Baroque · 1631
The Annunciation (Matthias Stom, 1631)
Matthias Stom (1600–1650) har skabt The Annunciation. Det er fra 1631. Det tilhører Baroque-bevægelsen. Den er udført i Oil On Canvas. Det opbevares på Kunsthistorisches Museum i Wien, Østrig. Målene er 117 × 171.5 cm.
- 1631
- Oil On Canvas
- 117 × 171.5 cm
- Kunsthistorisches Museum, Wien
The Annunciation kort fortalt
- Titel
- The Annunciation
- Kunstner
- Matthias Stom (1600–1650)
- Kunstner født i
- Amersfoort, Netherlands
- Dato
- 1631
- Medium
- Oil On Canvas
- Dimensioner
- 117 × 171.5 cm
- Hvor det kan ses
- Kunsthistorisches Museum, Wien, Østrig
- Bevægelse
- Baroque
- Periode
- Early Modern
- Motiv
- woman, angel, lily, red cloak, blue drapery, wings
Hvad forestiller The Annunciation?
Identification of The Annunciation by Matthias Stom
The Annunciation is an oil on canvas by Matthias Stom. This work captures a specific biblical scene where the Virgin Mary is visited by an angel. She is often depicted in the act of reading when the divine messenger arrives to deliver the news. The painting measures 117 x 171.5 cm.
The artist, Matthias Stom, was a Dutch painter who spent many years in Italy. This particular piece was created about 1631. It focuses on the intimate, silent moment of revelation between the celestial visitor and the woman. The scale of the canvas allows for a heavy presence of light and shadow within the sacred encounter.
Technical Details and Artistic Influence
The oil on canvas carries the weight of the Baroque and Caravaggesque style. Light acts as a sculptor here, carving form out of a dark, atmospheric void. This technique relies on a sophisticated command of chiaroscuro, where a strong light source from the upper right illuminates the faces and hands of the subjects. Such dramatic contrast defines the religious art of the period, grounding the divine encounter in a tangible, physical reality.
Stom’s hand moves with a quiet precision. Smooth brushwork renders the fine details of the scene, from the delicate texture of the lily held by Gabriel to the heavy, sculptural folds of the drapery. This meticulousness reflects a Northern sensibility applied to the intense, tenebristic traditions of Italy. The artist’s style emerged from a convergence of influences, absorbing the dramatic lighting of the followers of Caravaggio and the heavy, emotive realism found in the works of Jusepe de Ribera and Peter Paul Rubens.
The composition relies on organic, fluid shapes and a shallow perspective. By overlapping the figures, the artist creates an intimate space that pulls the viewer into the immediate tension of the revelation. The interplay of deep blues, vibrant reds, and warm golds against earthy shadows creates a sense of weight and texture. It is a study of light emerging from shadow.
Current Location and Museum Collection
The oil on canvas resides within the Kunsthistorisches Museum in Vienna. It is held as part of the Gemäldegalerie collection. The work carries the accession number 5806. This specific piece is also associated with the Galleria degli Uffizi in Florence.
The painting remains a physical presence in these halls. It rests under the quiet stewardship of these institutions. A shadow of its history connects it to both Vienna and Florence. The light of the gallery finds the surface of the canvas.
Hvilket museum udstiller The Annunciation?
Kunsthistorisches Museum
Wien, Østrig
Historien om Kunsthistorisches Museum Kunsthistorisches Museum i Wien, Østrig, udsprang af et ønske om at give offentligheden adgang til de enorme skatte, som Habsburg-familien besad. Institutionen blev grundlagt i 1871 på initiativ fra kejser Franz Joseph I med det formål at huse disse kejserlige kunstsamlinger. Projektet var en monumental opgave for monarkiet, da det markerede overgangen fra private skatte til et rum dedikeret til offentlig fremvisning.
Højopløselige billeder af The Annunciation
Public domain: kunstneren døde i 1650.
Andre størrelser, beskæringer og kildehenvisning →Matthias Stom, The Annunciation (1631), Kunsthistorisches Museum. Public domain
Spørgsmål om The Annunciation besvaret
Hvilket museum udstiller det originale "The Annunciation"?
Du kan se det originale værk "The Annunciation" på Kunsthistorisches Museum, Wien, Østrig.
Hvornår er "The Annunciation" af Matthias Stom skabt?
"The Annunciation" af Matthias Stom blev skabt i 1631.
Hvilken teknik er brugt til "The Annunciation" af Matthias Stom?
"The Annunciation" er udført i Oil On Canvas.
Hvad er målene på det originale "The Annunciation" af Matthias Stom?
De registrerede mål for "The Annunciation" af Matthias Stom er 117.0 x 171.5cm. Reproduktioner kan bestilles i andre størrelser, mens de samme proportioner bevares.
Hvad forestiller "The Annunciation" af Matthias Stom?
Motiverne i "The Annunciation" er woman, angel, lily, red cloak, blue drapery, wings, hands.
Er "The Annunciation" af Matthias Stom i det offentlige domæne?
Hvad angår ophavsret, er "The Annunciation" i det offentlige domæne – ophavsretten er udløbet.
Hvem har skabt "The Annunciation"?
"The Annunciation" tilskrives Matthias Stom.
Hvilken kunstretning tilhører "The Annunciation" af Matthias Stom?
Kunstretningen forbundet med "The Annunciation" af Matthias Stom er Baroque. Denne klassificering placerer værket blandt relaterede kunstnere og kunstværker.
Hvilken periode i Matthias Stoms karriere tilhører "The Annunciation"?
"The Annunciation" repræsenterer Matthias Stoms Italian Period.
Om kunstneren, Matthias Stom
1600–1650, Netherlands
Matthias Stom
Stomer Mathias: A Caravaggist’s Journey Through Italy The name Stomer Mathias, a figure shrouded in the mists of 17th-century art history, represents a fascinating convergence of Dutch artistic training and Italian Caravaggesque influence. Born around 1600, likely in Amersfoort, Netherlands – though definitive proof remains elusive – Mathias’s life was one dedicated to mastering and adapting the dramatic style pioneered by Michelangelo Merisi da Caravaggio. He wasn't a household name during his lifetime, often overshadowed by more prominent contemporaries, yet his output of approximately 200 paintings offers a compelling glimpse into a pivotal period in European art. Early accounts suggest Mathias received his initial artistic education within the Utrecht Mannerist tradition, possibly under the tutelage of Abraham Bloemaert and Joachim Wtewael – artists known for their meticulous detail and refined compositions.