Paper

Student Artwork Guide

Haying at Mezy

Name Class Date

Berthe Morisot, Haying at Mezy (1891). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Berthe Morisot originaluniqueart.com/en/artists/berthe-morisot/
Artist’s dates
1841 – 1895
Painted
1891
Medium
Oil On Canvas
Original size
50 x 61 cm
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Period
19th Century
Artistic style
Impressionist
Influences
French Rococo painters
Notable elements or techniques
Soft brushstrokes, Vivid colors
Subject or theme
Rural life, haying scene

In context

Haying at Mezy — Berthe Morisot

How big is it?

The original measures 50 × 61 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 54 at death.

Painted when the artist was 50. The artist lived to 54. 190 of the 241 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Berthe Morisot (1841–1895) ▲ this work, 1891 every dated painting, decade by decade

First works: up to 1879 Main working years: 1879–1889 Late works: from 1889

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/berthe-morisot-haying-at-mezy-8EWCSD-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #98b288

    Catalogued palette

    • #98B288
    • #CDD99D
    • #345F5B
    • #5E8C85

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Berthe Morisot over the last twelve months — 32 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 57.8%
    2. 2 Japan 7.3%
    3. 3 United States of America 5.9%
    4. 4 Singapore 4.7%
    5. 5 Spain 3.5%
    6. 6 Hong Kong 3.5%
    7. 7 France 3.3%
    8. 8 Germany 2.6%
    9. 9 Italy 2.3%
    10. 10 Brazil 1.4%
    11. · 22 other countries 7.7%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Berthe Morisot

    1. 1 Study, The Water's Edge, 1864 2.9%
    2. 2 The Cradle, 1872 2.6%
    3. 3 The Hydrangea, 1894 2.4%
    4. 4 Psyche, 1876 2.3%
    5. 5 A Corner of the Rose Garden, 1885 2.1%
    6. 6 The Garden at Bougival, 1884 2.1%
    7. 7 The Quay at Bougival, 1883 1.9%
    8. 8 In the Garden at Maurecourt, 1884 1.6%
    9. 9 In the Dining Room, 1875 1.6%
    10. 10 Girl in a Boat, with Geese, 1889 1.6%
    11. 11 Girl with Cat, 1892 1.6%
    12. 12 Cottage Interior (also known as Interior at Jersey), 1886 1.6%
    13. 13 A Summer's Day, 1879 1.5%
    14. 14 The Harbor at Lorient, 1869 1.5%
    15. 15 Paule Gobillard Painting, 1886 1.3%
    16. 16 Young Woman Dressed for the Ball, 1879 1.3%
    17. 17 Summer (also known as Young Woman by a Window), 1878 1.3%
    18. 18 Daisies, 1885 1.3%
    19. 19 Hide and Seek, 1873 1.3%
    20. 89 Haying at Mezy, 1891 this painting 0.3%

    Together these works take 34.1% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 331 works by this artist, of which 218 were looked at at least once. This painting ranks 89 of them, with 0.3% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Haying at Mezy — Berthe Morisot

    Haying at Mezy: A Glimpse of Rural Tranquility

    Berthe Morisot's "Haying at Mezy," painted in 1891, is a captivating example of Impressionist art that transports viewers to the serene landscapes of rural France. This oil on canvas masterpiece (50 x 61 cm) showcases Morisot’s exceptional ability to capture fleeting moments and evoke a sense of peacefulness through her masterful use of color and light.

    Composition and Technique

    The painting depicts a scene in a sun-drenched field, where a woman is engaged in the task of haying. She's dressed in simple attire, suggesting a life connected to the land. A majestic tree stands nearby, providing shade and adding depth to the composition. Several cows graze peacefully throughout the field, while a curious cat observes from the lower right corner. Morisot’s technique is characteristic of Impressionism: loose, visible brushstrokes create a sense of movement and vibrancy. The colors are soft and pastel-toned, blending seamlessly to capture the atmospheric perspective and the play of light on the landscape. Unlike more structured academic paintings, "Haying at Mezy" prioritizes capturing the feeling of being outdoors rather than precise detail.

    Historical Context & Artistic Style

    Created during a period of significant artistic innovation, “Haying at Mezy” reflects the Impressionist movement's focus on depicting everyday life and capturing the ephemeral qualities of light and color. Morisot was a prominent figure within this circle, often portraying scenes of domesticity and rural landscapes with a unique feminine perspective. Her work challenged traditional art conventions by emphasizing subjective experience over objective representation. The painting’s style is undeniably Impressionistic, prioritizing capturing the subjective experience of light and color over precise realism. The technique involves layering thin washes of paint to build up tones and textures, creating a luminous effect.

    Symbolism & Emotional Impact

    Beyond its aesthetic beauty, "Haying at Mezy" carries symbolic weight. The solitary figure in the field represents a connection with nature and a sense of quiet contemplation. The pastoral setting evokes feelings of tranquility and nostalgia, transporting viewers to a simpler time. The painting’s overall atmosphere is one of peacefulness and harmony, inviting reflection on the beauty of rural life and the passage of time. It's not merely a depiction of work; it's an exploration of mood and feeling.

    Where to See & Further Exploration

    "Haying at Mezy" is part of the esteemed collection of the Fuji Art Museum in Japan, a renowned institution showcasing both Japanese and Western art. For those interested in learning more about Berthe Morisot and her work, explore related paintings such as "Thatched Cottage in Normandy" and "A Summer's Day" available on AllPaintingsStore.com.

    Artist and museum

    Artist

    Berthe Morisot

    Born in Bourges, France

    A Life Immersed in Light and Intimacy

    Berthe Morisot, born in Bourges, France, in 1841, emerged as a pivotal figure within the Impressionist movement, yet her story extends far beyond simply being a “female Impressionist.” To define her solely by gender diminishes the profound originality of her artistic vision and her unwavering commitment to capturing the fleeting moments of modern life. Descended from a bourgeois family with artistic lineage – she was related to the celebrated Rococo painter Jean-Honoré Fragonard – Morisot received an education uncommon for women of her era, one that nurtured her innate talent and fostered a lifelong dedication to painting. Early lessons with Geoffroy-Alphonse Chocarne and Joseph Guichard provided foundational skills, but it was exposure to the masterpieces within the Louvre, copying works by the Old Masters, that truly ignited her artistic sensibility. This period of rigorous training laid the groundwork for her later explorations of light, color, and form. The influence of Jean-Baptiste-Camille Corot proved particularly significant; his emphasis on plein air painting – working outdoors directly from nature – became a cornerstone of Morisot’s approach, allowing her to capture the ephemeral qualities of light and atmosphere with remarkable sensitivity.

    Navigating the Impressionist Circle

    Morisot's artistic journey intertwined closely with that of Édouard Manet, whom she met in 1864. Their relationship was one of mutual respect and intellectual exchange, with Manet serving as a mentor and friend. He painted her numerous times, immortalizing her presence within his own evolving style. However, Morisot wasn’t merely a subject; she actively participated in the burgeoning Impressionist movement, becoming a founding member alongside Monet, Degas, Renoir, and Pissarro. In 1874, she boldly exhibited with this group of “rejected” artists, defying the conservative standards of the official Salon. This first Impressionist exhibition marked a turning point in art history, challenging traditional academic conventions and paving the way for new modes of artistic expression. Morisot participated in nearly all subsequent Impressionist exhibitions, consistently showcasing her unique perspective and solidifying her position within the avant-garde. Her work, often depicting intimate scenes of domestic life – women reading, mothers with children, leisurely moments in gardens – offered a distinctly feminine gaze, challenging prevailing societal norms and expanding the scope of acceptable subject matter for female artists.

    A Distinctive Artistic Voice

    What sets Morisot apart is not simply what she painted, but how she painted it. Her brushwork is characterized by its delicate fluidity, a lightness of touch that conveys an impression of spontaneity and immediacy. She masterfully employed broken color – applying small strokes of pure pigment side-by-side to create a shimmering effect of light and atmosphere. Unlike some of her Impressionist colleagues who focused on grand landscapes or bustling cityscapes, Morisot often chose intimate interior scenes and portraits, exploring the nuances of human relationships and the quiet beauty of everyday life. Her palette is typically soft and harmonious, favoring pastel shades and subtle gradations of color. This isn’t to say her work lacks strength; rather, it possesses a refined elegance and emotional depth that resonates with viewers even today. Critics like Gustave Geffroy recognized this unique quality, hailing her as one of “les trois grandes dames” of Impressionism – alongside Marie Bracquemond and Mary Cassatt – acknowledging her significant contribution to the movement.

    Legacy and Lasting Influence

    Berthe Morisot’s life was tragically cut short in 1895, but her artistic legacy endures. Married to Eugène Manet, brother of Édouard, she navigated a world that often underestimated female artists, yet she persevered with unwavering determination. She exhibited under her full maiden name – a subtle act of independence and self-assertion – and consistently challenged conventional expectations. Her work continues to captivate audiences with its delicate beauty, emotional honesty, and innovative technique. Morisot’s influence extends beyond the realm of Impressionism; she paved the way for future generations of female artists, demonstrating that women could achieve artistic excellence and contribute meaningfully to the evolution of art history. Today, her paintings are held in prestigious collections around the world, serving as a testament to her enduring talent and her pivotal role in shaping modern art. Woman in the Green Dress, The Cradle, and Summer’s Day remain iconic examples of her mastery, inviting viewers into a world of light, intimacy, and quiet contemplation.

    Where to read more

    Find this online

    QR code linking to the download page for Haying at Mezy

    originaluniqueart.com/en/art/download/berthe-morisot-haying-at-mezy-8EWCSD-en/

    Cite this artwork

    MLA
    Morisot, Berthe. Haying at Mezy. 1891, https://originaluniqueart.com/en/art/berthe-morisot-haying-at-mezy-8EWCSD-en/
    APA
    Morisot, Berthe (1891). Haying at Mezy [Painting]. https://originaluniqueart.com/en/art/berthe-morisot-haying-at-mezy-8EWCSD-en/
    Chicago
    Berthe Morisot. Haying at Mezy. 1891. https://originaluniqueart.com/en/art/berthe-morisot-haying-at-mezy-8EWCSD-en/
    Harvard
    Morisot, Berthe (1891) Haying at Mezy. Available at: https://originaluniqueart.com/en/art/berthe-morisot-haying-at-mezy-8EWCSD-en/

    Look closely

    Haying at Mezy — Berthe Morisot

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: rural life, haying, landscape. Do you agree? What would you add, or take away?
    5. Look back at A Corner of the Rose Garden (1885), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Haying at Mezy — Berthe Morisot

    How well do you know this artwork?

    Tick one answer for each of the 4 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is Berthe Morisot’s ‘Haying at Mezy’ most closely associated with?

      • A Cubism
      • B Impressionism
      • C Surrealism
    2. 2. In what year was 'Haying at Mezy' created?

      • A 1881
      • B 1891
      • C 1901
    3. 3. What is a prominent characteristic of the painting’s technique, as described in the provided text?

      • A Precise realism and sharp outlines
      • B Smooth surfaces and careful detail
      • C Loose brushstrokes and visible color blending
    4. 4. According to the description, what is the overall atmosphere of 'Haying at Mezy'?

      • A Energetic and chaotic
      • B Peaceful and rural
      • C Dramatic and intense

    My score: ____ out of 4

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2B · 3C · 4B

    Check any answer against the catalogue record for this painting

    Questions & Answers

    How do I download the image of "Haying at Mezy" by Berthe Morisot?

    A download is available for "Haying at Mezy": the artwork's Download page offers a high-resolution digital image download.

    Who created "Haying at Mezy"?

    "Haying at Mezy" was created by Berthe Morisot. The information on this page describes Berthe Morisot's original work.

    Can I preview "Haying at Mezy" by Berthe Morisot before ordering?

    The Preview page of "Haying at Mezy" lets you preview the artwork before ordering.