist, of which 58 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Breakfast — Gabriel Metsu

    A Moment Frozen in Time: Gabriel Metsu’s “Breakfast”

    Gabriel Metsu's "Breakfast," painted circa 1660, stands as a quintessential emblem of the Dutch Golden Age—a period defined by unparalleled artistic brilliance and an unwavering commitment to realism. More than just a depiction of a domestic scene, this artwork delves into themes of intimacy, social grace, and the subtle beauty found within everyday life.

    Style & Technique: Metsu’s approach aligns perfectly with Baroque aesthetics—characterized by dramatic chiaroscuro (contrast between light and dark), meticulous detail, and an emphasis on capturing fleeting expressions. Unlike many contemporaries who favored grand historical narratives, Metsu focused intently on portraying the quiet dignity of ordinary individuals engaged in a simple ritual – sharing a meal.

    Subject Matter & Composition: The painting portrays a young couple seated at a dining table bathed in soft light. A woman sits gracefully beside a man who speaks animatedly into her ear, suggesting a conversation filled with warmth and connection. Beside them rests a dog, adding an element of domestic comfort to the tableau. Metsu’s masterful composition guides the viewer's eye across the scene, highlighting the figures’ postures and gestures.

    Historical Context: The Dutch Golden Age

    Painted during the zenith of Dutch prosperity—fueled by maritime trade and burgeoning intellectual curiosity—"Breakfast" reflects the broader cultural values of its time. The Dutch Republic championed tolerance and artistic freedom, fostering an environment where artists like Metsu could explore innovative techniques and express profound emotions. This painting exemplifies the humanist spirit prevalent in the era, prioritizing human experience and portraying it with remarkable sensitivity.

    Symbolism & Emotional Impact: Beyond its visual beauty, “Breakfast” carries symbolic weight. The meal itself represents sustenance—both physical and spiritual—while the intimate dialogue between the figures underscores the importance of communication and connection within relationships. Metsu’s skillful use of light and shadow creates an atmosphere of serene contemplation, inviting viewers to savor the quiet joys of companionship.

    Further Exploration

    WikiArt Database: Explore “Breakfast” on WikiArt – Discover detailed information about Metsu’s life, artistic influences & stylistic innovations.

    WGA Image Collection: View “Breakfast” in the Web Gallery of Art – Immerse yourself in a high-resolution reproduction of this iconic Baroque masterpiece.

    Wikipedia Article: Learn More About Breakfast’s History & Significance – Gain insights into the evolution of breakfast traditions across cultures.

    A reproduction of “Breakfast” by Gabriel Metsu offers a captivating glimpse into the artistic soul of the Dutch Golden Age—a timeless testament to beauty, intimacy and the enduring power of observation.

    Artist and museum

    Artist

    Gabriel Metsu

    Born in Leiden, Netherlands

    **a life of artistic exploration**

    gabriël metsu, a dutch painter from the netherlands, lived a life marked by artistic exploration and innovation. born in 1629, metsu's work embodied the spirit of the dutch golden age, a period renowned for its prolific artistic output. this biography delves into the life and works of this enigmatic figure, whose contributions to the art world continue to fascinate.

    **early life and influences**

    metsu was born in 1629, the son of jacques metsu, a tapestry worker and painter originally from hainault. this eclectic background likely influenced gabriel's early interest in diverse artistic techniques. the family's move to leiden, where metsu grew up, exposed him to various cultural influences.

    **artistic career**

    metsu's career was marked by an adherence to no single style or technique, earning him the title of "a highly eclectic artist." his work spanned history paintings, still lifes, portraits, and genre works. notably, only 14 of his 133 works are dated, leaving much to be discovered about his creative process.

    rembrandt van rijn's influence on metsu's early work is evident, particularly in his use of light and color.

    metsu's move to amsterdam in 1655 marked a significant shift in his style, with more emphasis on domestic interiors and genre scenes.

    his training of michiel van musscher and joost van geel reflects his commitment to the artistic community.

    **notable works and legacy**

    metsu's paintings often featured young women, market scenes, and old people, drawing from popular emblems. a notable example is the poultry seller, which showcases his use of symbolism. key works:

    the sick child (c. 1664), reflecting metsu's admiration for vermeer's work.

    portrait of the family hinlopen, a masterpiece that blends genre and portrait painting.

    **museums and collections**

    metsu's works can be found in various museums, including the rijksmuseum in amsterdam. for more information on his art and to explore other dutch golden age painters, visit /en/art/show/art-d3c627-en/ for a comprehensive overview. *conclusion:* gabriel metsu's life and art are a testament to the innovative spirit of the dutch golden age. his eclectic style, though sometimes enigmatic, has left an indelible mark on the world of art. as we continue to uncover more about his life and works, we are reminded of the profound impact he had on the development of western art.

    for a deeper understanding of the dutch golden age, refer to [https://en.wikipedia.org/wiki/dutch_golden_age_painting](https://en.wikipedia.org/wiki/dutch_golden_age_painting).

    explore more of metsu's works and those of his contemporaries at [https://AllPaintingsStore.com/@/gabriel-metsu](https://AllPaintingsStore.com/@/gabriel-metsu).

    **references:**

    the house of orange-nassau historic collection trust (the hague, netherlands), [https://AllPaintingsStore.com/@@/a@d3ccx5](https://AllPaintingsStore.com/@@/a@d3ccx5).

    van gogh museum (netherlands) - a haven for art lovers, [https://AllPaintingsStore.com/@@/a@d3c8x3](https://AllPaintingsStore.com/@@/a@d3c8x3).

    dutch golden age painting, [https://en.wikipedia.org/wiki/dutch_golden_age_painting](https://en.wikipedia.org/wiki/dutch_golden_age_painting).

    Museum

    Hermitage Museum

    On show in Saint Petersburg, Russia

    A Royal Legacy in Stone and Gold

    The Winter Palace rises along the Palace Embankment, a heavy presence of imperial power overlooking the Neva River. Its walls, shaped by Francesco Bartolomeo Rastrelli, hold the weight of the Romanov dynasty within gilded corridors and vast, sun-drenched halls. What began as a private sanctuary for Catherine the Great has expanded into a sprawling complex of interconnected structures. The Small Hermitage, the Old Hermitage, and the New Hermitage each offer a different architectural rhythm, from the commanding presence of the General Staff Building to the Greek Revival elegance designed by Leo von Klenze. Walking through these spaces, one feels the transition from a private courtly retreat to a massive repository of human achievement.

    The architecture itself tells a story of shifting ambitions. The Winter Palace, once the official residence of Russian emperors, provides a backdrop of immense scale and decorative intensity. Within its rooms, the light catches on polished marble and heavy drapery, mirroring the grandeur of the era. This is a place where history is etched into the very foundations, from the 18th-century origins of the Small Hermitage to the later additions that completed this monumental ensemble.

    The Weight of the Collection

    Inside these halls, the sheer volume of objects creates a dense landscape of visual information. The collection spans millennia, bringing together fragments of ancient civilizations with the heavy oils of the European masters. One might encounter the sharp, geometric forms of African masks or the shimmering gold of Scythian burial mounds, all existing alongside the profound psychological depth of Dutch portraiture. The presence of Rembrandt’s work, particularly his use of chiaroscuro to sculpt faces from shadow, provides a quiet, intense counterpoint to the more expansive landscapes found elsewhere in the galleries.

    The diversity of the holdings is immense, ranging from the delicate to the monumental:

    Ancient Egyptian antiquities and Greek pottery that trace early trade networks.

    Renaissance works by Raphael and Titian, where technical precision meets humanist ideals.

    The 17th-century Dutch Golden Age, featuring the meticulous light of Vermeer.

    Modernist expressions, such as the Fauvist color experiments of Henri Matisse in Woman in Green with a Century.

    A vast array of archaeological finds, including mammoth ivory carvings and Byzantine icons.

    Beyond the painted canvases, the museum houses an incredible breadth of material culture. There are thousands of pieces of porcelain, heavy weaponry from the Middle Ages, and a massive numismatic collection. Even the living history of the building is present in the colony of Hermitage cats that reside in the basement, a tradition dating back to 1745 when Empress Elizabeth ordered them to manage the palace's rodent population. Their presence adds a layer of lived reality to the surrounding splendor.

    Where to read more

    Find this online

    QR code linking to the download page for Breakfast

    originaluniqueart.com/en/art/download/gabriel-metsu-breakfast-8XZRE7-en/

    Cite this artwork

    MLA
    Metsu, Gabriel. Breakfast. 1660, Hermitage Museum. https://originaluniqueart.com/en/art/gabriel-metsu-breakfast-8XZRE7-en/
    APA
    Metsu, Gabriel (1660). Breakfast [Painting]. Hermitage Museum. https://originaluniqueart.com/en/art/gabriel-metsu-breakfast-8XZRE7-en/
    Chicago
    Gabriel Metsu. Breakfast. 1660. Hermitage Museum. https://originaluniqueart.com/en/art/gabriel-metsu-breakfast-8XZRE7-en/
    Harvard
    Metsu, Gabriel (1660) Breakfast. Hermitage Museum. Available at: https://originaluniqueart.com/en/art/gabriel-metsu-breakfast-8XZRE7-en/

    Look closely

    Breakfast — Gabriel Metsu

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: domestic scene, portraiture, breakfast meal. Do you agree? What would you add, or take away?
    4. Look back at A Musical Party (1659), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Baroque: Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Breakfast — Gabriel Metsu

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic style is ‘Breakfast’ primarily associated with?

      • A Renaissance
      • B Impressionism
      • C Baroque
    2. 2. The painting depicts a scene featuring what prominent element?

      • A A landscape vista
      • B An abstract geometric pattern
      • C A domestic interior
    3. 3. Which artist is considered to have heavily influenced Gabriel Metsu’s artistic approach?

      • A Jan Vermeer
      • B Leonardo da Vinci
      • C Michelangelo
    4. 4. What is the significance of the dog present in the painting?

      • A It symbolizes wealth and status.
      • B It represents companionship and domestic life.
      • C It serves as a decorative element.
    5. 5. Approximately when was ‘Breakfast’ created?

      • A 1495
      • B 1660
      • C 1789

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2B · 3A · 4B · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Is "Breakfast" by Gabriel Metsu among the sought-after Baroque artworks?

    "Breakfast" is recorded as recognized among the Baroque works in the catalog.

    How is the palette of "Breakfast" by Gabriel Metsu described?

    "Breakfast" by Gabriel Metsu uses an earthy color palette. The palette summarizes the work's overall color character.

    Is Gabriel Metsu, creator of "Breakfast", known under other names?

    Other names recorded for Gabriel Metsu, creator of "Breakfast", include Gabriël Metsu.