Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 37 děl umělce Jacques Blanchard v našem katalogu
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Z všech originálů, které Jacques Blanchard zanechal, je nejslavnější St Cecilia, který se nachází ve sbírce Státní Ermitáž, Sankt-Petěrburg. Hned za ním následují Venus and the Three Graces Surprised by a Mortal (1631) a Portrait of a Sculptor (1632). Náš katalog obsahuje 37 děl umělce Jacques Blanchard; galerie si zachovala 36 děl, která obdivuje celý svět, přičemž každé je znázorněno s datem vzniku, názevem muzea a jeho příběhem.
To stand before Jacques Blanchard's depiction of St Cecilia is to step into an atmosphere steeped in musical reverence and Baroque splendor. This magnificent oil on canvas, originating from the 17th century, does more than merely hang upon a wall; it invites the viewer into a moment of divine artistic inspiration. The scene unfolds with breathtaking grace, centering on St Cecilia, the patron saint of music, whose gentle touch upon…
Jacques Blanchard's "Venus and the Three Graces Surprised by a Mortal," painted in 1631, is more than just a depiction of mythological figures; it’s a vibrant tableau capturing a fleeting moment of surprise and sensual delight. This exquisite work, measuring 170 x 218 cm, transports us to a luxurious interior—a red-draped canopy acting as a stage for the drama unfolding within. Blanchard, a painter who emerged from a distinguished artistic…
In "Portrait of a Sculptor" by Jacques Blanchard, a man emerges from a void of deep blacks and heavy shadows. This formal Baroque portrait captures the subject in a three-quarter length view, positioned slightly off-center to create a sense of dynamic presence. He is a figure of dignity, likely the very sculptor named in the title, anchored against an atmospheric, dark background that offers no distraction from his form. The…
The composition centers on a tender meeting between the Holy Family and Saint Elizabeth. On the left, an elderly woman and a young child lean inward, their forms creating a rhythmic curve that directs the eye toward the Virgin Mary. She holds the Christ Child, establishing a focal point of maternal connection. The arrangement is intimate, pulling the viewer into a shallow, close-up space where the subjects' emotional expressions and…
Zeus and Semele is an oil on canvas painting by the French Baroque artist Jacques Blanchard. Created about 1632, the work depicts the mythological subject of Zeus' seduction of Semele. This specific narrative focuses on the theme of divine descent, capturing the moment of encounter between the celestial deity and the mortal woman.
In this Baroque-style oil painting, Jacques Blanchard presents the Holy Family as a quiet, domestic occurrence. Painted about 1630, the work centers on a tight, triangular arrangement of three figures. The Virgin Mary, draped in a deep blue mantle over a red tunic, leans forward to support the infant Jesus. The child is the focal point of light, his skin rendered in soft, luminous highlights as he rests partially draped…
In this oil painting, Christ and the Adulteress, the French baroque painter Jacques Blanchard captures a moment of profound tension. Created about 1625, the work centers on the biblical encounter where a woman, accused of transgression, stands before the judgment and mercy of Christ. The scene is a study in human vulnerability set against the weight of divine presence.
In the portrait Young Cavalier by Jacques Blanchard, the subject is presented in a bust-length composition. The young man is positioned in a three-quarter view, turned slightly away from the viewer's direct line of sight. He is set against a dark, indeterminate background that lacks specific architectural or landscape details. This void-like setting ensures the focus remains entirely on the figure. The color palette is dominated by deep, dark tones,…
The divine presence descends in The Descent of the Holy Spirit, a large-scale oil painting by the French artist Jacques Blanchard. Created about 1633, the work captures a profound moment of spiritual intervention. Within a grand, vaulted interior, the apostles react to the sudden arrival of the divine, their faces turned upward in a shared moment of awe and expressive gesture. The scene unfolds amidst classical arches and columns, grounding…
The oil on canvas known as Danaë by the French artist Jacques Blanchard captures a moment of divine intersection. Within this scene, the mythological figure Danaë receives Jupiter, who descends upon her in the form of a shimmering shower of gold. This celestial visitation is not merely a passing light but the catalyst for a profound union, one that ultimately leads to the birth of the hero Perseus.
Virgin and Child1638 · Musée Bossuet
12
Charity1637 · Courtauld Gallery
13
LA CHARITELouvre
14
St Jerome1632 · Szépművészeti Múzeum
15
Bacchanal1636 · Muzeum krásných umění v Nancy
16
Flagellation of ChristMinneapolis Institute of Art
17
Charity (fragment)1637 · Courtauld Gallery
18
Allegory of Charity1636 · Toledo Museum of Art
19
Saint JeromeMusée Barrois
20
Portrait de jeune femme au grand chapeau
21
LE BAPTEME
22
Saint Jérôme écrivant Saint Jérôme en méditation (Ancien titre)Musée de Grenoble
23
La Flagellation
24
La mort de Lucrèce
25
La Vierge avec l'Enfant Jésus à qui sainte Anne offre une pommeMusée des Beaux-Arts de Caen
26
St Sebastian Nursed by Irene and her Helpers, Jacques Blanchard, 1630 - 16381638
27
LA SAINTE FAMILLE AVEC SAINTE ELISABETH ET LE PETIT SAINT JEAN BAPTISTE A QUI L'ENFANT DONNE UNE CROIX DE ROSEAULouvre
28
VENUS ET LES GRACES SURPRISES PAR UN MORTEL DIT AUTREFOIS CIMON ET EPHIGENELouvre
29
Angelica and MedoroMetropolitan Museum of Art
30
The penitent magdalene.Musée Fabre
31
The holy family
32
Armida
33
Tobias Healing the Blindness of His Father
34
Mars and the vestal virginArt Gallery of New South Wales
35
Danaë1631 · Muzeum krásných umění v Lyonu
36
Madonna and child with Saint John the Baptist1640
Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.
8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Jacques Blanchard | Obrazy z tohoto seznamu |
|---|---|---|---|
 Louvre |
Paříž | 4 | Venus and the Three Graces Surprised by a Mortal, LA CHARITE, LA SAINTE FAMILLE AVEC SAINTE ELISABETH ET LE PETIT SAINT JEAN BAPTISTE A QUI L'ENFANT DONNE UNE CROIX DE ROSEAU |
 Toledo Museum of Art |
Toledo | 2 | Portrait of a Sculptor, Allegory of Charity |
 Courtauld Gallery |
Londýn | 2 | Charity, Charity (fragment) |
 Státní Ermitáž |
Sankt-Petěrburg | 1 | St Cecilia |
 Art Institute of Chicago |
Chicago | 1 | Virgin and Child with Saint Elizabeth and the Infant Saint John the Baptist |
 Dallas Museum of Art |
Dallas | 1 | Zeus and Semele |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 1 | Holy Family |
 Detroit Institute of Arts |
Detroit | 1 | Young Cavalier |
Výběr zahrnuje tvorbu umělce Jacques Blanchard za období 14 let, od 1625 do 1638, a obsahuje nejkrásnější originály z každého roku.
Vyberte rok a prohlédněte si originály.
In this oil painting, Christ and the Adulteress, the French baroque painter Jacques Blanchard captures a moment of profound tension. Created about 1625, the work centers on the biblical encounter where a woman, accused of transgression, stands before the judgment and mercy of Christ. The scene is a study in human vulnerability set against the weight of divine presence.
Více od 1625
The composition centers on a tender meeting between the Holy Family and Saint Elizabeth. On the left, an elderly woman and a young child lean inward, their forms creating a rhythmic curve that directs the eye toward the Virgin Mary. She holds the Christ Child, establishing a focal point of maternal connection. The arrangement is intimate, pulling the viewer into a shallow, close-up space where the subjects' emotional expressions and…
In this Baroque-style oil painting, Jacques Blanchard presents the Holy Family as a quiet, domestic occurrence. Painted about 1630, the work centers on a tight, triangular arrangement of three figures. The Virgin Mary, draped in a deep blue mantle over a red tunic, leans forward to support the infant Jesus. The child is the focal point of light, his skin rendered in soft, luminous highlights as he rests partially draped…
Jacques Blanchard's "Venus and the Three Graces Surprised by a Mortal," painted in 1631, is more than just a depiction of mythological figures; it’s a vibrant tableau capturing a fleeting moment of surprise and sensual delight. This exquisite work, measuring 170 x 218 cm, transports us to a luxurious interior—a red-draped canopy acting as a stage for the drama unfolding within. Blanchard, a painter who emerged from a distinguished artistic…
Více od 1631
In "Portrait of a Sculptor" by Jacques Blanchard, a man emerges from a void of deep blacks and heavy shadows. This formal Baroque portrait captures the subject in a three-quarter length view, positioned slightly off-center to create a sense of dynamic presence. He is a figure of dignity, likely the very sculptor named in the title, anchored against an atmospheric, dark background that offers no distraction from his form. The…
Více od 1632
The divine presence descends in The Descent of the Holy Spirit, a large-scale oil painting by the French artist Jacques Blanchard. Created about 1633, the work captures a profound moment of spiritual intervention. Within a grand, vaulted interior, the apostles react to the sudden arrival of the divine, their faces turned upward in a shared moment of awe and expressive gesture. The scene unfolds amidst classical arches and columns, grounding…
Jacques Blanchard executed Bacchanal about 1636. This allegorical and mythological work reflects the artist's engagement with the complex and sensual subject-matter characteristic of the mid-seventeenth century. The composition belongs to the period of the artist's flourishing in France, following his formative years in Italy.
Více od 1636
In this 1637 oil on canvas, Jacques Blanchard presents a quiet moment of profound intimacy. The scene centers on a woman and her infant, a depiction of Charity that moves beyond a simple portrait to capture the essence of maternal devotion. She cradles the child with a tenderness that feels immediate, as if the viewer has just stepped into her private sanctuary. The figures exist within a grand, architectural setting,…
Více od 1637
In Virgin and Child, Jacques Blanchard captures a moment of quiet maternal devotion. The painting, dating to about 1638, centers on the intimate connection between the Virgin Mary and the infant Christ. She holds the child close, her form draped in a deep red tunic and a cool blue mantle. This color palette anchors the figures against a dark, indistinct background. The shadows fall softly across their faces, highlighting the…
Více od 1638
St Cecilia, Státní Ermitáž, Sankt-Petěrburg. Následují Venus and the Three Graces Surprised by a Mortal (1631) a Portrait of a Sculptor (1632).
St Cecilia, Venus and the Three Graces Surprised by a Mortal, Portrait of a Sculptor, Virgin and Child with Saint Elizabeth and the Infant Saint John the Baptist, Zeus and Semele, Holy Family, Christ and the Adulteress, Young Cavalier, The Descent of the Holy Spirit a Danaë. Hodnocení výše uvádí rok a muzeum pro každé z nich.
Náš katalog obsahuje 37 děl umělce Jacques Blanchard z let 1625 až 1638.
Většinou v Louvre (Paříž), Toledo Museum of Art (Toledo) a Courtauld Gallery (Londýn). V tabulce muzeí výše jsou vypsány všechny.
V období 1631: 3 z celkem 36 děl na této stránce vzniklo právě tehdy, z toho Venus and the Three Graces Surprised by a Mortal z nich.
Na této stránce je nejstarší dílo z Christ and the Adulteress (1625) a nejnovější z Virgin and Child (1638).
Woman (9), Man (8) a Drapery (4) napříč 36 díly na této stránce.
Oil On Canvas, u 14 z 36 děl na této stránce.
Baroque, podle originálů na této stránce.
Venus and the Three Graces Surprised by a Mortal, LA CHARITE a LA SAINTE FAMILLE AVEC SAINTE ELISABETH ET LE PETIT SAINT JEAN BAPTISTE A QUI L'ENFANT DONNE UNE CROIX DE ROSEAU: muzeum Louvre, Paříž má v obsluze 4 děl z této stránky.
