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Student Artwork Guide

Study for 'Pilchards'

Name Class Date

Charles Napier Hemy, Study for 'Pilchards' (1897), Laing Art Gallery. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Charles Napier Hemy originaluniqueart.com/en/artists/charles-napier-hemy/
Artist’s dates
1841 – 1917
Painted
1897
Medium
Oil
Original size
34 x 47 cm
Period
19th Century
Held at
Laing Art Gallery originaluniqueart.com/en/museums/laing-art-gallery-newcastle-upon-tyne/

In context

Study for 'Pilchards' — Charles Napier Hemy

How big is it?

The original measures 34 × 47 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 76 at death.

Painted when the artist was 56. The artist lived to 76. 29 of the 48 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Charles Napier Hemy (1841–1917) ▲ this work, 1897 every dated painting, decade by decade

First works: up to 1876 Main working years: 1876–1901 Late works: from 1901

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/charles-napier-hemy-study-for-pilchards-AQRV7C-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #9f9e82

    Catalogued palette

    • #9F9E82
    • #463F2D
    • #786C52
    • #C4C7AE

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Charles Napier Hemy over the last twelve months — 6 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 78.6%
    2. 2 United States of America 7.1%
    3. 3 United Kingdom 3.6%
    4. 4 Italy 3.6%
    5. 5 Malaysia 3.6%
    6. 6 Norway 3.6%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Charles Napier Hemy

    1. 1 London River, the Limehouse Barge Builders, 1877 10.3%
    2. 2 Under the Walls of Maestricht Arrival of a Canal Boat, 1869 6.9%
    3. 3 The Wreckage, 1901 6.9%
    4. 4 Homeward Bound 6.9%
    5. 5 Study for 'Pilchards', 1897 this painting 3.4%
    6. 6 Limehouse Hole, 1910 3.4%
    7. 7 A Plymouth Hooker, 1910 3.4%
    8. 8 Plymouth, Devon, 1909 3.4%
    9. 9 Lost, 1897 3.4%
    10. 10 Dartmouth, Devon, 1890 3.4%
    11. 11 Grey Venice, 1885 3.4%
    12. 12 Saved, 1880 3.4%
    13. 13 AD 1915, 1916 3.4%
    14. 14 The Last Boat In, 1878 3.4%
    15. 15 Redbridge, Southampton, 1890 3.4%
    16. 16 Fishermen Landing Catch on the Shore 3.4%
    17. 17 Felled Timber, 1875 3.4%
    18. 18 St Ives Harbour, Cornwall 3.4%
    19. 19 'The Bob Newbon' Lifeboat 3.4%
    20. 20 Evening Grey, 1866 3.4%

    Together these works take 85.4% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 87 works by this artist, of which 24 were looked at at least once. This painting ranks 5 of them, with 3.4% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Study for 'Pilchards' — Charles Napier Hemy

    The Laing Art Gallery in Newcastle Upon Tyne, United Kingdom, is home to a stunning oil painting titled Study for 'Pilchards' by the renowned English artist Charles Napier Hemy. Created in 1897, this artwork measures 34 x 47 cm and showcases Hemy's exceptional skill in capturing the essence of everyday life.

    The Artist and His Work

    Charles Napier Hemy was a prominent figure in the Newlyn School, a group of artists known for their realistic depictions of rural life. Born in Newcastle upon Tyne in 1841, Hemy studied at the Government School of Design and later under Jan August Hendrik Leys in Antwerp. His works often featured maritime themes, reflecting his fascination with the sea.

    The Painting: A Glimpse into the Past

    The Study for 'Pilchards' painting presents a captivating scene of a fishing boat in the ocean, complete with a net and several people engaged in their tasks. The old, rusted boat exudes a sense of history, while the bird flying above adds a touch of life to the scene. This artwork is not only a testament to Hemy's artistic prowess but also a window into the past, offering a glimpse into the lives of people who relied on fishing as a primary source of livelihood.

    Other notable works by Charles Napier Hemy include Seascape with a Tug and Through Sea and Air, both available for viewing at the Laing Art Gallery.

    For those interested in exploring more of Hemy's artwork, visit /art/list/?Filter=Charles-Napier-Hemy to discover a range of his paintings.

    The Laing Art Gallery is also home to works by other notable artists, such as William Henry Charlton and Flora Macdonald Reid, whose paintings can be found at /art/list/?Filter=william+henry+charlton,william,henry,charlton& and /art/list/?Filter=flora+macdonald+reid,flora,macdonald,reid&, respectively.

    Handmade oil painting reproductions of Study for 'Pilchards' and other works by Charles Napier Hemy can be found at https://AllPaintingsStore.com, allowing art enthusiasts to own a piece of history.

    The Study for 'Pilchards' painting is a remarkable example of Hemy's skill in capturing the essence of everyday life, and its significance extends beyond its aesthetic value. As a representation of a bygone era, it serves as a reminder of the importance of preserving our cultural heritage.

    Artist and museum

    Artist

    Charles Napier Hemy

    Born in Newcastle upon Tyne, United Kingdom

    The Master of the Maritime Soul

    Charles Napier Hemy (1841–1917) stands as a pivotal figure in British maritime art, embodying the spirit of romantic realism that dominated the late Victorian era. Born in Newcastle upon Tyne, England, he possessed an unwavering fascination for the ocean and its dramatic landscapes—a passion that fueled his prolific artistic output and cemented his legacy as one of the foremost painters capturing the essence of naval life during a transformative period. His work serves as a window into a bygone era, where the sea was not merely a setting but a living, breathing protagonist in the story of human exploration and industry.

    Hemy’s formative years were marked by rigorous academic training that provided the foundation for his later mastery. He enrolled at the Newcastle School of Design, honing essential skills in draughtsmanship and composition—disciplines that would prove invaluable throughout his long career. Seeking to broaden his artistic horizons beyond the British Isles, he pursued advanced studies at Baron Kays’ Studio in Antwerp. This immersion in the Belgian school allowed him to explore Impressionistic techniques and innovative approaches to portraying light and atmosphere. This exposure profoundly influenced his stylistic sensibilities, enabling him to blend a sense of Romantic idealism with the meticulous attention to detail characteristic of Realism.

    A Canvas of Waves and Wind

    The heart of Hemy's oeuvre lies in his profound connection to maritime subjects, ranging from bustling harbor scenes to the solitary majesty of sailing vessels. His artistic focus centered squarely on coastal landscapes and depictions of clipper ships, reflecting the burgeoning British naval empire and the adventurous spirit of the 19th century. His canvases pulsated with vibrant colors, skillfully rendered to convey the dynamism of sea weather and the grandeur of maritime architecture. Whether capturing the heavy, industrial atmosphere of a port or the serene beauty of a coastal morning, Hemy possessed a unique ability to evoke powerful emotions through visual storytelling.

    His technical versatility is evident across various mediums and subjects:

    Blackwall, London (1872): A stunning oil painting that utilizes chiaroscuro techniques to depict a bustling harbor scene, showcasing his ability to manage complex light and shadow.

    Study of a Boat (1901): A delicate watercolor masterpiece that captures serene coastal beauty, demonstrating his skill in rendering tranquil maritime life with lightness and grace.

    Trawling: An exploration of the more rugged, industrious side of sea life, highlighting the grit and reality of maritime labor.

    Legacy and Historical Significance

    Hemy's paintings are far more than mere representations of ships and tides; they are imbued with deep symbolism, serving as a testament to Britain’s maritime prowess and its historical exploration of distant lands. Notable works such as “Seascape with a Tug” and “Through Sea and Air,” housed in prestigious institutions like Newcastle’s Laing Art Gallery, exemplify his command over the medium. Through his brush, the viewer experiences the tension between the calm of the shore and the untamed power of the deep.

    The historical significance of Charles Napier Hemy lies in his ability to document a period of immense transition. As the world moved from the age of sail toward more modern naval technologies, Hemy captured the twilight of the romantic era of seafaring. His legacy persists in the way he bridged the gap between traditional academic realism and the atmospheric innovations of the late 19th century, ensuring that the spirit of the Victorian maritime world remains eternally preserved in oil and watercolor.

    Museum

    Laing Art Gallery

    On show in Newcastle upon Tyne, United Kingdom

    Laing Art Gallery: A Beacon of British Artistic Heritage in Newcastle Upon Tyne

    Nestled on New Bridge Street West, Newcastle upon Tyne, the Laing Art Gallery stands as a testament to Victorian philanthropy and a remarkable repository of British art spanning centuries. Established in 1904 by Alexander Laing—a local wine merchant whose generosity ensured its enduring legacy—the gallery welcomes visitors free of charge (excluding special exhibitions), fostering accessibility and enriching Newcastle’s cultural landscape.

    Location:

    Newcastle upon Tyne, Northumberland and West Lothian

    Address:

    Laing Art Gallery, New Bridge Street, Newcastle upon Tyne, NE1 8AG

    Website:

    https://en.wikipedia.org/wiki/Laing_Art_Gallery

    The gallery’s mission is to champion British art from the 18th and 19th centuries, alongside showcasing contemporary works and celebrating local artistic talent. Its curators meticulously curate exhibitions that illuminate diverse artistic movements and perspectives, offering visitors a stimulating journey through visual culture.

    A Collection That Captures Emotion and Vision

    Paintings:

    The Laing’s collection is anchored by masterpieces from luminaries like J.M.W. Turner—whose dramatic landscapes convey sublime beauty—Edward Burne-Jones—renowned for his opulent Symbolist fantasies—and John Martin—a pioneer of Romantic horror whose monumental canvases evoke visceral emotion. Notably, “The Destruction of Sodom and Gomorrah” by Martin remains a haunting depiction of biblical catastrophe, while Burne-Jones’ “Laus Veneris” embodies ethereal grace and mythological grandeur.

    Watercolours & Drawings:

    Complementing the paintings are exquisite watercolours and drawings by Turner and John Sell Cotman—artists who skillfully captured atmospheric conditions and rendered intricate detail. These works exemplify the artistic techniques prevalent during their time, revealing a profound understanding of light and colour.

    Decorative Arts:

    Beyond visual art, the gallery’s holdings encompass decorative historical objects that reflect Newcastle's rich craft traditions. Admire Newcastle silver—a symbol of civic pride—the delicately enamelled glasses crafted by William Beilby—demonstrating Victorian craftsmanship—and ceramics produced by Maling pottery—celebrated for their vibrant glaze colours and artistic designs.

    Architectural Elegance: Baroque Roots, Art Nouveau Flair

    Designed in the Baroque style with subtle Art Nouveau influences by architects Cackett & Burns Dick, the Laing Art Gallery is a Grade II listed building—a tangible reminder of Newcastle’s Victorian grandeur. Its soaring ceilings and ornate detailing evoke the opulent aesthetic of European palaces, while delicate floral motifs subtly intertwine with classical proportions.

    More Than Just Art: Engagement and Inspiration

    What distinguishes Laing Art Gallery is its unwavering commitment to fostering artistic appreciation and community engagement. Regularly rotating exhibitions present groundbreaking artworks alongside established classics—inspiring dialogue and broadening perspectives. Furthermore, the gallery hosts free events—including insightful gallery talks, engaging family activities—and stimulating artist-led workshops—creating a vibrant space for learning and creativity.

    Exploring Further

    Notable Exhibitions:

    Recent exhibitions have explored themes of British identity, artistic innovation, and the role of art in shaping cultural narratives.

    Community Partnerships:

    Collaborations with local schools and organizations enrich educational programs and promote artistic outreach within Newcastle upon Tyne.

    A visit to Laing Art Gallery is an immersive experience—a chance to connect with British artistic heritage, discover inspiring artworks, and celebrate the enduring power of creativity.

    Where to read more

    Find this online

    QR code linking to the download page for Study for 'Pilchards'

    originaluniqueart.com/en/art/download/charles-napier-hemy-study-for-pilchards-AQRV7C-en/

    Cite this artwork

    MLA
    Hemy, Charles Napier. Study for 'Pilchards'. 1897, Laing Art Gallery. https://originaluniqueart.com/en/art/charles-napier-hemy-study-for-pilchards-AQRV7C-en/
    APA
    Hemy, Charles Napier (1897). Study for 'Pilchards' [Painting]. Laing Art Gallery. https://originaluniqueart.com/en/art/charles-napier-hemy-study-for-pilchards-AQRV7C-en/
    Chicago
    Charles Napier Hemy. Study for 'Pilchards'. 1897. Laing Art Gallery. https://originaluniqueart.com/en/art/charles-napier-hemy-study-for-pilchards-AQRV7C-en/
    Harvard
    Hemy, Charles Napier (1897) Study for 'Pilchards'. Laing Art Gallery. Available at: https://originaluniqueart.com/en/art/charles-napier-hemy-study-for-pilchards-AQRV7C-en/

    Look closely

    Study for 'Pilchards' — Charles Napier Hemy

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: study. Do you agree? What would you add, or take away?
    4. Look back at Under the Walls of Maestricht Arrival of a Canal Boat (1869), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Charles Napier Hemy was about 56 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What explains the copyright situation of "Study for 'Pilchards'" by Charles Napier Hemy?

    "Study for 'Pilchards'" by Charles Napier Hemy is in the public domain - its copyright has expired. Copyright terms are measured from the artist's death, and Charles Napier Hemy died in 1917.

    Is "Study for 'Pilchards'" by Charles Napier Hemy a light or a dark artwork?

    "Study for 'Pilchards'" by Charles Napier Hemy is recorded as bright, with a gentle luminance luminance.

    What size and orientation are recommended for a print of "Study for 'Pilchards'" by Charles Napier Hemy?

    For "Study for 'Pilchards'", the recommended print setup is a small size and a landscape orientation.