Paper

Student Artwork Guide

Conveying a Child

Name Class Date

Albert Edelfelt, Conveying a Child (1879), Ateneum Art Museum. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Albert Edelfelt originaluniqueart.com/en/artists/albert-edelfelt/
Artist’s dates
1854 – 1905
Painted
1879
Medium
Oil On Canvas
Original size
204 x 120 cm
Movement
Realism Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander.
Period
19th Century
Held at
Ateneum Art Museum originaluniqueart.com/en/museums/ateneum-art-museum-helsinki/
Artistic style
Plein-air realism
Influences
Gerome, Bastien-Lepage
Notable elements
Rowing boat scene
Subject or theme
Child’s funeral

In context

Conveying a Child — Albert Edelfelt

How big is it?

The original measures 204 × 120 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 51 at death.

Painted when the artist was 25. The artist lived to 51. 1 of the 22 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Albert Edelfelt (1854–1905) ▲ this work, 1879 every dated painting, decade by decade

First works: up to 1884 Main working years: 1884–1888 Late works: from 1888

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/albert-edelfelt-conveying-a-child-D3ZJCN-en/

Colours

Measured from the image

    Main colour

    Putty #cbd8dd

    Catalogued palette

    • #CBD8DD
    • #211D1E
    • #4A4F53
    • #8A8F8F

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Albert Edelfelt over the last twelve months — 17 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 57.7%5,600 visits
    2. 2 United States of America 8.2%800 visits
    3. 3 Finland 7.2%700 visits
    4. 4 Netherlands 6.2%600 visits
    5. 5 Spain 3.1%300 visits
    6. 6 United Kingdom 2.1%200 visits
    7. 7 India 2.1%200 visits
    8. 8 Sweden 2.1%200 visits
    9. 9 Singapore 2.1%200 visits
    10. 10 Ukraine 2.1%200 visits
    11. · 7 other countries 7.1%700 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Albert Edelfelt

    1. 1 Boys Playing on the Shore, 1884 11.8%1,600 visits
    2. 2 At Sea 6.6%900 visits
    3. 3 Women outside the Church at Ruokolahti, 1887 3.7%500 visits
    4. 4 The Artist's Son Erik in his Pram 2.9%400 visits
    5. 5 Jean-Baptiste Pasteur, 1881 2.9%400 visits
    6. 6 The Heart of the Forest 2.9%400 visits
    7. 7 The Luxembourg Gardens, Paris, 1887 2.2%300 visits
    8. 8 Kaukola Ridge at Sunset, 1890 2.2%300 visits
    9. 9 Portrait of Maria Hagelstam 2.2%300 visits
    10. 10 Summer Evening, Haiko Bight outside Porvoo, 1889 2.2%300 visits
    11. 11 Portrait of Madame Vallery-Radot, 1888 2.2%300 visits
    12. 12 Horace and Lydia (study), 1886 2.2%300 visits
    13. 13 Smultron 2.2%300 visits
    14. 14 Burnt Village 2.2%300 visits
    15. 15 Divine Service in the Uusimaa Archipelago 2.2%300 visits
    16. 16 Conveying a Child, 1879 this painting 1.5%200 visits
    17. 17 Christ and Mary Magdalene, a Finnish Legend, 1890 1.5%200 visits
    18. 18 Queen Bianca, 1877 1.5%200 visits
    19. 19 From the Park of Luxembourgh in Paris 1.5%200 visits
    20. 20 Ruotsinsalmen meritaistelu, kuvitusta runoon 'Svensksund' 1.5%200 visits

    Together these works take 58.1% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 155 works by this artist, of which 63 were looked at at least once. This painting ranks 16 of them, with 1.5% of that attention (200 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Conveying a Child — Albert Edelfelt

    Albert Edelfelt’s ‘Conveying a Child’: A Window into Finnish Life and Sorrow

    Albert Edelfelt's “Conveying a Child” (1879) is more than just a depiction of a boat journey; it’s a poignant meditation on mortality, family, and the quiet dignity found in accepting life’s inevitable sorrows. Painted during a pivotal moment in Edelfelt’s artistic development – his fervent embrace of plein-air realism – this large oil on canvas transports us to Haikko near Porvoo, Finland, a place steeped in both beauty and profound melancholy.

    The scene unfolds with remarkable clarity. A group of individuals, rendered with meticulous detail, are gathered within a sturdy rowing boat navigating the waters of the Gulf of Finland. Men and women, dressed in the attire of the late 19th century, engage in conversation or simply bask in the tranquility of the moment. Two boats – a larger vessel dominating the foreground and a smaller one positioned to the right – add depth and visual interest to the composition. Edelfelt’s skill lies not just in his technical proficiency but in capturing the genuine warmth and connection between these figures, suggesting a shared experience of comfort and companionship.

    Plein-Air Realism and the Rise of Finnish Art

    “Conveying a Child” represents a significant shift in Edelfelt’s artistic approach. Following his time studying in Antwerp and Paris, he became increasingly committed to painting directly from nature – a revolutionary concept at the time. This dedication to plein-air realism was driven by a desire to capture the authentic essence of Finnish life, moving away from the idealized historical subjects favored by many of his contemporaries. Edelfelt’s decision to paint entirely outdoors, as evidenced by this work, aligns with the broader movement towards naturalism gaining traction within the European art world.

    This commitment to realism was particularly important for Edelfelt, who sought to elevate Finnish culture on the international stage. His work served as a powerful visual record of rural life in Finland, showcasing its beauty and resilience – a crucial step toward establishing a distinct national identity amidst growing political pressures.

    A Symbol of Loss and Remembrance

    The inclusion of a coffin within the scene is undeniably the painting’s most arresting element. It immediately introduces an undercurrent of sadness and mortality, transforming what might otherwise be a simple depiction of leisure into a profound meditation on death and remembrance. The young girl in the boat, holding the coffin, adds to the emotional weight of the image – she represents innocence lost, a poignant reminder of life’s fragility.

    Edelfelt's use of light and shadow further enhances this sense of solemnity. The soft, diffused sunlight creates an atmosphere of quiet contemplation, while the dark tones of the coffin contrast sharply with the brighter hues of the surrounding landscape. This juxtaposition amplifies the painting’s emotional impact, inviting viewers to reflect on themes of grief, loss, and the cyclical nature of life.

    Technical Mastery and a Lasting Legacy

    "Conveying a Child" is a testament to Edelfelt's mastery of oil paint. His brushwork is both precise and expressive, capturing the textures of the boat’s wood, the ripples on the water, and the subtle nuances of human expression. The painting’s scale – 204 x 120 cm – allows for a deeply immersive experience, drawing the viewer into the scene and fostering a powerful connection with the subjects.

    Today, this remarkable artwork continues to resonate with audiences worldwide. Its timeless themes, combined with Edelfelt's exceptional artistic skill, ensure its place as a cornerstone of Finnish art history – a poignant reminder of life’s beauty and the inevitability of loss. WahooArt offers a meticulously hand-painted reproduction that faithfully captures the essence of this iconic masterpiece, allowing you to bring its profound emotion into your own space.

    Artist and museum

    Artist

    Albert Edelfelt

    Born in Porvoo, Finland

    early life and education

    albert gustaf aristides edelfelt, a renowned finnish painter, was born on july 21, 1854, in porvoo, finland. his parents, carl albert edelfelt and alexandra edelfelt (née brandt), were swedish-speaking finns. edelfelt's early life was marked by an innate passion for art, which led him to pursue formal studies at the drawing school of the finnish art society in 1869.

    artistic journey

    edelfelt's artistic journey took him to various esteemed institutions, including:

    antwerp academy of art (1873-74), where he honed his skills in history painting.

    école nationale des beaux-arts in paris (1874-78), under the tutelage of jean-léon gérôme, further refining his craft.

    a brief stint at saint petersburg (1881-82) exposed him to diverse artistic influences.

    rise to prominence and notable works

    edelfelt's breakthrough came with a gold medal at the paris universal exposition of 1889. his notable works include:

    portrait of louis pasteur, which earned him the legion of honour in 1886.

    young woman in her boudoir, showcasing his mastery of capturing the essence of femininity.

    under the birches, a poignant representation of finnish landscapes.

    legacy and impact

    as one of the first finnish artists to achieve international fame, edelfelt significantly contributed to the realist art movement in finland. his influence extended to younger finnish painters, such as akseli gallen-kallela and gunnar berndtson, whom he assisted in their breakthroughs in paris.

    museum collections and commemoration

    edelfelt's works are featured in various museums, including the ateneumin taidemuseo in helsinki. his legacy was commemorated with a €100 albert edelfelt commemorative coin in 2004, celebrating his 150th birth anniversary. key artworks and museum collections:

    view albert edelfelt's artworks on AllPaintingsStore

    explore ateneumin taidemuseo's collection on AllPaintingsStore

    discover more:

    atheneumin taidemuseo helsinki, finland on AllPaintingsStore

    albert edelfelt's wikipedia page

    Museum

    Ateneum Art Museum

    On show in Helsinki, Finland

    A Beacon of Finnish Identity: Exploring the Ateneum Art Museum

    Nestled in the heart of Helsinki, Finland, the Ateneum Art Museum stands as more than just a repository of artistic treasures; it’s a vibrant embodiment of the nation's cultural soul. Originally conceived as a dual institution – housing both the Finnish Academy of Fine Arts and the University of Art and Design Helsinki – until 1991, the Ateneum has evolved into a cornerstone of Finnish identity, offering an unparalleled journey through centuries of artistic expression. Its magnificent neo-Renaissance facade, adorned with classical sculptures and imbued with symbolic meaning, immediately commands attention, while within its walls, one discovers a remarkable collection that seamlessly blends domestic masterpieces with internationally renowned works, creating a truly unique and compelling experience.

    The building itself is a testament to architectural grandeur. Designed by Theodor Höijer and completed in 1887, the Ateneum’s neo-Renaissance style is instantly recognizable. The facade isn't merely decorative; it’s a carefully orchestrated visual narrative. Above the main entrance, imposing busts of Bramante, Raphael, and Phidias – titans of the Renaissance – stand as silent guardians, representing the foundational principles of artistic discipline. Supporting the pediment are four caryatids, sculpted figures embodying sculpture, painting, geometry, and architecture, symbolizing the harmonious integration of these core arts. The intricate sculptural collage crowning the facade, culminating in the figure of Pallas Athene, bestows blessings upon creative endeavors, encapsulating the museum’s mission to celebrate and preserve artistic expression. The Latin inscription, “Concordia res parvae crescunt” (With concord small things increase), speaks volumes about the collaborative spirit that birthed this cultural landmark – a testament to the enduring power of unity in artistic creation.

    A Rich History: From Academy to Art Haven

    The Ateneum’s story is as layered and captivating as its collection. Its origins are rooted in a desire to foster an environment where artistic education and creative practice could flourish together. For decades, the building served not only as a museum but also as the home of the Finnish Academy of Fine Arts and the University of Art and Design Helsinki, fostering a dynamic exchange between artists, scholars, and students. This unique dual role shaped the museum’s identity, nurturing generations of Finnish artists and contributing significantly to the nation's artistic landscape. Examining the Ateneum is like tracing the evolution of Finnish art itself, from its early roots in rococo portraiture to the bold experimentation of the 20th century. The collection showcases pivotal figures such as Akseli Gallen-Kallela, whose evocative depictions of Finnish folklore and landscapes have become national icons; Helene Schjerfbeck, a pioneering modernist painter known for her introspective portraits; Albert Edelfelt, celebrated for his realistic portrayals of everyday life; and Eero Järnefelt, capturing the essence of rural Finland.

    A Window to the World: Van Gogh and Beyond

    While deeply rooted in Finnish artistic heritage, the Ateneum’s collection extends far beyond its national treasures. It boasts a remarkable array of international classical art, providing crucial context for understanding the broader development of artistic movements across Europe. A particularly significant acquisition is Vincent van Gogh's “Street in Auvers-sur-Oise” (1890), a poignant landscape that marked one of the first acquisitions of Van Gogh’s work by any museum globally. This landmark purchase cemented the Ateneum’s position on the international art stage, offering Finnish audiences an early and intimate glimpse into the genius of this revolutionary artist. The collection encompasses diverse themes and movements – Romanticism, Realism, Symbolism, Expressionism – reflecting Finland's engagement with global artistic trends while maintaining its distinctive cultural identity. The Ateneum isn’t simply a display of art; it is a dialogue between local and global influences, showcasing the interconnectedness of artistic traditions.

    Notable Works & Ongoing Exhibitions

    Among the Ateneum's most celebrated holdings are works by Gallen-Kallela, including his iconic “Aino” triptych, depicting a Finnish legend; Schjerfbeck’s introspective portraits that capture the complexities of human emotion; and Edelfelt’s realistic depictions of everyday life in Helsinki. The museum regularly hosts temporary exhibitions showcasing both established and emerging artists, offering fresh perspectives on art history and contemporary trends. Current and upcoming exhibitions often delve into specific themes or movements, providing visitors with opportunities to engage with art in new and thought-provoking ways. The Ateneum’s commitment to engaging its audience is evident through a diverse range of programs, including guided tours, lectures, workshops, and family activities.

    An Enduring Legacy: A Cultural Hub

    What truly sets the Ateneum apart is its ability to connect visitors to the heart of Finnish culture. It’s a place where history comes alive, where artistic innovation is celebrated, and where the power of art to shape national identity is palpable. Through carefully curated exhibitions, insightful educational programs, and welcoming public spaces, the museum invites audiences of all levels to explore the rich tapestry of Finnish art. A visit to the Ateneum is an immersive experience – a journey into Finnish history, culture, and artistic heritage that leaves a lasting impression, solidifying its role as a vital cultural hub for generations to come.

    Where to read more

    Find this online

    QR code linking to the download page for Conveying a Child

    originaluniqueart.com/en/art/download/albert-edelfelt-conveying-a-child-D3ZJCN-en/

    Cite this artwork

    MLA
    Edelfelt, Albert. Conveying a Child. 1879, Ateneum Art Museum. https://originaluniqueart.com/en/art/albert-edelfelt-conveying-a-child-D3ZJCN-en/
    APA
    Edelfelt, Albert (1879). Conveying a Child [Painting]. Ateneum Art Museum. https://originaluniqueart.com/en/art/albert-edelfelt-conveying-a-child-D3ZJCN-en/
    Chicago
    Albert Edelfelt. Conveying a Child. 1879. Ateneum Art Museum. https://originaluniqueart.com/en/art/albert-edelfelt-conveying-a-child-D3ZJCN-en/
    Harvard
    Edelfelt, Albert (1879) Conveying a Child. Ateneum Art Museum. Available at: https://originaluniqueart.com/en/art/albert-edelfelt-conveying-a-child-D3ZJCN-en/

    Look closely

    Conveying a Child — Albert Edelfelt

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: finnish landscape, boat scene”, “group portrait”. Do you agree? What would you add, or take away?
    4. Look back at The Artist's Son Erik in his Pram, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Realism: Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    When was "Conveying a Child" made?

    The creation of "Conveying a Child" by Albert Edelfelt is dated 1879.

    What print size of "Conveying a Child" by Albert Edelfelt fits the recommended room?

    The recommended pairing for "Conveying a Child" by Albert Edelfelt: a large print in a living room.

    How do movement and era meet in "Conveying a Child" by Albert Edelfelt?

    In "Conveying a Child" by Albert Edelfelt, the Realism movement meets the 19th-Century era.