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Judith Beheading Holofernes

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Artemisia Gentileschiová, Judith Beheading Holofernes (1611), Palace of Capodimonte. Veřejná doména Objevte toto plátno v pohyblivém světle: kresbu, skutečnou barvu pod lakem i čistý pigment

Fakta

Umělec
Artemisia Gentileschiová originaluniqueart.com/cs/artists/artemisia-gentileschiova_cs/
Datum vzniku díla
1593 – 1656
Malováno
1611
Původní rozměry
159 x 126 cm
Koná se v
Palace of Capodimonte originaluniqueart.com/cs/museums/palace-of-capodimonte-neapol_cs/
Artistic style
Realism, Caravaggian influence
Influences
Caravaggio
Notable elements
Dramatic lighting, sword
Subject or theme
Biblical narrative

V kontextu

Judith Beheading Holofernes — Artemisia Gentileschiová

Jak velké je?

Původní rozměry jsou 159 × 126 cm (výška × šířka), zde zobrazeno vedle dospělé osoby průměrné výšky.

Kdy bylo toto dílo namalováno?

  1. 1590
  2. 1600
  3. 1610
  4. 1620
  5. 1630
  6. 1640
  7. 1650

Horní řada: roky. Dolní řada: věk umělce na začátku a na konci každého období — 0 při narození, 63 při smrti.

Vymalováno v době, kdy bylo umělci 18 let. Umělec dožil se 63 let. 1 z celkových 34 děl tohoto umělce v našem katalogu je datováno dříve.

Shaded: životopis Artemisia Gentileschiová (1593–1656) ▲ toto dílo, 1611 každý obraz s datem vzniku, dekáda po dekádě

První díla: až do 1614 Hlavní období tvůrčí činnosti: 1614–1630 Pozdní díla: od 1630

Tyto tři pásma rozdělují díla s uvedeným datem na první čtvrtinu, prostřední polovinu a poslední čtvrtinu. Nejedná se o kompletní tvorbu daného umělce: úzká pásma mohou představovat spíše mezery v záznamech než období nečinnosti. Ty samé roky, v nichž se odehrává život umělce

Porovnat s

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: originaluniqueart.com/cs/art/similar/artemisia-gentileschi-judith-beheading-holofernes-8XZF75-en/

Barvy

Určeno podle obrazu

    Hlavní barva

    Rosy Brown #c09d7c

    Katalogizovaná paleta

    • #C09D7C
    • #191514
    • #82624B
    • #46362E

    Tyto barvy v rámci celé umělecké palety Najděte další obrazy podle barvy

    Paleta
    Earthy Dominantní barevná rodina na obrázku.
    Název hlavní barvy
    Rosy Brown
    Intenzita
    Monochromatic Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Bold Míra rozdílů v jasnosti a sytosti barev v rámci celého obrazu.
    Harmonie
    Strong Color Unity Jak dobře barvy spolu ladí, od kontrastních až po plně harmonické.
    Jasnost
    Deep_shadow Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Muted Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    Kde na světě se na tento obraz dívají lidé?

    • méně než 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a více
    Tento obraz sám o sobě nemá pro zmapování dostatek zaznamenaných návštěvníků, proto tato deska obsahuje všechna díla autora Artemisia Gentileschiová za posledních dvanáct měsíců — celkem 43 zemí. Zdroj těchto údajů

    Deset nejvýznamnějších zemí

    1. 1 Itálie 30,5%
    2. 2 Čína 16,0%
    3. 3 Spojené státy americké 8,5%
    4. 4 Chile 4,4%
    5. 5 Španělsko 4,4%
    6. 6 Francie 4,1%
    7. 7 Rumunsko 3,9%
    8. 8 Mexiko 3,4%
    9. 9 Kolumbie 2,8%
    10. 10 Německo 2,8%
    11. · 33 dalších zemí 19,2%

    Najděte na mapě tři nejtmavší země. Nachází se v některé z nich muzeum, které toto malířské dílo uchovává? Napište jeden důvod, proč by se na něj mohli dívat lidé z dalekých krajin.

    Top 20 nejvíce prohlížených děl umělce Artemisia Gentileschiová

    1. 1 Judita useká hlavu Holofernovi, 1620 32,4%
    2. 2 Susanna a starci, 1610 6,9%
    3. 3 Judith Beheading Holofernes, 1612 6,7%
    4. 4 Autoportrét jako alegorie malířství, 1630 4,8%
    5. 5 Artemisia Gentileschi, 1615 3,5%
    6. 6 Birth of St John the Baptist, 1635 3,5%
    7. 7 Judith and Her Maidservant with the Head of Holofernes, 1624 3,3%
    8. 8 Autoportrét jako alegorie malířství (La Pittura), 1639 3,3%
    9. 9 Autoportrét jako svatá Kateřina Alexandrijská, 1615 3,1%
    10. 10 Judita odplátí Holofernovi hlavu (detail), 1611 2,7%
    11. 11 Minerva, 1640 2,5%
    12. 12 Maria Magdalena v extázi, 1620 2,3%
    13. 13 Jael and Sisera, 1620 2,1%
    14. 14 Self Portrait as Saint Catherine of Alexandria, 1615 1,5%
    15. 15 Sleeping Venus, 1630 1,5%
    16. 16 Mary magdalen 1,5%
    17. 17 St Cecilia Playing a Lute, 1616 1,3%
    18. 18 Judith Beheading Holofernes, 1611 tento obraz 1,3%
    19. 19 Tarquinius and Lukretia 1,3%
    20. 20 The Annunciation, 1630 1,3%

    Tyto práce společně si nárokují 86,8% veškeré pozornosti, kterou obrazy tohoto umělce obdržely za posledních dvanáct měsíců. Katalog obsahuje 39 děl tohoto umělce, z nichž 37 byla prohlédnuta alespoň jednou. Tento obraz se v tomto žebříčku nachází na 18 místě, přičemž si připravuje 1,3% této pozornosti. Stále stejné, měsíc po měsíci

    Sloupce měří pozornost, nikoliv kvalitu. Vyberte dílo na vrcholu a toto: uveďte jednu věc, která by mohla způsobit, že si obraz získá slávu mimo to, jak je vymalovaný.

    O tomto uměleckém díle

    Judith Beheading Holofernes — Artemisia Gentileschiová

    The Raw Nerve of History: Artemisia Gentileschi's Dramatic Depiction

    Artemisia Gentileschi’s “Judith Beheading Holofernes,” painted in 1611, isn’t merely a biblical scene rendered on canvas; it’s a visceral eruption of defiance and a profound exploration of female agency. This arresting work, measuring 159 x 126 cm, immediately commands attention with its stark realism and the unsettling intensity of its central figures. The painting depicts the pivotal moment from the Book of Judith, where the Jewish widow Judith, aided by her maidservant Abra, slays the Assyrian general Holofernes after drugging him and presenting him to his soldiers as a severed head. It’s a story steeped in revenge, courage, and ultimately, liberation – themes that resonate powerfully within Gentileschi's masterful execution.

    The scene unfolds within a dimly lit chamber, the shadows emphasizing the drama and creating an atmosphere of palpable tension. The composition is remarkably dynamic; Judith, clad in a striking blue dress—a deliberate choice by the artist, likely referencing royalty and divine authority – dominates the foreground, her face etched with grim determination as she wields the sword with brutal efficiency. Holofernes lies sprawled on his bed, his body contorted in a grotesque tableau of defeat. The secondary figures, standing to the left and behind Judith, are rendered with a subtle yet crucial awareness, their expressions conveying shock, horror, and perhaps even a hint of admiration for Judith’s decisive action. The use of chiaroscuro, borrowed directly from Caravaggio's revolutionary style, intensifies the emotional impact, highlighting key elements while plunging the rest into shadow – a technique that amplifies the sense of immediacy and violence.

    A Revolutionary Brushstroke: Gentileschi’s Artistic Language

    Artemisia Gentileschi’s artistic approach was profoundly shaped by her father, Orazio Gentileschi, a painter who himself admired Caravaggio. However, Artemisia didn't simply imitate; she transformed these influences into something uniquely her own. Her style is characterized by an unflinching realism and a dramatic use of light and shadow – qualities that were rarely afforded to female artists at the time. Notice how she doesn’t shy away from depicting the brutality of the act, presenting it with a stark honesty that was considered shocking for its era. The musculature of Holofernes is rendered with anatomical precision, emphasizing his vulnerability and defeat. Conversely, Judith's physique is powerfully sculpted, conveying strength and resolve.

    Chiaroscuro: Gentileschi masterfully employs dramatic contrasts between light and dark to heighten the emotional impact of the scene.

    Dynamic Composition: The swirling movement and diagonal lines create a sense of urgency and instability, mirroring Judith’s decisive action.

    Realistic Detail: From the texture of Holofernes' skin to the gleam of the sword, every detail is rendered with meticulous accuracy.

    Symbolism and Narrative Power

    Beyond its immediate depiction of a violent act, “Judith Beheading Holofernes” is rich in symbolic meaning. Judith’s act of decapitation represents not just personal revenge but also the liberation of her people from Assyrian oppression. The blue dress she wears symbolizes her elevated status and divine favor – suggesting that she is acting as an instrument of justice and a champion of her nation. Holofernes himself embodies tyranny and foreign domination, his demise signifying the triumph of righteousness over evil. The painting subtly challenges patriarchal power structures by portraying a woman taking control of her own destiny and enacting retribution against a powerful male figure.

    A Timeless Masterpiece: Reproduction and Artistic Legacy

    WahooArt offers meticulously crafted hand-painted reproductions of Artemisia Gentileschi’s “Judith Beheading Holofernes,” allowing you to experience the raw power and emotional depth of this iconic work in your own space. These reproductions capture not only the visual details but also the artist's masterful use of light, shadow, and composition. Whether adorning a grand salon or a more intimate setting, this painting’s dramatic intensity will undoubtedly serve as a focal point, sparking conversation and reflecting on themes of courage, resilience, and the enduring strength of the female spirit. Consider it an investment in art history—a testament to one of the most remarkable artists of the Baroque period.

    Umělec a muzeum

    Autor

    Artemisia Gentileschiová

    Narozen(a) v Řím, Itálie

    A Daughter of Rome: The Life and Art of Artemisia Gentileschi

    Artemisia Gentileschi’s name echoes through the halls of art history, resonating not simply as that of a painter, but as an emblem of resilience, defiance, and extraordinary artistic talent in a world determined to silence female voices. Born in Rome in 1593, she entered a milieu steeped in artistry—her father, Orazio Gentileschi, was a respected painter deeply influenced by the revolutionary realism of Caravaggio. From her earliest years, Artemisia’s gift was undeniable, nurtured within her father's workshop where she absorbed techniques of composition and the dramatic use of light and shadow that would become hallmarks of her distinctive style. This formative training wasn’t merely about mastering brushstrokes; it was an immersion into a world of artistic ambition, one typically closed to women. Recognizing his daughter’s exceptional talent, Orazio provided opportunities unavailable to most females of the era, allowing her to study from life models—a crucial step in developing anatomical accuracy and expressive power.

    Shadows and Strength: Artistic Development

    Gentileschi's artistic development was profoundly shaped by Caravaggio’s tenebrism—the stark contrast between light and darkness that imbued his paintings with an intense emotionality. Yet, she didn’t simply mimic her father or Caravaggio; she forged her own unique voice, characterized by a raw psychological depth and a compelling focus on female subjects often depicted with unprecedented agency and strength. Even in her early works, like Susanna and the Elders (1610), a biblical scene depicting Susanna being spied upon by two lecherous old men, Artemisia’s interpretation diverges from traditional portrayals. Here, Susanna isn't passively vulnerable; she displays a quiet dignity and resistance, foreshadowing the powerful female figures that would dominate her later oeuvre. But it is Judith Slaying Holofernes (existing in multiple versions between 1614-1620) that cemented her reputation as a master of dramatic narrative and psychological realism. The painting isn’t merely a depiction of violence; it's an exploration of courage, determination, and the righteous fury of a woman defending her people. The visceral intensity, the unflinching portrayal of the act itself, shocked and captivated audiences then—and continues to do so today. Other notable works like Judith and her Maidservant (1625) and Danaë (c. 1636-1639) further demonstrate her evolving style, showcasing both vulnerability and power in her female protagonists. Her ability to render flesh with such realism, combined with a masterful use of chiaroscuro, created scenes that were both terrifying and deeply moving.

    A Trial by Fire: Trauma and Triumph

    Artemisia’s life was irrevocably altered by a horrific event: her rape at the hands of Agostino Tassi, a fellow painter and colleague of her father. The ensuing trial (1611-1612) became a public spectacle, subjecting Artemisia to grueling questioning and societal scrutiny. While she bravely testified against Tassi, the proceedings were marred by bias and attempts to discredit her character. This trauma profoundly impacted her life and art, imbuing her work with an emotional intensity that some scholars believe is directly linked to her personal experiences. The trial itself became a symbol of the challenges faced by women seeking justice in a patriarchal society. Despite this ordeal, Artemisia refused to be defined by it. She continued to paint, moving between Rome, Florence, and Naples, establishing herself as a successful artist in her own right. In 1616, she achieved another milestone: becoming the first woman admitted to the Accademia di Arte del Disegno in Florence—a testament to her talent and perseverance. This achievement was not merely symbolic; it opened doors for future generations of female artists.

    Key Works

    Judith Slaying Holofernes (1614-1620): Perhaps her most famous work, showcasing dramatic realism and female empowerment.

    Susanna and the Elders (1610): An early masterpiece demonstrating her unique interpretation of a classic biblical scene.

    Judith and Her Maidservant (1625): A compelling portrayal of female solidarity and strength after a violent act.

    Danaë (c. 1636-1639): A sensual and psychologically complex depiction of the mythological figure.

    Legacy of a Pioneer

    Artemisia Gentileschi’s career spanned decades, marked by both artistic innovation and personal resilience. She worked for prominent patrons, including the Medici family, and established a thriving workshop, proving that women could not only excel as artists but also succeed in a traditionally male-dominated profession. For centuries, her work was often overshadowed by the circumstances of her life, viewed through the lens of scandal rather than artistic merit. However, beginning in the 20th century, there has been a significant reevaluation of her art, recognizing her as one of the most important and innovative painters of the Baroque period. Her paintings are now celebrated for their emotional depth, dramatic realism, and powerful depictions of women—not as passive objects but as active agents in their own narratives. Artemisia Gentileschi is more than just an artist; she’s a feminist icon, a trailblazer who defied societal expectations and left behind a legacy that continues to inspire generations. Her story serves as a potent reminder of the importance of recognizing and celebrating the contributions of women throughout history—and of ensuring that their voices are never silenced again. She painted not just with her hands, but with her soul.

    Muzeum

    Palace of Capodimonte

    Vystaveno v Neapol, Itálie

    A Regal Ascent: Unveiling the Palace of Capodimonte

    Perched dramatically atop Naples’ volcanic Capodimonte hill, the Royal Palace of Capodimonte isn't merely a museum; it’s a living chronicle of Italy’s artistic and royal evolution. Initially conceived as a modest hunting lodge by King Charles VII in 1738, this opulent residence blossomed into one of Europe’s most significant repositories of art and architectural grandeur – a testament to the enduring power of patronage and the vibrant spirit of Neapolitan creativity. Stepping through its grand doors is akin to traversing centuries, immersing oneself within the evolving tastes and ambitions of Neapolitan royalty, reflecting both the city's artistic heritage and its complex political narrative. The palace’s very existence speaks to a desire for grandeur, a statement of power rooted in the fertile volcanic soil beneath its foundations.

    The palace’s extraordinary collection stems from two interwoven legacies: the illustrious Farnese Collection and the distinctive artistic voice cultivated within Naples itself. The Farnese legacy, bequeathed by Elisabetta Farnese, Charles VII’s mother, brought with it a breathtaking array of classical sculptures – Roman relics that formed the foundation for the palace’s burgeoning art holdings. These ancient stones, imbued with the echoes of empires past, provided a grounding in classical ideals, shaping the palace's aesthetic direction. Imagine the impact of these weathered marble figures, transported from distant provinces, upon the nascent sensibilities of Neapolitan artists and courtiers alike! Simultaneously, Naples nurtured its own school of painting, producing artists who developed a uniquely dramatic and emotionally charged style. Figures like Caravaggio, whose revolutionary use of light and shadow profoundly influenced generations of painters, Titian, renowned for his opulent color palettes and masterful compositions, and Luca Giordano, the leading figure of the Neapolitan Baroque, all contributed to this distinctive artistic identity. The palace’s walls resonate with their genius, offering a tangible connection to Italy's most celebrated masters – a vibrant dialogue between antiquity and innovation.

    A Symphony of Styles: Architecture and Decorative Arts

    Architecturally, Capodimonte is a captivating story in itself – a harmonious blend of Neoclassical elegance interwoven with Baroque grandeur. Designed by Giovanni Antonio Medrano and Antonio Canevari, the palace’s façade reflects this duality, projecting an image of power and sophistication while retaining echoes of the dramatic flair characteristic of the Baroque period. The exterior presents a formidable presence: imposing columns, sculpted reliefs depicting allegorical scenes, and a carefully balanced symmetry all contribute to its regal appearance. Beyond the magnificent salons lies a world of exquisite detail: royal apartments adorned with opulent stucco work depicting scenes from mythology and history, lavishly decorated with gilded mirrors, intricate tapestries, and richly colored marble floors. The sheer scale of these embellishments speaks to the immense wealth and ambition of the Bourbon court – a deliberate attempt to impress and inspire awe. Notice particularly the interplay of light and shadow within the interior spaces, carefully orchestrated by master craftsmen to enhance the drama and grandeur of each room.

    Particular attention is given to the palace’s porcelain collections – a dazzling display of European craftsmanship spanning from delicate Meissen figurines, showcasing the influence of German artistry, to elaborate Sèvres dinner services, reflecting the refined taste and international connections of the Bourbon court. These collections offer a glimpse into the meticulous attention to detail and the pursuit of luxury that defined aristocratic life in 18th-century Italy. The palace’s gardens, too, are a masterpiece of landscape design, meticulously crafted to complement the architectural splendor within – a verdant expanse designed for both royal leisure and grand public spectacles. Walking through the Real Bosco, one can almost hear the echoes of courtly hunts and masked balls, imagining the vibrant social life that once unfolded amidst these ancient trees.

    A Gallery of Giants: Collection Highlights

    Within Capodimonte's walls reside masterpieces that demand reverence. The collection highlights include Caravaggio’s intensely dramatic “Madonna and Child with St. Anthony and St. Roch,” a work brimming with emotional intensity and masterful use of chiaroscuro – the stark contrast between light and dark that defines his style. Observe how he uses this technique to draw our attention to the central figures, creating a powerful sense of intimacy and spiritual depth. Titian’s “Glad to Be Back,” a vibrant depiction of the Venetian Doge, showcasing his signature opulent color palettes and masterful compositions, is another essential viewing. The painting captures not just a likeness but also the personality and authority of the subject. And Luca Giordano’s breathtaking frescoes adorning the Royal Apartments – swirling narratives of mythological grandeur that exemplify the exuberance of the Neapolitan Baroque – are simply unforgettable. These works demonstrate the unique artistic spirit of Naples, characterized by dramatic emotion, rich color, and dynamic movement.

    Furthermore, Artemisia Gentileschi's powerful depictions—often challenging conventional narratives of female roles—stand as a courageous assertion of female strength and resilience within a historically restrictive art world, offering a vital perspective on the era. Her works are not merely portraits; they are statements of agency and defiance. The palace also houses an impressive collection of paintings by Marco de Gregorio, a Neapolitan painter known for his historical and mythological works. His style blends Italian pride with avant-garde influences, creating captivating scenes that reflect the spirit of Naples. Don't miss the opportunity to admire Francesco Netti’s captivating oil paintings of gladiators & ancient scenes – a testament to the enduring fascination with Roman history within Neapolitan art.

    A Living Legacy: Exhibitions and Beyond

    The Palace of Capodimonte transcends its role as a museum; it embodies Naples’s artistic soul. Its unique blend of royal residence, expansive parkland, and unparalleled art collection creates an immersive experience that captivates visitors long after they depart. Today, the palace hosts seasonal exhibitions showcasing both classical masterpieces and cutting-edge contemporary art within its impressive galleries – ensuring that this historic landmark remains a vibrant center for cultural engagement. The Real Bosco, originally established as a royal hunting preserve, continues to flourish as a public space, hosting open-air concerts featuring classical music, seasonal exhibitions showcasing contemporary art, and theatrical performances. Wandering through its ancient trees—oaks, chestnut trees, pines, and cypresses—one appreciates the enduring connection between art, architecture, and nature – a visual metaphor for Naples’s rich cultural heritage, reflecting the harmonious balance sought by the Bourbon rulers. A visit to Capodimonte is not merely an artistic pilgrimage; it's a journey through the heart of Italian history and creativity.

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    Jak citovat toto dílo

    MLA
    Gentileschiová, Artemisia. Judith Beheading Holofernes. 1611, Palace of Capodimonte. https://originaluniqueart.com/cs/art/artemisia-gentileschi-judith-beheading-holofernes-8XZF75-en/
    APA
    Gentileschiová, Artemisia (1611). Judith Beheading Holofernes [Painting]. Palace of Capodimonte. https://originaluniqueart.com/cs/art/artemisia-gentileschi-judith-beheading-holofernes-8XZF75-en/
    Chicago
    Artemisia Gentileschiová. Judith Beheading Holofernes. 1611. Palace of Capodimonte. https://originaluniqueart.com/cs/art/artemisia-gentileschi-judith-beheading-holofernes-8XZF75-en/
    Harvard
    Gentileschiová, Artemisia (1611) Judith Beheading Holofernes. Palace of Capodimonte. Available at: https://originaluniqueart.com/cs/art/artemisia-gentileschi-judith-beheading-holofernes-8XZF75-en/

    Zaměřte se pozorně

    Judith Beheading Holofernes — Artemisia Gentileschiová

    Zaměřte se na detail

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. V našem katalogu je toto dílo zařazeno pod: judith, holofernes, beheading. Souhlasíte? Co byste k němu přidali nebo co byste z něj odebrali?
    4. Vraťte se k dílu Susanna a starci (1610), který jste v tomto průvodci viděli dříve. Uveďte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.
    5. Artemisia Gentileschiová bylo při vzniku tohoto díla ve věku přibližně 18. Co v něm vypadá jako práce umělce právě v této životní fázi?

    Vaše odpověď

    Napište krátký odstavec o tomto uměleckém díle. Vycházejte při psaní z faktů uvedených v předchozích částech tohoto průvodce a ze svých předchozích odpovědí.

    Artový kvíz

    Judith Beheading Holofernes — Artemisia Gentileschiová

    Jak dobře znáte toto umělecké dílo?

    U každé z následujících 5 otázek zaškrtněte jednu odpověď. Každá má právě jednu správnou odpověď.

    1. 1. What biblical story does Artemisia Gentileschi’s ‘Judith Beheading Holofernes’ depict?

      • A The story of David and Goliath
      • B The story of Judith beheading Holofernes
      • C The story of Moses parting the Red Sea
    2. 2. What is a notable characteristic of Artemisia Gentileschi’s style, evident in this painting?

      • A A delicate and ethereal approach to color
      • B The dramatic use of light and shadow (tenebrism)
      • C Emphasis on precise detail and realism without strong emotion
    3. 3. Considering the dimly lit setting, what atmosphere does the painting primarily convey?

      • A Peaceful serenity
      • B Tension and drama
      • C Joyous celebration
    4. 4. What is the significance of Judith’s blue dress in the painting?

      • A It represents her royal status.
      • B It adds a touch of color and visual interest to the otherwise dark scene.
      • C It symbolizes her innocence.
    5. 5. Based on the historical context, what does Artemisia Gentileschi’s success as an artist primarily represent?

      • A The continuation of traditional artistic practices.
      • B A challenge to societal norms and limitations placed upon women in art.
      • C A reflection of the patronage system during the Baroque period.

    Můj výsledek: ____ z 5

    Klíč k odpovědím – pro učitele

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    Ověřte jakoukoli odpověď v katalogovém záznamu tohoto obrazu

    Otázky a odpovědi

    Patří dílo „Judith Beheading Holofernes“ od Artemisia Gentileschiová do volného užití, a proč?

    Dílo „Judith Beheading Holofernes“ od Artemisia Gentileschiová spadá do volného užívání (v rámci volného užití – autorská práva vypršela). Autorské právo vyprší po určité době od úmrtí umělce, ke kterému došlo v roce 1656.

    Do které období tvorby Artemisia Gentileschiová patří dílo „Judith Beheading Holofernes“?

    V rámci kariéry umělce Artemisia Gentileschiová spadá dílo „Judith Beheading Holofernes“ do období Mature Period. Tato fáze umožňuje jeho srovnání s dalšími díly tohoto umělce.

    V jaké velikosti se doporučuje vytisknout "Judith Beheading Holofernes"?

    Doporučená velikost tisku pro dílo „Judith Beheading Holofernes“ od Artemisia Gentileschiová je Large.