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Student Artwork Guide

Elisabeth at the Table

Name Class Date

August Macke, Elisabeth at the Table (1909). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
August Macke originaluniqueart.com/en/artists/august-macke/
Artist’s dates
1887 – 1914
Painted
1909
Medium
Oil On Canvas
Original size
22 x 16 cm
Movement
Fauvist Style
Period
Modern
Artistic style
Expressionist
Influences
Impressionists, Post-Imp.
Notable elements
Bold colors, brushstrokes
Subject or theme
Intimate scene

In context

Elisabeth at the Table — August Macke

How big is it?

The original measures 22 × 16 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 27 at death.

Painted when the artist was 22. The artist lived to 27. 8 of the 138 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of August Macke (1887–1914) ▲ this work, 1909 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/august-macke-elisabeth-at-the-table-8XXPFC-en/

Colours

Measured from the image

    Main colour

    Black #090d0b

    Catalogued palette

    • #090D0B
    • #948F6E
    • #383221
    • #765126

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Black
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by August Macke over the last twelve months — 40 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 44.1%
    2. 2 United States of America 5.8%
    3. 3 Mexico 5.1%
    4. 4 Germany 4.7%
    5. 5 Spain 4.1%
    6. 6 France 3.4%
    7. 7 Hong Kong 3.4%
    8. 8 South Korea 3.4%
    9. 9 Colombia 2.4%
    10. 10 India 2.0%
    11. · 30 other countries 21.6%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by August Macke

    1. 1 Woman in a Green Jacket, 1913 41.0%
    2. 2 Landscape with Cows and Camel, 1914 4.8%
    3. 3 Bathing girls with town in the backgraund, 1913 3.5%
    4. 4 The Hat Shop, 1913 2.8%
    5. 5 Market in Tunis II 2.5%
    6. 6 Still life hyacinths carpet, 1910 1.5%
    7. 7 Three girls in yellow straw hats I, 1913 1.3%
    8. 8 Milliner 1.3%
    9. 9 Little Walter, 1912 1.0%
    10. 10 Inner courtyard of house in St. Germain, 1914 1.0%
    11. 11 Man Reading in a Park, 1914 0.8%
    12. 12 Portrait of Franz Marc, 1910 0.8%
    13. 13 At the Garden Table, 1914 0.8%
    14. 14 Red house in park, 1914 0.8%
    15. 15 Church with Flags, 1914 0.8%
    16. 16 Sailing boat on the Tegernsee, 1910 0.8%
    17. 17 Promenade, 1913 0.8%
    18. 18 Bright House, 1914 0.8%
    19. 19 Hat Shop, 1914 0.8%
    20. — Elisabeth at the Table, 1909 this painting 0.0%

    Together these works take 67.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 228 works by this artist, of which 118 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Elisabeth at the Table — August Macke

    A Moment of Quietude: August Macke's "Elisabeth at the Table"

    August Macke’s “Elisabeth at the Table,” painted in 1909, is more than just a depiction of two women sharing a moment; it’s a vibrant distillation of Fauvist principles and a poignant glimpse into the burgeoning artistic spirit of early 20th-century Germany. Measuring a modest 22 x 16 cm, this oil on canvas radiates an immediate warmth, drawing the viewer into a scene of intimate companionship rendered with a boldness rarely seen before its time. Macke, a key figure within the influential Der Blaue Reiter group, masterfully employs color and brushstroke to evoke not just what he saw, but how he felt about it – a characteristic hallmark of Expressionism.

    Fauvist Color and Energetic Form

    The painting’s power lies fundamentally in its embrace of Fauvism. Macke abandons traditional representational accuracy for an unrestrained use of color, employing hues that are often jarringly bright and deliberately non-naturalistic. The reds, blues, and yellows aren't meant to mimic reality; instead, they pulsate with emotional intensity, contributing to the painting’s dynamic energy. Notice how the brushstrokes themselves – loose, gestural, and applied with a palpable urgency – further amplify this effect. This technique wasn't simply about aesthetics; it was a deliberate attempt to convey subjective experience, a core tenet of the movement.

    A Portrait of Modern Life

    The subject matter itself—two women seated at a table laden with books, handbags, and chairs – speaks volumes about the changing social landscape of the period. This isn’t a formal portrait intended to elevate status; it's an observation of everyday life, imbued with a sense of quiet contemplation. The objects themselves are rendered with a remarkable degree of detail, suggesting a comfortable domesticity, yet they are presented within Macke’s intensely colored framework, elevating them to something almost symbolic. The woman on the left, seemingly engrossed in a book, and the other, perhaps engaged in conversation or simply enjoying the moment, create an atmosphere of relaxed intimacy.

    Historical Context and Artistic Influence

    "Elisabeth at the Table" was created during a period of immense artistic upheaval. Macke’s work reflects the broader trends of his time – the rejection of academic conventions in favor of subjective expression, and the exploration of new visual languages. His association with Der Blaue Reiter (The Blue Rider) further contextualizes the painting, placing it within a circle of artists who were pushing the boundaries of artistic convention. Macke’s influence extends beyond Fauvism; his emphasis on emotional intensity and dynamic brushwork foreshadowed many later developments in modern art.

    Collecting this Masterpiece – A Reproduction Opportunity

    WahooArt offers a meticulously crafted hand-painted reproduction of August Macke’s “Elisabeth at the Table,” allowing you to bring this captivating artwork into your home or office. Each reproduction is created using archival materials and techniques, ensuring its longevity and fidelity to the original. This isn't merely a print; it's an investment in art history, a tangible connection to one of the most significant figures of the early 20th-century art scene. Consider this piece as more than just decoration – it’s a window into a world of vibrant color, emotional intensity, and profound artistic vision.

    Artist and museum

    Artist

    August Macke

    Born in Meschede, Germany

    A Life Cut Short: The Vibrant World of August Macke

    August Robert Ludwig Macke, a name synonymous with German Expressionism’s brief but incandescent flowering, lived a life tragically curtailed by the outbreak of the First World War. Born in 1887 in Meschede, Westphalia, his artistic journey was one of rapid evolution and fervent exploration, marked by an insatiable curiosity for new styles and a deep desire to capture the essence of modern experience. Macke’s early life saw a move to Bonn with his family, where he received his initial education and began to nurture his burgeoning talent. Though formally trained at the Düsseldorf Art Academy from 1904-1906, under Adolf Maennchen, it was through independent study and travel that his artistic voice truly began to emerge. These formative years were characterized by an absorption of Impressionist and Post-Impressionist techniques, laying a foundation for the bolder expressions to come. He supplemented his income with stage design work, honing his compositional skills and developing a keen sense of color.

    Influences and Artistic Development

    Macke’s artistic trajectory was profoundly shaped by encounters with key figures and movements of the early 20th century. A pivotal moment arrived in Paris in 1912, where he met Robert Delaunay, a leading proponent of Orphism – a branch of Cubism focused on pure abstraction and vibrant color harmonies. This encounter proved transformative, introducing Macke to the concept of simultaneous contrast and influencing his work towards a more dynamic and non-representational approach. He began experimenting with broken planes of color and abstracted forms, seeking to convey not just what he saw, but how he felt about what he saw. Simultaneously, his close friendship with Franz Marc, a fellow artist and member of the influential group Der Blaue Reiter (The Blue Rider), drew him into the orbit of Wassily Kandinsky and other avant-garde thinkers. While Macke’s style remained distinct from Kandinsky's more purely abstract explorations, he embraced the group’s spirit of artistic freedom and spiritual inquiry. His paintings began to reflect a growing interest in depicting the emotional resonance of landscapes and everyday life, imbued with a sense of joy and optimism.

    The Blue Rider and Beyond: A Unique Expressionist Vision

    As an integral member of Der Blaue Reiter, Macke contributed significantly to the group’s exhibitions and publications, helping to disseminate its radical ideas about art and spirituality. However, he wasn't simply a follower; he forged his own unique path within the movement. Unlike some of his colleagues who leaned towards darker, more angst-ridden themes, Macke consistently sought to portray beauty and harmony in the world around him. His paintings, such as Bathing Girls with Town in the Background, exemplify this approach – vibrant colors, simplified forms, and a sense of idyllic tranquility characterize his work. He masterfully blended elements of Fauvism, Cubism, and Futurism into a distinctly personal style, creating compositions that are both visually striking and emotionally resonant. Woman in a Green Jacket, painted in 1913, is another prime example – a portrait radiating warmth and vitality through its bold color palette and confident brushwork. His later works, like Türkisches Café, demonstrate his luminist approach, capturing the play of light and shadow with remarkable sensitivity.

    A Tragic End and Lasting Legacy

    The outbreak of World War I brought a sudden and devastating end to Macke’s promising career. Driven by patriotic fervor, he volunteered for military service in 1914. Tragically, he was killed in action just weeks later, on September 26th, at the front near Champagne, France, at the young age of 27. His final painting, Farewell, poignantly captures the somber mood that descended upon Europe as war engulfed the continent. Though his life was tragically short, August Macke left behind a body of work that continues to captivate and inspire. He remains a significant figure in the history of Expressionism, celebrated for his vibrant colors, dynamic compositions, and optimistic vision. His paintings offer a glimpse into a world on the cusp of change, imbued with a sense of beauty and hope amidst growing uncertainty.

    Exploring Macke’s World Today

    Today, August Macke's works are held in prominent collections worldwide, including the Staatsgalerie Moderner Kunst in Munich, the Museum Ludwig in Cologne, and the Kunsthaus Zürich. Several museums dedicated to Expressionism feature his paintings prominently, offering visitors a chance to experience the power of his art firsthand. The Westfälisches Landesmuseum Münster and the Kunstmuseum Bonn are particularly noteworthy for their holdings of Macke’s work. His influence can be seen in the continued exploration of color and emotion by contemporary artists. For those seeking to delve deeper into his world, resources like Artnet and Wikipedia provide valuable biographical information and insights into his artistic development. Exploring his paintings through online databases such as AllPaintingsStore allows for a closer examination of his technique and subject matter, revealing the enduring appeal of this remarkable artist whose life was tragically cut short but whose legacy continues to shine brightly.

    Where to read more

    Find this online

    QR code linking to the download page for Elisabeth at the Table

    originaluniqueart.com/en/art/download/august-macke-elisabeth-at-the-table-8XXPFC-en/

    Cite this artwork

    MLA
    Macke, August. Elisabeth at the Table. 1909, https://originaluniqueart.com/en/art/august-macke-elisabeth-at-the-table-8XXPFC-en/
    APA
    Macke, August (1909). Elisabeth at the Table [Painting]. https://originaluniqueart.com/en/art/august-macke-elisabeth-at-the-table-8XXPFC-en/
    Chicago
    August Macke. Elisabeth at the Table. 1909. https://originaluniqueart.com/en/art/august-macke-elisabeth-at-the-table-8XXPFC-en/
    Harvard
    Macke, August (1909) Elisabeth at the Table. Available at: https://originaluniqueart.com/en/art/august-macke-elisabeth-at-the-table-8XXPFC-en/

    Look closely

    Elisabeth at the Table — August Macke

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: fauvism painting, macke artwork, women at table. Do you agree? What would you add, or take away?
    4. Look back at Woman in a Green Jacket (1913), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. August Macke was about 22 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What feeling is "Elisabeth at the Table" associated with?

    "Elisabeth at the Table" by August Macke conveys a comforting emotional tone.

    Is a high-resolution download of "Elisabeth at the Table" available?

    "Elisabeth at the Table" is available as a high-resolution digital image download, purchased directly on its Digital Image page.

    Does "Elisabeth at the Table" have an augmented reality preview?

    The AR Preview page of "Elisabeth at the Table" by August Macke uses augmented reality to show the artwork in your own space, on a compatible device.