Paper

Student Artwork Guide

Stag

Name Class Date

Alfred Worthington, Stag (1925), Amgueddfa Ceredigion Museum. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Alfred Worthington originaluniqueart.com/en/artists/alfred-worthington/
Artist’s dates
1834 – 1927
Painted
1925
Original size
70 x 40 cm
Movement
Wildlife Art
Held at
Amgueddfa Ceredigion Museum originaluniqueart.com/en/museums/amgueddfa-ceredigion-museum-aberystwyth/

In context

Stag — Alfred Worthington

How big is it?

The original measures 70 × 40 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890
  8. 1900
  9. 1910
  10. 1920

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 93 at death.

Painted when the artist was 91. The artist lived to 93. 27 of the 67 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Alfred Worthington (1834–1927) ▲ this work, 1925 every dated painting, decade by decade

First works: up to 1905 Main working years: 1905–1925 Late works: from 1925

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/alfred-worthington-stag-AQUE3Z-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #cdbc8c

    Catalogued palette

    • #CDBC8C
    • #43270F
    • #775024
    • #AB8A53

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Alfred Worthington over the last twelve months — 4 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 72.7%1,600 visits
    2. 2 United Kingdom 13.6%300 visits
    3. 3 United States of America 9.1%200 visits
    4. 4 Russia 4.5%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Alfred Worthington

    1. 1 Swan and Water Lilies, 1900 7.4%200 visits
    2. 2 Church by Moonlight, 1890 7.4%200 visits
    3. 3 A Windmill, 1925 7.4%200 visits
    4. 4 Aberystwyth Harbour Entrance, 1899 7.4%200 visits
    5. 5 War Memorial, Aberystwyth, 1925 7.4%200 visits
    6. 6 Mountain, Lake and Stream 7.4%200 visits
    7. 7 Two Stags, 1925 3.7%100 visits
    8. 8 St Padarn's, Llanbadarn Fawr 3.7%100 visits
    9. 9 Gogerddan Hunt, 1875 3.7%100 visits
    10. 10 Fox and Pheasant, 1920 3.7%100 visits
    11. 11 Llanbadarn Church and the 'Black Lion' in Winter, 1925 3.7%100 visits
    12. 12 Aberystwyth Castle and Castle Point, 1925 3.7%100 visits
    13. 13 Half Timbered House, 1925 3.7%100 visits
    14. 14 Llanbadarn Fawr Church and 'Black Lion' Inn, 1890 3.7%100 visits
    15. 15 Landscape with Church, 1900 3.7%100 visits
    16. 16 Old College and Castle, Aberystwyth 3.7%100 visits
    17. 17 Landscape with Mountains 3.7%100 visits
    18. 18 Dead Sheep on Aberystwyth Beach, 1925 3.7%100 visits
    19. 19 Eagle with Lamb, 1925 3.7%100 visits
    20. — Stag, 1925 this painting 0.0%0 visits

    Together these works take 92.5% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 85 works by this artist, of which 21 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Stag — Alfred Worthington

    The Stag painting by Alfred Worthington is a breathtaking example of the artist's skill in capturing the essence of wildlife. Created in 1925, this oil on canvas piece measures 70 x 40 cm and is currently housed at the Amgueddfa Ceredigion Museum in Aberystwyth, United Kingdom. The painting showcases a majestic stag standing in the grass with its head held high, set against a stunning mountainous background.

    Artistic Significance

    The Stag painting is a testament to Alfred Worthington's ability to convey the beauty and grandeur of nature. The use of vibrant and rich colors brings the scene to life, making it a captivating piece for art enthusiasts. As seen in other works by the artist, such as Two Stags, Worthington's attention to detail and mastery of color are evident in every brushstroke.

    Artist's Style and Influences

    Alfred Worthington's style is characterized by his ability to capture the essence of rural life and wildlife. His use of oil on canvas allows for a depth and richness that draws the viewer into the scene. The Stag painting, along with other works such as Llanbadarn Church, demonstrates Worthington's skill in conveying the beauty of the natural world.

    The painting is a prime example of wildlife art, showcasing the artist's ability to capture the majesty of animals in their natural habitat.

    The use of oil on canvas allows for a level of detail and depth that is unparalleled in other mediums.

    The Amgueddfa Ceredigion Museum provides a unique opportunity to view the painting in person, surrounded by other works of art and historical artifacts.

    Discover more about Alfred Worthington's artwork on AllPaintingsStore.com, and explore the Amgueddfa Ceredigion Museum to learn more about the artist's life and work.

    The Stag painting is a must-see for anyone interested in wildlife art, and Alfred Worthington's skill as an artist is undeniable. With its stunning colors and captivating scene, this painting is sure to leave a lasting impression on all who view it.

    Artist and museum

    Artist

    Alfred Worthington

    The Quiet Majesty of Alfred Worthington

    Alfred Worthington, born in 1834, was a British landscape painter whose serene depictions of rural England and wildlife captivated audiences during the Victorian era. Though relatively unknown today compared to his contemporaries like Constable or Turner, Worthington’s meticulous observation and skillful brushwork cemented his place as a significant contributor to the artistic landscape of his time. His legacy resides in canvases that convey not just visual beauty but also a deep appreciation for the natural world—a sentiment profoundly felt by artists and viewers alike.

    Worthington’s formative years were spent in Lincolnshire, where he received an education focused on classical studies alongside artistic pursuits. Recognizing his talent, he embarked on a formal apprenticeship with George Frederic Watts, a prominent sculptor and painter known for his Symbolist style—a movement that prioritized emotional expression over realistic representation. This influential mentorship instilled in Worthington a dedication to capturing the essence of subjects through symbolic imagery and nuanced tonal gradations, techniques that would characterize his entire oeuvre.

    A Vision Rooted in the Natural World

    Worthington’s artistic vision centered on portraying landscapes with remarkable accuracy and sensitivity. He meticulously studied geological formations, plant life, and animal behavior—skills honed during extensive expeditions to Wales and Cornwall. Unlike many of his peers who sought grand vistas or dramatic storms, Worthington favored quieter scenes: rolling hills dotted with sheep, tranquil estuaries teeming with birds, and intimate portraits of animals in their habitats. His canvases are imbued with a palpable stillness, inviting contemplation and fostering an awareness of the sublime beauty inherent in everyday existence.

    The artist possessed a unique ability to blend the scientific precision of a naturalist with the poetic soul of a romanticist. Through his work, one can observe:

    Meticulous Detail: An unwavering focus on the textures of flora and the subtle anatomy of wildlife.

    Atmospheric Depth: The use of light and shadow to create a sense of breathing, living space within the English countryside.

    Symbolic Tranquility: A mastery of composition that directs the viewer toward moments of profound peace and pastoral harmony.

    Legacy and Historical Significance

    As the 19th century progressed, Worthington’s work served as a gentle counterpoint to the increasingly industrial landscape of Britain. While the world around him underwent rapid transformation, his paintings remained anchored in the timeless rhythms of nature. His ability to capture the spirit of place—seen in notable works such as 'Aberystwyth Castle'—ensured that his contribution to British landscape art was marked by a sense of enduring permanence.

    Today, the works of Alfred Worthington continue to resonate with those who seek solace in the pastoral. His paintings are more than mere records of scenery; they are emotional journeys into a lost era of quietude. By elevating the humble elements of the countryside to the status of high art, Worthington left behind a profound testament to the beauty found in the small, the still, and the overlooked.

    Museum

    Amgueddfa Ceredigion Museum

    On show in Aberystwyth, United Kingdom

    A Portal to the Welsh Soul

    Nestled within the salt-kissed air of the picturesque coastal town of Aberystwyth,

    Amgueddfa Ceredigion Museum

    serves much more than a mere repository for the past; it is a living, breathing testament to the enduring cultural tapestry of Ceredigion. To step through its doors is to enter a sanctuary where history and artistry converge, offering an immersive journey into the heart of Welsh identity. The museum’s physical presence is nothing short of theatrical, housed within a breathtaking

    Edwardian theatre

    that lends an inherent sense of grandeur and drama to every exhibit. This architectural choice is profoundly intentional, as the building's ornate detailing and storied atmosphere subtly inform the narratives held within its walls, reminding every visitor that history is not just a collection of facts, but a continuous, dramatic performance.

    A Dialogue Between Tradition and Innovation

    For the discerning art lover and collector, the museum’s collection offers a captivating window into the evolution of Welsh visual expression. The galleries present a sophisticated dialogue between tradition and innovation, showcasing works that range from the meticulous realism of the Victorian era to the evocative textures of Modern Art. One cannot wander through these halls without being arrested by the vibrant energy of

    Gogerddan Hunt

    by

    Alfred Worthington

    . Painted in 1875, this stunning oil on canvas is a masterclass in capturing the spirited essence of Welsh rural life; the sight of a rider in crimson, surrounded by a flurry of hounds and horses, brings the nineteenth-century landscape to life with remarkable vitality. Such works are complemented by the poignant portraiture of artists like David Davies, whose piece

    Captain Davies

    offers a soulful reflection of Victorian social customs, inviting viewers to contemplate the faces and fashions of a bygone age.

    The Rugged Heritage of Ceredigion

    Beyond the canvas, the museum celebrates the very earth and industry that shaped this region. The collection seamlessly weaves together the fine arts with the rugged agricultural heritage of Ceredigion, creating a holistic view of a community’s evolution. Visitors can find themselves lost in displays that bridge the gap between high art and folk history through various elements:

    Agricultural Legacy:

    Traditional farming tools and evocative photographic archives that document the slow, beautiful transformation of the rural landscape over centuries.

    Historical Relics:

    The silent strength of Roman relics paired with the nostalgic charm of Victorian memorabilia.

    Artistic Evolution:

    A curated selection of exhibitions that reflect influences ranging from Impressionism to Modern Art.

    As the museum prepares for its highly anticipated reopening in

    Spring 2026

    , it promises a renewed era of educational discovery and artistic wonder, ensuring that the soul of Ceredigion remains accessible, vibrant, and eternally captivating for historians and interior designers seeking inspiration in heritage textures alike.

    Where to read more

    Find this online

    QR code linking to the download page for Stag

    originaluniqueart.com/en/art/download/alfred-worthington-stag-AQUE3Z-en/

    Cite this artwork

    MLA
    Worthington, Alfred. Stag. 1925, Amgueddfa Ceredigion Museum. https://originaluniqueart.com/en/art/alfred-worthington-stag-AQUE3Z-en/
    APA
    Worthington, Alfred (1925). Stag [Painting]. Amgueddfa Ceredigion Museum. https://originaluniqueart.com/en/art/alfred-worthington-stag-AQUE3Z-en/
    Chicago
    Alfred Worthington. Stag. 1925. Amgueddfa Ceredigion Museum. https://originaluniqueart.com/en/art/alfred-worthington-stag-AQUE3Z-en/
    Harvard
    Worthington, Alfred (1925) Stag. Amgueddfa Ceredigion Museum. Available at: https://originaluniqueart.com/en/art/alfred-worthington-stag-AQUE3Z-en/

    Look closely

    Stag — Alfred Worthington

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: wildlife painting, stag artwork”, “rural landscape”. Do you agree? What would you add, or take away?
    4. Look back at Tiger (1925), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Alfred Worthington was about 91 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Can I use augmented reality to see "Stag" by Alfred Worthington in my room?

    "Stag" has an augmented reality preview: the artwork's AR Preview page shows it in your own space on a compatible device.

    How do the colors of "Stag" relate to each other?

    The colors of "Stag" by Alfred Worthington show a strong color unity harmony. Harmony describes how the colors relate to each other.

    What kind of colors does "Stag" use?

    "Stag" by Alfred Worthington uses a dark color palette. The palette summarizes the work's overall color character.