De 94 mest berømte Federico Barocci-malerier, hver og en unik

Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 116 værker af Federico Barocci i vores katalog

Kort sagt

Virgin and Child with Sts Simon and Jude (Madonna di San Simone) (1567) er det maleri af Federico Barocci, der vækker mest opsigt; originalen findes på Galleria Nazionale delle Marche, Urbino. Derefter falder blikket på River Divinity (Città del Vaticano, Casino of Pius IV) (1563) og Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) (1569). Blandt de 116 værker af Federico Barocci i vores katalog er disse 94 de mest berømte, hver især et unikt originalværk præsenteret med sit årstal, sit museum og årsagen til dets tidløse betydning.

1535 – 1612, Urbino Manierisme Flest værker: Galleria degli Uffizi

1. Virgin and Child with Sts Simon and Jude (Madonna di San Simone) 1567

2. River Divinity (Città del Vaticano, Casino of Pius IV) 1563

3. Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) 1569

Top 10 malerier af Federico Barocci, set gennem galleriets øjne

Virgin and Child with Sts Simon and Jude (Madonna di San Simone)

1567 · Acrylic On Canvas · Galleria Nazionale delle Marche, Urbino

Federico Fiori Barocci’s “Virgin and Child with Sts Simon and Jude,” painted in 1567, stands as a cornerstone of Italian Renaissance art—a pivotal moment marking the transition towards the exuberant dynamism of the Baroque style. Executed for the Santuario Madonna dei Miracoli basilica in Saronno, Lombardy, this altarpiece embodies Barocci’s signature blend of meticulous observation and emotive spirituality, capturing an idealized depiction of motherhood and faith.

Historien bag dette originale værk

River Divinity (Città del Vaticano, Casino of Pius IV)

1563 · Graphite · Galleria degli Uffizi, Firenze

To gaze upon Federico Fiori Barocci's "River Divinity" is to step into a moment suspended between classical repose and profound vulnerability. This exquisite drawing, executed with the delicate precision of graphite on paper, immediately draws the viewer into its monochromatic embrace. It is not merely an image; it is a meditation rendered in shades of gray, black, and white—a visual whisper from the heart of the Renaissance spirit, yet imbued…

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Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo)

1569 · Charcoal · Galleria degli Uffizi, Firenze

To gaze upon this preparatory drawing by Federico Fiori Barocci is to witness art not as a finished statement, but as pure, unbridled thought taking physical form. This piece, titled "Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo)," offers us an intimate glimpse into the mind of a master at work. It is less a depiction to be admired…

Om dette originalværk

Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV)

1563 · Oil On Canvas · Galleria degli Uffizi, Firenze

In this 1563 fresco, Federico Barocci arranges the figures of the Holy Family within a pyramidal structure. At the center, the Virgin Mary and the infant Jesus are positioned beneath a concentrated halo of light. To their side, Saint Elizabeth is depicted with an outstretched hand, a gesture directed toward the central group. The young Saint Giovannino, representing John the Baptist, is also present within the scene. Surrounding these primary…

Historien bag dette originale værk

Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi)

1579 · Acrylic On Canvas · Galleria degli Uffizi, Firenze

Federico Barocci’s “Five Studies of Male Figure and two of His Right Hand and Arm,” created in 1579, isn’t merely a preparatory drawing; it’s a profound meditation on the act of creation itself. This intimate charcoal study, measuring just 20 x 32 cm, offers an unparalleled glimpse into the artist's meticulous process – a testament to Barocci’s dedication and his revolutionary approach to capturing human form. Far from a static…

Om dette originalværk

Francesco II della Rovere

1572 · Acrylic On Canvas · Galleria degli Uffizi, Firenze

Federico Fiori Barocci’s “Francesco II della Rovere” – A Portrait of Power and Renaissance Grace Federico Fiori Barocci, later known simply as Baroccio, stands as a pivotal figure bridging the Mannerist elegance of the late 16th century with the burgeoning dynamism of the Baroque. His portrait of Francesco Maria II della Rovere, painted in 1572, is not merely a likeness; it’s a carefully constructed tableau of power, lineage, and the…

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Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani)

1612 · Acrylic On Canvas · Galleria degli Uffizi, Firenze

Federico Fiori Barocci’s “Young Man’s Head with His Right Hand on His Face” – often referred to as “Assumption of the Virgin, Milano, Collezione Castelbarco Albani” – is not merely a portrait; it's a distilled essence of human vulnerability and a poignant meditation on mortality. Painted in 1612 during a period of profound artistic transition from Mannerism to Baroque, this intimate work offers a glimpse into the soul of its…

Historien bag dette originale værk

Composition Study (for “Circumcision”, Paris, musée du Louvre)

1590 · Acrylic On Canvas · Galleria degli Uffizi, Firenze

Federico Fiori Barocci's "Composition Study (for ‘Circumcision’, Paris, musée du Louvre)” isn’t merely a preparatory sketch; it’s a profound distillation of the artist’s vision for a monumental work depicting a pivotal scene from biblical history. Completed around 1590, this drawing offers an intimate glimpse into Barocci's meticulous process and reveals a remarkable sensitivity to light, gesture, and the emotional weight of the subject matter – the Circumcision of Isaac. It’s…

Om dette originalværk

Ritratto di monsignor Giuliano della Rovere

1595 · Oil On Canvas · Kunsthistorisches Museum, Wien

The portrait presents Monsignore Giuliano della Rovere in a moment of quiet study. Seated at a three-quarter length, the subject faces the viewer with a direct, focused gaze. He is positioned within an austere room characterized by grey walls, which provides a somber backdrop for his dark clerical attire. A diagonal line guides the eye from the upper left across the composition, leading toward a collection of books stacked in…

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Kirurgi af Jesus

1500 · Olie på lærred · Museo Archeologico Nazionale di Taranto, Taranto

Federico Barocci og Circumcisionens Malerie – Et Blik Ind i Renæssancens Efterår Barocci’s “Painting of the Circumcision,” udført omkring år 1590, er mere end blot en religiøs scene; det er et fascinerende udtryk for Federico Barocci selv og hans tidlige kunstneriske udvikling. Maleriet blev skabt til kirken Confraternita del Nome di Gesù i Pesaro af den florentinske maestro og prægede begyndelsen på hans karriere inden for den italienske kunstscene. Nu…

Historien bag dette originale værk

Federico Baroccis berømte malerier, nummer 11 til 94

Portrait of a Man (1579) af Federico Barocci

Portrait of a Man1579 · Hermitage Museum 12

Madonna di san Giovanni (1564) af Federico Barocci

Madonna di san Giovanni1564 · Galleria Nazionale delle Marche 13

Il Perdono di Assisi (1580) af Federico Barocci

Il Perdono di Assisi1580 · Galleria Nazionale delle Marche 14

Quintilia Fischieri (1600) af Federico Barocci

Quintilia Fischieri1600 · National Gallery of Art 15

Immacolata Concezione (1575) af Federico Barocci

Immacolata Concezione1575 · Galleria Nazionale delle Marche 16

Head of an Old Bearded Man, 1584-1586 (1586) af Federico Barocci

Head of an Old Bearded Man, 1584-15861586 · Albertina 17

Portrait of Ippolito della Rovere (1602) af Federico Barocci

Portrait of Ippolito della Rovere1602 · Italiens Ambassade i London 18

Head of Saint Mary Magdalene (1550) af Federico Barocci

Head of Saint Mary Magdalene1550 · Musée Bonnat-Helleu 19

Burial of Christ (1550) af Federico Barocci

Burial of Christ1550 20

Communion of Saint Magdalene (1573) af Federico Barocci

Communion of Saint Magdalene1573 · Bavarian State Painting Collections 21

Crocifissione con i dolenti (1566) af Federico Barocci

Crocifissione con i dolenti1566 · Galleria Nazionale delle Marche 22

The Virgin and Child in Glory with Saint Anthony Abbot and Saint Lucy (1587) af Federico Barocci

The Virgin and Child in Glory with Saint Anthony Abbot and Saint Lucy1587 23

Cristo e la Maddalena (1590) af Federico Barocci

Cristo e la Maddalena1590 · Bavarian State Painting Collections 24

Assumption1606 · Galleria Nazionale delle Marche 25

Portrait of men (1602) af Federico Barocci

Portrait of men1602 26

Saint Francis (1604) af Federico Barocci

Saint Francis1604 · Metropolitan Museum of Art 27

Martyrdom of Saint Catherine of Alexandria (1610) af Federico Barocci

Martyrdom of Saint Catherine of Alexandria1610 28

Annunciation1610 29

Portrait of Antonio Galli (1600) af Federico Barocci

Portrait of Antonio Galli1600 · Statens Museum for Kunst 30

Three Studies of Male Bust and Two of a Knee (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) (1583) af Federico Barocci

Three Studies of Male Bust and Two of a Knee (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera)1583 · Galleria degli Uffizi 31

Aeneas' Flight from Troy (detail) (1598) af Federico Barocci

Aeneas' Flight from Troy (detail)1598 · Galleria Borghese 32

Three Studies of Bending Figure and One of His Head (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) (1612) af Federico Barocci

Three Studies of Bending Figure and One of His Head (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani)1612 · Galleria degli Uffizi 33

The Nativity1597 · Museo del Prado 34

Three Studies of Sitting Figure, Drapery Sketches (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) (1583) af Federico Barocci

Three Studies of Sitting Figure, Drapery Sketches (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera)1583 · Galleria degli Uffizi 35

Three Studies of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche) (1595) af Federico Barocci

Three Studies of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche)1595 · Galleria degli Uffizi 36

Head of a Woman, 1568-1569 (1569) af Federico Barocci

Head of a Woman, 1568-15691569 · Albertina 37

Annunciation1582 · Vatikanets Pinacoteca 38

Donkey (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca dei Musei Vaticani) (1573) af Federico Barocci

Donkey (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca dei Musei Vaticani)1573 · Galleria degli Uffizi 39

Nude Male Figure Playing Hurdy-gurdy, Studies of His Bust, Head and Hands (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) (1579) af Federico Barocci

Nude Male Figure Playing Hurdy-gurdy, Studies of His Bust, Head and Hands (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi)1579 · Galleria degli Uffizi 40

Presentation of Virgin Mary at the Temple (1600) af Federico Barocci

Presentation of Virgin Mary at the Temple1600 · Santa Maria in Vallicella 41

Portrait of a Man (1572) af Federico Barocci

Portrait of a Man1572 42

Portrait of a Lady (1595) af Federico Barocci

Portrait of a Lady1595 · Hermitage Museum 43

The Farewell of Christ to His Mother (1612) af Federico Barocci

The Farewell of Christ to His Mother1612 · Musée Condé 44

Reclining Monk with Left Arm Leaning on a Rock (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche) (1595) af Federico Barocci

Reclining Monk with Left Arm Leaning on a Rock (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche)1595 · Galleria degli Uffizi 45

Figure genuflesse e studi di mani (per la af Federico Barocci

Figure genuflesse e studi di mani (per laGalleria degli Uffizi 46

Portrait of a Young Lady (1600) af Federico Barocci

Portrait of a Young Lady1600 · Statens Museum for Kunst 47

Portrait of a Young Woman (1570) af Federico Barocci

Portrait of a Young Woman1570 · Galleria degli Uffizi 48

The Adoration of the Magi (1561) af Federico Barocci

The Adoration of the Magi1561 · Rijksmuseum 49

Christ on the Cross (1604) af Federico Barocci

Christ on the Cross1604 · Museo del Prado 50

Male Figure Stooping to Lift a Cauldron (1590) af Federico Barocci

Male Figure Stooping to Lift a Cauldron1590 · Louvre 51

Female PortraitHermitage Museum 52

St Jerome1598 · Galleria Borghese 53

Eternal Father and Angels af Federico Barocci

Eternal Father and AngelsGalleria Nazionale delle Marche 54

The Head of a Priest, study for The Circumcision af Federico Barocci

The Head of a Priest, study for The CircumcisionNationalmuseum 55

Head of ChristBonnefanten Museum 56

Con una figura che sorregge l af Federico Barocci

Con una figura che sorregge lGalleria degli Uffizi 57

Francesco II della Rovere af Federico Barocci

Francesco II della Rovere 58

Rest on the Flight into Egypt af Federico Barocci

Rest on the Flight into EgyptStädel Museum 59

Cloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)1583 · Galleria degli Uffizi 60

Stone-thrower for the Martyrdom of St Vitalis (1582) af Federico Barocci

Stone-thrower for the Martyrdom of St Vitalis1582 · Art Gallery of South Australia 61

Head of a Shepherd, study for The Circumcision af Federico Barocci

Head of a Shepherd, study for The CircumcisionNationalmuseum 62

Saint LawrenceGalleria Nazionale delle Marche 63

Half-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) (1603) af Federico Barocci

Half-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella)1603 · Galleria degli Uffizi 64

Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies1579 · Galleria degli Uffizi 65

Man’s Head (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) (1583) af Federico Barocci

Man’s Head (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)1583 · Galleria degli Uffizi 66

Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera)1583 · Galleria degli Uffizi 67

Three Studies and a Sketch of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche); Profile1595 · Galleria degli Uffizi 68

Self-Portrait (1600) af Federico Barocci

Self-Portrait1600 · Residenzgalerie 69

Studies of Hand, Fingers and Leg, Foot Sketch (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca Vaticana) (1573) af Federico Barocci

Studies of Hand, Fingers and Leg, Foot Sketch (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca Vaticana)1573 · Galleria degli Uffizi 70

Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) (1583) af Federico Barocci

Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)1583 · Galleria degli Uffizi 71

Bending Male Bust; Two Hand Studies (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) (1603) af Federico Barocci

Bending Male Bust; Two Hand Studies (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella)1603 · Galleria degli Uffizi 72

Study of a Bent Right Arm (1590) af Federico Barocci

Study of a Bent Right Arm1590 · Louvre 73

Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio) af Federico Barocci

Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio)Galleria degli Uffizi 74

Drapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche) af Federico Barocci

Drapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche)Galleria degli Uffizi 75

Self portrait 76

One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)1583 · Galleria degli Uffizi 77

PuttoGalleria degli Uffizi 78

Face of a Woman with Downcast Eyes af Federico Barocci

Face of a Woman with Downcast EyesLouvre 79

Kneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta) af Federico Barocci

Kneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta)Galleria degli Uffizi 80

Schizzo compositivo (per l af Federico Barocci

Schizzo compositivo (per lGalleria degli Uffizi 81

Angels in Flight and Drapery Studies af Federico Barocci

Angels in Flight and Drapery StudiesGalleria degli Uffizi 82

Tre schizzi di figure af Federico Barocci

Tre schizzi di figureGalleria degli Uffizi 83

The Institution of the Eucharist (1608) af Federico Barocci

The Institution of the Eucharist1608 · Basilica di Santa Maria sopra Minerva 84

The nativityMuseo del Prado 85

Studies for the figure of Christ in the painting Noli me tangere af Federico Barocci

Studies for the figure of Christ in the painting Noli me tangereKupferstichkabinett 86

Madonna del Popolo (1575) af Federico Barocci

Madonna del Popolo1575 · Galleria degli Uffizi 87

The Madonna of the Cat (La Madonna del Gatto) af Federico Barocci

The Madonna of the Cat (La Madonna del Gatto)National Gallery 88

Descent from the Cross (1568) af Federico Barocci

Descent from the Cross1568 89

Aeneas' Flight from Troy af Federico Barocci

Aeneas' Flight from TroyGalleria Borghese 90

Rest on the Flight to Egypt af Federico Barocci

Rest on the Flight to Egypt 91

Portrait of a Young Man (1580) af Federico Barocci

Portrait of a Young Man1580 · Musée des Beaux-Arts de Strasbourg 92

AnnunciationMusée des Beaux-Arts de Nancy 93

The Circumcision (1590) af Federico Barocci

The Circumcision1590 · Louvre 94

Self-Portrait (1570) af Federico Barocci

Self-Portrait1570 · Galleria degli Uffizi

Federico Baroccis berømte malerier, periode for periode

Early Period

1550 – 1603 · 3 værker på denne liste

Madonna di san Giovanni (1564), Federico Barocci

#12 Madonna di san Giovanni 1564 · Galleria Nazionale delle Marche

Head of Saint Mary Magdalene (1550), Federico Barocci

#18 Head of Saint Mary Magdalene 1550 · Musée Bonnat-Helleu

Half-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) (1603), Federico Barocci

#63 Half-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) 1603 · Galleria degli Uffizi

Early Renaissance

1569 – 1583 · 3 værker på denne liste

Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) (1569), Federico Barocci

#3 Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) 1569 · Galleria degli Uffizi

Three Studies of Male Bust and Two of a Knee (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) (1583), Federico Barocci

#30 Three Studies of Male Bust and Two of a Knee (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) 1583 · Galleria degli Uffizi

#64 Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies 1579 · Galleria degli Uffizi

Mature Period

1561 – 1612 · 64 værker på denne liste

Virgin and Child with Sts Simon and Jude (Madonna di San Simone) (1567), Federico Barocci

#1 Virgin and Child with Sts Simon and Jude (Madonna di San Simone) 1567 · Galleria Nazionale delle Marche

Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV) (1563), Federico Barocci

#4 Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV) 1563 · Galleria degli Uffizi

Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) (1579), Federico Barocci

#5 Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) 1579 · Galleria degli Uffizi

Francesco II della Rovere (1572), Federico Barocci

#6 Francesco II della Rovere 1572 · Galleria degli Uffizi

Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) (1612), Federico Barocci

#7 Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) 1612 · Galleria degli Uffizi

Late Period

1602 – 1612 · 6 værker på denne liste

#24 Assumption 1606 · Galleria Nazionale delle Marche

Portrait of men (1602), Federico Barocci

#25 Portrait of men 1602

Martyrdom of Saint Catherine of Alexandria (1610), Federico Barocci

#27 Martyrdom of Saint Catherine of Alexandria 1610

#28 Annunciation 1610

The Farewell of Christ to His Mother (1612), Federico Barocci

#43 The Farewell of Christ to His Mother 1612 · Musée Condé

Motiverne, der fangede Federico Baroccis blik

De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.

De museer, der udstiller Federico Baroccis originalværker

De 8 museer, der rummer flest af malerierne på denne side.

Museum	By	Værker af Federico Barocci	Malerier fra denne liste
Galleria degli Uffizi	Firenze	36	River Divinity (Città del Vaticano, Casino of Pius IV), Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo), Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV)
Galleria Nazionale delle Marche	Urbino	8	Virgin and Child with Sts Simon and Jude (Madonna di San Simone), Madonna di san Giovanni, Il Perdono di Assisi
Louvre	Paris	4	Male Figure Stooping to Lift a Cauldron, Study of a Bent Right Arm, Face of a Woman with Downcast Eyes
Hermitage Museum	Sankt Petersborg	3	Portrait of a Man, Portrait of a Lady, Female Portrait
Galleria Borghese	Rom	3	Aeneas' Flight from Troy (detail), St Jerome, Aeneas' Flight from Troy
Museo del Prado	Madrid	3	The Nativity, Christ on the Cross, The nativity
Albertina	Wien	2	Head of an Old Bearded Man, 1584-1586, Head of a Woman, 1568-1569
Bavarian State Painting Collections	München	2	Communion of Saint Magdalene, Cristo e la Maddalena

Federico Barocci gennem årtierne: ét unikt originalværk til hver

Værker per årti

Vælg et årti for at se det originale værk, der definerer det.

1560s

Virgin and Child with Sts Simon and Jude (Madonna di San Simone)

Rangeret som nr. 1 ud af 94 · Galleria Nazionale delle Marche, Urbino

Alder 25 – 34 9 værker i dette årti

Historien bag dette originale værk

Federico Baroccis malerier: spørgsmål til galleriet

Hvad er det mest berømte værk af Federico Barocci?Vis svaret

Virgin and Child with Sts Simon and Jude (Madonna di San Simone) (1567), Galleria Nazionale delle Marche, Urbino. Derefter følger River Divinity (Città del Vaticano, Casino of Pius IV) (1563) og Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) (1569).

Hvilken alder havde Federico Barocci, da Virgin and Child with Sts Simon and Jude (Madonna di San Simone) blev skabt?Vis svaret

32 år gammel: Virgin and Child with Sts Simon and Jude (Madonna di San Simone) er fra 1567, og Federico Barocci blev født i 1535.

Hvilke ti malerier af Federico Barocci er de mest berømte?Vis svaret

Virgin and Child with Sts Simon and Jude (Madonna di San Simone), River Divinity (Città del Vaticano, Casino of Pius IV), Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo), Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV), Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi), Francesco II della Rovere, Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani), Composition Study (for “Circumcision”, Paris, musée du Louvre), Ritratto di monsignor Giuliano della Rovere og Kirurgi af Jesus. Ranglisten ovenfor viser det enkelte værks årstal og museum.

Hvor mange værker af Federico Barocci er kendt?Vis svaret

Vores katalog indeholder 116 værker af Federico Barocci, dateret fra 1550 til 1612.

Hvor kan de mest berømte originaler af Federico Barocci ses?Vis svaret

Primært i Galleria degli Uffizi (Firenze), Galleria Nazionale delle Marche (Urbino) og Louvre (Paris). Museumslisten ovenfor viser dem alle.

I hvilken periode skabte Federico Barocci sine mest kendte malerier?Vis svaret

I 1570s: 13 af de 94 værker på denne side blev skabt dengang, herunder Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi).

Hvilket berømt maleri af Federico Barocci er det tidligste, og hvilket er det seneste?Vis svaret

På denne side er det tidligste Head of Saint Mary Magdalene (1550) og det seneste Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) (1612).

Hvilke motiver foretrak Federico Barocci?Vis svaret

Renaissance (30), Woman (19) og Man (18), fordelt på de 94 værker på denne side.

Hvilke materialer brugte Federico Barocci mest til sine malerier?Vis svaret

Oil On Canvas, for 32 af de 94 værker på denne side.

Hvilken stilart tilhører værkerne fra Federico Barocci?Vis svaret

Manierisme, baseret på originalerne på denne side.

Hvilke originalværker af Federico Barocci kan jeg se på Galleria degli Uffizi?Vis svaret

River Divinity (Città del Vaticano, Casino of Pius IV), Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) og Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV): Galleria degli Uffizi, Firenze har 36 af værkerne på denne side.

Federico Barocci: et portræt af kunstneren

Tidlig Liv og Uddannelse

Federico Fiori Barocci, født i Urbino i Italien i 1535, var en af renæssancens mest betydningsfulde malere, hvis kunstneriske vision broede overgangen til barokken. Oprindeligt kendt som Federico Fiori, fik han hurtigt kælenavnet “il Baroccio”, et udtryk der i det nordvestlige Italiens dialekter betegnede en to-hjulet vogn trukket af okser – et navn der måske antyder hans families beskedne oprindelse eller blot var et lokalt øgenavn. Hans første kunstneriske indflydelse kom fra hans far, Ambrogio Barocci, en respekteret skulptør i Urbino, hvor Federico fik sin tidligste træning og lærte håndværket at forme og modellere. Senere blev han sat i lære hos maleren Battista Franco, også i Urbino, hvilket lagde et solidt fundament for hans fremtidige succes og udvikling som kunstner. Denne formative periode var afgørende for Baroccis forståelse af komposition, farve og teknik.

Kunstnerisk Karriere og Indflydelser

Baroccis talent blomstrede hurtigt, og hans værker blev snart højt værdsat for deres elegance, følelsesmæssige dybde og innovative brug af lys og skygge. Han rejste til Rom, hvor han arbejdede i det anerkendte atelier hos Taddeo og Federico Zuccari, hvilket udsatte ham for en bred vifte af kunstneriske strømninger og ideer. Hans tidlige mesterværk, “St. Margaret”, udført for et religiøst broderskab, demonstrerede allerede hans evne til at skabe smukke og bevægende billeder. Et vigtigt vendepunkt i hans karriere kom med invitationen fra pave Pius IV til at bidrage til udsmykningen af Vatikanets Belvedere-palads. Her malede han Jomfru Maria med barnet, omgivet af helgener, samt et imponerende loftsfresko der skildrede Bebudelsen – opgaver der cementerede hans ry som en fremtrædende kunstner i Rom. Baroccis stil var unik og karakteriseret ved en blanding af manierismens elegance og barokkens dramatik, hvilket gjorde ham til en pioner inden for sin tid.

Bemærkelsesværdige Værker og Arv

Barocci efterlod sig et rigt arv af mesterværker, der fortsat fascinerer kunstelskere verden over. “Five Studies of Male Figure and two of His Right Hand and Arm” (Uffizi-galleriet, Firenze) er et vidnesbyrd om hans exceptionelle evne til at fange den menneskelige form og anatomi med præcision og finesse. “Composition Study” (for “Circumcision”, Paris, Louvre-museet) illustrerer hans dygtighed i at balancere komposition og følelsesmæssig udtryk. “Man’s Head” (for “Calling of Saint Andrew”, Bruxelles, Musées Royaux des Beaux-Arts de Belgique) fremhæver hans opmærksomhed på detaljer og evne til at formidle psykologisk dybde i portrætter. Blandt hans mest berømte værker er også det smukke oliemaleri “The Nativity” (1597, Prado-museet), den rørende “Madonna del Popolo” (Uffizi-galleriet, Firenze) og den elskede “La Madonna del Gatto”, der udstråler varme og ømhed. Hans freskoer i Urbino og andre italienske byer er ligeledes eksempler på hans kunstneriske genialitet.

Kunstnerisk Indflydelse og Efterfølgere

Baroccis indflydelse strakte sig langt ud over hans egen tid og kan tydeligt spores i værkerne af mange efterfølgende kunstnere, især Peter Paul Rubens, der var dybt inspireret af Baroccis dramatiske lyssætning, emotive penselføring og evne til at skabe bevægende religiøse scener. Hans innovative brug af pasteltoner og bløde farver banede vejen for nye kunstneriske udtryksformer. Gennem hans talrige værker, der nu findes på prestigefyldte museer som Uffizi-galleriet (Firenze) og Louvre-museet (Paris), fortsætter Baroccis arv med at inspirere og berige kunstverdenen. Han betragtes i dag som en af de vigtigste overgangsfigurer mellem renæssancen og barokken, hvis kunstneriske vision har haft en varig indflydelse på udviklingen af vestlig malerkunst.

Alle 116 værker af Federico Barocci →

Top 10 malerier af Federico Barocci, set gennem galleriets øjne

Federico Baroccis berømte malerier, nummer 11 til 94

Federico Baroccis berømte malerier, periode for periode

Early Period

Early Renaissance

Mature Period

Late Period

Motiverne, der fangede Federico Baroccis blik

Renaissance 30 værker

Woman 19 værker

Man 18 værker

Baroque 16 værker

De museer, der udstiller Federico Baroccis originalværker

Federico Barocci gennem årtierne: ét unikt originalværk til hver

Værker per årti

Federico Baroccis malerier: spørgsmål til galleriet

Federico Barocci: et portræt af kunstneren

Tidlig Liv og Uddannelse

Kunstnerisk Karriere og Indflydelser

Bemærkelsesværdige Værker og Arv

Kunstnerisk Indflydelse og Efterfølgere