Aktualizováno říjen 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 45 děl umělce Andrea Schiavone v našem katalogu
Stručně řečeno
Apollo and Daphne (1544) je obraz autora Andrea Schiavone, který přitahuje nejvíce pohledů; originál se nachází v Kunsthistorisches Museum, Vídeň. Poté se zrak přesouvá k Kneeling Woman with Child (1562) a Jupiter nurtured by Amalthea (1544). Z 45 děl umělce Andrea Schiavone v našem katalogu je těchto 44 těch nejznámějších; každé z nich je unikátním originálem s uvedením roku vzniku, muzea a důvodu jeho nesmrtelnosti.
A sudden, violent movement defines this mid-16th century Venetian composition. Apollo lunges from the left, his muscular frame captured in mid-stride as he pursues the fleeing nymph. At the center, the narrative reaches its climax: Daphne’s body undergoes a frantic transformation. Her hands grasp at a tree branch, her limbs beginning to merge with the wood and foliage. The scene is set within a dense, wooded environment where the shadows…
The air in the room feels heavy, thick with the scent of old oil and the weight of a sudden, divine encounter. A woman kneels, her body twisting in a graceful, upward spiral that defies the stillness of the moment. Her right arm reaches toward a light that seems to emanate from an unseen source in the upper corner, creating a diagonal line that pulls the eye through the composition.…
The oil painting titled Jupiter nurtured by Amalthea was executed by the artist Andrea Schiavone (Andrea Meldolla). This work dates to about 1544. The subject matter is mythological, focusing on a scene that draws upon themes of care, divinity, and pastoral myth.
A somber, pyramidal composition centers on the pale, muscular torso of Christ, whose alabaster skin provides a sharp contrast to the deep ochre and burnt sienna tones of the background. The scene captures a moment of profound grief, where the physical reality of death meets the celestial. Figures press inward, their bodies forming a tight, organic structure that directs the eye toward the central figure. Light strikes the highlights of…
Diana and Actaeon is a mythological painting by Andrea Schiavone. The artist, also identified as Andrea Meldolla, gen. Schiavone, executed this work around 1550. The composition focuses on the figure of Diana.
The air feels heavy with the scent of damp earth and ancient wood as Apollo moves through the landscape. He is a figure of sculpted muscle and golden light, stepping purposefully toward the right of the frame. His left hand points the way, a gesture that directs the eye across the composition, while his other hand holds a bow, the curve of which echoes the fluid lines of his body.…
The painting Cain and Abel by Andrea Schiavone captures a moment of profound biblical tragedy. Created in 1555, this work of religious art focuses on the violent fracture between two brothers. The canvas depicts the heavy, singular act of Cain murdering Abel, a scene rooted in ancient scripture. It is a study of human aggression frozen in oil.
This history painting, titled Scipio Africanus (?), was executed by the artist Andrea Schiavone. The work depicts the Roman general Scipio Africanus, a figure noted for his victory at the Battle of Zama. Schiavone, who was born in Zadar, Croatia, in 1522 and died in 1563, brought a distinct perspective to the Venetian school through his unique heritage. He spent much of his career in Venice, Italy, where this specific…
In this oil on canvas, we find ourselves drawn into a tightly cropped, claustrophobic circle of figures. The scene captures a heavy, introspective moment from the biblical narrative, placing the viewer directly within the immediate presence of Christ before Pilate. There is a profound sense of gravity here, a weight that seems to press in from the dark, indistinct background. The composition avoids the expansive openness of many Renaissance works,…
A single light source strikes the subject from the upper left, carving deep shadows into the topography of a weathered face. The man’s gaze is directed toward the viewer's left, yet his presence feels anchored in a quiet, internal stillness. His beard, a voluminous mass of texture, transitions from a bright, silvery-white to deep, shadowed greys, catching the light in fine, individual strokes. A crisp white lace collar provides a…
The Adoration of the Shepherds1549
12
The Judgement of Midas1549 · Royal Collection
13
The Meeting of Jacob and Rachel1545 · Royal Collection
14
Jacob Tending to his Flocks of Sheep1545 · Royal Collection
15
Isaac Blessing Jacob1546 · Royal Collection
16
The Holy Family with Saints John and Catherine1542 · Royal Collection
17
The Abduction of Dinah1547 · Royal Collection
18
Diane découvrant la grossesse de Callisto1549 · Musée de Picardie
19
The Execution of St John the Baptist1551 · Birmingham Museum and Art Gallery
20
The Adoration of the Kings1550 · Royal Collection
21
Christ before Pilate1556 · Royal Collection
22
Marius Curius Dentatus1560 · Kunsthistorisches Museum
23
Aeneas called away from Dido1555 · Kunsthistorisches Museum
24
Aeneas Takes Leave of Dido1555 · Kunsthistorisches Museum
25
The parable of the Lord's vineyard1555 · Gemäldegalerie
26
The parable of the unjust steward1555 · Gemäldegalerie
27
The Young Abel1555 · Kunsthistorisches Museum
28
Reading Hermit1545 · Kunsthistorisches Museum
29
Birth of Jupiter1543 · Kunsthistorisches Museum
30
Conversion of Saul1540 · Fondazione Querini Stampalia
31
Adoration of the Shepherds1560 · Kunsthistorisches Museum
32
Jacob Receives God's Blessing1548 · Royal Collection
33
The Meeting of Jacob and Esau1545 · Royal Collection
34
The Infancy of Jupiter1560
35
ParnassusBavarské státní sbírky malby
36
Christ before PilateNationalmuseum
37
Presentation in the Temple
38
Daniel in the Lion’s Den
39
Holy Family with St CatherineKunsthistorisches Museum
40
The Adoration of the Magi1547
41
David Teniers il Giovane
42
The Marriage of Cupid and PsycheMetropolitan Museum of Art
43
Arcas huntingNational Gallery
44
Jupiter seducing CallistoNational Gallery
Čtyři témata, která se v těchto originálech nejčastěji objevují, z nichž každé má svůj nejlepší příklad.
8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Andrea Schiavone | Obrazy z tohoto seznamu |
|---|---|---|---|
 Kunsthistorisches Museum |
Vídeň | 17 | Apollo and Daphne, Kneeling Woman with Child, Jupiter nurtured by Amalthea |
 Royal Collection |
Londýn | 10 | The Judgement of Midas, The Meeting of Jacob and Rachel, Jacob Tending to his Flocks of Sheep |
 Gemäldegalerie |
Berlín | 2 | The parable of the Lord's vineyard, The parable of the unjust steward |
 National Gallery |
Londýn | 2 | Arcas hunting, Jupiter seducing Callisto |
 Staatliche Kunstsammlungen Dresden |
Drážďany | 1 | Dead Christ supported by Angels |
 Musée de Picardie |
Amiens | 1 | Diane découvrant la grossesse de Callisto |
 Birmingham Museum and Art Gallery |
Birmingham | 1 | The Execution of St John the Baptist |
 Fondazione Querini Stampalia |
Benátky | 1 | Conversion of Saul |
Vyberte si dekádu a prohlédněte si originál, který ji definuje.
A sudden, violent movement defines this mid-16th century Venetian composition. Apollo lunges from the left, his muscular frame captured in mid-stride as he pursues the fleeing nymph. At the center, the narrative reaches its climax: Daphne’s body undergoes a frantic transformation. Her hands grasp at a tree branch, her limbs beginning to merge with the wood and foliage. The scene is set within a dense, wooded environment where the shadows…
A somber, pyramidal composition centers on the pale, muscular torso of Christ, whose alabaster skin provides a sharp contrast to the deep ochre and burnt sienna tones of the background. The scene captures a moment of profound grief, where the physical reality of death meets the celestial. Figures press inward, their bodies forming a tight, organic structure that directs the eye toward the central figure. Light strikes the highlights of…
The air in the room feels heavy, thick with the scent of old oil and the weight of a sudden, divine encounter. A woman kneels, her body twisting in a graceful, upward spiral that defies the stillness of the moment. Her right arm reaches toward a light that seems to emanate from an unseen source in the upper corner, creating a diagonal line that pulls the eye through the composition.…
Apollo and Daphne (1544), Kunsthistorisches Museum, Vídeň. Následují Kneeling Woman with Child (1562) a Jupiter nurtured by Amalthea (1544).
22 let: dílo Apollo and Daphne pochází z roku 1544 a Andrea Schiavone se narodil/a v roce 1522.
Apollo and Daphne, Kneeling Woman with Child, Jupiter nurtured by Amalthea, Dead Christ supported by Angels, Diana and Actaeon, Apollo and Eros, Cain and Abel, Scipio Africanus (?), Christ before Pilate a Portrait of an Old Man. Hodnocení výše uvádí rok a muzeum pro každé z nich.
Náš katalog obsahuje 45 děl umělce Andrea Schiavone z let 1540 až 1562.
Většinou v Kunsthistorisches Museum (Vídeň), Royal Collection (Londýn) a Gemäldegalerie (Berlín). V tabulce muzeí výše jsou vypsány všechny.
V období 1540s: 17 z celkem 44 děl na této stránce vzniklo právě tehdy, z toho Apollo and Daphne z nich.
Na této stránce je nejstarší dílo z Conversion of Saul (1540) a nejnovější z Kneeling Woman with Child (1562).
Man (9), Drapery (7) a Woman (5) napříč 44 díly na této stránce.
Oil On Canvas, u 9 z 44 děl na této stránce.
Mannerism, podle originálů na této stránce.
Apollo and Daphne, Kneeling Woman with Child a Jupiter nurtured by Amalthea: muzeum Kunsthistorisches Museum, Vídeň má v obsluze 17 děl z této stránky.
In the vibrant, sun-drenched tapestry of the sixteenth-century Venetian Republic, few names evoke as much intrigue and stylistic complexity as Andrea Schiavone. Born Andrea Meldolla, his very moniker—meaning "Andrew the Slav"—serves as a poetic testament to his dual identity. Though his roots lay in the Dalmatian city of Zara, now Zadar, Croatia, his artistic spirit was forged in the heart of Venice. This unique heritage allowed him to bridge the gap between the rugged landscapes of his birth and the sophisticated, luminous traditions of the Venetian school. As a painter and etcher, Schiav_avone emerged as a vital force during the transition from the High Renaissance to the more stylized, intellectually charged era of Mannerism.
The early life of Meldolla was marked by a profound connection to the shifting tides of Italian and Adriatic culture. Descended from families in Emilia-Romagna, he arrived in Venice around 1530, bringing with him a fresh perspective that would soon captivate the city's most prestigious patrons. His formative years were deeply influenced by the giants of his era; while he drew heavily from the atmospheric color and light perfected by Titian, he also looked toward the elegant, often distorted grace of Parmigianino. This synthesis of influences allowed him to create works that felt both grounded in Venetian tradition and daringly modern for his time.
Schiavone’s artistic development is best understood through his embrace of Mannerism, a movement that sought to move beyond the balanced harmony of the Renaissance toward something more dynamic and emotive. He became a master of the figura serpentinata—the spiral pose—where figures appear to twist and flow with an almost supernatural energy. This technique is nowhere more evident than in his religious compositions, such as The Adoration of the Magi, where the arrangement of bodies creates a sense of rhythmic movement and spiritual intensity that draws the viewer into a state of contemplation.
His ability to manipulate light and shadow, much like his contemporaries, was tempered by a specific interest in the intellectual abstraction of form. While many Venetian painters focused on the sensory richness of oil paint, Schiavone utilized it to explore more complex psychological depths. His works often feature:
The career of Andrea Schiavone was one of prolific achievement, leaving behind a body of work that includes everything from intimate etchings to monumental religious narratives. His patronage by influential Venetian families, such as the Mocenigo and Grimani, ensured that his influence permeated the very fabric of the city's cultural life. Through his mastery of both painting and printmaking, he helped define a specific subset of Venetian art that was less about static perfection and more about the beautiful, restless energy of the human condition.
Today, Schiavone is remembered not merely as a follower of Titian, but as an innovator who dared to inject Mannerist tension into the Venetian landscape. His legacy lives on in the museums of the world, where his ability to blend the classical with the experimental continues to inspire awe. He remains a pivotal figure whose work captures the precise moment when the stability of the Renaissance began to dissolve into the dramatic, emotive splendor of the approaching Baroque era.
