Paper

Student Artwork Guide

Jealousy

Name Class Date

Edvard Munch, Jealousy (1895). Public domain.

The facts

Artist
Edvard Munch originaluniqueart.com/en/artists/edvard-munch/
Artist’s dates
1863 – 1944
Painted
1895
Medium
Oil On Canvas
Original size
48 x 58 cm
Movement
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Period
19th Century
Notable_elements
Vibrant red dress of the central figure, Dreamlike quality and emotional intensity, Earthy tones contrasted with vibrant splashes of red
Style
Expressionist
Subject
Emotional interaction between three figures, symbolizing jealousy and passion

In context

Jealousy — Edvard Munch

How big is it?

The original measures 48 × 58 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930
  9. 1940

Row above: the year. Row below: the artist's age in that year.

Painted when the artist was 32. The artist lived to 81. 131 of the 410 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Edvard Munch (1863–1944) ▲ this work, 1895

First works: up to 1893 Main working years: 1893–1908 Late works: from 1908

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell.

Compare with

  • The Scream, 1893 originaluniqueart.com/en/art/edvard-munch-the-scream-8XXU48-en/
  • Melancholy, 1894 originaluniqueart.com/en/art/edvard-munch-melancholy-8XXU3N-en/
  • Madonna, 1894 originaluniqueart.com/en/art/edvard-munch-madonna-8YDETZ-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/edvard-munch-jealousy-8XXHWU-en/

Colours

Measured from the image

    Main colour

    Bronze #bd7a37

    Catalogued palette

    • #BD7A37
    • #212C1D
    • #821F0E
    • #D6CDD0
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Bronze
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Edvard Munch over the last twelve months — 87 countries in all.

    The ten leading countries

    1. 1 China 24.4%
    2. 2 Spain 14.4%
    3. 3 France 8.7%
    4. 4 United States of America 5.9%
    5. 5 Singapore 4.2%
    6. 6 Hong Kong 4.1%
    7. 7 Italy 3.6%
    8. 8 Brazil 3.2%
    9. 9 Japan 2.4%
    10. 10 Germany 1.8%
    11. · 77 other countries 27.3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Edvard Munch

    1. 1 The Scream, 1893 27.5%
    2. 2 Madonna, 1894 7.4%
    3. 3 Melancholy, 1894 6.1%
    4. 4 Near the bed of death (fever), 1915 1.9%
    5. 5 The Child and Death, 1899 1.8%
    6. 6 Ashes, 1894 1.1%
    7. 7 Kiss, 1897 1.1%
    8. 8 Girls on the Pier, 1904 1.0%
    9. 9 The Day After, 1895 0.9%
    10. 10 Christmas in the Brothel, 1905 0.9%
    11. 11 Jealousy, 1895 this painting 0.9%
    12. 12 The Girls on the Bridge, 1901 0.8%
    13. 13 Madonna, 1894 0.7%
    14. 14 The Dance of Life, 1899 0.7%
    15. 15 Self-Portrait, 1895 0.5%
    16. 16 Man and Woman I, 1905 0.5%
    17. 17 To the Forest, 1897 0.5%
    18. 18 Jealousy, 1907 0.5%
    19. 19 The Sick Child - painted version - 1926 0.5%
    20. 20 Cree (casein on cardboard) 2, 1893 0.5%

    Together these works take 55.8% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 629 works by this artist, of which 466 were looked at at least once. This painting ranks 11 of them, with 0.9% of that attention.

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Jealousy — Edvard Munch

    Explore Edvard Munch's "Jealousy": A Masterpiece of Expressionism

    Edvard Munch's "Jealousy" (1895) is a captivating work that embodies the essence of Expressionism. This hauntingly atmospheric painting invites viewers into a world of emotional depth and symbolic intrigue, making it a compelling addition to any art collection or sophisticated interior.

    Subject and Composition

    The artwork presents a dreamlike scene featuring three central figures arranged in a triangular formation. On the left, a dark-cloaked figure holds an umbrella or staff, while the center is dominated by a woman in a vibrant red dress with flowing hair. To the right, another figure with a beard and hooded cloak gazes intently at the viewer. The background includes trees with green foliage and red fruits, adding to the overall composition's richness.

    Style and Technique

    Munch's distinctive Expressionist style is evident in "Jealousy." The painting emphasizes emotional experience over physical reality, characterized by fluid, somewhat indistinct lines and loosely defined shapes. The use of expressive brushstrokes and a focus on color and form to convey emotion creates a sense of ambiguity and mystery. The rich texture and blending of colors suggest the use of oil paints, adding depth and vitality to the scene.

    Historical Context

    Created in 1895, "Jealousy" reflects Munch's preoccupation with psychological themes, influenced by his tumultuous childhood and the nihilist philosophy he encountered during his studies. This period marked the beginning of Munch's exploration of deeply-felt themes such as love, anxiety, jealousy, and betrayal, which would later become part of his renowned series "The Frieze of Life."

    Symbolism and Emotional Impact

    The vivid red dress of the central figure stands out against the more muted background, drawing the viewer's attention. The woman in red could symbolize passion or vitality, while the dark-cloaked figures might represent mystery or contemplation. The trees with red fruits add an element of nature and possibly fertility or temptation. The overall dreamlike quality and emotional intensity of the figures evoke a sense of unease and curiosity, inviting viewers to interpret the scene's meaning.

    Why Choose This Reproduction?

    "Jealousy" is a powerful and enigmatic piece that adds a touch of drama and sophistication to any space. Its rich color palette and expressive style make it an excellent choice for art lovers, collectors, and interior designers seeking to create a striking focal point. Whether displayed in a modern gallery setting or a cozy living room, this high-quality reproduction captures the essence of Munch's original work, bringing its emotional depth and symbolic richness into your home.

    Experience the timeless allure of Edvard Munch's "Jealousy" and elevate your space with a piece that sparks conversation and inspires contemplation.

    Artist and museum

    Artist

    Edvard Munch

    Born in Adelsbruk, Sweden

    A Life Shrouded in Shadow: The World of Edvard Munch

    Edvard Munch, born in 1863 amidst the stark landscapes of Norway, was an artist whose work became synonymous with the anxieties and emotional turmoil of the modern age. His life, deeply marked by loss and a pervasive sense of melancholy, served as the wellspring for his profoundly expressive art. From a childhood shadowed by the early deaths of his mother and sister – both claimed by tuberculosis – Munch developed a haunting preoccupation with mortality, sickness, and the fragility of human existence. These experiences weren’t merely biographical details; they became the very core of his artistic vision, fueling a relentless exploration of the inner landscape of fear, grief, and longing. His father's strict religious beliefs and own struggles with mental illness further contributed to a sense of dread that permeated Munch’s world, shaping not only his personal life but also the symbolic language of his paintings. He wasn’t simply depicting scenes; he was externalizing an internal state, translating psychological distress into visual form.

    The Genesis of Expression: Influences and Artistic Development

    Munch's artistic journey began with formal training at the Royal School of Art and Design in Kristiania (Oslo), but it was his encounter with the bohemian circles and the nihilist philosophy of Hans Jæger that truly ignited his creative fire. Jæger encouraged Munch to abandon conventional academic styles and instead delve into the depths of his own subjective experience, a concept he termed “soul painting.” This pivotal shift marked the beginning of Munch’s distinctive style – one characterized by raw emotion, distorted forms, and a rejection of naturalistic representation. His travels to Paris in the 1890s exposed him to the burgeoning Post-Impressionist movement, where he absorbed influences from artists like Paul Gauguin, Vincent van Gogh, and Henri de Toulouse-Lautrec. The bold use of color, expressive brushstrokes, and psychological intensity of these masters resonated deeply with Munch’s own artistic inclinations. He wasn't merely imitating their techniques; he was synthesizing them into something uniquely his own – a visual language capable of conveying the most profound and unsettling human emotions. His time in Berlin also proved crucial, bringing him into contact with playwright August Strindberg, whose exploration of psychological themes further fueled Munch’s artistic investigations.

    Iconic Visions: Major Works and Their Symbolic Weight

    Munch's oeuvre is populated by images that have become deeply ingrained in the collective consciousness. The Scream, perhaps his most iconic work, transcends its status as a painting to become a universal symbol of existential angst. The swirling, fiery landscape and the figure’s contorted face embody a primal scream against the indifference of the universe. Madonna, a controversial and deeply personal piece, explores themes of sexuality, motherhood, and mortality with unsettling frankness. Recurring motifs like The Sick Child – inspired by the loss of his sister Sophie – serve as poignant reminders of Munch’s childhood trauma and the ever-present specter of death. Melancholy I & II, powerful depictions of profound sadness and isolation, reveal a vulnerability that is both deeply personal and universally relatable. These works aren't simply representations of external reality; they are windows into the artist’s soul, offering viewers an unflinching glimpse into the darkest corners of the human psyche. Munch didn’t aim to create beautiful images; he sought to convey truth – even if that truth was painful and unsettling.

    A Lasting Legacy: Historical Significance and Enduring Influence

    Edvard Munch's contribution to modern art is immeasurable. He stands as a pivotal figure in the development of Expressionism, paving the way for artists who prioritized subjective emotion over objective representation. His unflinching exploration of universal human experiences – love, loss, anxiety, and death – continues to resonate with audiences today, solidifying his place as one of the most influential and enduring figures in art history. His work profoundly impacted subsequent generations of artists, influencing movements like German Expressionism and beyond. He dared to confront the darker aspects of the human condition, challenging conventional notions of beauty and artistic representation. Even after achieving fame and recognition – culminating in the establishment of the Munch Museum in Oslo – his personal life remained turbulent, marked by periods of mental instability and isolation. Yet, through it all, he continued to create, leaving behind a body of work that continues to provoke, challenge, and inspire. Munch’s legacy isn't just about the paintings themselves; it’s about the courage to confront the complexities of human existence and to translate those experiences into art that speaks to the deepest parts of our being.

    Where to read more

    Find this online

    QR code linking to the download page for Jealousy

    originaluniqueart.com/en/art/download/edvard-munch-jealousy-8XXHWU-en/

    Cite this artwork

    MLA
    Munch, Edvard. Jealousy. 1895, https://originaluniqueart.com/en/art/edvard-munch-jealousy-8XXHWU-en/
    APA
    Munch, Edvard (1895). Jealousy [Painting]. https://originaluniqueart.com/en/art/edvard-munch-jealousy-8XXHWU-en/
    Chicago
    Edvard Munch. Jealousy. 1895. https://originaluniqueart.com/en/art/edvard-munch-jealousy-8XXHWU-en/
    Harvard
    Munch, Edvard (1895) Jealousy. Available at: https://originaluniqueart.com/en/art/edvard-munch-jealousy-8XXHWU-en/

    Look closely

    Jealousy — Edvard Munch

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 2 — do you agree?)
    4. Our catalogue files this work under: jealousy, anxiety, emotion. Do you agree? What would you add, or take away?
    5. Look back at The Scream (1893), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Jealousy — Edvard Munch

    How well do you know this artwork?

    Tick one answer for each of the 4 questions below. Each has exactly one correct answer.

    1. 1. Who is the artist of the painting 'Jealousy'?

      • A Vincent van Gogh
      • B Edvard Munch
      • C Paul Gauguin
    2. 2. In which year was 'Jealousy' created?

      • A 1890
      • B 1895
      • C 1900
    3. 3. Which art movement does 'Jealousy' belong to?

      • A Impressionism
      • B Expressionism
      • C Cubism
    4. 4. What is the dominant color in the central figure's dress in 'Jealousy'?

      • A Blue
      • B Green
      • C Red

    My score: ____ out of 4

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2B · 3B · 4C

    Questions & Answers

    At what age did Edvard Munch make "Jealousy"?

    When "Jealousy" was created in 1895, Edvard Munch - born in 1863 - was 32 years old.

    Which artist and which style stand behind "Jealousy"?

    Edvard Munch created "Jealousy" within the Expressionism movement.

    What luminance does "Jealousy" by Edvard Munch have?

    The colors of "Jealousy" show a dark luminance.

    Is "Jealousy" by Edvard Munch a portrait, landscape or square composition?

    "Jealousy" by Edvard Munch has a landscape format. The format describes the proportions of the composition.

    Who is the artist behind "Jealousy"?

    "Jealousy" was created by Edvard Munch. The information on this page describes Edvard Munch's original work.

    When was "Jealousy" made?

    "Jealousy" by Edvard Munch was created in 1895.

    Who is "Jealousy" suggested for as a present, and for what use?

    The gift recommendation for "Jealousy" by Edvard Munch combines anniversary with statement.