Urutu Snake
Oil On Canvas
WallArt
Surrealism
1928
19th Century
60.0 x 72.0 cm
MAM Rio
P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
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P805H $10
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P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
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Urutu Snake
艺术微喷/版画
复制品尺寸
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最终总价
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藏品详情
A Dream Woven in Serpent Scales: Tarsila do Amaral’s “Urutu Snake”
Tarsila do Amaral's "Urutu Snake," painted in 1928, isn’t merely a depiction of a reptile; it’s an immersion into the vibrant, surreal landscape of early Brazilian modernism. This oil on canvas, currently residing within the Museum of Modern Art in Rio de Janeiro, pulsates with a potent blend of abstract expressionism and the burgeoning dreamlike quality of Surrealism – a testament to do Amaral's embrace of European avant-garde movements while simultaneously grounding them in distinctly Brazilian imagery and symbolism. The painting immediately commands attention with its audacious scale—measuring 60 x 72 centimeters—and its bold, almost aggressively bright palette dominated by deep blues, verdant greens, and the arresting flash of a scarlet orb. It’s an artwork that refuses to be passively observed; it demands engagement, inviting viewers into a world where logic yields to intuition.
The Egg and the Serpent: Symbolism Unveiled
At the heart of “Urutu Snake” lies a colossal, textured egg – an element that immediately evokes notions of birth, potential, and nascent life. Its rough, granular surface, rendered with thick impasto strokes, suggests both fragility and immense power. Emerging from this primordial form is a sinuous serpent, its scales shimmering with subtle gradients of color, culminating in the aforementioned scarlet orb. The “Urutu” itself refers to a type of snake native to Brazil, but within do Amaral’s vision, it transcends mere identification. It embodies transformation, danger, and perhaps even the cyclical nature of existence – themes deeply rooted in Brazilian indigenous mythology. The red orb, often associated with the sun or vital energy, could represent both creation and destruction, mirroring the dualistic forces inherent in the serpent's journey.
Technique and Vision: A Fusion of European Influence
Do Amaral’s technique is a fascinating synthesis of influences. While clearly drawing inspiration from the Cubism and Surrealism prevalent in Paris at the time, she infuses her work with a uniquely Brazilian sensibility. The flattened perspective, reminiscent of early Cubist explorations, creates a sense of immediacy and intimacy, as if we are peering directly into this dreamscape. Yet, the swirling lines and organic forms—particularly those defining the serpent’s movement—suggest an embrace of Expressionism's emotional intensity. The visible brushstrokes, characteristic of oil on canvas, contribute to the painting’s tactile quality, inviting a sense of physical engagement with the artwork. The careful layering of colors and textures creates depth, despite the overall flattened composition, suggesting a deliberate attempt to capture not just a visual representation but also an atmospheric mood.
Antropofagia and Brazilian Identity
"Urutu Snake" is inextricably linked to the Antropofagia (Cannibalism) movement – a radical artistic philosophy championed by do Amaral and her contemporaries. This movement sought to dismantle European artistic conventions and forge a distinctly Brazilian identity through the incorporation of indigenous myths, folklore, and natural imagery. The painting embodies this ethos perfectly: it’s not a faithful representation of reality but rather a symbolic distillation of Brazil's soul. The vibrant colors, the serpent motif, and the overall dreamlike quality all contribute to a sense of national pride and cultural renewal—a bold declaration that Brazilian art could be both modern and uniquely its own. The painting stands as a powerful symbol of this artistic revolution, capturing the spirit of a nation rediscovering its roots.
A Timeless Masterpiece: Reproduction and Beyond
Reproductions of “Urutu Snake” offer an exceptional opportunity to bring this captivating artwork into any setting. The rich colors and dynamic composition will undoubtedly serve as a focal point, adding a touch of exoticism and intellectual depth to any room. Consider framing the reproduction in a manner that complements its vibrant palette – perhaps a dark wood frame to accentuate the intensity of the colors or a lighter tone to allow the artwork’s energy to shine through. “Urutu Snake” is more than just a painting; it's an invitation to explore the depths of Brazilian culture and the boundless possibilities of artistic expression.
艺术家简介
巴西的远见者:塔西拉·杜·阿马拉尔的生命与艺术
在20世纪初巴西艺术那绚烂夺目的织锦中,塔西拉·杜·阿马拉尔(Tarsila do Amaral)无疑是一位举足轻重的核心人物。作为一名画家,她凭借大胆的色彩与创新的精神,敢于将民族身份的精髓浓缩于画布之上。1886年9月1日,塔西拉出生于圣保罗州卡皮瓦里一个富庶的咖啡种植家族,这种优渥的成长环境为她提供了那个时代女性罕见的机遇。这份特权让她得以追求艺术训练,最初在佩德罗·亚历山德里诺·博尔赫斯(Pedro Alexandrino Borges)的指导下学习,随后于1920年踏上了改变命运的巴黎之旅。正是在朱利安学院(Académie Julian)以及后来的现代学院(Académie Moderne)的围墙之内,她邂逅了重塑艺术世界的先锋浪潮——立体主义、未来主义与表现主义——这些影响深刻地塑造了她的艺术轨迹。费尔南德·莱热(Fernand Léger)、阿尔伯特·格莱兹(Albert Gleizes)和安德烈·洛特(André Lhote)的悉心教导对她产生了尤为深远的影响,鼓励她将欧洲现代主义与鲜明的巴西感性进行融合。通过艺术锻造民族认同
回到巴西的20世纪20年代初期,塔西拉成为了定义独特巴西现代主义传统的关键力量。她并非仅仅是在引进欧洲风格,而是在积极寻求创造一种能够与国家灵魂对话的艺术,以此反映其地貌、人民以及文化的复杂性。这一追求促使她与一群志同道合的艺术家和知识分子展开合作——包括阿妮塔·马尔法蒂(Anita Malfatti)、梅诺蒂·德尔·皮奇亚(Menotti Del Picchia)、马里奥·德·安德拉德(Mário de Andrade)以及奥斯瓦尔德·德·安德拉德(Oswald de Andrade)——他们共同被称为“五人小组”(Grupo dos Cinco)。他们齐心协力挑战传统的艺术规范,引领了一场旨在摆脱学院派束缚并拥抱全新视觉语言的运动。塔西拉的贡献在通过绘画阐述这一愿景方面尤为显著,她的作品常常以梦幻般的质感和鲜艳的色调描绘巴西生活的场景。《Abaporu》的力量与食人主义运动
或许没有任何一件作品能比《Abaporu》(1928)更强有力地体现塔西拉的艺术哲学。这幅标志性的画作描绘了一个拥有巨大脚掌的孤独身影,坐落在超现实的景观之中,它成为了巴西最具影响力的文化运动之一——“食人主义”(Antropofagia)的催化剂。受奥斯瓦尔德·德·安德拉德同名宣言的启发,食人主义主张巴西艺术家应当“吞噬”外来影响,并将其转化为属于自身独特的成果。《Abaporu》在视觉上捕捉到了这一概念,代表了对殖民式模仿的拒绝以及对文化杂糅性的拥抱。画中的意象——深扎于土地的巨大双足、那令人费解的神情——与一个在独立后努力寻找自我身份的国家产生了深刻共鸣。这不仅仅是一件艺术品,更是一份艺术主权的宣言。除了《Abaporu》,诸如《黑人女性》(A Negra, 1923)和《贫民窟之丘》(Morro da Favela)等作品也展示了她对社会主题的关注,通过描绘边缘化群体来挑战当时盛行的社会规范。传承与持久的影响力
在漫长而多产的艺术生涯中,塔西拉·杜·阿马拉尔通过多样化的作品集持续探索着巴西身份的复杂性。她的绘画以大胆的色彩、简化的形式和梦幻般的氛围为特征,经常将现实主义元素与超现实主义及抽象主义相融合。她从不畏惧实验,在保持核心愿景的同时不断演进自己的风格。她的影响力超越了绘画领域,激励了数代巴西艺术家,并塑造了国家的文化版图。如今,塔西拉·杜·阿马拉尔的作品被世界各地的著名收藏机构所珍藏,包括巴西中央银行价值博物馆(Museu de Valores do Banco Central do Brasil)和南里奥格兰德州艺术博物馆(Museu de Arte do Rio Grande do Sul)。她的艺术凭借其充满活力的能量、诗意的意象以及对“何为巴西人”的深刻探索,持续吸引着全球观众。她于1973年1月17日逝世,留下了一位拉丁美洲最重要的现代主义艺术家之名——一位敢于描绘民族灵魂的远见者。塔西拉·杜·阿马拉
1886 - 1973 , 巴西
艺术家简介
- Artistic Movement Or Style: 巴西现代主义
- Artists Or Movements Influenced By This Artist: ['食人主义运动']
- Artists Who Influenced This Artist:
- 费南德·莱热
- 阿尔伯特·格莱兹
- 安德烈·洛特
- Date Of Birth: 1886年9月1日
- Date Of Death: 1973年1月17日
- Full Name: 塔西拉·杜·阿马拉
- Nationality: 巴西
- Notable Artworks:
- Abaporu
- A Negra
- Morro da favela
- Urutu Snake
- Landscape VII
- Place Of Birth: 巴西,圣保罗

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