Paper

Student Artwork Guide

Plowing at Gee

Name Class Date

Arthur Rothstein, Plowing at Gee (1937), Souls Grown Deep. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Arthur Rothstein originaluniqueart.com/en/artists/arthur-rothstein/
Artist’s dates
1915 – 1985
Painted
1937
Held at
Souls Grown Deep originaluniqueart.com/en/museums/souls-grown-deep-atlanta/

In context

Plowing at Gee — Arthur Rothstein

When was this painted?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 70 at death.

Painted when the artist was 22. The artist lived to 70. 8 of the 23 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Arthur Rothstein (1915–1985) ▲ this work, 1937 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/arthur-rothstein-plowing-at-gee-D4D669-en/

Colours

Measured from the image

    Main colour

    Putty #cfcfcf

    Catalogued palette

    • #CFCFCF
    • #767676
    • #333333
    • #A7A7A7

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Arthur Rothstein over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 80.0%
    2. 2 United States of America 20.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 7 most looked-at works by Arthur Rothstein

    1. 1 Mountain People, Garrett County, Maryland, 1936 16.7%
    2. 2 Skull, Badlands, South Dakota, 1936 16.7%
    3. 3 Clarence Tilton and Pearl Rood, Oswego County, New York, Bachelor Farmers, New York, 1937 16.7%
    4. 4 Beer Tavern, Peoria, Illinois, 1938 16.7%
    5. 5 Girl at Gee, 1937 16.7%
    6. 6 Copper Pit, Ruth, Nevada, 1940 16.7%
    7. — Plowing at Gee, 1937 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 24 works by this artist, of which 6 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Arthur Rothstein

    Arthur Rothstein: Documenting America's Struggles

    Arthur Rothstein (1915-1985) was a prominent American photojournalist whose career spanned five decades. He is celebrated for his powerful and poignant documentation of rural life, particularly during the Great Depression and its aftermath. His work offers invaluable insights into a pivotal period in American history, capturing both hardship and resilience.

    Early Life and Education

    Born in Manhattan, New York City, and raised in the Bronx, Rothstein came from a family of Jewish immigrants. He developed an early interest in photography, which he pursued at Columbia University. While there, he founded the university camera club and served as the photography editor of the Columbian yearbook.

    Early Career & The Farm Security Administration

    Rothstein’s career took a defining turn after graduating from Columbia during the Great Depression. He was invited to Washington D.C. by his former professor, Roy Stryker, who was establishing a photo unit within the Resettlement Administration (RA). Rothstein became the first photographer sent out by Stryker, embarking on a five-year journey documenting the lives of rural Americans.

    Documenting Rural America

    Rothstein’s photographs captured the stark realities faced by farmers and sharecroppers during this era. He traveled extensively throughout the country, including assignments to document evictions in Virginia (for Shenandoah National Park) and conditions in the Dust Bowl and Montana cattle ranches. His work aimed to publicize the plight of the rural poor and garner support for New Deal programs.

    The Gee's Bend Project

    One particularly significant assignment took Rothstein to Gee’s Bend, Alabama, a remote community of African American farmers. His photographs of the residents showcased their unique cultural heritage and resilience. These images offered a nuanced portrayal of life in Gee’s Bend, emphasizing dignity and self-sufficiency rather than solely focusing on hardship.

    Transition to the Office of War Information

    As the nation geared up for World War II, the Farm Security Administration (FSA) transitioned into the Office of War Information (OWI). Rothstein continued his work as a photographer, documenting wartime industries and homefront life. His role evolved to include more staged and propagandistic imagery reflecting the war effort.

    Later Career & Legacy

    After leaving the OWI, Rothstein pursued various photographic projects, including commercial assignments and educational work. He taught photography at several institutions and continued to document American life. While his later work didn’t achieve the same level of recognition as his FSA photographs, it demonstrated his versatility and commitment to visual storytelling.

    Influences & Artistic Development

    Roy Stryker was a major influence on Rothstein's early career, shaping his approach to documentary photography and emphasizing its potential for social impact. The artistic style of the FSA photographers generally leaned towards social realism, aiming to depict subjects truthfully and without embellishment.

    Major Achievements & Historical Significance

    Created a comprehensive visual record of rural America during the Great Depression.

    Documented the lives of African Americans in Gee’s Bend, Alabama, preserving their cultural heritage.

    Contributed to public awareness of social and economic issues facing the nation.

    His work remains an important historical resource for understanding a critical period in American history.

    Arthur Rothstein's photographs are not merely historical documents; they are powerful works of art that continue to resonate with audiences today, reminding us of the challenges and triumphs of the human spirit.

    Museum

    Souls Grown Deep

    On show in Atlanta, United States of America

    A Testament to Resilience: The Soul of the American South

    In the heart of Atlanta, where the urban pulse meets the quiet strength of the Appalachian foothills, lies a sanctuary for voices that have long echoed from the margins of history.

    Souls Grown Deep

    is far more than a mere repository of objects; it is a profound, living testament to the enduring legacy of African American artistic expression. The institution’s very name, drawn from the evocative imagery of Langston Hughes’ poem,

    "The Negro Speaks of Rivers,"

    serves as a guiding light for a mission dedicated to the idea that creativity, much like a river, possesses an infinite and deepening capacity to carry the weight of human experience. Here, the art does not merely sit in silence; it speaks of survival, of spiritual depth, and of a cultural heritage that has flourished even amidst the harshest landscapes of adversity.

    The collection is a breathtaking tapestry of medium and meaning, anchored by the legendary

    Gee’s Bend quilts

    . These are not simply textiles, but improvisational masterpieces born from the Alabama landscape. Characterized by bold, geometric abstractions and a vibrant, rhythmic use of color, these quilts represent a singular contribution to the global canon of modern art. To stand before them is to witness a visual language of storytelling, where every stitch and patch reflects the resourcefulness and communal spirit of the women who crafted them. Alongside these textile wonders, the institution presents a powerful dialogue through

    assemblage art

    . Sculptures by titans such as

    Thornton Dial

    and

    Lonnie Holley

    command the space, utilizing repurposed materials and found objects to construct monumental narratives. These works confront themes of poverty, justice, and perseverance, transforming the discarded into the divine.

    A Sanctuary of Light and Earth

    The architecture of Souls Grown Deep is an intentional extension of its curatorial mission. Designed to harmonize with its environment, the building utilizes natural light and organic materials to create a sense of transparency and connection between the viewer and the art. This deliberate design choice mirrors the very essence of the artists it celebrates—individuals who draw their inspiration from the earth, the community, and the ancestral traditions that surround them. The atmosphere is one of reverence and discovery, where the boundaries between formal art history and folk tradition dissolve, allowing for a more holistic understanding of American creativity.

    What truly distinguishes this institution is its unwavering commitment to the

    self-taught artist

    . In an era where art institutions often prioritize academic pedigree, Souls Grown Deep champions those who have forged their own paths outside the confines of formal training. By elevating wood carvings, mixed-media constructions, and paintings on unconventional surfaces, the museum ensures that the singular visions of these masters are recognized as vital components of our shared cultural identity. For the collector seeking depth, the designer searching for soul, or the art lover yearning for authenticity, Souls Grown Deep offers an encounter with art that is not merely aesthetically pleasing, but profoundly transformative—a reminder that even in the most challenging circumstances, the human spirit continues to grow deep, like the rivers.

    Where to read more

    Find this online

    QR code linking to the download page for Plowing at Gee

    originaluniqueart.com/en/art/download/arthur-rothstein-plowing-at-gee-D4D669-en/

    Cite this artwork

    MLA
    Rothstein, Arthur. Plowing at Gee. 1937, Souls Grown Deep. https://originaluniqueart.com/en/art/arthur-rothstein-plowing-at-gee-D4D669-en/
    APA
    Rothstein, Arthur (1937). Plowing at Gee [Painting]. Souls Grown Deep. https://originaluniqueart.com/en/art/arthur-rothstein-plowing-at-gee-D4D669-en/
    Chicago
    Arthur Rothstein. Plowing at Gee. 1937. Souls Grown Deep. https://originaluniqueart.com/en/art/arthur-rothstein-plowing-at-gee-D4D669-en/
    Harvard
    Rothstein, Arthur (1937) Plowing at Gee. Souls Grown Deep. Available at: https://originaluniqueart.com/en/art/arthur-rothstein-plowing-at-gee-D4D669-en/

    Look closely

    Plowing at Gee — Arthur Rothstein

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: rural america, farm labor, great depression. Do you agree? What would you add, or take away?
    5. Look back at Pettway family group. Gee (1937), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What stage of Arthur Rothstein's career does "Plowing at Gee" (1937) belong to?

    "Plowing at Gee", created in 1937, belongs to the Early Modern of Arthur Rothstein's career.

    What does "Plowing at Gee" by Arthur Rothstein depict?

    "Plowing at Gee" by Arthur Rothstein depicts: rural america, farm labor, great depression, dust bowl era, american agriculture, black & white photo, social documentary.

    Is "Plowing at Gee" by Arthur Rothstein in the public domain, and why?

    The copyright status of "Plowing at Gee" - still protected by copyright - follows from the artist's death in 1985.