Artwork dossier
Copyright This work is in the public domain. Alberto Pasini died in 1899; copyright lasts 70 years after the artist’s death, so it ended in 1969.
In context
Cavalieri Circassi — Alberto Pasini
Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 73 at death.
Shaded: the lifetime of Alberto Pasini (1826–1899) every dated painting, decade by decade
First works: up to 1868 Main working years: 1868–1880 Late works: from 1880
Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them
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Measured from the image
Main colour
Espresso #5d554d
Catalogued palette
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The ten leading countries
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Together these works take 99.3% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 89 works by this artist, of which 19 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month
Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.
Artist and museum
Born in Busseto, Italy
Family Background: Born in Busseto, Pasini's early life was impacted by the death of his father when he was young. He subsequently moved to Parma with his mother.
Artistic Beginnings: At 17, he enrolled at the Academy of Fine Art in Parma, focusing on landscape painting and drawing.
Influence of Antonio Pasini: His uncle, Antonio Pasini, a painter and manuscript illuminator working for local nobility, significantly influenced his early artistic development.
Early Exhibitions & Lithographs: In 1852, Pasini exhibited a series of thirty designs transformed into lithographs depicting castles around Piacenza, Lunigiana, and Parma. This work garnered attention from artist Paolo Toschi.
Parisian Studies: Encouraged by Toschi, Pasini traveled to Paris where he studied under Charles and Eugène Ciceri, associated with the Barbizon School. His lithograph "The Evening" earned him admittance to the Paris Salon in 1853 and further study with Théodore Chassériau.
Journey to Persia: The Crimean War provided an opportunity for Pasini to accompany Nicolas Prosper Bourée, the French plenipotentiary minister, to Persia in 1855. This journey proved pivotal, inspiring numerous paintings of Orientalist subjects.
Expanding Horizons: Following his Persian expedition, Pasini continued to travel extensively throughout the Middle East, including Egypt, Arabia, Istanbul, and various regions of Persia. These travels provided a wealth of visual material for his art.
Artistic Style: His paintings during this period showcased meticulous attention to architectural details and a vibrant use of color and light, characteristic of Orientalist painting. Notable works include "Circassian Cavalry Awaiting Their Commanding Officer at the Door of a Byzantine Monument" and "Memory of the Orient."
Return to Italy: After the Franco-Prussian War in 1870, Pasini returned to Italy and settled permanently in Cavoretto.
Continued Exhibitions: He continued to exhibit his work at Salons and other exhibitions throughout Europe.
Museum Acquisitions: His paintings were increasingly recognized for their artistic merit, leading to acquisitions by prominent museums including the Museum of Parma, the Uffizi Gallery in Florence, The Metropolitan Museum of Art, and others.
Later Works & Piedmontese Landscapes: In his later years, Pasini also focused on painting landscapes of Piedmont, particularly scenes around Cavoretto and Issogne.
Architectural Detail: A defining feature of Pasini’s art was his meticulous rendering of architectural details within his oriental scenes.
Color and Light: His skillful use of color and light created a vibrant and evocative atmosphere in his paintings.
Orientalist Movement: Pasini's work exemplifies the Orientalist movement, which depicted cultures outside of Europe with varying degrees of accuracy and romanticization.
Influence & Connections: He was influenced by artists like Théodore Chassériau and associated with the Barbizon School, demonstrating a connection to broader artistic trends of his time.
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For art students and researchers
Cavalieri Circassi — Alberto Pasini
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Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.
The copyright status of "Cavalieri Circassi" - in the public domain - its copyright has expired - follows from the artist's death in 1899.
Other names recorded for Alberto Pasini, creator of "Cavalieri Circassi", include A. Pasini, Pasiny, Pasisni, Pasini, Pasini A..
The copyright answer for "Cavalieri Circassi" by Alberto Pasini: the work is in the public domain - its copyright has expired. This determines whether reproductions of the image may be freely made.
The contrast level of "Cavalieri Circassi" by Alberto Pasini is bold.
"Cavalieri Circassi" by Alberto Pasini uses a neutrals color palette. The palette summarizes the work's overall color character.