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统计数据Old Porcelain
- 99.0 x 71.0 cm
展开全文
艺术微喷/版画
博物馆级艺术微喷或帆布版画，制作高效，并提供多种饰面选择。 (
订购纯手工绘制画作 切换至数字图像销售渠道)
标准尺寸
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请输入您所需的宽度和高度，以适配您的画框或墙面。由于印刷品只能进行裁剪，无法超出原图尺寸，因此若比例不一致，画面的一部分将会被裁切。在正式印刷之前，我们会为您发送一份数字效果图供您确认。本页面显示的图片并非最终裁剪后的效果——只有效果图才能展示真实的裁剪情况。
玻璃选项仅适用于110厘米以下的尺寸。
Old Porcelain
艺术微喷/版画
复刻品尺寸
-
最终结算价
¥ 544
Since he was thrown out of his studio in the District Hall tower by the occupaying forces upon his return from a interment camp to Sombor, Konjović worked for a time at his relative’s, aunt Malka’s [Vukićević] home, where this painting was done as well. At the time his powerful gesture, flaming colours and global rhythm of the painting gave way to the emphasis on accentuating the tonal values of colours, the subject matter and the role of the painted motif, remaining faithful to his own powerful and unique creative personality. Old Porcelain is a painting of monumental concept and extraordinary accumulated power, with tense facture, full to the point of bursting. In order to accentuate even more its rusticity and force, the artist often replaced the brush with a spatula. Radoslav Putar, a famous art critic from Zagreb, called this painting in the 1960s “a masterpiece of modern Yugoslav painting.” At the time the picture was painted, art critics (Jovan Popović, Branko Šotra) were fiercely attacking Milan Konjović’s art from the viewpoint of the pragmatic requirements of socialist realism: art was supposed to be topical and clear in content, realistic and easily interpretable in form, a means of mass-education in the hands of daily politics. Konjović was made a target of critics as the director of the Sombor museum, (opened in October 1945 in an adapted building with Pavle Beljanski’s collection) for spreading decadent western art. “In spite of the attacks, I was able to preserve the Beljanski collection in the Sombor museum. Pavle had already told me that he was going to give it as a gift to Vojvodina in memory of his family who had been killed. Beljanski is a remarkable person, and as a man he has a pure soul and a heart of gold. Infatuated and crazy about those paintings of his, he was willing to make any sacrifice for them. It was in the Sombor museum that he first saw his collection as a whole and as the fruit of his labour. I am of the opinion, and I wish to say it, that this collection is our anthology assembled with a most artistic sensitivity, with masterpieces of our painting between the two wars, chosen from each artist with refined taste and vast knowledge of an extraordinarily cultured collector. Beljanski is indeed one of our great men,” Katarina Ambrozić recorded Konjović’s words.
常见问题与解答
米兰·科诺维奇 的《Old Porcelain》 的版权情况是如何界定的？
米兰·科诺维奇 的《Old Porcelain》 已进入 仍受版权保护。版权保护期自艺术家逝世之日起计算，该艺术家于 1993 年逝世。
"Old Porcelain" 的色彩之间是如何相互关联的？
米兰·科诺维奇 的《Old Porcelain》 的色彩呈现出一种 Softly Mixed Palette 的和谐感。这种和谐感描述了色彩之间的相互关系。
"Old Porcelain" 的明暗对比是否强烈？
米兰·科诺维奇 的《Old Porcelain》 在明暗区域之间呈现出 Gentle 的对比度。