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Student Artwork Guide

The Funeral

Name Class Date

Édouard Manet, The Funeral (1867), Metropolitan Museum of Art. Public domain.

The facts

Artist
Édouard Manet originaluniqueart.com/en/artists/edouard-manet/
Artist’s dates
1832 – 1883
Painted
1867
Medium
Acrylic On Canvas
Original size
73 x 91 cm
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Held at
Metropolitan Museum of Art originaluniqueart.com/en/museums/metropolitan-museum-of-art-new-york/
Artistic style
Modernist
Influences
Titian
Notable elements or techniques
Panoramic cityscape, stormy sky
Subject or theme
Funeral procession

In context

The Funeral — Édouard Manet

How big is it?

The original measures 73 × 91 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880

Shaded: the lifetime of Édouard Manet (1832–1883) ▲ this work, 1867

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/edouard-manet-the-funeral-D2XEVM-en/

Colours

Measured from the image

    Main colour

    Gray #7d847e

    Catalogued palette

    • #7D847E
    • #223731
    • #525C49
    • #ADB1AD
    Main colour name
    Gray
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    The Funeral — Édouard Manet

    The Funeral: A Moment Frozen in Impressionistic Light

    Édouard Manet’s “The Funeral,” completed in 1867, stands as a poignant emblem of the burgeoning Impressionist movement and its rejection of academic conventions. More than just a depiction of a somber occasion—the funeral of writer Charles Baudelaire—it's an ambitious exploration of space, light, and emotion that cemented Manet’s position as one of the pioneers of modern art.

    Subject Matter: The painting portrays a funeral procession winding its way through Mouffetard Street in Paris. At the center is a hearse carrying Baudelaire's coffin, accompanied by mourners – primarily men – who are largely absent from the scene. This deliberate omission underscores Manet’s fascination with capturing fleeting moments and psychological states rather than idealized representations.

    Style & Technique: Unlike the meticulous detail favored by Realist painters like Gustave Courbet, Manet employs loose brushstrokes and muted colors characteristic of Impressionism. He abandons traditional chiaroscuro—the dramatic interplay of light and shadow—opting instead for diffused illumination that softens the contours of figures and buildings. This technique prioritizes capturing the atmosphere of the day – a stormy September afternoon – over precise topographical accuracy.

    A Landscape Steeped in Symbolism

    Beyond its immediate subject, “The Funeral” is rich in symbolic references. The elevated cityscape—featuring landmarks such as Notre Dame Cathedral, the Panthéon, and the Observatoire de Paris—represents intellectual and spiritual grandeur juxtaposed against the earthly reality of grief. Notably, Manet deliberately brought the domes of the Observatoire and Notre Dame closer together, a compositional decision that subtly elevates the visual importance of faith and contemplation.

    Composition: The diagonal thrust of the hearse dominates the canvas, guiding the viewer’s gaze across the scene. The distant buildings serve as anchors for perspective, creating depth and reinforcing the sense of space. However, Manet eschews traditional linear perspective, favoring a flattened horizon line that contributes to the painting's overall feeling of immediacy.

    Color Palette: Dominant hues are muted browns, grays, and blues—reflecting the gloomy weather conditions. Yet, flashes of warmer tones – particularly in the sky – hint at an underlying tension between sorrow and resilience. These subtle color choices heighten the emotional impact of the scene.

    Historical Context & Artistic Influence

    "The Funeral" was conceived as a memorial to Baudelaire, whose death profoundly affected Manet’s artistic sensibilities. The painting reflects the anxieties and uncertainties of the era—the decline of aristocratic values, the rise of materialism, and the questioning of established norms.

    Realist Roots: Despite its Impressionistic style, “The Funeral” retains traces of Realism’s commitment to portraying everyday life with unflinching honesty. Manet meticulously rendered the textures of clothing and pavement, demonstrating his mastery of observation and technique.

    Legacy: This artwork undeniably propelled Manet into the forefront of artistic innovation. His bold experimentation with light, color, and composition paved the way for subsequent Impressionist painters like Monet and Renoir, establishing a new aesthetic standard that continues to inspire artists today. It’s considered a cornerstone in the evolution from Realism to Impressionism.

    A reproduction of “The Funeral” offers an exceptional opportunity to experience Manet's groundbreaking vision—a testament to his ability to transform a simple funeral procession into a profound meditation on life, death, and the passage of time.

    Artist and museum

    Artist

    Édouard Manet

    Born in Paris, France

    A Parisian Rebel: The Life and Art of Édouard Manet

    Édouard Manet, born in 1832 into a comfortable bourgeois family in Paris, was hardly destined for the life of a revolutionary artist. His father, a respected judge, envisioned a secure future for his son in law or perhaps naval service – respectable professions befitting their social standing. Yet, even as a young boy, Manet’s heart belonged to art. At eleven, he began formal drawing lessons, and though briefly apprenticed to the academic painter Thomas Couture, he quickly found Couture's rigid methods stifling. This early resistance foreshadowed a lifetime spent challenging artistic conventions. Manet wasn’t interested in simply replicating the past; he sought to capture the vibrancy – and sometimes the unsettling realities – of modern Parisian life. He frequented the Louvre, not merely to copy Old Masters, but to dissect their techniques, learning from artists like Caravaggio and Velázquez how light and shadow could sculpt form and evoke emotion. However, it was a shift in artistic currents, particularly the rise of Realism championed by Gustave Courbet, that truly ignited Manet’s creative path. Courbet's insistence on depicting everyday life without idealization resonated deeply with Manet, freeing him from the constraints of historical or mythological subjects.

    Breaking with Tradition: Scandal and Innovation

    The 1860s marked a period of intense artistic ferment in Paris, and Manet found himself at the epicenter of it all. The arrival of Japanese prints – ukiyo-e – profoundly impacted his aesthetic sensibilities. He was captivated by their flattened perspectives, bold compositions, and striking use of color, elements that would become hallmarks of his own style. This influence, combined with his growing rejection of academic polish, led to works that shocked and scandalized the Parisian art world. Le Déjeuner sur l'herbe (The Luncheon on the Grass), exhibited at the Salon des Refusés in 1863 – an exhibition for works rejected by the official Salon – became a lightning rod for controversy. The painting, depicting a nude woman casually picnicking with two fully clothed men, wasn’t simply about nudity; it was about how that nudity was presented. Manet's figures lacked the idealized forms and mythological context of traditional nudes. They were undeniably modern, confronting the viewer with an unsettling directness. The scandal surrounding Le Déjeuner only intensified with his 1865 masterpiece, Olympia. This painting, a deliberate reimagining of Titian’s Venus of Urbino, presented a contemporary prostitute staring boldly out at the viewer. The unflinching realism and provocative subject matter were met with widespread condemnation. Critics accused Manet of vulgarity and artistic incompetence, but beneath the outrage lay a recognition that he was fundamentally altering the language of painting.

    A Bridge to Impressionism: Light, Brushwork, and Modern Life

    While Manet never fully embraced the label “Impressionist,” his influence on the movement was undeniable. He shared their rejection of academic conventions and their commitment to capturing the fleeting effects of light and atmosphere. He exhibited alongside Monet, Renoir, Degas, and others at the Impressionists’ independent exhibitions, solidifying his position as a key figure in the avant-garde. Manet's technique evolved towards a looser brushstroke, prioritizing the impression of form over precise detail. He experimented with color, often using stark contrasts to create dramatic effects. Beyond the scandalous nudes, Manet explored a wide range of subjects: portraits – including striking depictions of his wife Suzanne and fellow artist Émile Zola; scenes of Parisian nightlife, such as A Bar at the Folies-Bergère, which masterfully captures the alienation and spectacle of modern urban life; and intimate domestic scenes. He wasn’t merely documenting these subjects; he was interrogating them, questioning societal norms and challenging conventional notions of beauty.

    Legacy and Lasting Impact

    Édouard Manet's untimely death in 1883 from syphilis cut short a career that had already irrevocably changed the course of art history. Though his reputation grew significantly after his passing, his impact was immediately felt by younger artists who recognized him as a liberator. He broke down barriers, challenging traditional notions of subject matter, technique, and artistic purpose.

    His emphasis on capturing modern life paved the way for Impressionism and Post-Impressionism.

    His innovative use of brushwork and color influenced generations of painters.

    His willingness to confront uncomfortable truths about society forced viewers to question their own assumptions.

    Manet’s paintings continue to resonate today, not only for their aesthetic beauty but also for their enduring relevance. He remains a pivotal figure in the transition from Realism to Impressionism and is rightfully celebrated as one of the founding fathers of modern art – a Parisian rebel who dared to paint the world as he saw it, with all its complexities and contradictions. His work serves as a powerful reminder that true artistic innovation often comes at the cost of challenging established norms and embracing the uncomfortable truths of our time.

    Museum

    Metropolitan Museum of Art

    On show in new york, United States of America

    A Legacy Etched in Stone and Light: Exploring The Metropolitan Museum of Art

    The Metropolitan Museum of Art isn’t merely a repository of beautiful objects; it's a sprawling narrative of human creativity, a testament to our enduring impulse to shape, interpret, and express the world around us. Founded in 1870 by a group of visionary New Yorkers who believed art should be universally accessible—a radical notion at the time—The Met now stands as one of the largest and most comprehensive museums globally. Its Fifth Avenue façade beckons visitors into a realm spanning five millennia and countless cultures, offering an unparalleled journey through time where echoes of ancient civilizations resonate alongside the bold innovations of modern masters.

    A Monument to Grandeur: Architecture and Atmosphere

    To truly appreciate The Met is to understand its physical presence as integral to its identity. The primary building itself—a magnificent embodiment of Beaux-Arts style completed between 1902 and 1914—exudes an air of classical grandeur. Colossal columns frame the entrance, inviting visitors into soaring galleries bathed in natural light; a fitting stage for the masterpieces within. This monumental structure, deliberately designed as a homage to European palaces, speaks to the ambition and vision of its architects, creating a space that feels both imposing and welcoming. Yet, The Met’s architectural narrative doesn't end there. The juxtaposition with The Cloisters, a remarkable sanctuary located uptown in Fort Tryon Park, reveals the museum’s core mission: to present art within a context that enhances its meaning. While Fifth Avenue embodies scale and universality, The Cloisters offers an intimate serenity, transporting visitors to medieval Europe through reconstructed chapels and gardens—a deliberate contrast reflecting a profound understanding of how environment shapes perception and fosters deeper engagement with artistic expression.

    Echoes Through Time: Treasures Across Cultures

    Within the hallowed halls of The Met, one can almost feel the weight of centuries past. Ancient Echoes resonate powerfully; visitors are captivated by the imposing Assyrian reliefs, depicting scenes of royal power and divine ritual—intricate narratives carved into stone that transport us to a world of emperors and gods. These monumental panels, often adorned with vibrant colors remarkably preserved over millennia, offer a glimpse into the complex political and religious beliefs of ancient civilizations. Equally compelling are the Greek sculptures, embodying idealized form and proportion, offering timeless representations of beauty and human potential. The Parthenon Marbles, for example, stand as enduring symbols of classical artistry and democratic ideals.

    But The Met’s treasures extend far beyond the Western canon. Remarkable collections of Asian art—including exquisite Chinese ceramics, each piece a testament to centuries of craftsmanship, and intricate Japanese screens, meticulously painted with scenes of nature and mythology—sit alongside significant holdings in African, Oceanic, and American art. Consider, for instance, the delicate brushstrokes of a Ming dynasty vase, the vibrant colors of a Navajo textile, or the powerful symbolism embedded within an ancient Egyptian amulet—each a glimpse into the vast richness of human creativity across continents and time.

    Moments of Artistic Resonance: From Manet to Rembrandt and Beyond

    Throughout its history, The Met has hosted groundbreaking exhibitions that have reshaped our understanding of art history and culture. A visit wouldn’t be complete without experiencing Édouard Manet’s Boating, capturing leisure on the Seine with its serene Impressionist style—a pivotal work in the transition from realism to modernism. The painting, a vibrant depiction of Parisian life, invites viewers to contemplate the changing social landscape of the 19th century through its masterful use of light and color. Or contemplating Rembrandt's self-portrait from 1660, a poignant exploration of chiaroscuro revealing the artist’s introspection during a challenging period. The painting’s dramatic use of light and shadow creates a sense of psychological depth, inviting viewers to contemplate the complexities of human experience.

    Preserving Heritage, Embracing Innovation

    Recognizing the importance of accessibility, The Met has embraced innovative technologies to enhance the visitor experience – offering virtual tours, interactive mobile apps, and engaging educational programs. Initiatives like “Met Moments” foster a sense of community among art lovers worldwide, encouraging dialogue and shared interpretation. Furthermore, dedicated conservation laboratories safeguard artworks across its collection, ensuring their preservation for future generations. The museum’s commitment to both preserving the past and engaging with the present ensures that The Met will continue to be a vital center for artistic exploration and appreciation for centuries to come—a timeless sanctuary where creativity transcends boundaries and inspires awe.

    Where to read more

    Find this online

    QR code linking to the download page for The Funeral

    originaluniqueart.com/en/art/download/edouard-manet-the-funeral-D2XEVM-en/

    Cite this artwork

    MLA
    Manet, Édouard. The Funeral. 1867, Metropolitan Museum of Art. https://originaluniqueart.com/en/art/edouard-manet-the-funeral-D2XEVM-en/
    APA
    Manet, Édouard (1867). The Funeral [Painting]. Metropolitan Museum of Art. https://originaluniqueart.com/en/art/edouard-manet-the-funeral-D2XEVM-en/
    Chicago
    Édouard Manet. The Funeral. 1867. Metropolitan Museum of Art. https://originaluniqueart.com/en/art/edouard-manet-the-funeral-D2XEVM-en/
    Harvard
    Manet, Édouard (1867) The Funeral. Metropolitan Museum of Art. Available at: https://originaluniqueart.com/en/art/edouard-manet-the-funeral-D2XEVM-en/

    Look closely

    The Funeral — Édouard Manet

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: parisian landscape, funeral ceremony, modern life. Do you agree? What would you add, or take away?
    4. Look back at Olympia (1863), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    The Funeral — Édouard Manet

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary subject matter depicted in Édouard Manet’s ‘The Funeral’?

      • A A depiction of a royal wedding ceremony.
      • B A portrait of a prominent philosopher.
      • C A scene commemorating the funeral of Charles Baudelaire.
    2. 2. Which Parisian landmarks are prominently featured in the background of ‘The Funeral’, contributing to its compositional arrangement?

      • A The Eiffel Tower and Notre Dame Cathedral.
      • B The Louvre Museum and Montmartre Hill.
      • C The Observatoire de Paris, Église Notre-Dame du Val-de-Grâce, Panthéon.
    3. 3. What artistic movement is ‘The Funeral’ considered to be a pivotal piece of?

      • A Renaissance Art.
      • B Cubism.
      • C Impressionism.
    4. 4. According to the description, what was the weather like on September 2nd, 1867 – the day of Charles Baudelaire’s funeral?

      • A Sunny and warm.
      • B Rainy and overcast.
      • C Snowy.
    5. 5. How did Manet enhance the composition of ‘The Funeral’?

      • A He enlarged the canvas to showcase greater detail.
      • B He moved the Observatoire de Paris closer to Église Notre-Dame du Val-de-Grâce.
      • C He replaced the original palette with brighter colors.

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2C · 3C · 4B · 5B