Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 21 værker af Wolfgang Huber i vores katalog
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I galleriets øjne er Wolfgang Hubers mest berømte maleri Landscape with Castle (1545), hvis original hænger på Ducal Graphic Collection i Eggenfeld. Christ taking leave of his Mother. (1519) og Saint Sebastian (1525) fuldender trioen, som ethvert øje genkender. Ud af de 21 værker af Wolfgang Huber i vores katalog præsenterer galleriet herunder de 20 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.
Landscape with Castle is a drawing by Wolf Huber. Born in Feldkirch, Austria, Huber was a multifaceted artist who worked as a painter, printmaker, and architect. His practice spanned the Northern Renaissance, contributing significantly to the development of the Danube School.
The painting titled Christ taking leave of his Mother. is a religious art piece by the Austrian artist Wolf Huber. Created in 1519, the work captures a moment of profound parting. It focuses on the tender, heavy silence between a mother and her son.
A young man with pale skin is positioned slightly off-center, tied to a dark tree trunk within a wooded setting. His body is pierced by several arrows, and his torso shows defined musculature. He wears a white loincloth that contrasts with the deep, earthy tones of the background. The lighting originates from the upper left, casting soft shadows across his chest and abdomen to create a sense of three-dimensional volume.…
Wolf Huber executed Allegory of Redemption, a work also identified as Allegory of Salvation, about 1543. This oil painting was commissioned by Prince-Bishop Wolfgang I, Count Salm. The patron, Wolfgang Graf von Salm, appears within the composition as the kneeling figure in the foreground.
Wolf Huber’s Epitaph of the Perger Family, executed about 1516, presents a dense assembly of figures within a somber funerary or religious setting. The composition is structured through several layers of subjects that create a sense of depth despite a relatively flat perspective, a hallmark of the early 16th-century Northern Renaissance style. On the left, a cluster of men dressed in period-appropriate Renaissance attire occupies the foreground and middle ground,…
The scene unfolds in Christ on the Mount of Olives, a work by the Austrian-German artist Wolf Huber. Born in Feldkirch, Austria, Huber moves through the history of the Northern Renaissance as a versatile creator, working as a painter, printmaker, and architect. This specific composition captures a moment of profound spiritual tension, rendered with the expressive intensity that defines his hand.
In this 1528 portrait, we encounter a man caught in a moment of quiet contemplation. He is positioned slightly off-center, his gaze directed away from us, as if lost in a thought that we are not permitted to share. The composition is a medium close-up, focusing on the upper body and the heavy textures that define his status. There is a profound sense of stillness here. The monochromatic palette, rendered…
The painting titled Crucifixion of Christ was executed by the artist Wolf Huber. This work dates to 1522. The composition depicts the central figure of Jesus on a cross, surrounded by a dense assembly of onlookers, soldiers, and mourners. The scene is framed within an arched structure, presenting a crowded arrangement of human figures against a dark, turbulent sky.
The painting depicts the biblical story of the flight into Egypt, featuring Mary, Joseph, and baby Jesus traveling on a donkey. The scene is set against an expansive backdrop of mountains, which provides a sense of scale to the landscape. Within the composition, several other figures are present, including one man holding a staff and another individual carrying a bowl. Two cows can be seen in the background, with one…
The painting depicts a religious scene centered on the body of Jesus, who lies horizontally across the middle of the frame. He is surrounded by a group of at least twelve figures, some of whom are kneeling while others stand in various states of mourning. The figures are positioned around the central form, their bodies oriented toward the deceased man. In the background, a landscape of mountains rises, providing a…
Landscape near Feldkirch1527 · Staatliche Graphische Sammlung
12
Christ taking leave of his Mother1520 · National Gallery
13
Portrait of Jacob Ziegler1540 · Kunsthistorisches Museum
14
Portrait of Margaret HundertpfundtPhiladelphia Museum of Art
15
Portrait of a ManBarnes Foundation
16
The Capture of ChristAlte Pinakothek
17
Fracstein zeichnung
18
Saint sebastian.
19
Portrait of Anton HundertpfundtNational Gallery of Ireland
20
Portrait of a Woman of the Reuss FamilyMuseu Nacional d'Art de Catalunya
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Wolfgang Huber | Malerier fra denne liste |
|---|---|---|---|
 Kunsthistorisches Museum |
Wien | 4 | Christ taking leave of his Mother., Allegory of Redemption, Crucifixion of Christ |
 Bavarian State Painting Collections |
München | 2 | Epitaph of the Perger Family, Christ on the Mount of Olives |
 Ducal Graphic Collection |
Eggenfeld | 1 | Landscape with Castle |
 Nationalmuseet i Warszawa |
Warszawa | 1 | Saint Sebastian |
 Staatliche Museen zu Berlin |
Berlin | 1 | The Flight into Egypt |
 Louvre |
Paris | 1 | The Lamentation of Christ |
 Staatliche Graphische Sammlung |
München | 1 | Landscape near Feldkirch |
 National Gallery |
London | 1 | Christ taking leave of his Mother |
Vælg et årti for at se det originale værk, der definerer det.
The painting titled Christ taking leave of his Mother. is a religious art piece by the Austrian artist Wolf Huber. Created in 1519, the work captures a moment of profound parting. It focuses on the tender, heavy silence between a mother and her son.
A young man with pale skin is positioned slightly off-center, tied to a dark tree trunk within a wooded setting. His body is pierced by several arrows, and his torso shows defined musculature. He wears a white loincloth that contrasts with the deep, earthy tones of the background. The lighting originates from the upper left, casting soft shadows across his chest and abdomen to create a sense of three-dimensional volume.…
Landscape with Castle is a drawing by Wolf Huber. Born in Feldkirch, Austria, Huber was a multifaceted artist who worked as a painter, printmaker, and architect. His practice spanned the Northern Renaissance, contributing significantly to the development of the Danube School.
Landscape with Castle (1545), Ducal Graphic Collection, Eggenfeld. Derefter følger Christ taking leave of his Mother. (1519) og Saint Sebastian (1525).
60 år gammel: Landscape with Castle er fra 1545, og Wolfgang Huber blev født i 1485.
Landscape with Castle, Christ taking leave of his Mother., Saint Sebastian, Allegory of Redemption, Epitaph of the Perger Family, Christ on the Mount of Olives, Portrait of a (35-year-old) Man with Black Hat and Fur-Trimmed Coat, Crucifixion of Christ, The Flight into Egypt og The Lamentation of Christ. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 21 værker af Wolfgang Huber, dateret fra 1516 til 1545.
Primært i Kunsthistorisches Museum (Wien), Bavarian State Painting Collections (München) og Ducal Graphic Collection (Eggenfeld). Museumslisten ovenfor viser dem alle.
I 1520s: 8 af de 20 værker på denne side blev skabt dengang, herunder Saint Sebastian.
På denne side er det tidligste Epitaph of the Perger Family (1516) og det seneste Landscape with Castle (1545).
Trees (4), Clouds (4) og People (4), fordelt på de 20 værker på denne side.
Oil On Panel, for 8 af de 20 værker på denne side.
Northern renaissance og Renaissance, baseret på originalerne på denne side.
Christ taking leave of his Mother., Allegory of Redemption og Crucifixion of Christ: Kunsthistorisches Museum, Wien har 4 af værkerne på denne side.
I den levende gobelin af den nordiske renæssance er få tråde så indviklet vævet som dem, der tilhører Wolfgang Huber. Som en østrigsk-tysk maler, rader og arkitekt trådte Huber frem som en ledende skikkelse i Donau-skolen, en bevægelse der revolutionerede landskabets rolle i europæisk kunst. Mens store dele af den italienske renæssance fokuserede på den menneskelige forms perfektion og klassisk idealisme, vendte Huber og hans samtidige deres blik mod den utæmmede skønhed i den naturlige verden. Hans værker indfanger landskabets sjæl og transformerer tætte skove, tågede dale og dramatiske bjergtoppe fra blot at være baggrunde til at være dybe, levende motiver, der resonerer med åndelig dybde.
Født i Feldkirch, Østrig, forbliver Hubers tidlige liv delvist indhyllet i historiens tåger, selvom hans tilstedeværelse i det kunstneriske landskab bliver tydeligt etableret i det tidlige 16. århundrede. Omkring 1515 boede og arbejdede han i Passau, Tyskland, en by der skulle tjene som den primære scene for størstedelen af hans illustre karriere. Selvom detaljerne omkring hans formelle uddannelse er ukendte, menes det, at han kan have forfinet sine færdigheder i et familiemesterværk. Hans kunstneriske sprog vidner om en sofistikeret forståelse for den italienske renæssance, sandsynligvis opnået gennem rejser til Norditalien, hvilket gjorde det muligt for ham at blande Nordens omhyggelige detaljerigdom med den mesterlige brug af chiaroscuro og atmosfærisk perspektiv, som man fandt i syd.
Hubers værk er karakteriseret ved en bemærkelsesværdig evne til at væve den menneskelige fortælling ind i selve jordens stof. I hans religiøse kompositioner, såsom Flugten til Egypten eller Kristus tager afsked med sin moder, er landskabet ikke blot en ramme om figurerne; det deltager i deres følelsesmæssige rejse. Han besad en sjælden følsomhed over for naturens lyriske kvaliteter og brugte vidstrakte bjerge og frodige træer som følelsesmæssige forlængelser af sine subjekters indre kampe og guddommelige skæbner. Denne teknik gjorde det muligt for ham at ophøje bibelske fortællinger til kosmiske begivenheder, hvor terrænets storhed spejler det åndelige øjebliks tyngde.
Ud over hans religiøse værker strakte Hubers mesterskab sig til portrættets intime verden. I værker som Portræt af Jacob Ziegler demonstrerer han en dyb beherskelse af lys og tekstur. Gennem en omhyggelig lagdeling af pigmenter opnåede han en fløjlsblød dybde, der bringer den portrætterede til live og indfanger både den intellektuelle glød og de introspektive tanker hos hans motiver. Hans portrætter benytter ofte en blød, frontal belysning, der giver det menneskelige ansigt en skulpturel kvalitet og skaber en dialog mellem individet og den atmosfæriske verden, der udfolder sig bag dem.
Wolfgang Hubers alsidighed strakte sig langt ud over staffeliet og kobberstikket. Han var en mand af mange talenter, der ikke kun virkede som maler, men også som arkitekt. Hans arkitektoniske bidrag ses i hans arbejde for den lokale adel, mest bemærkelsesværdigt hans opgave for greve Niklas II von Salm med at genopbygge Neuberg-paladset ved floden Inn. De overleverede fragmenter fra dette projekt afslører hans evne til at integrere den mere storslåede, dekorative stil fra den italienske renæssance i det regionale landskab, komplet med rige, ornamentale malerier.
Som hofmaler for hertugen af Bayern, Ernst, besad Huber en position af betydelig prestige, hvilket yderligere cementerede hans rolle som en grundpille i det tysk-østrigske kunstneriske samfund. Hans eftermæle ligger i hans evne til at bygge bro mellem det menneskelige og det guddommelige, det intime og det ekspansive. Gennem sine bidrag til Donau-skolen var han med til at etablere en ny måde at se på – en hvor landskabet ikke blot er en kulisse for mennesket, men en dyb refleksion af det evige.
