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统计数据Le Pardon
The inversion of the relationship between the subject and the object brings the reunion of Golgotha and Corrida: the toreros and the bulls change places, are crucified or are united in a deadly embrace. Their fight is defined by their total, devouring appropriation of each other. Corrida and Golgotha do not only invoke death celebrated as an orgy, but also rebirth. Christian heroes are transformed into heathen gods of seasonal recurrence. Mexico became a mystery in Eisenstein’s epic: a cosmogony of life and death. Here he understood art as a “transition from biological mortality to social immortality.”
谢尔盖·爱森斯坦（1898 – 1979）
谢尔盖·爱森斯坦 (1898-1948)：革命性的苏联电影导演与理论家。蒙太奇剪辑的先驱，创作了《战舰波坦金号》和《伊凡雷帝》等经典电影作品。
关于此作品
- 标题: Le Pardon
- 艺术家: 谢尔盖·爱森斯坦
- 格式: Landscape
- 版权状态: 版权保护中
- 运动感: Expressionism
- 主色调: Clay
- 关键词: christian sketches , soviet art sketch , russian expressionism
- 色彩饱和度: Vivid
- 主题: abstract expressionism , geometric composition , religious symbolism