更新于 October 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 22 件 吉利斯·凡·科宁克罗 作品收录于我们的目录中
简而言之
Woodland with Saint Jerome (1583) 是 吉利斯·凡·科宁克罗 最受瞩目的画作；原作收藏于 根特 的 Museum of Fine Arts Ghent (MSK)。 随后，目光会移向 Jonah Preaching to the Ninevites (1583) 和 Landscape with the judgment of Midas (1598)。 在 吉利斯·凡·科宁克罗 的 22 件作品中，这 21 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
Woodland with Saint Jerome is an oil painting by Gillis Van Coninxloo. Created in 1583, the work places a solitary figure, likely Saint Jerome, within a dense thicket. He rests in the mid-ground, a quiet presence amidst the heavy growth of the trees.
Jonah Preaching to the Ninevites by Gillis Van Coninxloo depicts a specific biblical narrative. Created about 1583, the work illustrates the prophet Jonah delivering a message to the inhabitants of Nineveh. The scene focuses on the interaction between the central figure and the gathered crowd. This subject matter is intended to convey themes of repentance and awe through the varied gestures and facial expressions of the assembly.
In Landscape with the judgment of Midas, Gillis Van Coninxloo organizes a vast, panoramic world through a strict three-tier landscape structure. The viewer enters through a dark, densely wooded foreground where twisting branches and heavy foliage frame the view. This shadowed threshold pushes the eye toward the middle ground, where the mythological judgment of King Midas unfolds among scattered figures and architectural elements. The scale is expansive, a Mannerist arrangement…
Landscape with the Judgement of Paris is a large-scale, panoramic landscape painting by Gillis Van Coninxloo. Created about 1610, the work integrates a mythological narrative into an expansive natural setting. The scene focuses on the Judgement of Paris, situating the figures within a complex, multi-layered environment.
A dense, enveloping canopy of trees dominates this composition, framing a recessed view into the depths of a thick woodland. The scene is defined by an intricate network of organic lines, following the gnarled, twisting forms of trunks and the overlapping silhouettes of foliage. Sunlight filters through the heavy ceiling of leaves, creating a high-contrast environment where bright highlights on leaf edges meet deep, dark shadows within the forest floor.…
Undergrowth1597 · 斯特拉斯堡美术馆
12
Forest Landscape1600 · 底特律艺术学院
13
Mountainous Landscape1600 · 博伊曼斯·范·本宁根博物馆
14
Forest Landscape1598 · 列支敦士登博物馆
15
Mountain Landscape with River Valley and the Prophet HoseaMuseum Mayer van den Bergh
16
Landscape with Venus and Adonis克利夫兰艺术博物馆
17
Elias is fed by ravens比利时皇家美术博物馆
18
Landscape with a scene of the Conversion of Saul
19
Landscape with a scene of the Conversion of Saul.
20
Landscape普拉多博物馆
21
Landscape with Leto and Peasants of Lykia冬宫博物馆
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 吉利斯·凡·科宁克罗 的作品 | 此列表中的画作 |
|---|---|---|---|
 斯泰恩斯博物馆艺术馆 |
哥本哈根 | 2 | Jonah Preaching to the Ninevites, A River Landscape |
 巴伐利亚州绘画收藏馆 |
慕尼黑 | 2 | Forest Landscape with the Expulsion of Hagar and Ishmael, Forest Landscape with Hagar and the Angel |
 Museum of Fine Arts Ghent (MSK) |
根特 | 1 | Woodland with Saint Jerome |
 德累斯顿国家艺术收藏馆 |
德累斯顿 | 1 | Landscape with the judgment of Midas |
 国立西洋美术馆 |
东京 | 1 | Landscape with the Judgement of Paris |
 维也纳艺术史博物馆 |
维也纳 | 1 | Wooded landscape |
 Yekaterinburg Museum of Fine Arts |
Yekaterinburg | 1 | Jesus and Zacchaeus |
 斯特拉斯堡美术馆 |
斯特拉斯堡 | 1 | Undergrowth |
选择一个年代，探索定义该时代的原创杰作。
Woodland with Saint Jerome is an oil painting by Gillis Van Coninxloo. Created in 1583, the work places a solitary figure, likely Saint Jerome, within a dense thicket. He rests in the mid-ground, a quiet presence amidst the heavy growth of the trees.
In Landscape with the judgment of Midas, Gillis Van Coninxloo organizes a vast, panoramic world through a strict three-tier landscape structure. The viewer enters through a dark, densely wooded foreground where twisting branches and heavy foliage frame the view. This shadowed threshold pushes the eye toward the middle ground, where the mythological judgment of King Midas unfolds among scattered figures and architectural elements. The scale is expansive, a Mannerist arrangement…
A dense, enveloping canopy of trees dominates this composition, framing a recessed view into the depths of a thick woodland. The scene is defined by an intricate network of organic lines, following the gnarled, twisting forms of trunks and the overlapping silhouettes of foliage. Sunlight filters through the heavy ceiling of leaves, creating a high-contrast environment where bright highlights on leaf edges meet deep, dark shadows within the forest floor.…
Woodland with Saint Jerome (1583)，Museum of Fine Arts Ghent (MSK), 根特。紧随其后的是 Jonah Preaching to the Ninevites (1583) 和 Landscape with the judgment of Midas (1598)。
39岁：Woodland with Saint Jerome创作于1583年，吉利斯·凡·科宁克罗出生于1544年。
Woodland with Saint Jerome, Jonah Preaching to the Ninevites, Landscape with the judgment of Midas, Landscape with the Judgement of Paris, Wooded landscape, Forest Landscape with the Expulsion of Hagar and Ishmael, Jesus and Zacchaeus, A River Landscape, Landscape with Jesus and his disciples on their way to Emmaüs (Luke 24:13-35) 及 Forest Landscape with Hagar and the Angel。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 22 件 吉利斯·凡·科宁克罗 的作品，创作年代从 1574 年至 1600 年。
多见于 斯泰恩斯博物馆艺术馆 (哥本哈根), 巴伐利亚州绘画收藏馆 (慕尼黑) 及 Museum of Fine Arts Ghent (MSK) (根特)。上方的博物馆列表列出了所有相关机构。
在 1580s 期间：本页 21 件作品中有 5 件创作于该时期，其中包含 Woodland with Saint Jerome 件作品。
在本页面中，最早的作品创作于 Forest Landscape with the Expulsion of Hagar and Ishmael (1574)，最晚的创作于 Wooded landscape (1600)。
Landscape (7), Figures (4) 及 Trees (3)，共计 21 件作品。
Oil On Panel，共计 4 件（本页共有 21 件作品）。
Jonah Preaching to the Ninevites 及 A River Landscape：斯泰恩斯博物馆艺术馆, 哥本哈根收藏了本页中 2 件作品。
吉利斯·凡·科宁克罗是北方风景艺术演进史上的关键人物，在繁复的矫饰主义传统与早期巴洛克时期蓬勃发展的大气深度之间，架起了一座至关重要的桥梁。他出生于比利时安特卫普，其生命轨迹与低地国家深厚的艺术传承紧密交织。作为画家的后裔，他沉浸在一个将精湛工艺与自然观察视为至高无上的世界中。在小彼得·库克·范·艾尔斯特和莱纳特·克罗斯等大师的指导下，他接受了严苛的早期训练，为其打下了坚实的基础；然而，真正让他的才华得以绽放的，是在吉利斯·莫斯塔特工作室工作的经历，这段时光让他得以在参与专业创作的同时，不断磨炼自己独特的艺术视野。
他的艺术旅程充满了迁徙与扩张，映射出那个时代变幻莫测的政治与文化浪潮。尽管他的职业生涯根植于安特卫普，但在生命的后期，他足迹遍布欧洲，曾在德国工作，最终定居于荷兰共和国。这种游牧式的生存状态使他的风格能够吸收各种地域性的影响，最终促成了森林风景画的成熟与演进。他因能够将单纯的林木描绘转化为深刻的感官体验而闻名遐迩——在观者眼中，那不再仅仅是树木的堆砌，而是被邀请步入一个生机勃勃、呼吸着的生态系统。
吉利斯·凡·科宁克罗真正的卓越之处在于他对森林风景无与伦比的掌控力。他拥有一种非凡的能力来操纵光影——这种常被称为“明暗对照法”的技术——用以雕琢那些定义其构图的茂密灌木丛与交错的枝干。在如其《森林风景》等作品中，人们可以观察到一种近乎执着的细节追求；每一片叶脉的走向、每一寸树皮的纹理，都经过了极其细致的刻画。他利用木板油画和铜版画媒介来追求一种通透的质感，让光线穿透层层叠叠的翠绿树冠，营造出一种既真实可感又如梦似幻的大气深度。
除了纯粹的技术执行，他的风景画中还蕴含着叙事感与静谧的象征意义。一条蜿蜒的小径或许将视线引向远方谦卑的村庄，或是地平线上雄伟的城堡，暗示着孤独、庇护或是文明与荒野共存的主题。他的作品捕捉到了艺术史中的一次转型：风景不再仅仅是人类戏剧的背景，而是成为了主角本身。通过对光、影与深度的精心构建，吉利斯·凡·科宁克罗创造了一个个邀请人们进行宁静沉思的世界，为荷兰与佛兰德斯黄金时代的发展留下了不可磨灭的印记。
