Boy with Rabbit (John Emery)

John Emery (1802–1893) made Boy with Rabbit. It measures 50 × 50 cm.

  • 50 × 50 cm
Boy with Rabbit by John Emery
Boy with Rabbit by John Emery. Public domain.

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Boy with Rabbit, in brief

Title
Boy with Rabbit
Artist
John Emery (1802–1893)
Dimensions
50 × 50 cm

High-resolution images of Boy with Rabbit

Boy with Rabbit by John Emery
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Public domain: the artist died in 1893.

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Credit line

John Emery, Boy with Rabbit. Public domain.

Questions on Boy with Rabbit, answered

What are the dimensions of the original "Boy with Rabbit" by John Emery?

The recorded dimensions of "Boy with Rabbit" by John Emery are 50 x 50 cm. Reproductions can be ordered in other sizes while keeping the same proportions.

Is "Boy with Rabbit" by John Emery in the public domain?

The copyright answer for "Boy with Rabbit" by John Emery: the work is in the public domain - its copyright has expired. This determines whether reproductions of the image may be freely made.

Which artist is "Boy with Rabbit" attributed to?

"Boy with Rabbit" is attributed to John Emery.

What explains the copyright situation of "Boy with Rabbit" by John Emery?

The copyright status of "Boy with Rabbit" - in the public domain - its copyright has expired - follows from the artist's death in 1893.

About the artist, John Emery

John Emery

1802–1893

John Emery

Early Life and Origins in Staffordshire Potteries John Emery, born in the heart of Staffordshire potteries in 1802, emerged from a region steeped in artistic tradition—though one primarily focused on functional beauty rather than portraiture. This unique upbringing would subtly shape his approach to art, imbuing his work with a sense of grounded realism and an appreciation for the everyday lives of those he depicted. While details surrounding his earliest education remain scarce, it’s clear that Emery possessed a natural inclination towards visual representation, a talent nurtured within a community renowned for its skilled craftsmanship. The potteries themselves, bustling centers of industry and innovation, provided a rich tapestry of subjects—the workers, the families, the landscapes—that would later populate his canvases.

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