Portrét Michele Marieschi

43 nejslavnějších obrazů autora Michele Marieschi, každý naprosto unikátní

Aktualizováno říjen 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 46 děl umělce Michele Marieschi v našem katalogu

Stručně řečeno

The Grand Canal near the Salute (1733) je obraz autora Michele Marieschi, který přitahuje nejvíce pohledů; originál se nachází v Louvre, Paříž. Poté se zrak přesouvá k Capriccio with Classical Arch and Goats (1741) a The Grand Canal with the Ca' Rezzonico and the Campo San Samuele (1742). Z 46 děl umělce Michele Marieschi v našem katalogu je těchto 43 těch nejznámějších; každé z nich je unikátním originálem s uvedením roku vzniku, muzea a důvodu jeho nesmrtelnosti.

1710 – 1743, Venice Rococo Nejvíce děl: Národní muzeum ve Varšavě

Top 10 obrazů autora Michele Marieschi podle výběru galerie

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Capriccio with Classical Arch and Goats (1741) od Michele Marieschi

Capriccio with Classical Arch and Goats

1741 · Oil On Canvas · Gallerie dell'Accademia di Venezia, Benátky

The composition centers on the intersection of human architecture and the persistent force of the natural world. Crumbling stone arches and weathered columns, once symbols of structural precision, now lie partially reclaimed by thick foliage and creeping vines. In the foreground, a man, a boy, and a dog move through the ruins, providing a sense of scale against the heavy, decaying masonry. Beyond this immediate scene, a body of water…

3
The Grand Canal with the Ca' Rezzonico and the Campo San Samuele (1742) od Michele Marieschi

The Grand Canal with the Ca' Rezzonico and the Campo San Samuele

1742 · Oil On Canvas · Staatliche Museen zu Berlin, Berlín

The oil on canvas titled The Grand Canal with the Ca' Rezzonico and the Campo San Samuele captures a specific slice of Venetian life. Painted by Michele Marieschi, the work dates to about 1742. It presents a wide view of the waterways that define the city, focusing on the intersection of grand architecture and the constant movement of the canals.

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Courtyard with a Staircase (1735) od Michele Marieschi

Courtyard with a Staircase

1735 · Oil On Canvas · Státní Ermitáž, Sankt-Petěrburg

Courtyard with a Staircase is an oil on canvas work by Michele Marieschi, executed in 1735. The composition functions as an architectural fantasy, presenting a structured arrangement of a staircase within a courtyard setting. This work belongs to the Venetian School, reflecting the topographical and imaginative traditions of 18th-century Italy.

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The Grand Canal in Venice (1700) od Michele Marieschi

The Grand Canal in Venice

1700 · Oil · Museo di Capodimonte, Neapol

In the heart of the eighteenth century, Venice was not merely a city but a stage, a shimmering spectacle of light and water where every canal served as a corridor for drama and commerce. Michele Marieschi, a master of the veduta, captures this ephemeral magic in his breathtaking work, The Grand Canal in Venice. This painting serves as a portal to a bygone era, inviting the viewer to step onto…

6
Most Rialto z Riva del Vin (1740) od Michele Marieschi

Most Rialto z Riva del Vin

1740 · Akryl na plátně · Státní Ermitáž, Sankt-Petěrburg

Michele Marieschi: Životopisný Přehled a Významné Dílo Michele Giovanni Marieschi (1710 – 18 يناير 1744) představuje jedinečnou osobnost v uměleckém kraji Benátek během Rokoko období, především pro své ohromující krajinky a panoramatické výhledy – veduty –, které zachycují ducha doby s pozoruhodným životností a inovací. Jeho biografické údaje zůstávají nedostatečné, Marieschiho dědictví však spočívá v jeho schopnosti transformovat obyčejné výhledy na nádherná obrazová díla nabitá světlem, barvami a mistrovským porozuměním…

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The Grand Canal with Santa Maria della Salute (1730) od Michele Marieschi

The Grand Canal with Santa Maria della Salute

1730 · Oil On Canvas · Thyssen-Bornemisza Museum, Madrid

The oil on canvas depicts the Grand Canal in Venice, Italy, as it appeared in 1730. At the terminus of the waterway, the Santa Maria della Salute church occupies the central focus. The structure features a prominent dome and smaller domes situated on either side. The building's architecture is characterized by its position at the end of the canal, which directs the eye toward the church's facade. Numerous gondolas and…

Slavná díla umělce Michele Marieschi, čísla 11 až 43

11Fantastic Architecture of a Palace Courtyard (1730) od Michele MarieschiFantastic Architecture of a Palace Courtyard1730 · Národní muzeum ve Varšavě 12Riva degli Schiavoni (1730) od Michele MarieschiRiva degli Schiavoni1730 · Národní muzeum ve Varšavě 13Coastal Landscape (1730) od Michele MarieschiCoastal Landscape1730 · Národní muzeum ve Varšavě 14Fantastic Landscape with Ruins (1730) od Michele MarieschiFantastic Landscape with Ruins1730 · Národní muzeum ve Varšavě 15Italian scenery with figures (1727) od Michele MarieschiItalian scenery with figures1727 16View of the Piazzetta dei Leoni (1734) od Michele MarieschiView of the Piazzetta dei Leoni1734 · Bavarské státní sbírky malby 17Saint Mark's Church and the Square in Venice (1739) od Michele MarieschiSaint Mark's Church and the Square in Venice1739 18View of the Grand Canal near Cà Pesaro (1734) od Michele MarieschiView of the Grand Canal near Cà Pesaro1734 · Bavarské státní sbírky malby 19Landscape Capriccio (1735) od Michele MarieschiLandscape Capriccio1735 · Minneapolis Institute of Art 20The Church of Santa Maria della Salute, Venice (1740) od Michele MarieschiThe Church of Santa Maria della Salute, Venice1740 · Art Institute of Chicago 21Courtyard in a Renaissance House (1742) od Michele MarieschiCourtyard in a Renaissance House1742 · Nationalmuseum 22Stairwell in a Renaissance Palace (1742) od Michele MarieschiStairwell in a Renaissance Palace1742 · Nationalmuseum 23Architectural fantasy featuring a palace courtyard (1738) od Michele MarieschiArchitectural fantasy featuring a palace courtyard1738 · Národní muzeum ve Varšavě 24The Grand Canal with the Fishmarket (detail) (1740) od Michele MarieschiThe Grand Canal with the Fishmarket (detail)1740 25The Grand Canal at San Geremia (1740) od Michele MarieschiThe Grand Canal at San Geremia1740 26The Grand Canal with the Fishmarket (1740) od Michele MarieschiThe Grand Canal with the Fishmarket1740 27View of the Rio di Cannareggio (1740) od Michele MarieschiView of the Rio di Cannareggio1740 28The Grand Canal at San Geremia (detail) (1740) od Michele MarieschiThe Grand Canal at San Geremia (detail)1740 29The Grand Canal with the Palazzo Labia and Entry to the Cannareggio (1742) od Michele MarieschiThe Grand Canal with the Palazzo Labia and Entry to the Cannareggio1742 · Staatliche Museen zu Berlin 30Capriccio with Gothic Building and Obelisk (1741) od Michele MarieschiCapriccio with Gothic Building and Obelisk1741 · Gallerie dell'Accademia di Venezia 31Piazza San Marco, Venice, with Saint Mark's Basilica, the Campanile and the Procuratie Nuove od Michele MarieschiPiazza San Marco, Venice, with Saint Mark's Basilica, the Campanile and the Procuratie NuoveNational Gallery of Ireland 32View of the Dogana and Santa Maria della Salute od Michele MarieschiView of the Dogana and Santa Maria della SaluteMuzeum umění Houston 33View of Canale Grande in Venice with the Rialto Bridge od Michele MarieschiView of Canale Grande in Venice with the Rialto BridgeStatens Museum for Kunst 34View of Canale Grande in Venice od Michele MarieschiView of Canale Grande in VeniceStatens Museum for Kunst 35interior of a palazzo with scaffolding + figures od Michele Marieschiinterior of a palazzo with scaffolding + figures 36View of a port od Michele MarieschiView of a port 37palace - garden and walking people od Michele Marieschipalace - garden and walking people 38St. Marcus place in Venice od Michele MarieschiSt. Marcus place in Venice 39Landscape with ruins and a bridge od Michele MarieschiLandscape with ruins and a bridgeNárodní muzeum ve Varšavě 40Landscape with ruins od Michele MarieschiLandscape with ruinsNárodní muzeum ve Varšavě 41Architectural fantasy featuring a prison courtyard od Michele MarieschiArchitectural fantasy featuring a prison courtyardNárodní muzeum ve Varšavě 42Imaginative View with Obelisk od Michele MarieschiImaginative View with Obelisk 43View of Campo SS. Giovanni e Paolo, Venice od Michele MarieschiView of Campo SS. Giovanni e Paolo, Venice

Motivy, které zaujaly Michele Marieschi

Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.

Muzea, v nichž jsou vystavena originálna umělce Michele Marieschi

8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Michele Marieschi Obrazy z tohoto seznamu
Národní muzeum ve Varšavě, VaršavaNárodní muzeum ve Varšavě Varšava 10 Ponte di Rialto, Fantastic Architecture of a Prison Courtyard, Fantastic Architecture of a Palace Courtyard
Gallerie dell'Accademia di Venezia, BenátkyGallerie dell'Accademia di Venezia Benátky 2 Capriccio with Classical Arch and Goats, Capriccio with Gothic Building and Obelisk
Staatliche Museen zu Berlin, BerlínStaatliche Museen zu Berlin Berlín 2 The Grand Canal with the Ca' Rezzonico and the Campo San Samuele, The Grand Canal with the Palazzo Labia and Entry to the Cannareggio
Státní Ermitáž, Sankt-PetěrburgStátní Ermitáž Sankt-Petěrburg 2 Courtyard with a Staircase, Most Rialto z Riva del Vin
Bavarské státní sbírky malby, MnichovBavarské státní sbírky malby Mnichov 2 View of the Piazzetta dei Leoni, View of the Grand Canal near Cà Pesaro
Nationalmuseum, StockholmNationalmuseum Stockholm 2 Courtyard in a Renaissance House, Stairwell in a Renaissance Palace
Statens Museum for Kunst, KodaňStatens Museum for Kunst Kodaň 2 View of Canale Grande in Venice with the Rialto Bridge, View of Canale Grande in Venice
Louvre, PařížLouvre Paříž 1 The Grand Canal near the Salute

Michele Marieschi napříč desetiletími: jeden unikátní originál pro každou dekádu

Díla podle dekád

Vyberte si dekádu a prohlédněte si originál, který ji definuje.

Obrazy umělce Michele Marieschi: dotazy pro galerii

Kterým nejznámějším dílem je Michele Marieschi?Odhalit odpověď

The Grand Canal near the Salute (1733), Louvre, Paříž. Následují Capriccio with Classical Arch and Goats (1741) a The Grand Canal with the Ca' Rezzonico and the Campo San Samuele (1742).

V jakém věku vytvořil(a) Michele Marieschi dílo The Grand Canal near the Salute?Odhalit odpověď

23 let: dílo The Grand Canal near the Salute pochází z roku 1733 a Michele Marieschi se narodil/a v roce 1710.

Kterých deset obrazů autora Michele Marieschi je nejznámějších?Odhalit odpověď

The Grand Canal near the Salute, Capriccio with Classical Arch and Goats, The Grand Canal with the Ca' Rezzonico and the Campo San Samuele, Courtyard with a Staircase, The Grand Canal in Venice, Most Rialto z Riva del Vin, The Grand Canal with Santa Maria della Salute, An Architectural Capriccio with Figures beside a River, Ponte di Rialto a Fantastic Architecture of a Prison Courtyard. Hodnocení výše uvádí rok a muzeum pro každé z nich.

Kolik známých děl má autor Michele Marieschi?Odhalit odpověď

Náš katalog obsahuje 46 děl umělce Michele Marieschi z let 1727 až 1742.

Kde lze vidět nejznámější originály umělce Michele Marieschi?Odhalit odpověď

Většinou v Národní muzeum ve Varšavě (Varšava), Gallerie dell'Accademia di Venezia (Benátky) a Staatliche Museen zu Berlin (Berlín). V tabulce muzeí výše jsou vypsány všechny.

V jakém období vytvořil(a) Michele Marieschi svá nejznámější obrazy?Odhalit odpověď

V období 1730s: 14 z celkem 43 děl na této stránce vzniklo právě tehdy, z toho The Grand Canal near the Salute z nich.

Který slavný obraz od Michele Marieschi je nejstarší a který nejnovější?Odhalit odpověď

Na této stránce je nejstarší dílo z Italian scenery with figures (1727) a nejnovější z The Grand Canal with the Ca' Rezzonico and the Campo San Samuele (1742).

Jakým tématům se Michele Marieschi věnoval/a nejčastěji?Odhalit odpověď

Boats (4), Architecture (4) a Canal (3) napříč 43 díly na této stránce.

Jaké materiály používal(a) Michele Marieschi nejčastěji?Odhalit odpověď

Oil On Canvas, u 5 z 43 děl na této stránce.

K kterému směru patří dílo umělce Michele Marieschi?Odhalit odpověď

Rococo, podle originálů na této stránce.

Jaká originální díla Michele Marieschi mohu vidět v Národní muzeum ve Varšavě?Odhalit odpověď

Ponte di Rialto, Fantastic Architecture of a Prison Courtyard a Fantastic Architecture of a Palace Courtyard: muzeum Národní muzeum ve Varšavě, Varšava má v obsluze 10 děl z této stránky.

Michele Marieschi: portrét umělce

The Venetian Visionary: The Life and Legacy of Michele Marieschi

In the golden age of the Venetian Rococo, few artists captured the ephemeral magic of the Serenissima with as much vitality as Michele Giovanni Marieschi. Born in Venice in 1710, Marieschi emerged from a lineage of craftsmanship, being the son of a woodcarver—a background that likely instilled in him a profound respect for structure, texture, and the physical essence of the objects he depicted. While his life was relatively brief, spanning only until his death in early 1744, his impact on the veduta tradition remains indelible. He did not merely document the architecture of Venice; he breathed life into its stone and water, transforming static cityscapes into breathing, luminous narratives of light and movement.

The development of Marieschi’s unique style was deeply rooted in the artistic currents flowing through 18th-century Italy. Scholars often point to the influence of masters such as Gaspare Diziani and the legendary Canaletto, whose works provided a blueprint for capturing the grandeur of urban environments. However, where Canaletto sought a certain topographical precision and a more restrained, classical clarity, Marieschi found his voice in a bolder, more emotive approach. He embraced a palette that pulsed with color and a brushwork that felt spontaneous and energetic. This stylistic distinction allowed him to move beyond mere architectural recording, infusing his landscapes with a sense of theatricality and atmosphere that suggested the very pulse of Venetian life.

Mastery of Light and the Veduta Tradition

Marieschi’s contribution to the veduta—the genre of highly detailed, large-scale topographical paintings—is characterized by an extraordinary command of perspective and light. His works often feature iconic landmarks such as the Grand Canal, the Salute, and various majestic palaces, yet they are far from being mere postcards of the era. Instead, he utilized a technique that blended meticulous detail with imaginative embellishment, creating scenes that felt both real and dreamlike. Through his eyes, the water of the canals becomes a mirror for the shifting sky, and the shadows cast by ancient churches become vessels for mystery and depth.

His technical prowess is perhaps most evident in his ability to manipulate light to evoke specific moods:

  • Atmospheric Perspective: The use of soft, hazy tones to create a sense of immense distance and scale within his cityscapes.
  • Dynamic Brushwork: A lively application of paint that captures the shimmering reflections on the Venetian lagoons.
  • Architectural Grandeur: A profound understanding of structural geometry, allowing him to render complex facades with both accuracy and elegance.

Historical Significance and Artistic Resonance

The historical significance of Michele Marieschi lies in his ability to bridge the gap between the rigid documentation of the early 18th century and the more expressive, emotive landscapes that would follow. He was a pivotal figure in transitioning the Venetian view from a purely observational medium into an art form capable of conveying profound emotional resonance. His work serves as a vital window into a vanished world, preserving the splendor of Venice before the seismic shifts of the late 18th century altered its social and political landscape forever.

Today, Marieschi’s canvases continue to captivate collectors and historians alike. Whether it is the breathtaking view of the Grand Canal near the Salute or his more intimate architectural studies, his paintings remain masterclasses in the Rococo spirit. He remains a celebrated figure for those seeking to experience the vibrant energy, the luminous light, and the enduring elegance of a Venice that continues to haunt the collective imagination of the art world.