Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 44 værker af Giulio Cesare Procaccini i vores katalog
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Af alle de originale værker, som Giulio Cesare Procaccini efterlod, er det mest berømte The Annunciation (1620), som er en del af samlingen på Louvre i Paris. Lige efter følger Samson and the Philistines (1625) og The Raising of the Cross (1617). Vores katalog indeholder 44 værker af Giulio Cesare Procaccini; galleriet har bevaret de 42 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.
In the masterpiece The Annunciation, created in 1620, Giulio Cesare Procaccini captures the profound moment when the angel Gabriel announces to the Virgin Mary that she will bear a son, Jesus. The composition is defined by a sense of movement and energy, with the figures of Gabriel and Mary arranged along a diagonal line. Through the masterful use of chiaroscuro, the artist employs strong contrasts between light and dark to…
The canvas is a knot of twisting limbs and straining muscle. Samson and the Philistines collide in a dense, chaotic fray where the air seems thick with the scent of dust and iron. Diagonal lines of bone and steel cut through the center of the struggle, pulling the eye into the immediate violence of the combat. Deep ochre and sienna tones ground the scene, while pale flesh tones catch a…
The canvas is a collision of muscle and shadow. A heavy, tilted cross cuts a sharp diagonal across the dark space, forcing the eye upward toward the pale, contorted torso of Christ. Light falls with a sudden, theatrical intensity, catching the tension in a strained limb and the wetness of a wound. Around this central agony, figures press inward, their bodies twisting in a rhythmic, organic struggle against the weight…
Shadows press in from the edges of the frame, creating a dark, indeterminate space that pushes the figures toward the viewer. In this quiet pocket of time, the Holy Family finds a brief respite. The infant Christ lies reclined, his pale, luminous skin acting as the primary source of light within the composition. Mary and Joseph lean toward him, their bodies forming a protective, pyramidal shape that anchors the scene.…
In this 1617 oil painting, we find ourselves in an intimate encounter with Cupid, captured in a moment of quiet, focused movement. The young figure is seen from a three-quarter rear view, reaching upward toward a quiver of arrows, a gesture that suggests both innocence and the impending weight of his mythological duty. The composition is centered, drawing the eye immediately to the soft, fleshy tones of the child's skin,…
Coronation of the Virgin with Saints Joseph and Francis of Assisi is an oil on panel by the Italian artist Giulio Cesare Procaccini. Born in Bologna, Italy, in 1574, Procaccini established himself as a significant figure in the early Baroque era before his death in 1625. This specific work is an autonomous composition rather than a modello or preparatory study.
The Lowering of the Cross with Sts Mary Magdalene, Augustine, Jerome and Angels is a significant work by Giulio Cesare Procaccini, executed circa 1618. The artist was a leading painter active in Lombardy and Milan during the early 17th century, contributing to the expressive dynamism of the era.
In this intimate oil painting from 1587, we find ourselves drawn into a private, sacred moment between Mary and the Christ Child. The composition is built upon a stable, triangular arrangement that directs the eye toward the center of the holy family. Mary is draped in a red garment and a blue mantle, her presence defined by the soft, pale skin of her face and the infant held in her…
The Lamentation of Christ is a significant religious work by the Italian painter Giulio Cesare Procaccini. Created about 1611, this oil painting captures a moment of profound sorrow following the crucifixion. The composition centers on the figure of Jesus Christ, whose presence forms the emotional and physical anchor of the piece.
In this oil painting on panel, the central figures are the Virgin Mary and the Christ Child, positioned closely within a tight, focused arrangement. The background is composed of deep, pitch-black shadows that create a sense of tenebrism. From an unseen source, highly directional light emerges to illuminate the pale skin tones of the subjects and the textures of their clothing. This lighting highlights the faces and limbs against the…
Holy Family1587 · Bavarian State Painting Collections
12
The Marriage of Saint Catherine1587 · Bavarian State Painting Collections
13
Holy Family with Angel1587 · Bavarian State Painting Collections
14
Mary Magdalen with Saint John the Baptist and an Angel1600 · Attingham Park
15
The Apotheosis of Saint Charles Borromeo1620 · National Gallery of Ireland
16
The Holy Family with Angels1610 · Royal Collection
17
Dead Christ with Angels1617 · Scottish National Gallery
18
Peace Driving War away1620
19
Martyrdom of Saint Justina1609
20
The Ecstasy of the Magdalen1620 · National Gallery of Art
21
Madonna and Child with St. John and an Angel1610 · Kunsthistorisches Museum
22
Madonna with child, John the Baptist, and an angel1750 · Bavarian State Painting Collections
23
The Virgin and Child with the Infant St John the Baptist and Attendant AngelsNational Gallery of Scotland
24
Ecce Homo1615 · Dallas Museum of Art
25
Holy Family1587 · Bavarian State Painting Collections
26
Holy Family with John the Baptist and an Angel1620 · Hermitage Museum
27
Venus and Cupids1620
28
Madonna and Child with Sts Francis and Dominic and Angels1610 · Metropolitan Museum of Art
29
Matyrdom of St Rufina and St Seconda (detail)1625 · Pinacoteca di Brera
30
Madonna and ChildHermitage Museum
31
Holy FamilyMusée de Grenoble
32
The Scourging of ChristMuseum of Fine Arts
33
Nativity
34
Susanna and the Elders
35
St Sebastian Tended by Angels1610 · Musées Royaux des Beaux-Arts
36
Saint CatherineWorcester Art Museum
37
The Martyrdom of St Sebastian
38
Agony in the Garden1618 · Museo del Prado
39
Marriage of the Virgin1617 · Galleria Nazionale
40
Appearance of Christ to Saint Roch1624
41
The Mystic Marriage of St CatherinePinacoteca di Brera
42
Matyrdom of St Rufina and St Seconda1625 · Pinacoteca di Brera
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Giulio Cesare Procaccini | Malerier fra denne liste |
|---|---|---|---|
 Bavarian State Painting Collections |
München | 6 | Mary with the Christ Child, Holy Family, The Marriage of Saint Catherine |
 Scottish National Gallery |
Edinburgh | 3 | The Raising of the Cross, Cupid, Dead Christ with Angels |
 Pinacoteca di Brera |
Milano | 3 | Matyrdom of St Rufina and St Seconda (detail), The Mystic Marriage of St Catherine, Matyrdom of St Rufina and St Seconda |
 Museo del Prado |
Madrid | 2 | Samson and the Philistines, Agony in the Garden |
 Kunsthistorisches Museum |
Wien | 2 | Lamentation of Christ, Madonna and Child with St. John and an Angel |
 Hermitage Museum |
Sankt Petersborg | 2 | Holy Family with John the Baptist and an Angel, Madonna and Child |
 Louvre |
Paris | 1 | The Annunciation |
 Statens Museum for Kunst |
København | 1 | The Holy Family. The Rest on the Flight into Egypt |
Vælg et årti for at se det originale værk, der definerer det.
In this intimate oil painting from 1587, we find ourselves drawn into a private, sacred moment between Mary and the Christ Child. The composition is built upon a stable, triangular arrangement that directs the eye toward the center of the holy family. Mary is draped in a red garment and a blue mantle, her presence defined by the soft, pale skin of her face and the infant held in her…
Coronation of the Virgin with Saints Joseph and Francis of Assisi is an oil on panel by the Italian artist Giulio Cesare Procaccini. Born in Bologna, Italy, in 1574, Procaccini established himself as a significant figure in the early Baroque era before his death in 1625. This specific work is an autonomous composition rather than a modello or preparatory study.
The canvas is a collision of muscle and shadow. A heavy, tilted cross cuts a sharp diagonal across the dark space, forcing the eye upward toward the pale, contorted torso of Christ. Light falls with a sudden, theatrical intensity, catching the tension in a strained limb and the wetness of a wound. Around this central agony, figures press inward, their bodies twisting in a rhythmic, organic struggle against the weight…
In the masterpiece The Annunciation, created in 1620, Giulio Cesare Procaccini captures the profound moment when the angel Gabriel announces to the Virgin Mary that she will bear a son, Jesus. The composition is defined by a sense of movement and energy, with the figures of Gabriel and Mary arranged along a diagonal line. Through the masterful use of chiaroscuro, the artist employs strong contrasts between light and dark to…
The Annunciation (1620), Louvre, Paris. Derefter følger Samson and the Philistines (1625) og The Raising of the Cross (1617).
46 år gammel: The Annunciation er fra 1620, og Giulio Cesare Procaccini blev født i 1574.
The Annunciation, Samson and the Philistines, The Raising of the Cross, The Holy Family. The Rest on the Flight into Egypt, Cupid, Coronation of the Virgin with Saints Joseph and Francis of Assisi, The Lowering of the Cross with Sts Mary ..., Mary with the Christ Child, Lamentation of Christ og Virgin and Child with Angels. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 44 værker af Giulio Cesare Procaccini, dateret fra 1587 til 1625.
Primært i Bavarian State Painting Collections (München), Scottish National Gallery (Edinburgh) og Pinacoteca di Brera (Milano). Museumslisten ovenfor viser dem alle.
I 1610s: 14 af de 42 værker på denne side blev skabt dengang, herunder The Raising of the Cross.
På denne side er det tidligste Mary with the Christ Child (1587) og det seneste Samson and the Philistines (1625).
Woman (18), Child (14) og Drapery (11), fordelt på de 42 værker på denne side.
Oil On Canvas, for 22 af de 42 værker på denne side.
Baroque, baseret på originalerne på denne side.
Mary with the Christ Child, Holy Family og The Marriage of Saint Catherine: Bavarian State Painting Collections, München har 6 af værkerne på denne side.
Giulio Cesare Procaccini står som en central skikkelse i det spirende kunstneriske landskab i det tidlige barok-Milan, hvor han markerede en afgørende overgang fra manierismens formalisme til den ekspressive dynamik, der skulle definere en hel æra. Han blev født i Bologna i 1574 og stammede fra en slægt dybt forankret i en stærk kunstnerisk tradition; hans far, Ercole Procaccini den Ældre, var selv en bemærkelsesværdig manieristisk maler. Denne arv prægede hans formative år dybt og indpodede i ham en forståelse for nuancerede stilistiske kompleksiteter og en teknisk stringens, som senere gjorde det muligt for ham mesterligt at forene ynde med storhed. Omkring år 1585, ansporet af det indflydelsesrige mæcenat fra Pierro Visconti, flyttede familien til Milano, hvilket etablerede en afgørende forbindelse til en af Italiens rigeste kunstsamlere og skabte et miljø, der var modent til den kunstneriske eksperimenteren, som skulle blive Procaccinis varemærke.
Kunstnerens kreative rejse begyndte ikke med penslen, men med mejslen. Hans tidlige uddannelse var rodfæstet i skulpturelle bestræbelser, primært fokuseret på de hellige rum i Milanos Domkirke og Santa Maria presso San Celso. Dette taktile fundament i skulpturen efterlod et uudsletteligt præg på hans senere malerier, hvilket kom til udtryk i en unik sans for volumen, vægt og anatomisk nærvær. Han overgik dog gradvist til maleriet, da han indså dets uovertrufne evne til at formidle intens emotion og himmelsk lys. I denne udviklingsperiode bevægede Procaccini sig i Milanos højeste intellektuelle cirkler og knyttede bånd til lysestøber som Giovanni Battista Crespi, kendt som Il Cerano, og Pier Francesco Mazzucchelli, også kendt som Il Morazzone. Under det åndelige og materielle vejlederskab fra kardinal Federico Borromeo blev Procaccinis kreative virke drevet mod storhed, hvilket gjorde det mulativt for ham at indfange selve ånden i modreformationen.
Procaccinis modne stil er en bjergtagende syntese af forskellige europæiske indflydelser, mest bemærkelsesværdigt den livlige kolorisme fra den venetianske skole og de svungne, energiske kompositioner fra Peter Paul Rubens. Hans værker er karakteriseret ved en dramatisk brug af chiaroscuro, hvor dybe skygger danser mod lysende højlys for at skabe en følelse af teatralsk bevægelse. I mesterværker som Bebudelsen kan man opleve dette barokke drama på tætteste hold, idet levende farver og hvirvlende draperinger fremkalder en dyb følelse af guddommelig indgriben. Hans evne til at manipulere lyset gjorde det muligt for ham at indblæse liv i religiøse fortællinger og transformere statiske ikoner til levende, åndende øjeblikke af spirituel ekstase.
Hans tekniske overlegenhed er måske mest tydelig i hans store religiøse bestillingsværker, som tjente både som kunstneriske triumfer og som redskaber for troen. Blandt de mest bemærkelsesværdige eksempler findes:
Den historiske betydning af Giulio Cesare Procaccini ligger i hans rolle som brobygger mellem to verdener. Han tog den sofistikerede og ofte kunstige elegance fra manierismen og besjælede den med en ny, visceral menneskelighed, der resonerede med den religiøse iver i 1600-tallets Italien. Hans arbejde skildrer ikke blot en scene; det inviterer beskueren ind i en sanselig oplevelse af det guddommelige. Gennem sin beherskelse af farve, lys og bevægelse var han med til at etablere Milano som et vigtigt centrum for barok ekspertise og efterlod en arv af altertavler og fresker, der fortsat fanger den moderne fantasi med deres dybe emotionelle dybde og tekniske genialitet.
